Three-part style, three-part style is developed from a section of the lyrics for the ABA structure, which is characterized by a section of the A and three sections of the A number of sentences, the content should be the same. For example: "Singing the Motherland" five-star red flag flutters in the wind / how loud the victory song / singing our dear motherland / from now on towards prosperity and strength. The third paragraph still repeats the same four sentences. There are also ABC structural types of three paragraphs, for example, the three paragraphs of "Red Flag Flying" are each different.
Multi-paragraph, which refers to more than three paragraphs, the content and mood of each paragraph is different paragraph. Because, multi-paragraph lyrics change a lot, more levels, the difficulty of composing is also big, generally very few people write, here will not talk about it.
Section 4: complete painting of the lyrics of this phoenix
I liken the good lyrics to a phoenix, which gives a person floating, gives a person beautiful, mesmerizing ...... lyrics written successfully, the phoenix is alive. How to draw this "phoenix"? Let me think of the structural characteristics of the drama - the beginning and end, figuratively speaking, the structure should be the phoenix head, tiger back, bear waist, phoenix tail. The structure of lyrics, I also thought of these words - to stabilize the phoenix head, to support the phoenix body, to protect the phoenix tail. It's also called "start high, develop new, and finish fine".
Stabilizing the head of the phoenix (starting point to be high) here mainly refers to the establishment of a good theme, write a good beginning two aspects. We can not create at will, where you want to write, at the outset, we must establish the theme, what we want to write, to show what ideas, which is the key to the success or failure of the lyrics. For example, if you want to write about the subject of peace, you have to find a breakthrough point in this broad range, some people use peace doves to show. Some people use flowers. Some people use flowers. Some people use songs. What do you use and how do you use it? Here, to cite an example of my own lyrics, I have always wanted to write a Daur people love new life lyrics, thought for a long time, and finally set to write "Ovoo will", named "joyful Ovoo will". Where to start? I decided to write from the outside to the inside, from the macro to the micro writing. The result was successful. Therefore, it is important to establish a good theme. Speaking of which, there is also the issue of writing a good beginning. The beginning of the lyrics must open the door, not cloud it. Saying that the beginning is difficult to write, the key is to grasp the characteristics of the lyrics. The beginning of "Joyful Ovoo Meeting" seems to be very common, and you will feel that the head is very good if you think about it carefully - the golden pony brings a piece of flowing clouds/the embroidered robe drops a piece of colorful clouds/the girl and the boy on the path/bring the beautiful summer day to the side of the Nenjiang River. Write the beginning of the natural flow in this way, the theme is brought out at once. To good phoenix body (development to new) here is mainly about, after the establishment of the theme, to write a good content, express good emotions. That is, the development of the lyrics of the passage, it is like the spine and stomach of the phoenix, there must be content. The writing method should be carefully laid out, coherent sentences, step by step in-depth for the climax to lay the groundwork. As a matter of fact, the center of a song's lyrics is mainly accomplished by this paragraph. Our lyrics here should be specific, vivid, typical and moving. It is also important to write through the emotions. For example, this part of "Goodbye Mom" is brilliantly written - You don't shed tears quietly / You don't hold me back / When I return triumphantly from the battlefield / Come back to visit my dear mom. The four short sentences in the middle are convincing in expressing both content and emotion. It can be seen that it is important to write a good development` of the middle section in order to hold a steady phoenix body. The opening lines of the song `Farewell Mom`--Farewell Mom, Farewell Mom, the bugle has blown, the steel gun has been polished, the uniforms have been carried, the troops are about to set off. It's brilliantly written, and if the middle is poorly developed, it's like a person with a big headache, and if it's well developed, it's also like a person with a curve that shows through. However, there is also such a case, the first four lines, followed by the chorus, then, these first four lines contain the head and body of the two parts, more reasonable layout.
Protect the phoenix tail (the end of the fine) we often hear in life, "the bottom of the foot without shoes poor half", if the end of the lyrics are not good, the front of all the work for nothing. What I am saying here is that the lyrics should be collected well, collected, at the same time, but also have a residual sound. In a verse, the last two lines are important. In a two-part song, the chorus is important. In a three-part song, the third verse is important. However, in general, sometimes the third paragraph is a repeat of the first paragraph, which should have a flying stroke without affecting the word pattern. Each section of eight lines of lyrics, the last two lines of this collection of true as a flying stroke, for the song to draw a perfect conclusion. There's also a foreign lyric, "Flowers and Soldiers," which is written in bite-sized chunks, and how does it end with a flourish? Leaving people in suspense, but look - the flowers went there / the flowers were picked by the girl / where did the girl go / the girl was married by the boy / where did the boy go / the boy went to the barracks as a soldier / where did the soldiers of the barracks go / the soldiers of the barracks went to the front / the soldiers of the front went / the soldiers of the front went / the soldiers of the front went to the grave / the soldiers of the front went / the soldiers of the front went / the soldiers of the front went / the soldiers of the front went / the soldiers of the front went / the soldiers of the front went / the soldiers of the front went to the grave. Where the graves went / The graves were covered with flowers. Note that without these last two lines, wouldn't we think it's a play on words, a poor attempt at wordsmithing, but "The graves went there / The graves were covered with flowers." The presence of this is simply screaming. The phoenix has the most beautiful tail, and so should the end of the lyrics!
