On a late autumn night, the poet sees the bright moon high in the sky and the cold crows perched on the trees that have already dropped their leaves. Perhaps at this time, the poet is thinking of an old lover. This scene can't help but make the poet feel sad and helpless ___This inextricable love and thought in the bottom of his heart, on the contrary, makes the poet regret that he had met her in the first place. The autumn wind, the moon, the falling leaves, the cold crows, the sad atmosphere, the poet's imagination and the perfect portrayal of his own heart make the whole poem poignant and touching
Jin Se, Li Shangyin
According to the general opinion, this poem is quite controversial.
But the faint melancholy expressed in it
is a reminiscence of the past that we can all appreciate.
According to Yanyan, it is a work of mourning for the dead, which is possible, but
not necessarily so. Is a young lover necessarily a dead person? Could it be a case of
"Once you enter the sea, you'll be a stranger from now on"?
As for the last sentence
Deep feelings may also be as rich, but subtle, as a bottle of wine after many years of experience
.
The last sentence of Xiang Ji Xuan value is roughly "Ting have trees, my wife over the door when planted
Today to pavilion as cover carry ...... (I am based on the impression of the writing of the discrepancy)
Can say that he is not deep in the memory of his late wife?BR> why should everyone learn Su Shi's
This is the first time that I've seen the same thing. Why should everyone learn Su Shi's
yearly broken heart?
The Case of the Green Jade Yuanxie Xin Qiji
"As a euphonious lyric, this "Case of the Green Jade" compares favorably with Yan Shu and Liu Yong, the great masters of the Northern Song Dynasty's euphonious school, in terms of artistic achievement. The lyrics start from trying to render the colorful and bustling scenes of the Lantern Festival, reflecting the image of a lonely and indifferent woman who is different from those of gold, jade and powder, and putting forward the author's lonely character of not wanting to be in the same stream with the world after he lost his political career. From the beginning of the lyric, "The east wind releases thousands of flowers at night", the lyric tries its best to render the bustling scene of the Lantern Festival: the city is full of lights, the streets are full of tourists, the fire trees are full of silver flowers, and there are songs and dances all night long. However, the author's intention is not to write about the scenery, but to contrast the difference of the person in the "darkness of the lights". This poem depicts the bustling scene of all-night lights during the Lantern Festival, which Liang Qichao described as "self-pity and loneliness, and the sad person has other embraces". He thought that the lyrics had a message, and could be considered as a knowing one. The first part of the poem is about the night of the New Year's Eve with the brilliant lights and the bustling scene of tourists, and the second part is about the image of a beautiful woman who does not want to be glorified and is willing to be lonely. The image of beauty is the embodiment of the author's ideal personality. The beauty is the embodiment of the author's ideal personality. After searching for him for a thousand times, I suddenly look back and there he is, beyond the lights. Wang Guowei called this realm the third realm of those who have made great endeavors, and the third realm of those who have made great inquiries, which is indeed the insight of those who have made great inquiries.
Butterfly Loves Flower Yan Shu
This poem expresses the idle sadness of spring. The first piece is about the feeling of welcoming spring. The first three lines are about the scene of early spring, with the image of riches and honor. The last two lines are written about the activities of the main character, in the idea of inverted, he saw the sea oats flying, and his own loneliness and sadness, in the face of the beauty of the spring and touched by the spring sadness, so play the zither to express the feelings. The next piece expresses the meaning of sending off spring. The meaning of the words is implicit and implicit, and it only expresses one kind of emotion of the main character. The language is clear and beautiful, and the meaning of the words is very elegant.
Fengqiwu Liu Yong
This is a nostalgic poem. In the first part, it is written about climbing up and looking into the distance, and the sadness of separation arises. The first part of the poem is about the sorrow of being far away from home. "Standing on a dangerous building, the wind is fine", "dangerous building", implying that the main character of the lyric is based on the high, the eyes must be far away. "Standing against", then see the protagonist by the fence of a long time and the depth of nostalgia. However, it is not expected that the result of "leaning" is "looking at the end of the spring sorrows, eerily born in the sky". "Spring Sorrow" is the sorrow of longing for the return of one's family. Instead of saying that "spring sorrow" grows in the heart, it is said that it is born from the distant sky. On the one hand, this is an attempt to avoid the commonplace, trying to turn the intangible into the tangible, and the abstract into the concrete, so as to increase the visualization and the sense of flow of the picture; on the other hand, it is also because its "spring sorrow" is triggered by the sky. On the other hand, it is also because his "spring sorrow" is triggered by the sky.
