Zhou Yong: Good morning! Thursday, June 26, 2008, 9:00 a.m. Welcome to Southern Life Radio's "Charming South," I'm host Zhou Yong. The song we just broadcast for you is the popular "Platform" in the eighties, composed by the famous musician Liu Ke, lyrics is the famous poet Huang Pusheng. Today's guest in the studio is Mr. Huang Pusheng. Mr. Huang, how are you? How does it feel to listen to the song "Platform"?
Huang Pusheng: Ah, it's a long time ago, twenty years ago. It was at the time of reform and opening up, when the Chinese people were looking for their own direction, and the work expresses the people's expectation of new things, and a little bit of levity. I'm touched by the simplicity of the words, but the musicians have interpreted it so well.
Zhou Yong: When listening to this song, Mr. Huang may have been a bit overwhelmed by the fact that time has flown by, more than two decades, right? Just talking to Mr. Huang, we found that Mr. Huang has a very good baritone voice, and as far as I know, Mr. Huang was originally a baritone singing actor. Why did you become a famous poet from a singing actor? Do you feel happier writing poetry than singing?
Huang Pusheng: People's hearts need to be expressed, either by singing or dancing, but people are most accustomed to expressing themselves in words. In the seventies, when I was a soldier, I participated in the self-defense against Vietnam, and at that time, life was quite hard, so I always wanted to express myself in words to see if I could represent the feelings of the soldiers. So I slowly began to write poems, and my first works were published in the PLA Literary Arts.
Zhou Yong: Mr. Huang, do you remember your first poem?
Huang Pusheng: I don't remember the first poem, but I still remember the first group of poems published in the
Zhou Yong: Oh, these are all good memories. Reform and opening up in a flash thirty years, in the upcoming "July 1", our Guangdong radio station to organize a commemoration of the reform and opening up of thirty years of literature recitation, Mr. Huang as the evening party contributor, when the evening party we will hear a lot of beautiful words, are from the hands of **** with the teacher. Mr. Huang, to participate in the creation of this evening party, how do you feel?
Huang Pusheng: I should say that I am honored to participate in some of the work of Guangdong Radio's poetry recital to commemorate the 30 years of reform and opening up, and I wrote the crosstalk with my thoughts on reform and opening up, and I also expressed my feelings on the development of literature and art brought about by reform and opening up. I feel that a person's role can exert an unpredictable power when he can be linked with an era, historical destiny, and national destiny. For example, Deng Xiaoping's decision of reform and opening up has brought changes to China that we will experience for a long time to come. I am 60 years old, and I have experienced the first 30 years of reform and opening up, as well as the last 30 years of reform and opening up, and my personal experience has made me confident in our present era, in which China is turning in a direction that is full of expectations through the great changes of reform and opening up.
Zhou Yong: It can be said that the creation of this evening party was inspired by you. We have a lot of excellent literature in this gala, which must have given Mr. Huang emotional memories, or you wouldn't have been so insistent on getting the gala right. What are some of the works in this gala that you particularly want your listeners to hear?
Huang Pusheng: Thank you for asking this question. There are many works here that move me, and I can recite them all. For example, the first piece of our evening, Guo Lusheng's "It's 4:08 in Beijing", because he represents a whole generation, the intellectual youth of that era. Although I was in the military, many of my classmates around me had been intellectual youth, and reading this poem evoked similar feelings in me and my classmates. I said that this work must be included in this evening party, because the intellectual youth going to the mountains and going to the countryside was a process of the Cultural Revolution, and without this generation's change of destiny, without this generation's deep contemplation of the times, the ideological basis for reform and opening up would not have been formed. I am very grateful to Guangdong for giving me the opportunity to put this work into our Gala, giving us a relatively free artistic space. There is another work, Zhang Chengzhi's The River in the North, where we can feel the masculinity of the yang, and it's very resolute and atmospheric, and in some places there is also a dreamy feeling, which I think life should be like. I like Zhang Chengzhi very much. Zhang Chengzhi is like a spirit floating on the river in the north. Of course, the works we choose have to be suitable for the recital, and they cannot be too large, because the time for the evening is limited. This time, we also chose a theater piece, and it was "Men with Tears" by our Guangdong native, Mr. Xu Yan, which had won many national awards. This time, Ms. Xu Yan has condensed and modified the original work to make it suitable for this evening, and I like her work very much. Another one is "The Flying of the Gazelle", a relatively recent work with a chic theme, written about a group of animals, which expresses people's increasing concern about human beings and nature, the environment, and the awareness of sustainable development of human beings. This work is directed by Wang Xiaoying, and four actors were invited to recite it, which is very unique, and the others are familiar to all of us, such as Ai Qing and Li Ying.