Section 5: seek spoken language, increase the artistic infectivity of the lyrics
With the change of the political environment, with the maturity of music and literature, the era of false big empty, grandiose words has passed, but the false small empty, set of words is still not put an end to the phenomenon of commonly used lyrics of 200 sentences is still in the creation of lyrics appear frequently, lyrics The language still has many problems.
How to solve? The first thing you need to do is to feel the life, the times, and the psychological activities of the people in the period of change. In the feeling of thinking, in the feeling of collection, in the feeling of creation. It is important to recognize the basic characteristics of the language of lyrics. In this section, I talk about the problem of the language of lyrics, that is, how to grasp the topic of colloquialism in the creation of lyrics.
To achieve the spoken language of lyrics, I think there are three taboos, 1 taboo taboo flashy, 2 taboo taboo dragging obscure, 3 taboo a variety of imagery; there are three advocates 1 advocate to open the door 2 advocate the image of accurate 3 advocate in-depth and simple
No doubt, the lyrics and poetry as much as the need for the language of the beauty of the language, however, due to the constraints of lyrics by the music, the language of the language and the language of the poem have a great deal of difference.
Talking about dragging there is a word too long, empty, no hierarchy, no language division, always do not enter the subject of the phenomenon, with a folk saying "obscurity". Obscurity, refers to the language is raw, difficult to read, difficult to understand, difficult to remember, or bite the words, or semantic ambiguity. An example: "My bag is filled with many bubbles, I also have baskets, bags and locks" and some made-up words and phrases and words that can not be sung, such as: there is a rainbow in the city, which is obviously for the sake of rhyme, regardless of whether other people can sing, sung after the people can not understand, which is incompatible with the attributes of the lyrics. 3, taboo on a variety of imagery ( also includes a variety of images) of a sentence or a phrase. also includes multiple images) Multiple imagery in a sentence or paragraph of lyrics is a stumbling block to composition. Auditory stumbling block. A stumbling block to memory. It also prevents the composer from finding the exact image, the listener's sense of hearing from finding the channel, and the memory from finding the point of memorization, e.g., "The gloom of the village the gravel in the shoes the maltiness in the air. A table, a chair, a cup, a mood," such lines may be fine as poems, but definitely not as lyrics. Regarding the three advocates, I won't go into much detail here for reasons of space, but will give three different examples to illustrate. "You give me love, love to me," which is called the opening of the door to write: "Life is like a mass of hemp, there is always a small knot that can not be solved," which is called the image of the accurate; "You also say Liaozhai, I also say Liaozhai, rest, anger, sadness and happiness a moment to the heart. to the heart. Ghosts are not ghosts, monsters are not strange, cow ghosts, snakes and gods than the gentleman is still lovely," which is in-depth. All the above reasons, is to emphasize the lyrics of the spoken word, spoken word so that the lyrics sound, conducive to the memory of the song; spoken word spoken mood vivid, conducive to provide context; spoken word close to nature, close to the audience. However, the spoken word is never shallow. Lyrics language to continue to innovate, in recent years, some of the lyrics language does have a great change, always characterized by the absorption of the painting and dance of the art of deformation. For example: "two or three branches of cherries outside the window, open once a year to make a racket", "the heart is a happy autonomous region" and the above "good day" lyrics, etc., these languages or conscious image, or image of consciousness, or reorganization of imagery, which is a very good attempt! This is a good attempt. Due to the emergence of this deformation of the language, changed the realism of the traditional narrative and lyricism of the figurative straightforward structure, the new poetry of some of the characteristics of the absorption, in the case of not violating the laws of music, to the lyrics of the injection of vitality and vitality.
Section 6: Use color, sound, dress up beautiful lyrics
More good song lyrics recommended:
1. Jinxiu weiyang song white prime yi mv lyrics download
2. 2016 Rio Olympics theme song Rise Lyrics
3. Jinxiu Weiyang interlude song "Karma Because of Me" lyrics
4. video "Love in Wuzhen" MV and lyrics
5. your name theme song Chinese lyrics
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10. Christmas Song Jingle Bells Lyrics