The rain and the wind were so fierce that in March, the door was covered with dusk, and there was no way to stay in the spring. The first time I saw this, I was so happy to see you, and I'm so happy to see you. Song Lyrics , Song Lyrics Selection , Euphemism , Lonely Lady's Complaint Translation and Commentary
Translation
The courtyard is deep, I don't know how deep it is. The willows are still clinging to each other, billowing up sheets of smoke, and a heavy curtain has an unknown number of layers. Luxurious carriages and horses parked in the nobleman's son to seek pleasure, she climbed the stairs to look into the distance, but could not see the big road leading to the Zhangtai.
Spring has reached the twilight, March rain accompanied by gusty winds, and then the heavy door will be dusk scenery cover closed, but also unable to retain the spring. Tearful eyes asked the falling flowers can know my heart, the falling flowers silent, messy, sporadic little by little flying to the swing outside.
AppreciationThe first three lines of the first piece are about the situation of "deep courtyard", "how deep is it" contains the feeling of resentment in the question, "heaps of smoke" is like the quietness in the courtyard, and it sets off the loneliness of the people. The "curtains are not heavy", write the depth of the closed cabinet, is the confinement of youth, is the beautiful life of the killing. The "courtyard" is deep, the "curtains" are heavy, and the "willows are piled with smoke", both thick and dense - living in such a Living in such an eerie and secluded environment, the heroine is suppressed and confined both physically and mentally. Stacked with three "deep" words, write out the blockade, the same as the pain of living in prison, not only implies the heroine's loneliness and solitude, but also have a deep heart, the feeling of resentment. Therefore, Li Qingzhao appreciated it so much that she composed several sections of "Deep in the Courtyard" in her own words. Obviously, the material life of the heroine is favorable. But the extreme bitterness of her spirit is also self-evident.
俞陛云《唐五代两宋词选释》：此词帘深楼迥及 "乱红飞过 "等句，殆有寄托，不仅送春也。 The song is not only about sending off the spring, it is also about sending off the spring. Li Yi-An was the author of the Sixth Song of the Sixth Year. Li Yi'an wrote the lyrics for Liuyi, and Yi'an said, "I love this lyric very much. He composed several sections of "Deep in the Courtyard", the sound of which is the old "Linjiang Xian". Mao Xianshu's "Ancient and Modern Lyrics": Yongshu's words were "Tearful eyes ask for flowers without saying a word, and the red flies over the autumn thousands. This can be said to be deep and complete. Why? Because of the flowers, there are tears, this layer of meaning; because of the tears and ask the flowers, this layer of meaning; the flowers do not speak, this layer of meaning; not only do not speak, and also the messy fall, flying over the swing, this layer of meaning. The more sad people are, the more annoying the flowers are, the more shallow the language is and the more the meaning enters, and there is absolutely no trace of painstaking carving and painting, so it is said that it is not a layer of deep and muddy? "Jade Le carved saddle" the following sentences, layer by layer in-depth display of the reality of the miserable wind and rain on the heart of the merciless ravages: the lover is not lucky, smelting tour does not return, the person in the mood for sex smelting and can not be helped.
The first three lines of the next piece use the storm as a metaphor for the ruthlessness of feudalism, and the flower was destroyed as a metaphor for their own youth was destroyed. "The door is covered by the dusk" four lines of metaphorical Shaohua empty, life is easy to old pain. Spring will be gone, years like water. The last two lines are about the woman's infatuation and despair, which is rich in meaning. "Tearful eyes ask the flower", in fact, that is, tearful self-questioning. "Flowers do not speak", not to avoid the answer, is talking about the girl and the falling flowers with life **** bitter, speechless and choking. "Red fly through the swing", not more clearly than the language shows the fate she faces? "Chaotic red" flew through the place of youthful play and drift away, faded, it is "nothing can be done to flowers fall away" also. Amidst the glistening tears, flowers are like people, people are like flowers, and in the end, flowers and people are indistinguishable, and it is equally difficult to avoid the fate of being thrown away and abandoned. The imagery of "messy red" is not only a copy of the scene, but also a symbol of the woman's tragic fate. This completely with the environment to imply and set off the characters thoughts of the penmanship, deep Wan not forced, twists and turns, truly expresses the living in a claustrophobic state of the aristocrats *** difficult to articulate the inner hidden pain.
