Poems about landscape and idyllic garden
Four times of the day and night
(Song) Fan Chengda
Cultivating the fields for day and night,
The village children are all in charge of their own families.
The children and grandchildren have not yet learned to plow and weave,
but they are learning to plant melons in the shade of the mulberry tree.
Birdsong Stream
Wang Wei of the Tang Dynasty
The osmanthus blossoms fall in idleness,
and the night is quiet and the spring mountains are empty.
The moonrise startles the birds,
and they sing in the spring stream.
The Old Man's House
[Tang] Meng Haoran
The old man invited me to his house with chickens and millet.
The old man invited me to his house, where he had a chicken and millet.
The old man invited me to his home, where he had chicken and millet, and where the green hills sloped away.
When the sun comes up, I will come back to the chrysanthemums.
Wang Wei
"Deer Chai"
I don't see anyone on the empty mountains,
but I hear people's voices.
The view returns to the deep forest,
and shines again on the moss.
Qing Ping Le - Village Dwelling
Xin Qiji
The eaves of the cottage are low, and the grass is green on the stream. The old woman with white hair is the one who is in love with the sound of Wu.
The eldest child is hoeing beans on the east side of the stream, and the middle child is weaving a chicken coop. The most important thing is that the youngest child is a rogue, and he is lying on his back in the stream, peeling the lotus flower.
Wang Wei
Autumn Meal in a Mountain Dwelling
The weather is late in the fall, after a fresh rain on the empty mountains.
The moon shines between the pines, and the clear spring flows over the stones.
The bamboo clamor returns to the raccoon girl, and the lotus moves under the fishing boat.
The spring fragrance rests at will, the king's grandchildren can stay.
"Touring Shanxi Village"
Lu You
Don't laugh at the muddy wine in the farmhouse, and keep the guests in the year of plenty of chickens and dolphins.
The mountains are so heavy that there is no way out, and in the darkness there is another village.
The drums and pipes follow the Spring Festival, and the ancient style of simple clothing survives.
From now on, if you are free to ride the moon, you will not be able to knock on the door at night. Tao Yuanming and other poets to form China's Eastern Jin Dynasty idyllic poetry school, Xie Lingyun, Xie Wu and other poets to form China's Southern Dynasty landscape poetry school, Wang Wei, Meng Haoran and other poets to form China's Sheng Tang Dynasty landscape and idyllic poetry school. Poets take landscape and idyllic garden as the aesthetic object, and cast their delicate strokes on the quiet mountains and leisurely fields, creating a kind of idyllic pastoral life, through which they express their dissatisfaction with the reality and their yearning for a quiet and peaceful life. Taste carefully, these poems have more or less the **** same characteristics. First of all, all of them showed great interest in landscape, gave other poets and writers can not reach the attention, and do not hesitate to describe the nature of a mountain, a water, a grass and a tree with heavy ink and color. For example, Meng Haoran's "Passing by the Old Man's Village": The old man has chicken and millet, and invited me to the field house. I was invited to my home in the field. The green trees were close to the village, and the green hills were slanting beyond the Guo. I was invited to the house where the old man had chickens and millet, and the green hills sloped away. I will come back to the chrysanthemums on the day of the Chung Yeung Festival. After the first line of the poem explains the reason for the incident, the second line is about the natural scenery that the poet saw when he entered the village. The poet seems to have taken the common rural scenery with his own hands, but the plainness of the poem shows the profound strength and careful refinement. These two lines not only accurately and vividly depicted the village side of the dense green trees, outside the village slope sloping green hills, presenting us with a fresh and distinctive landscape painting of the village; and a "together" word, a "slanting" word, more will be the green trees surrounding the village, the green hills across the sloping Outside the village, as if the natural scenery with the mountain village people in harmony, close to each other, overflowing with rich charm, very rich sense of affinity and infectious. The neck line is written after entering the house, the host and the guest talk freely. If the jaw is to depict the whole village environment, the neck is to outline the small environment of the deceased friend's farmhouse: outdoor is the sunbathing field and vegetable garden, indoor is the farmer's food and wine and farming talk, a thick cleaner flavor of the countryside and dish out. Poet facing the typical farm scenery outside the window, inside the house sumptuous farm meals, the heart is happy and joyful; coupled with the hosts and guests know each other, the flavor of the same, often raise their glasses to drink, sound talk about the sangmah, the state of mind is so smooth and warm. The last line of the poem describes