Next, the line "Grass color and smoke" shows what the hero sees when he looks at the end of the world. The line "without words, who will meet" is not only a sigh of sadness that the hope of being alone on the fence has become empty, but also a lament that it is difficult to tell the story without seeing the other person. The word "speechless" is used to describe a thousand thoughts.
The next piece of the main character to dispel the sadness, determined to drink and sing: "to put the crazy figure of a drunk". However, the strong face for joy, ultimately feel "tasteless". From "to be put" to "tasteless", the momentum of the writing is turbulent, quite rippling. The two lines of the ending point, "the belt is getting wider and wider", are written with a strong pen to write tenderness, swearing that they are willing to be thin and emaciated for the sake of thinking of the person they love. The phrase "no regrets", which means "I will die with no regrets", expresses the hero's perseverance and persistence, and the word has been sublimated.
He Shang's "Wrinkled Water" considers that Wei Zhuang's "Thinking of the Emperor's Countryside" has the following words: "Whose family is young enough to have a good time on the street, and my concubine suspects that she will marry her husband for the rest of her life. Even if I am abandoned by the heartless, I can't be ashamed" are the sentences that "make the final words wonderful"; and the last two sentences of this word are based on Wei's words, but "the gas is added to the euphony". In fact, in Feng Yanwei's "Magpie Treading Branches", "I am always sick and drunk in front of the flowers every day, and in the mirror, I do not resign myself to the thinness of my face", although the language is more decadent, it also belongs to the same category. Later on, Wang Guowei talked about "those who have achieved great deeds and great knowledge in ancient and modern times must pass through three realms" in Words on Earth, and the one he borrowed to describe the "second realm" was "the clothes are getting wider and wider, and there is no regrets, and the people are getting emaciated for Yi! The second realm" was borrowed by him to describe "the second realm" is "the belt is getting wider and wider, but there is no regrets, and the people are getting haggard for Yi. It is probably these two lines of Liu Yong's words that summarize a persevering character and persistent attitude.
Magpie Bridge Immortal Qin Guan
This is a poem about the festival of Tanabata. The first line shows the unique lyrical atmosphere of Tanabata, and the "coquettish" and "hateful" characters are the theme of "begging for coquettishness" and the "hateful" character of "Tanabata". "The first line shows the unique lyrical atmosphere of the Tanabata. The story of the Cowherd and the Weaving Maiden celebrates chaste and sincere love. The concluding line, "If love lasts forever, is it not in the morning and the evening" is the most beautiful, which not only refers to the characteristics of the love pattern of the Cowherd and the Weaving Maiden, but also expresses the author's view of love, which is a highly condensed famous sentence. The lyrics thus have an aesthetic value and artistic taste that transcends generations and national boundaries.
This word is a melting pot of scenic, lyrical and discursive writing, recounting the mythological story of Altair and Vega's love for each other, giving a strong human flavor to this pair of lovers, and eulogizing the love that is sincere, delicate, pure and chaste. The word expressly written in the sky two stars, secretly written on earth couple; its lyricism, to the music scene to write sad, to the sad scene to write music, doubling its sadness, read the breathtaking, heartfelt.
The word began to write "delicate clouds", gentle and colorful clouds, changing many beautiful and ingenious patterns, showing the weaver's craftsmanship how exquisite. However, such a beautiful person, but not with their beloved *** with a good life. "Flying Stars Passing on Hate", those shining stars seem to be passing on their parting sorrows and hate, and are flying through the sky.
On the Milky Way, "Nineteen Ancient Poems" said, "The river is clear and shallow, how many times do they go apart? The river is clear and shallow, how far away is it from each other?" "Between the water", near at hand, it seems that even the other side of the expression of speech are just like the eye. Here, Qin Guan wrote: "Yin Han Long Long Dark Crossing", to "Long Long" two words to describe the vastness of the Milky Way, the distance between the cow and the girl. This change deepens the feelings and emphasizes the pain of longing. The Milky Way separates two people who love each other, and it is not easy for them to see each other! The word "secretly" both point "Tanabata" theme, while closely linked to a "hate" word, they walk alone, a long way to meet.