Appreciation twoThis word is also found in Feng Yansi's "Yangchun Collection". Liu Xizai, a Qing scholar, said, "Feng Yansi's words, Yan Tongshu got his hands on them, and Ouyang Yongshu got his hands on them." (The Art of the general - words and songs) in the history of the development of the word, the early Song word style from the Southern Tang Dynasty, there is not much change, and Ou and Feng club to Zai Di, political status and cultural qualities are basically similar. Therefore, the style of their words is very similar and some works are often confused together. This word according to Li Qingzhao "Linjiang Xian" word preface cloud: "Ouyang Gong made" Butterfly Lovers "with" deep how many "sentences, I love, with its language for" courtyard deep "several sections." Li Qingzhao went to Ouyang Xiu is not far, the cloud should not be wrong.
This word is written in a boudoir. The word style is deep, stable and elegant. The so-called deep, that is, implicit and implicit, Wanqu deep, intriguing. The first sentence of this word "deep deep" three words, the previous person tasted marveled at its use of superimposed words of the work; I would like to highlight, to illustrate the characteristics of the whole word where. It is worth saying that the scene of this lyric is written y, the mood is written y, the mood is also written y.
First, the depth of the scene. The lyricist is like a master of stage art design, first of all, the heroine's residence has been carefully arranged. Read the two lines of "willow pile of smoke, the curtain is not heavy", seems to be in front of the eyes of a set of movie camera, from far and near, gradually moving, gradually deep. As the camera points, the reader first sees a clump of willows moving past his eyes. "Willow piles of smoke" is the scene of willow covered with layers of fog in the morning. The word "heap" is used to describe the density of the willows and the density of the fog, which is like an ink painting. With this clump of willows in the past, the lyricist and the camera shook to the courtyard, shook to the curtain. This curtain is not a heavy, but after a heavy and a heavy. How many weights, he does not make a trivial account, in a nutshell, "no weight". "There is no number of weights", i.e., countless weights. In Qin Guan's "Tapsa Xing", "The post sends the plum blossom, the fish passes on the ruler, and this hatred is built up without any weight", which is the same as this. The phrase "no counting" makes you feel that this courtyard is incredibly deep. However, the lyricist doesn't let you see the location of the characters immediately. He first said a sentence "Jade Le carved saddle traveled", put off a stroke, the reader's attention to her husband; and then folded over the pen to write: "high building do not see Zhangtai Road". It turns out that the words of the woman is alone in the high building, her eyes are through the heavy curtains, piles of willow smoke, to her husband's frequent tour of the place of gazing at the distance. This writing method is called to raise the first suppression, do all the arrangements, create enough suspense, and then let the characters appear, so it can give people a deep impression.
Besides, the depth of love. The first thing I'd like to say is that I'm not sure if I'm going to be able to do this, but I'm sure I'm going to be able to do it," he said. This word will be the heroine's feelings level digging very deep, and use the brush to make the abstract feelings for the detailed portrayal. The first part of the lyric focuses on scenery, but "all words of scenery are words of emotion" (Wang Guowei, "Words on Earth"). In the deep courtyard, one seems to see a forbidden and isolated heart. The second part of the poem focuses on love, as the rain and the wind rush away the remnants of spring, and also the heroine's years. She wants to keep the spring, but the wind and rain are relentless, and she can't keep the spring. So she feels helpless and has to put her feelings on the flowers whose fate is the same as hers: "Tearful eyes ask the flowers not to say anything, and the red flies over the autumn thousands." These two lines contain unlimited feelings of sadness in spring. The Qing writer Mao Xianshu commented: "Wordsmiths want to be deep in their meaning, and their words want to be complete. Wordsmiths probably want to layer deep, the language will be portrayed; the language is muddled into the meaning will be superficial, it is difficult to do both. If I want to cite a similarity, I will take a look at the words of Uncle Yong: 'Tearful eyes ask for flowers without saying a word, and the red flies over the autumn thousands. This can be said to be a deep and complete composition." (Wang Yuhua, "Ancient and Modern Lyrics", cited) What he means is that it is often difficult to combine language and depth of feeling, but Ou's words unify them in these two lines. The so-called "intention layer deep" means that the character's thoughts and