the appointment in the future, with a long and deep rhyme. The human feelings and scenery of the poem are all integrated into a piece of heavenly music. Secondly, the landscape, grass, trees, birds and flowers in the poet's writing are not isolated, but form a harmonious whole, forming a picture full of life consciousness. Let's take a look at Du Fu's poem as a painting: "The rivers and mountains are beautiful in the late sun, and the flowers and grasses are fragrant in the spring breeze. Swallows fly in the melting mud, and mandarin ducks sleep in the warm sand. At the beginning of the stanza, the poet begins with a broad stroke, depicting the clear and splendid spring scenery along the Raccoon River under the bright sunshine of early spring. In the second line, the poet further uses the warm spring breeze, the first blooming flowers, and the grass to show the beautiful spring scenery. In the third line, the poet chooses the most common and characteristic dynamic scenes of early spring to be sketched. Spring flowers are blooming, the soil is wet, and the swallows, which return in the fall and spring, are busy flying around and building their nests. The fourth sentence outlines the static scenery. Spring is melting, the sun is beautiful, the sand is warm, the mandarin ducks also want to enjoy the warmth of the spring, in the sandbar by the stream, sleeping quietly. From the point of view of the description of the scene, this line and the third line of dynamic swallows in contrast to each other, dynamic and static, contrasting with each other. The third and fourth lines of the work of describing the mud swallows, sleeping mandarin ducks, and the first and second lines of the rough sketch of the broad and beautiful scenery to match, so that the whole picture is harmonious and unified, constituting a picture of bright colors, business, with a sense of beauty of the early spring scenery, thus reflecting the poet after a long period of upheaval and displacement, the temporary peace of the life of the mood of the light, but also the poet's early spring of the natural world of a school of vitality, It is also an expression of the poet's joyful feelings for the vitality and prosperity of nature in early spring. Furthermore, and more importantly, all the landscapes in the poet's writing are, in the final analysis, in the service of the expression of the feelings of the characters in them. For example, Du Fu's poem "The Absolute Verse": "The Absolute Verse: Two yellow orioles singing in the green willow, a line of white egrets in the blue sky. The window contains a thousand snows of the West Ridge, and the door is moored to a ship of ten thousand miles from the East Wu. This is a poem written by Du Fu after he learned that his friend Yan Wu was still in Chengdu after the Anshi Rebellion was settled. The first line of the poem is a pair of lines. There are many willows around the grassy hall, and there are pairs of orioles singing on the new green willow branches, a joyful scene with sound and color, forming a fresh and beautiful mood. "Two orioles singing in the green willow", birds in pairs, showing a piece of vitality, with a festive meaning. The second line is about the egrets flying freely in the blue sky. These two lines use four distinct colors to form a gorgeous picture. The first line also describes the sound, which conveys a joyful feeling. The next line of the poem also consists of a couplet. The first line is about looking at a snowy ridge from a window. The snow on the mountain never melts all year round, so it accumulates "a thousand autumns of snow", and the snowy mountains can only be seen clearly on sunny days when the air is clear. The poet's relief at seeing such rare beauty is self-evident. In the next line, the poet looks out the door and sees boats moored along the river. River boats are very common, but "ten thousand miles of boats" has a deeper meaning. It's because they're from the Eastern Wu. After many years of war, land and water transportation was blocked by war, and ships could not sail for thousands of miles. But when the war is over and transportation is restored, how can the poet not be happy to see the ships from the Eastern Wu? These two lines of a wide range of space, a long time, the poet is in the Cao Tang, but thinking about a thousand years, see through ten thousand miles, the chest is how open! Tao Yuanming, Wei Jin The wild and rare personnel, poor alleys and few harnesses. In the wild, there are few people and few harnesses in the poor alleys. The daytime is covered with thorns, and the empty room is free from dust. Sometimes in the marketplace, I pull up grass and come and go. I have no words to say when I see you, but I say that the mulberry sisal grows long. The mulberry and the sisal have grown long, and my land has grown wide. I am always afraid that the frost and snow will come, and I will be scattered with the grass. Tao Yuanming (陶渊明) of Wei Jin (魏晋) has no charm for the common people at a young age, but loves mountains and hills by nature. I fell into the net of dust by mistake and have been gone for thirty years. The birds love the old forest, the fish miss the old pond. I have been in the south of