Next, the lyricist dangled his pen and ink, and exclaimed in an emotionally charged discourse: "The golden wind and jade dew are better than countless other things on earth when they meet!" A pair of long-lost lovers met on the night of the golden wind and jade dew, on the shore of the Milky Way, and this wonderful moment was worth a thousand times the meeting on earth. The lyricist passionately celebrates an ideal holy and eternal love. The "Golden Wind and Jade Dew" is based on Li Shangyin's poem "Xinwei Tanabata," which reads, "I am afraid that it is a good time for the immortals to leave each other, so I teach them to make a long way for a good time. From the silver river to the blue river, we can have the golden wind and jade dew." The poem is used to describe the scenery of the Tanabata meeting, but it also has a deeper meaning, the lyricist puts this precious meeting in the background of golden wind and jade dew, ice and jade, which shows the noble purity and transcendence of this kind of love.
"Love is like water", the love of the two love meeting ah, like a long silent water, is so gentle and lingering. A good time is like a dream that passes away abruptly, only to see each other again, how can it not be heart-breaking! "In addition to the shortness of the meeting time, the complexity of the couple's feelings during the meeting is also written out. "Can't bear to look at the magpie bridge and return to the road", turn to write the separation, just borrowed to meet the magpie bridge, and then turned into a split with the love of the road back. I don't say I can't bear to leave, but I say I can't bear to look at the magpie bridge and return to the road, which contains unlimited feelings of farewell and unlimited tears of bitterness.
Reviewing the good time of the meeting, doubtful of the truth, like a dream like a phantom, and to the magpie bridge to say goodbye, the feelings of love, has been to the extreme. The word pen to this suddenly and air turn, burst out of the high-pitched sound: "two love if it is a long time, and not morning and evening!" Qin Guan these two words reveal the true meaning of love: love to withstand the test of a long separation, as long as they can love each other sincerely, even if they are separated from each other all year round, but also more valuable than the vulgar love of the night and day. These two sentences of emotionally charged discussion, and the discussion of the previous piece echo, so that the same structure of the upper and lower pieces, narrative and discussion between, thus forming the whole piece of continuous ups and downs of the mood. This correct concept of love, this noble spirit, far more than similar works in ancient times, is very rare and precious.
The discussion of this song is free and fluent, easy to understand, but also seems to be euphemistic and inexhaustible. The author combines the eye-catching discussion and prose syntax with beautiful images and deep emotions, eulogizing the beautiful love on earth with ups and downs, and achieving excellent artistic effects.
The last two lines of this poem are the best songs of love.
Yulouchun Ouyang Xiu
This poem describes a young dancer in Hangzhou during the Song Dynasty.
The first part of the poem describes a parade of dancers crossing the street. The first part begins with the description of the dancers' attire and dress, and then the dancers' demeanor.
The next piece is about the dancing skills of the little girls, but not from the front but from the side: one is the young audience scrambled to ask the dancers where they live; two is that the little girls dancing skills are really exquisite, so the lyricist after viewing back in the dream as if they still see them dancing. The subtlety of this word lies in the side setting and the use of dreams to set off the real, reflecting the real, and achieving an unexpected and powerful aesthetic effect.
Crying in the Dark of the Night by Li Yu
This poem is an excellent example of expressing one's feelings in a scene, in which one's disappointment in life is expressed in the description of a scene in the late spring. The first line, "The forest flowers have given up the spring red", is to bring out the author's feelings of sadness and pity for the flowers; and the continuation of the phrase "too hasty" makes this feeling of sadness and pity for the flowers strengthened. Wolvish remnants of red, spring to go in a hurry; and the author of the spring of life has also long gone in a hurry, leaving only the broken heart of spring and broken spring dream. Therefore, the "too hasty" feeling, of course, is for the forest flowers withered quickly, but which is not also a combination of life is short, the sigh of the days to come, encapsulated in the author of the rational thinking about the flow of life? "Can't help the cold rain towards the evening wind" line points out that the forest flowers hastily thank the reason is the wind and rain invasion Gong, and the author of the spring of life is not also because of too much pectin and rain? Therefore, this sentence is the same both sigh flower, is also self-sigh. "helpless" clouds, full of reluctance to listen to external destruction and self-hate inability to change the ecological environment of the pathos.