Zhou Yong: We know there are also your works in this gala.
Huang Pusheng: Oh, I wrote this one in a hurry.
Zhou Yong: About your work "Never Give Up", which is recited in this evening party, we will hear more about your feelings about the creation of this poem after the half-time chime.
Zhou Yong: After half past the hour, welcome to continue listening to Charm of the South, I am host Zhou Yong. Today's live studio guest is our July 1 evening party "Spring Memory" literary works recitation of the crosstalk contributor famous poet Mr. Huang Pusheng. Mr. Huang, let's continue our chat. In addition to the many good works we can enjoy in this evening party, we can also enjoy your new work "Never Give Up". This poem is after the Sichuan earthquake, your new work in this evening party is a group recitation, can you talk about some of your experience of creation?
Huang Pusheng: This work was written on May 17, the fifth day after the earthquake, when I had a lot of feelings inside me and wrote this work. At that time, my heart was moved by Wenchuan, and I was touched by every life rescued. This time, from the central government to the local government, the People's Liberation Army (PLA), and the volunteers all went all out to rescue every life, so never give up and you can welcome one more life. China still has a lot of things to do, such as the next Olympic Games, so never give up, not only in the attention of the individual life, so I create the last sentence, "Only never give up, China can create greater achievements! . At the beginning of the reform and opening up, Deng Xiaoping, a seventy-year-old man, could create a miracle in this land in the east of China that surprised the world, and the legend of his personal life was interpreted as the legend of an era in China. Well, thirty years after the reform and opening up, our national strength is much stronger than before, and we should be able to stand up against all kinds of disasters and setbacks. I am from Henan Province, but I have been living and working in Guangzhou for 30 or 40 years, I have experienced the reform and opening up of Guangzhou in these 30 years I change, I am very grateful to this city gave me the character of life, gentle but constant and stable, pragmatic things. This torch relay, let me feel the enthusiasm of the people of Guangzhou, as if the whole city is shouting "China is going to be strong! Just like thirty years ago, before the reform, Guangzhou people shouted "China must be strong, backwardness will be beaten! The strong sense of never giving up is consistent, and never giving up is an indispensable trait of a nation.
Zhou Yong: I noticed that your poem reads "As long as we have firm confidence in tomorrow, in victory, then, no matter what kind of disaster, hardship, difficulties and setbacks, we can once again bravely stand up to the sky, stand up ...... ". Mr. Huang, you yourself have gone through a lot, 65 years to join the army, 79 years to participate in the war of self-defense against Vietnam, which all kinds of hard experience, more so that you can understand the never give up the faith, right?
Huang Pusheng: You said these hard experiences have had, Guangdong, Guangxi border line of each post, I have walked, you can say that the border line I am measured out by footsteps. I was carrying a movie player, to each post for the soldiers to play a movie, the war of self-defense against Vietnam, it is even more difficult, the start of the war is February 17, I was rushed to the front on February 18, stayed at the front until the end of the celebration, and also for the celebration of some of the works written. At that time, I was still an amateur writer, in the front line of the small oil lamp writing works, mailed to Beijing's 〈Liberation Army Literature and Art〉, won the army's self-defense war against Vietnam works award, small oil lamp under the perseverance, perseverance is very meaningful ......
Zhou Yong: That's what you said, "Never give up. " The experience of being a soldier has a great influence on your works and life, right?
Huang Pusheng: Yes. The influence is so great that it has permeated my blood.
Zhou Yong: So you also composed 〈Being a Soldier is Honorable〉, a song sung by Song Zuying.
Huang Pusheng: It was after being a soldier, when I went to work in the local area, expressing the memories of my youthful years, and people told me that in the recording studio Song Zuying said that the song was very soldierly.
Zhou Yong: good, we feel together with this very military flavor of the
Zhou Yong:
I think this is the youth emotion.
Huang Pusheng: It's also my dream from the past.
Zhou Yong: It's a dream of a general?
Huang Pusheng: yes. There is a saying that "a soldier who doesn't want to be a general is not a good soldier".
Zhou Rong: In the speech of the evening party, you wrote that "poets are the most sensitive, the most emotional, do you think so?