the countryside, and I have returned to the fields to keep myself honest. The square house is more than ten acres in size, with eight or nine grass huts. Elm and willow shaded the back of the house, peaches and plums lined the front of the hall. Ambiguous faraway villages and smoke in the ruins. The dog barks in the deep alleys and the chickens crow in the mulberry trees. There is no dust in the house and no clutter in the court, and there is spare time in the empty room. I have been in a cage for a long time, but now I have returned to nature. Li Bai of the Tang Dynasty, Jia Yi was banished for three years, but Ban Chao was a marquis for ten thousand miles. Why don't you take a white calf and drink from the clear stream? The garden of the field, by Meng Haoran of the Tang Dynasty, is a place where one can live in peace and quiet, isolated from the noise of the world. I have divined three paths in the neighborhood, and planted thousands of trees with fruits. I've been a scholar and a swordsman for a long time, but I'm still in the garden of the hills. It's getting late for calligraphy and swordsmanship, and it's already evening in the garden. I have many feelings in the morning, but I often sit in the daytime with little understanding. I am envious of the partridges in the sky, and I am ashamed of the chickens and rascals. I look to the gate of the Golden Horse, and sing to the woodcutter's road. I have no close friend in my hometown, and I have no relatives in the morning. Who can be Yang Xiong's friend and recommend the sweet spring? Two yellow orioles singing in the green willow, a line of white herons in the blue sky. The window contains a thousand snowy autumns in the West Ridge, and the door is moored to the East Wu for ten thousand miles.
3. Poems about landscape and garden
Wang Wei's poems about landscape and garden
Deer Chai: I don't see anyone on the empty mountains, but I hear people's voices. I can't see anyone in the empty mountains, but I can hear people's voices.
Xinyiwu: Hibiscus flowers at the end of the wood, red calyx in the mountains. The first time I saw it, it was in the middle of a mountain, and the second time I saw it, it was in the middle of a river.
Mountain Dwelling in Autumn Meanwhile: After the new rain on the empty mountains, the weather comes late in the autumn. The moon is shining between the pines, and the spring is flowing over the rocks. The bamboo clamor returns to the raccoon girl, the lotus moves under the fishing boat. The first thing you need to do is to get a good look at the color of the sky and the color of the sky, and then you can see the color of the sky.
"Birdsong Stream" is a story of idle laurels falling, and the night is quiet and the mountains are empty. The moon is out, and the birds are singing in the spring stream.
The poem "Weichuan Tianjia": the slanting light shines in the marketplace, and the cows and sheep return to the poor alleys. The wild old man remembers the shepherd boy, leaning on his staff to wait for the thorny door. The crowing of pheasant and wheat seedlings, the silkworms sleep in the mulberry leaves are rare. The farmer arrives with his hoe, and says, "I'm glad to see you. I'm envious of the idleness of the world, and I'm disappointed to see the decline of the world.
A Walk in the Field
By Wang Jian
The man's voice is happy, the woman's face is happy, and the family doesn't complain about saying goodbye.
Although it is hot in May, the winds of wheat are clear, and the reels are singing on the eaves.
The silkworms have been making cocoons, and the moths are coming out of the leaves.
The first thing you need to do is to get your hands on some of the most popular products and services in the world.
The first thing you need to do is to get your hands on a new one, so you don't have to sell it to the city.
The first time I saw this, I was so happy that I didn't see the door of the county!
The old man's song, Zhang Ji
The old farmer lives in the mountains and cultivates three or four acres of land.
The tax on the seedlings is too high to eat, and they are turned into dirt in the official warehouse.
At the end of the year, when the plow is in the empty room, he calls his son to climb the mountain to collect the acorns.
The West River is a place where people have hundreds of dollars in beads, and the dogs in the boats are always eating meat.
Nie Yizhong, the wounded field family
February sells new silk,
May sells new grain.
The first thing I want to do is to heal the sores in front of my eyes,
but I have to pluck out the flesh from my heart.
I wish the king's heart could be turned into a bright candle.
I wish that the heart of the king would be turned into a candle of light.
It does not shine on the feast of the beautiful,
it shines on the house of the fugitive.
Observation of the Field House By Wei Yingwu
A light rain brings new flowers, and a thunderstorm starts the hibernation.
The field house has been idle for a few days, and farming has begun since then.
All the young men are in the field, and the garden is in order.
The scene is always calm when I return to my home, and I drink from the western stream.
The price of hunger is not too high, but the price of food is too high.