Changing the head of the "rouge tears" three sentences, turn to anthropomorphize the ink, showing the author and the forest flowers between the feelings of farewell. Here, on the one hand, was born in the last days, the luck to hand over to the lost man, on the other hand, is no longer in full bloom, the red fragrance breaks the flower, the two are indistinctly opposite, can't win the love. "Rouge Tears", remotely according to the above "forest flowers thanked the spring red" sentence, from Du Fu's "Qujiang River to the rain" poem "forest flowers in the rain rouge wet" change from. Forest flowers for the wind invasion bully, red ^ Chaosuo shark Xiao (left should be added fish side), like rouge. "Rouge tears", this is also called. But flowers have no tears, in fact, is accustomed to "I see things" of the author empathy in his, so that the personification -- the author of the body through the world changes, sobbing blood without tears, is not also the color if the rouge? With a "drunk" word, write out each other as drunkenness, love change difficult to give up the mood, extremely evocative, and "when to re" is appealed to the people and flowers *** with the same hope and know that hope can not be realized the disappointment and confusion.
The concluding line, "I have grown to hate the water", is a breath of fresh air and sadness.
Happy Meeting Li Yu
Li Yu's famous poem is characterized by a mixture of scenes and feelings, and a melancholy thought process. The first part of the piece selects typical scenery to pave the way for the expression of feelings, while the second part borrows figurative metaphors to express sincere feelings in a euphemistic and subtle manner. The language is simple and understandable, and very refined and accurate; in addition to the use of rhyme changes, to make the sound and feeling of unity, resonant, rhythmic beauty, but also properly expressed the lyricist's feelings of grief and depression. The next piece of "cut continuously" three lines, to hemp silk metaphor for the sadness, the abstract emotion to be figurative, has always been praised by people; the ending sentence "is not the general taste in the heart" more see the author's ingenuity. This sentence is written out of the taste of sadness: this kind of speechless sadness, more than the sadness of crying and weeping. Its flavor in the sour and salty outside, but is rooted in the author's heart, can not be dispersed, and ever fresh; tongue can not be tasted, the heart to know. Therefore, it is not necessary to resort to people's vision, but directly to people's hearts, after reading, people naturally combined with their own experience and produce the same feeling.
Long Lovesickness Bai Juyi
The first section of the song is about Fan Su's journey back to the south. Because she is a native of Hangzhou, the author looks at the Wu Mountains and becomes sad. This is a lyric of nostalgia and longing for someone far away. In the first section, the author writes about the flowing water in front of her eyes and sends off the distant waves, imagining that the flowing water will flow to the Guazhou ferry and join with the Yangtze River, and then thinking of the mountains in Wuzhong (Jiangnan) with a sad face, in fact, she y misses her lover who is far away from her in Jiangnan, hoping that her lover will come back from the Wu land, pass through the Guazhou ferry, and go up the stream to the north to meet with her, but similarly, the Bianshui and Surabaya water will never come back, and the lover who will go to the south with her will probably leave him forever, just as the river does! The lover who went south with them probably also left him forever, just like the river. Therefore, the mountains in Wuzhong in the author's imagination seem to be coalesced with sadness. In a few short lines, the author's journey and the focus of his sorrow are conveyed in a concise but deep manner. Although the beautiful people have gone, makeup building empty, but the author is still a piece of infatuation, it is difficult to forget, so in the next section of the lyric of their own pain of lovesickness. Two "leisurely", portraying the depth of the lyricist's longing. The intensity of this emotion, only to the return of the lover to rest. However, that is just a fantasy, helpless ah, in this case the author can only lean on the building and look, recalling the joy of the past, to dispel the depression in the heart. But if you think about "the moon is bright", imagine the moon in the sky, alone leaning on the building and looking away from such a picture, what kind of mood ah.
The whole word to the moon under the vein of running water contrast, symbolizing the long parting feelings, deep thoughts and the result of the continuous resentment, and frequently with the superimposed words superimposed rhymes, coupled with the soft flavor of the folk song, more expressive of the long endless "thought" and "hate". "The song is a great way to express your thoughts and hatred.
This piece of work is a more formal and mature word in the Middle Tang Dynasty. Although it is short in form, it uses the sentence style of loop and repetition, the rhythm of flowing water, and the same rhyme at the end of each interval, resulting in a long-lasting flavor, which makes the pain of longing for each other and the bitterness of parting even more vividly manifested.
"The moon is bright and people are leaning on the building", imagine the moon in the sky, leaning on the building alone and looking into the distance, I think it is more meaningful.
The name "Long Xiang Si" is the name of the poem, but the content of this poem is closely related to it. It is divided into two sections, with the same meter and number of words. Each section consists of four lines and rhymes in plain tones.