Huang Pusheng: ......I'm not. I'm rather slow. I am a slow person, so I am not a good poet, compared to the poets I admire, I am still far from it, but I will try hard to write, like I said, I will never give up!
Zhou Yong: I think Mr. Huang is very modest, in fact, Mr. Huang with your sensitivity, sensibility, the experience of life, wrote a lot of excellent poems, we can feel your sense of life, love of life, longing, yearning. In addition to writing poems, Mr. Huang, you have also taken on many jobs, such as planning parties, directing parties, and writing articles for parties.
Huang Pusheng: ......What makes me happy is that when I was young, I was involved in the Guangdong radio station to collaborate on the Zhou Yong: We were all surprised that the poet Huang Pusheng: became a health expert. Huang Pusheng: No. I've become a health expert with the experts. I have become friends with the experts. Our publication expert group members are Professor Hong Zhaoguang in Beijing, Professor Hu Dayi, and academician Zhong Nanshan in Guangzhou, our generation is alive with a sense of responsibility, after the earthquake, our publication specifically made a special issue called 〈Psychological Reconstruction〉, which is also a kind of attention, an attitude of our magazine for this big event, right? Zhou Yong: Reading Mr. Huang Pusheng's works always gives people some memories of life. Today, time is running out, let's talk about it here, and the day after tomorrow, let's go into 〈Spring Memory〉. Huang Pusheng: Thank you! I hope that our party can bring you a good memory, but also have some thinking about the memory. The "Little Girl Under the Streetlamp" is one of the most familiar versions of the song to Chinese young people in the 1980s. Liu Ke and Huang Pusheng's "Platform", which was included in "87 Mania" along with "Little Girl Under the Streetlamp", is a rare song in mainland China that surpassed its predecessor's music creation, and was hailed by Yang Kun as "the best dance song for girls in the 80s". Liu Ke is the composer of the China Radio Electroacoustic Orchestra, and his representative works include "Platform", "The Story of the Red Roof House", "All the Snowflakes in the Sky are My Love", "Holding the Heart", "When Reunion is Like a Dream", "Moon Lover", "Bridge MSG", "Pearl River Beer", "Healthy Drinks", "Konrad Color Television" and other popular songs and public service songs; and his representative works include "The One who Hangs on to You is Me", "Nine Sisters", "Shake the Sun", "Damp Heart", "The Sun", "The Sun" and "The Sun". The Damp Heart", "Cheers for Our Today". Mr. Liu was the chief orchestrator and music planner of CCTV Spring Festival Gala. Mr. Liu Ke was the first to enter the field of Chinese pop star packaging production, packaging or guidance of famous singers such as "Lin Ping, Zhang Mimi, Gao Linsheng, Zhou Yanhong, Huang Hexiang, Chen Rujia" and so on. In the mid-to-late 1980s, there was a very popular song in the mainland, which sang: "My heart is waiting, always waiting for ......", singers go to the cave as long as the song must be hot. I have been mistakenly named this song "platform" song to the category of Hong Kong and Taiwan songs, many years later I realized that this is the work of Guangdong local music teenager Liu Ke. Liu Ke, a famous musician in Guangdong, is one of the leading figures in the second wave of Guangdong original pop music because of his youth. As a famous musician in Guangdong and even in the mainland, Liu Ke has directly or indirectly produced and packaged a number of stars such as Lin Ping, Zhou Yanhong, Gao Linsheng, Huang Hexiang, Yang Yuying, Zhang Mimi, and Chen Rujia. The author's favorite is in the early 1990s he was in Guangzhou for the then still Chinese singer Zhang also new female singers orchestrated the album "Zhang also new folk songs", boldly Chinese folk songs and pop style combined with the new ethnic new with, and even heard that this album in the United States is also a hot seller. At the same time, Liu Ke should be regarded as the first person who combined the creation of contemporary pop music with current political propaganda very well. In the stage of propaganda and constructing a modern civilized society, Liu Ke once collaborated with Zhang Hanqing, former secretary of the Guangzhou Municipal Party Committee, in composing the music for "Pearl River Chant" (first sung by Zhang Mimi and Xie Xiaodong), and the song was widely circulated by the citizens of Guangzhou, and was once hailed as the city's song in the hearts of the citizens. In addition, Liu Ke also composed for the then Guangdong Provincial Party Secretary Xie Fei's "Twenty-eight Characters Song", which was included in the "Hundred Songs in Praise of China" series of albums as one of the representative works of Guangdong Province across the 21st century, and was sung by the general public. I thought, a young composer in a short period of time for the two provincial and municipal leaders of the poetry score, is more than 10 years in the past rare, which shows that the vision of the teenage musicians sharp and unique. However, with multiple personalities, Liu Ke is also in recent years in the newspaper scandal in the newspaper the most a musician, about what happened in his two female singers Lin Ping, Zhou Yanhong and his love triangle between the scandal, more negative rumors have been around him, lingering, and then Liu Ke in the press to respond to the scandal rumors seriously, the book to refute. This is a true fulfillment of the ancient saying "people do not flow in vain". In my opinion, Liu Ke can write as well as Kan, is a capable "Kan masters of the mouth". 