The first time I saw this was when I was a student at the University of California at Berkeley, and the second time I saw it was when I was a student at the University of California at Berkeley.
The people who do not plow the fields are ashamed of themselves.
The Widow in the Mountain
Tang Du Xunhe
The husband died in the army, and his sideburns are burnt.
The husband's hair was burnt on the sideburns of his ramie clothes.
He was still paying taxes when the mulberry and the cudgel were abandoned.
The man who is in charge of the military is still paying taxes when the mulberry tree is abandoned, and he is still collecting seedlings when the fields are deserted.
The first time I saw this, I was in the middle of a mountain, and the second time I saw it, I was in the middle of a mountain, and the third time I saw it.
Wang Wei (王维)
The slanting light shines on the marketplace, and the cows and sheep return to the poor alleys.
The wild old man remembers the shepherd boy, leaning on his staff and waiting for the thorny door.
The pheasant and the robin are in the wheat seedlings, and the silkworms are sleeping in the mulberry leaves.
The oldest of the old men, the youngest of the old men, is a young man who has been working for a long time, and who has been working for a long time.
I am envious of the idleness of the world, and I am disappointed to see the world in a state of decay.
The spring garden of Wang Wei
The spring turtles are singing in the house, and the apricot blossoms are white by the side of the trees.
The axe is used to cut down the poplar, and the hoe is used to spy on the spring.
The swallow knows the old nest, and the old man sees the new calendar.
The first time I went to a wineglass, I did not want to defend myself, but I was disappointed that I was traveling far away from home.
Meng Haoran
The old man invited me to his house with his chickens and millet.
The green trees are close to the village, and the green hills are slanting outside.
The old man invited me to his home, where he had chicken and millet, and where the green hills sloped away from the countryside.
When the sun comes up, I will come back to the chrysanthemums.
The year of Yan line Du Fu
The year of clouds in the twilight more north wind, Xiaoxiang Dongting white snow.
The fisherman's net is freezing in the cold,
and he has to shoot the geese and sound the bow. The first time I saw this was when I was a kid, and it was the first time I had ever seen a kid in my life.
The Gomada officials are tired of wine and meat, and their looms and shafts are empty.
The Chinese people emphasize fish but not birds,
you do not want to kill the southern flying Hong Kong in vain.
This is the first time I've ever seen a man or a woman in the world who has been in a position to do something about it.
In the past, we used to use money to catch private casting, but now we are allowed to use lead, tin and bronze.
In the past, we used to use the money to catch the illegal casting, but now we are allowed to use the lead, tin and bronze. The song is a sad one, but it will never end.
Burning Song Wen Tingyun
When I got up and looked at the south mountain, the fire was burning the fields. The fire is burning in the mountain fields. The red color of the sunset is like extinction.
The fire is burning on the mountain, and the red color of the fire is going out.
The first thing you need to do is to get a good look at the color of the sky, and you will be able to see the color of the sky.
The neighbor can speak in Chu, leaning on the plug to weep.
A neighboring man can speak the language of Chu, leaning on the plug, wanting to shed tears.
The bean seedlings are full of insects, and the flowers on the hedges are the house. The first thing you need to do is to get the best out of it.
In the New Year, the rain is clearing, and the gods are playing everywhere. The first thing you need to do is to get your hands dirty.
The gods are in the mountains, and they come back to the mulberry and jujube fields. The first thing you need to do is to blow the fire to the white grass, and the sickle to reflect the red sugarcane.
The wind drove the mistletoe leaves to smoke, and the mistletoe trees connected to the flat mountains. The star is in the sky, and the embers are falling in front of the stairs.
The crow's maiden cursed the year of plenty. The first thing you need to do is to get your hands dirty.
The first is Fan Chengda (范成大)
Plums are golden and apricots are fat, and wheat flowers are snow-white and cauliflowers are scarce.
No one ever passes through the hedges, only dragonflies and nymphs fly.
The children of the village are in charge of their own households.
The children and grandchildren have not yet learned to plow and weave, and they are learning to plant melons in the shade of the mulberry tree.
4. Poems describing the rural landscape
Meng Haoran's "Passing by the Old Man's Village":
The old man has chickens and millet, and he invites me to his home in the fields.
The old man has invited me to his home.
The village is surrounded by green trees, and the green hills are slanting away from him.
The old man invited me to his home, where he had chicken and millet, and the green hills were sloping away.