This is a small lyric of nostalgia for someone far away. The first section starts with the flowing water in front of the eyes and sends off the distant waves, imagining that the flowing water will flow to the Guazhou ferry and join the Yangtze River, and then thinking of the mountains in Wuzhong (Jiangnan) with a sad look on their faces, in fact, they y miss their lovers who are far away from Jiangnan, hoping that the lovers will come back from the Wu land and cross the Guazhou ferry, and then go back up to the north to meet with themselves. The next section of the song is a direct expression of feelings, because the person you are thinking of did not come back, only in this moonlight night, leaning against the tall building.
These are the most important of all, and the most important of all is the fact that they are the most important of all, and the most important of all is the fact that they are the most important of all. The whole lyric is set against the pulsating water under the moon, symbolizing the long-lasting feelings of separation, deep longing and the resulting long-lasting resentment, and the frequent use of superimposed words and rhymes, coupled with the soft flavor of folk songs, which can y move the reader's heartstrings.
Leaving Thoughts by Yuan Zhen
The original poem uses the water of the ocean and the clouds of Mount Wu as a metaphor for the depth of love, which is so deep and wide that it is difficult to look at water and clouds elsewhere when you have seen the ocean and Mount Wu. The poet's "sweetheart" is said to be Shuangwen, that is, the poet wrote the legend "Yingying biography" in the Yingying, the poet abandoned her because of Shuangwen's humble background, there are eight or nine years "do not look back to the flowers" ("Dreaming of spring seventy rhymes"). Some say that the poem was written in memory of his late wife, Wei Cong, who was a beautiful and virtuous woman from a high family, and who had vowed not to marry again after her untimely death at the age of 27 ("Sorrowful Reminiscences - No. 3"). The two lines of the poem make use of allusions, and the analogy is extremely high. The first line is from "Meng Zi - Du Xin Shang", "It is hard to be water when you are looking at the sea"; the second line is from Song Yu's "Preface to the Gaotang Fugue", "Jiang is in the sun of Wushan Mountain, the obstruction of a high hill, and she is in the morning clouds at daybreak, and in the evening, she is in the evening rains. Later generations quoted these two lines of the poem as a metaphor for loyalty to love, stating that there is no one else to whom one belongs, and that love is not something else. These two lines are also abbreviated into the idiom of "having crossed the ocean", which can also be used as a metaphor for having experienced great scenes, having a broad horizon, having seen a lot of things, and having no regard for the more common things.
Farewell to Du Mu
This poem is about the poet's farewell to a courtesan with whom he had a good relationship, and from the other poem of the same title ("Many Sentiments, but Like No Sentiment"), we can see that they are quite affectionate with each other. However, that poem focuses on "farewell", but this one focuses on praising each other's beauty, causing the feeling of farewell. The first line describes it: "gracefully curling" is the light and beautiful appearance, "more than thirteen" is the woman's age. Seven words in neither a persona, nor dip a noun, but can give the reader a complete, distinct and vivid impression, so that people such as witnessing that beautiful silhouette. Its effect is no less than the specific description of "fluttering like a shock, like a swimming dragon; glory of the autumn chrysanthemums, Huamao spring pine" (Cao Zhi's "Luoshen Fu"). The whole poem positively describes the beauty of the woman only this line. This line also avoids the truth, and its syntax really counts as ethereal and marvelous. The second line is no longer about the woman, but about the spring flowers, which is obviously comparing the flowers to the woman. "Cardamom" produced in the south, its flowers into spikes, young leaves rolled up, the head of the spikes deep red, the leaves gradually unfolded, the flowers gradually released, slightly lighter in color. Southern people pick its buds to be released, the beautiful name is "with tire flower", often used as a metaphor for virgins. And "early February" cardamom flowers is this "with tire flowers", used to compare "more than thirteen" of the little songstress, is the image of beautiful and apt. And the flowers in the branch "tip", with the wind trembling curls, when especially lovely. So "cardamom tips" and secretly echoed the "graceful curls" four words. Here the metaphor is not only new language, and very subtle, and like a handful, write a person like a beautiful flower, flowers because of the colorful people, say it is novel and unique is not excessive. All the metaphorical descriptions such as "like a flower like a jade" and "a country like a city" will be eclipsed in front of such a verse. But Du Mu's writing here seems to be the beginning, his talent has not yet been fully utilized!