feelings should be deepened layer by layer, step by step. Let's look at how these two sentences are to dig deeper and deeper. The first layer of the heroine because of the flowers and have tears. Seeing the flower tears, to the moon sadness, is an ancient woman often have feelings. At this moment, the woman is remembering her husband who is walking on Zhangtai (Zhangtai Street in Changan, Han Dynasty, later referred to as the place of smelting), but she can't see the flowers that have been devastated in the storm, thus associating them with her own destiny, and cannot help but be saddened by her tears. The second layer is to write because of tears and ask flowers. Tears are caused by sadness, and it is necessary to find an object to vent. This object has been transformed into a flower, or rather the flower has been transformed into a person. So the heroine asks the flower in a passionate way. The third level is that the flower is actually silent, speechless. Whether they don't understand what she means, or they refuse to sympathize with her, it is very puzzling. Immediately after the lyricist wrote the fourth layer, the flowers not only do not say anything, but like intentionally leave her as if they have flown across the swing and go. People walking horse Zhangtai, flowers flying over the swing, sentient people, ruthless things to her are reported indifference, it is impossible for her not to be sad. This kind of writing style, which borrows the reaction of objective scenery to emphasize and contrast the subjective feelings of the characters, is precisely to deepen the feelings. The lyricist digs deeper and deeper into the feelings, not deliberately sculpted, but like bamboo shoots with buds and joints, naturally generated, unfolding one by one. In the natural and easy to understand language, contains a deep and sincere feelings, which is a major feature of this piece.
Ouyang Xiu (1007-1072), the word Yongshu, the number of drunkenness, the late name of the "six one Jushi". Han, Jizhou Yongfeng (now Yongfeng County, Jiangxi Province) people, because the original Jizhou belonged to Luling County, to "Luling Ouyang Xiu" self. Boxing name Wenzhong, world known as Ouyang Wenzhong Gong. The Northern Song Dynasty politicians, literary scholars, historians, and Han Yu, Liu Zongyuan, Wang Anshi, Su Xun, Su Shi, Su Zhe, Zeng Gong, collectively known as the "Eight Greats of the Tang and Song Dynasty". Later, it is also known as "the four great writers of ancient times" with Han Yu, Liu Zongyuan and Su Shi.Ouyang Xiu
The door is separated from the flowers and dreams of old travels. The first time I saw this is when I was in the middle of the night, and the second time I was in the middle of the night. The first time I saw this, it was a very good time for me. The east wind is colder than autumn. The sun sets without a word, and the swallows return. The sun is setting, and there are no words to speak.
The falling flotsam and jetsam is silent, the moon is shy, and the clouds are shadowed. The winds of the east are cold at night, and the winds of the east are cold in the fall. The three hundred Song lyrics , Song lyrics selection , Remembering the dream of parting recently in front of the door of the stream rises. The first time I saw you, I was so happy to see you, and I was so happy to see you, too. The boat is small and it is difficult to open the red bucket tent. I have no idea what to do. In the shadow of the Nymphaea, there is nothing to be disappointed about. I wish I could be a red Nymphaea. I wish to be born every year on the Autumn River. I wish my husband to be a wave under the flowers. No barriers. I will come and go with the wind and the rain. The first time I saw you, I was so happy to see you, but I didn't want to see you again. I'm not sure if I'm going to be able to get a good deal on this, but I'm sure I'll be able to. I'm not sure if I'm going to be able to do that. The first thing I want to do is to get rid of all the stuff that I've seen in the past.
I wish I were a red lotus flower. I would like to be born every year on the Autumn River. I wish that my husband would be a flowery wave. No barriers. I would like to be able to come and go with the wind and the rain. Song Lyrics , Folk Songs , Woman , Yearning for Love The night of the Red Mansion is a melancholy one, and the tasseled tent is half rolled up with fragrant lamps. When the waning moon goes out, the beauty and the tears say goodbye. The pipa's gold and jade feathers and the yellow warbler's voice on the strings persuade me to return home as soon as possible. I am advised to return home as soon as possible. The green window looks like a flower.
When the moon goes out, the beauty and the tears leave.
The pipa has a golden green feather, and the yellow warbler speaks on the string.
I was advised to return home early, and the green window looked like a flower. The three hundred songs of the Song of Songs, the parting and the longing for home