When the sun comes back, I will come back to the chrysanthemums.
The village of Shanxi [Song] Lu You
Don't laugh at the farmer's wine is muddy,
the year of abundance to keep guests enough chicken and dolphin.
There is no way out of the mountains,
but there is another village in the darkness.
II. Du Fu's "Absolute Sentences"
The rivers and mountains are beautiful in the late sun, and the flowers and grasses are fragrant in the spring breeze.
The swallows are flying in the mud and the mandarin ducks are sleeping in the sand.
III. Du Fu's "Absolute Verse"
Two orioles in the green willow, a line of egrets in the blue sky.
The window contains a thousand snowy autumns in the West Ridge, and the door is moored to a ten-thousand-mile ship in the East Wu
IV. Wang Wei's Landscape Poetry
Mountain Dwelling Autumn Meal
The weather is late in the autumn after the new rain on the empty mountains.
The moon shines between the pines, and the clear spring flows over the stones.
The bamboo is noisy, and the lotus is moving, and the fishing boat is moving.
The spring fragrance rests at will, the king's grandchildren can stay.
Deer firewood
The mountains are empty, and I see no one, but I hear the sound of people's voices.
The first time I saw it, I saw it in the forest, and then I saw it on the moss.
Xinyiwu
The hibiscus flower at the end of the wood, the red calyx in the mountains.
The streams are silent, but the flowers are falling from the sky.
The birds are singing in the stream
The osmanthus blossoms are falling, the night is quiet and the mountains are empty.
The moon is out and the birds are singing in the spring stream.
5. What are the verses about "landscape" and "garden"
The Four Seasons of the Garden (Song) Fan Chengda spent his days and nights plowing the fields, and the villages were full of children. The children and grandchildren have yet to learn how to plow and weave, but they are learning to plant melons in the shade of the mulberry tree. Bird Song Stream (Wang Wei, Tang Dynasty) The osmanthus blossoms fall at leisure, and the mountains are empty in the quiet of the night. The moonrise startles the birds, and they sing in the spring stream. The Old Man's Village [Tang] Meng Haoran The old man invited me to his home with his chickens and millet. The old man has invited me to his home. The village is surrounded by green trees, and the green hills are slanting beyond the Guo. The old man invited me to his home, where the green trees are near the village and the green hills are beyond. I will come back to visit the chrysanthemums on the day of Chung Yeung. Deer Chai" by Wang Wei "I don't see anyone in the empty mountains, but I can hear people's voices". The view returns to the deep forest, and then the moss is illuminated again. Qing Ping Le - Village Dwelling by Xin Qiji The thatched roof is low and the grass is green on the stream. In drunkenness, the sound of Wu music is so beautiful, whose old woman has gray hair. The eldest child is hoeing beans on the east side of the stream, the middle child is weaving a chicken coop. The youngest child is a rascal, peeling lotus seedpods at the head of the stream. Wang Wei's "Autumn Dwelling in the Mountain" is written in the evening after a fresh rain in the empty mountains. The moon shines between the pines, the clear spring flows over the stones. The bamboo clamor returns to the raccooness, the lotus moves to the fishing boat. The spring fragrance rests as it pleases, and the king's grandson can stay. Lu You, "Traveling to Shanxi Village" Don't laugh at the muddy wine in the farmhouse, but keep the guests with chickens and dolphins in the year of abundance. There is no way out of the mountain, but there is another village in the darkness. The piper and the drum follow the spring festival, and the ancient style of simple and simple clothing survives. If I am free to ride on the moon, I will not be able to knock on the door with my staff at night. Landscape idyllic poetry landscape idyllic poetry, one of the ancient Han poetry.
It originated from Xie Lingyun in the North and South Dynasties and Tao Yuanming in the Jin Dynasty, and is represented by Wang Wei and Meng Haoran in the Tang Dynasty. These poems are characterized by descriptions of natural scenery, rural scenes and the peaceful and quiet life of seclusion.
The poems are timeless and beautiful, the style is quiet and elegant, the language is clear and concise, and the technique of white description is used. Tao Yuanming and other poets formed the Eastern Jin Dynasty idyllic poetry school, Xie Lingyun, Xie Wu and other poets formed the Southern Dynasty landscape poetry school, Wang Wei, Meng Haoran and other poets formed the Sheng Tang Dynasty landscape and idyllic poetry school.