The poet was about to leave Yangzhou at that time, and the object of his "farewell" was a courtesan from Yangzhou whom he had befriended in his disillusioned life on the staff. In the Tang Dynasty, Yangzhou was a prosperous city in terms of economy and culture, and was sometimes called "Yang Yi (Chengdu) II". "Spring breeze" sentence meaning hearty, rendering the metropolis rich and luxurious atmosphere, so that people such as to see the ten-mile-long street, traffic and horses, flower branches ....... Here, the dance pavilion is dense, beautiful women like clouds. "Pearl curtain" is the opera house bar set, "roll on the pearl curtain" can see the "high-rise red sleeves". Yangzhou Road, I do not know how many pearl curtains, all the curtains do not know how many red-colored green-sleeved beauties, but "roll up the pearl curtains are not as good as"! Not as good as who? Who is not as good as? The poem is not explicitly stated, but the reader can fully understand it. The use of the words "roll up the curtains" is very unusual. It not only makes the conclusion of "always inferior" more graphic and persuasive, but also conveys the prosperity of Yangzhou together with its jewelry. The poem uses all the beauties of Yangzhou to emphasize the beauty of one person, which has the effect of the stars arching over the moon. Sheng'an Poetry Story says: "When a scholar writes a poem, he makes sure that he is strong on this and weak on the other, which is called 'honoring the title'." Du Mu's rhetoric here is the "honorific title". But because of the wonderful simile in the first two sentences, the writing style of "strong here and weak there" seems to be natural and marvelous.
Du Mu wrote this poem from his lover to the flower, from the flower to the downtown of the spring city, from the downtown to the beauty, and finally to the lover.
Du Mu wrote this poem from his lover to the flower, from the flower to the downtown of the spring city, from the downtown to the beauty, and finally to the lover. Don't use the word "you (Jun, Qing)" to express your love; don't use the word "woman" to praise someone; don't even use the word "flower" or "beauty"; don't use the word "beauty" to express your love. The word "beauty" is not even a word "flower", "beauty", "not a word" but "all the flow". The language is ethereal and subtle, and it is characterized by individuality.
Writing Love Li Yi
This poem is titled "Writing Love", and when you play the whole poem carefully, it is very much like writing about the pain of a lover who has lost an appointment.
The poem is written on the evening of the day after the girlfriend's broken appointment. The poet was lying on a bamboo mat with fine patterns and precious and gorgeous designs, and he was in a state of sleeplessness, with a thousand thoughts. It turns out that the long-awaited date of a good time has fallen through. The other party changed his heart, and became so fast, so sudden, so that people even a little thought is not prepared. "Good time" to say "thousands of miles", can be seen to be far away from each other, looking forward to a long time, the opportunity is rare. When the "rest" is said to be "one night", it is seen to be blown fast, blown thoroughly, and blown out of the blue. And this is just happened, is the poet's most painful moment, is the "most difficult to rest" time. Late at night, remembering this incident, how can not lose sleep? The first and second sentences are inverted from the point of view of cause and effect, the first sentence is the effect, the second sentence is the cause.
This painful night is a good night with a clear wind and a clear moon, and the beauty of the night is just like nothing to the disillusioned poet, who has the heart to enjoy it. Not only this night, from now on, he will not have any interest in the good night, regardless of the moon on the east building, the moon under the west building. The moon is the moon, I'm me, from now on, the two are not involved, for the lost love of the people, the cold moon light but in vain to increase the long sadness, evoking painful memories only.
This poem is characterized by the beauty of the scenery against the sadness. Under normal circumstances, the color of the moon and the light of the stars can arouse people's sense of beauty. But when a person is immersed in pain, beauty has little effect on him and sometimes makes him even more sad and disturbed. This poem uses a happy scene to write sadness, which doubles the sadness. The use of "good night" and "bright moon" to emphasize and render the sadness, the loneliness and disappointment is more prominent, more implicit and deeper.
Another artistic feature of this poem is the use of virtual techniques to strengthen the tone and highlight the character image, thus deepening the theme. The incongruity between the mood and the outside scene expressed in the third and fourth lines is both a reflection of the immediate situation and a prediction of the future scenario. "From now on, I don't have the heart to love the good night", "from now on, I don't have the heart" indicates the great determination, the great determination is to see the depth of the pain, unforgettable for the rest of his life. The word "let him" is wonderful in that it not only shows the poet's disillusionment, but also depicts the character of the main character's capriciousness and gambling, which is realistic and evocative. This virtual scenario, without the use of any literal outline, but a single knife straight into the virtual realm of direct expression, compared with the general virtual techniques, but also unique.