The poets took the landscape and idyllic garden as the aesthetic object, and cast their delicate strokes on the quiet mountains and leisurely fields, creating a kind of idyllic pastoral life, through which they expressed their dissatisfaction with the reality, and their longing for a quiet and peaceful life. Representative poets edit Tao Qian Tao Xie as a mountain idyllic school of poets, they are obviously affected by the metaphysical trend, but due to the status and life path is different, metaphysics in their poems and have different imprints.
The metaphysics and rational interest in Tao's poems is not only manifested in the fact that the poems are full of life experiences, but more importantly, the metaphysics is permeated by the idyllic images in the poems, which are full of "the true meaning of this". Xie's poems are mainly expressed through those "empty cui difficult to force the name, fishing hooks are easy for the song," "by the things to mourn the change of repulsion, the survival of the period to get the wonderful" and other metaphysical words and rationale to express, "metaphysical purpose" has not been completely into his poems. The first is the "Genesis", which is a poem about the "Genesis".
Although Tao's poetry takes nature as the object of aesthetics and reveres it, what he pursues is not the external objects themselves, but the interest of the mind. His poems are about writing, not about copying.
Tao Yuanming was originally a bird flying in the field, to the feelings of the nature, free and easy is his nature. Because of the nature of the real straightforward, so can not do a good officer in the turbulent world, once out of the cage, back to nature, the feeling of joy, can not help themselves.
"Returning to the Garden" (five), "Move" (two) vividly outlined a transcendent, leisurely, appropriate great poet. Through the morning mist and twilight mist, he was dressed in Ge's clothes and shoes, and he came with a hoe.
Simple residence, ordinary village, but the author is very appreciative of the tone of one by one, willing to be indifferent, keep the awkward and return to the truth. The poet's frankness of heart and the spirit of the outstanding, like the water lotus rolling dew, the moon and the wind clear.
His idyllic poetry is the externalization of his personality spirit, so he writes about scenery and objects, only the pursuit of calm and leisurely state of mind and the fusion of simple and simple objects, showing a natural and heavenly realm. He wrote poems, for him is only the "open and true" embrace of the natural flow.
Su Dongpo said, "Tao Yuanming's intention is not poetry, poetry to send his intention," Yuan Haoqian said: "This is not a poem, straight write the sky in the chest. Xie Ling Yun If Tao Yuanming opened the first river to send the idyllic landscape, and Tao contemporaries and a little later Xie Ling Yun is the first to open the molded mountains and water, carving words and phrases.
Xie Ling Yun landscape poems show rhetoric clever, such as good at scheduling the language of the master craftsman, often a word and pass the landscape situation, in the refinement of poetic meaning, the sense of the language of the past talent, which even Li Bai also admired to. Such as "forests and gullies converge meditative color, the clouds and clouds to collect the sunset fall."
("Shibi Jing She returned to the lake") "Turbulence tends to be cut off, the lone island Meichuan." （The first time I saw this was when I was a student at the University of California, Berkeley, and I was a student at the University of California, Berkeley, and I was a student at the University of California, Berkeley.
The first time I saw the movie, I was able to get a good look at the movie, and I was able to get a good look at the movie, and I was able to get a good look at the movie. （
The first time I saw the movie, I was in the middle of the movie, and the second time I saw the movie, I was in the middle of the movie, and I was in the middle of the movie.
("Into the Mouth of Pengli Lake") "The wild riverbanks are clean, the sky is high and the moon is bright in autumn." ("The first to the county") on the mountain posture, water, dawn and sunshine changes in the poor appearance of the extreme shape of fine carving, subtle unique description, reproduced a natural beauty of the art world.
From this point of view, Xie Lingyuan absolute wisdom, observation of things is very subtle, the ability to master the language is very superb, landscape scenery, by his wonderful hand editing, instantly made a colorful picture, and therefore unique in the Wei and Jin dynasties in the Han poetry, so that the descendants of "Xie poetry, such as the new hair of the hibiscus, the natural and lovely". The name of Xie's poems is "as natural and lovely as freshly-haired hibiscus". Meng Haoran, who lived in Xiangyang's Lumen Mountain, was one of the few poets of the feudal era who lived in the mountains and water, and who did not serve in the government for the rest of his life.
Li Bai has a poem "Gift to Meng Haoran": "I love Meng Haozi, the world known for his style. He is known throughout the world for his style. He abandons his red face and crown, and his white head lies in the pine and clouds.
The drunken moon is often in the holy, lost flowers do not serve the king. The first time I saw him, I was in the middle of the night, and he was in the middle of the night, and he was in the middle of the night.
Meng Haoran is a true recluse. In ancient times, the scholar was "a man of the world, but a man of the world, but a man of the world".
He chose the second way, clear mind, indifferent and tranquil intoxicated in the natural landscape, the pursuit of the highest state of poetry - natural beauty. His poems are close to Tao poetry, but also has its own style.
"Vaporizing clouds and dreaming, waves shaking Yueyang City", "the waves come like snow, a sitting Rin Sheng cold" and this kind of meteorological and majestic poems are not very common. It is representative of those poems that present a quiet, cold mood, y imprinted with the mood of the hermit.
He wrote about the feelings of the hermit: "In the white clouds of the northern mountains, the hermit is happy. The hermit is happy in the white clouds of the northern mountains.
......". （The first is a poem about the joy of being in the countryside: "The old man had chickens and millet, and invited me to the countryside.
The green tree forest edge together, the green mountain Guo outside diagonal.
The first time I saw this, I was in the middle of a conversation with a man who had been in the middle of a fight.
When it comes to the sun, I will come back to the chrysanthemums." （The "Old Man's Manor" (《过故人庄》)is a quiet and cold mood, natural and quiet interest, but it can not hide the inner loneliness and loneliness.
Holding the volume of contemplation, we seem to see a high-minded and proud poet walking alone on the mountain road, the mountain wind blowing the long flowing shirt. Wang Wei Wang Wei wrote political poems, border poems, but can reflect him.
6. What are the verses describing "landscape and garden"
The young are not suitable for the common rhyme, the nature of the love of the hills and mountains.
____ Tao Yuanming, "Returning to the Garden and Dwelling in the Field - One of Them", said that it was a good year in the fragrance of rice flowers. The frogs are singing in the background.
____ Xin Qiji, "The Moon on the Western River - Walking on the Yellow Sand Road at Night" (漠漠水田飞白鹭), 阴阴夏木啭黄鹂). ____王维《积雨辋川庄作 / 秋归辋川庄作》锄禾日当午，汗滴禾下土。
____ Li Shen, "Two Songs of Ancient Winds / Two Songs of Compassionate Farming" (綠遍山原白满川), Zi Gui Li, "The Rain is Like Smoke" (子规声里雨如烟). ____ Weng Roll "April in the Countryside" Green sunflower in the garden, the morning dew waiting for the sun.
____ anonymous "Changgexing" plum golden apricot fat, wheat snow white vegetable flowers rare. ____范成大《四时田园杂兴-其二》童孙未解供耕织，也傍桑阴学种瓜。
____范成大《夏日田园杂兴-其七》种豆南山下，草盛豆苗稀。 ____ Tao Yuanming "Returning to the Garden - its three" alone out of the front door looking at the wild field, the moon bright buckwheat flowers like snow.
____ ____ Bai Juyi "village night" day out of the field at night performance hemp, the village children are each home. ____范成大《夏日田园杂兴-其七》道狭草木长，夕露沾我衣。
____ ____ Tao Yuanming "Returning to the Garden and Dwelling in the Field - Its Third" Ten miles of ripe rice in the west countryside, hibiscus hedges down the bamboo wire long, hanging fruits hanging green and yellow. ____范成大《浣溪沙-江村道中》四海无闲田，农夫犹饿死。
____ Li Shen, "Two Songs of Ancient Winds / Two Songs of Compassionate Farming" (古风二首 / Compassionate Farming), "The farmers are here with their hoes, and they are talking to each other". ____ Wang Wei's "Weichuan Tianjia" is a poem about opening up the southern field and returning to the garden.
____ Tao Yuanming's "Returning to the Garden and Dwelling in the Fields" (一一)一帘鸠外雨, a few idle fields, and spring hoes across the water. ____ Zhang Yan "crossing the river clouds - shanyin long time guest again and again in spring memories of Western Hangzhou Miao Ran sadness" morning rise to take care of the barren filth, with the moon lotus hoe return.
____ Tao Yuanming, "Returning to the Garden and Dwelling in the Field - Three", "Plums are green, plums are yellow, vegetables are fat, wheat is ripe, and silkworms are busy. ____ Zhu Yunming's "Walking in the Mountain in the First Summer" (首夏山中行吟) has several clumps of sand grasses and groups of gulls scattering, and ten thousand hectares of river fields and a heron flying.
____ Wen Tingjun "South Ferry of Lizhou" People do not know the suffering of farmers, will be said to be in the field of the grain since the birth. ____ Yan Renyu "farmhouse" no field like I am still happy to dance, not to mention the field to look at the heart of the year.
____ Zeng Gui 《Su Xiu Road》the slanting sun shines on the market, the poor alley cattle and sheep return. ____ Wang Wei "Weichuan Tianjia" sparse hedges and curved paths of the field family small.
The cloud tree opens at dawn. ____ Zhou Bangyan's "Yu Meiren" (虞美人-疏篱曲径田家小) calls out to his children in the middle of the night to take advantage of the dawn plowing, and the oxen are powerless to make the arduous journey.
____ Yan Renyu, "The Farmer's House" (農家) The father plows the fields on the plain, the son plows the deserts under the mountains. ____ Nie Yizhong's "The Farmer's Home" (布谷飞飞), urges early plowing, and pounding the hoe to take advantage of the spring eyes.
____ Yao Nai's "Mountain Walk - Bugu Feifeifei Advising Early Plowing" (山行-布谷飞飞飞劝早耕) is a story of an old man's chicken and millet, and he invited me to the field house. ____ Meng Haoran's "Passing the Old Man's Manor" is a story about the displacement of flesh and bones from the road after the dryness of the fields and gardens.
____ Bai Juyi, "Looking at the Moon" (望月有感), "The spring water of the wild field is blue in the mirror, and the gulls are not frightened by the shadow of the people crossing the river". ____ Wang Zao "spring - a spring slightly less than ten days clear" water around the bei field bamboo around the hedge, elm money fall out of the hibiscus flower scarce.
____ ____ Zhang Shunmin "Village Dwelling - Water Around the Pei Tian Bamboo Around the Hedges" and the field house, the child opened the thorny door.
____ Li Bai's "Down to Zhongnan Mountain, past the Dusi Mountain people stayed and put wine" Three winters of temporary Confucianism, a thousand couplings are still from the old man plowing.
____ Lu You "watching the village children play on the stream" in the twilight of the year hoeing plow evening empty room, called the child mountaineering to collect acorns.
____ Zhang Ji "wild old man song / mountain farmers words" after the rain on both sides of the house, collect red beans, the bottom of the tree slender lift vegetarian hand.
____ Ouyang Jiong "Nangxiangzi - Road into the south of the center of the" light rain of all the flowers new, a thunder startling hibernation began. ____ Wei Yingwu 《Guanyuan Tianjia》West wind in August and September, the cumulative land of autumn clouds yellow.
____ Huang Xieqing's "Autumn Field Home Songs" (田家几日闲), cultivation from now on. ____ Wei Yingwu 《观田家》 mulberry and cudrania are still taxed, and after the fields are deserted, the seedlings are still collected.
____ Du Xunhe's "The Widow in the Mountain" (山中寡妇 / 时世行) is a story of a man who divined his neighbor's three paths and planted a thousand fruit trees. ____ Meng Haoran's "Field and Garden" (田园作), a thousand stone trees walking on a remote road, and the sound of water being released from a mountain field.
____ Yao Nai, "Mountain Walk - Bugu Feifeifei Advising Early Plowing" Birds are carrying wild grasses in the field, mistakenly entering the withered mulberry. ____ Li Bai's "Grass in the Tree" (5月), even though it is hot in May, the wind of wheat is clear, and the reeling carts on the eaves are singing.
____ Wang Jian's "Field House" holds an axe to cut down the far-away, and a hoe to spy on the spring veins. ____ Wang Wei's "Field and Garden in Spring" (春中田园作) The high field is like a staircase, and the flat field is like a chess game.
____ Yang Shen "out of the countryside" wheat harvest on the field silk in the shaft, the knowledge of the loss of the official family foot. ____ Wang Jian's "Field House Walking" will be late at the time of the book and sword, and the day of Qiuyuan is already twilight.
____ Meng Haoran's "Field and Garden" is a hard-working and constant industry, and there are several months of food. ____ Huang Xieqing's "Autumn Field House Miscellaneous Songs" is both early in the spring on the lake, and the field house day is not idle.
____ Qiu for the "title of the farmer's father's hut" you see when you get rice, grains of fat cream fragrance. ____ Huang Xieqing "Autumn field home miscellaneous aria".