2000, he served as director of the Guangzhou Institute of Chinese popular and modern music to date, using his full "Kan" resources and music resources. Later, Liu Ke also made a bold attempt to enter the business world with a partnership to produce skin care detergents such as hand sanitizer, body wash and so on. I remember one day Liu Ke parked his car in front of the Guangdong radio station building, and brought out several boxes of shower gel to introduce to us, these are the shower gel that have applied for patents, and are named according to many original songs in Guangdong: this is "The one who hangs on to you is me", this is "Gently tell you", this is "Love Bird", and this is "I really want to think of you" ... .... ...Wow, that made us laugh! I heard later that one of our colleague's mommy loved it so much that she used these bath bombs every day to bathe her pet cat at home. In recent times, Yanhong Zhou's love affair with Houlin Li and Christina Li has become a hot topic in the entertainment industry, and the grudges between the three of them have become entangled. A few days ago, there are media reports as early as 10 years ago, Zhou Yanhong has also been caught in a love triangle. The protagonist of this old love affair in addition to Zhou Yanhong, there is the former red singer Lin Ping and Guangdong famous music producer Liu Ke. The reporter learned from a music industry source that Liu Ke returned to Beijing from abroad in 2005 and is now preparing for a comeback. With the help of this friend, the reporter found Liu Ke. Liu Ke was born in Guangdong in a military and literary family, Liu Ke and his sister Yang Hong later became the backbone of Guangdong's music industry, at the time, Yang Hong was known as one of the "three great talents". Liu Ke's masterpiece was the song "Platform," which became a youthful memory for a generation. Divorce is not for Zhou Yanhong According to Liu Ke, after he divorced his wife, Lin Ping, in May 1995, because of the media hype and false reports, so that at that time, many people in the circle and the fans mistakenly believe that it was caused by his love for Zhou Yanhong. Liu Ke said, "The real reason is not so, after Lin Ping won the national competition in 1994, the Air Force Civilian Workers Troupe transferred Lin Ping to be an actor, and we began to live apart, and this long-term separation caused us to be emotionally estranged and disconnected." I hold up red Zhou Yanhong In Zhou Yanhong's collection of essays, "When Love Passes By," referring to her grudge entanglements with Liu Ke and Lin Ping, using the letters L and P instead of Liu Ke and Lin Ping, the book writes that she and Liu Ke met during rehearsals for the 1994 Spring Festival Gala, and that at the time, she was already little known, and that Liu Ke had invited Zhou to go south to Guangzhou to join Liu Ke's music company. Liu Ke introduced to the reporter. Liu Ke to the reporter, "In fact, I know Zhou Yanhong in 1993, when Zhou Yanhong is just a street singer. 1994 the end of the year, Zhou Yanhong and a few other singers to Guangzhou to join Jin Chunlei." Liu Ke said, Jin Chunlei in July 1995 began to all-round packaging Zhou Yanhong, and later, "See Jasmine again" album success, Zhou Yanhong began to sing the country. Liu Zhou love without end Liu Ke said, and Zhou Yanhong formally established a romantic relationship is in the first half of 1996. Liu Ke believes that Zhou Yanhong is a "talented woman", literary cultivation is relatively high, but later he felt that he and Zhou Yanhong is not suitable, he is a focus on the concept of family, and Zhou Yanhong's life, in addition to singing, famous, nothing else. the second half of 1996, Zhou Yanhong went to Beijing to develop, Liu Ke and her love affair also ended. The media should be kind to Zhou Yanhong Liu Ke is now also aware of the embarrassing situation faced by Zhou Yanhong and the integrity crisis encountered, he believes that the entertainment industry is a manufacturing industry, the star is a product, manufactured is not easy. "As far as I know, Zhou Yanhong only singing this cause, even if said some over the top words, or exaggerated some facts, to give her a chance to correct, don't chase after her, this is, after all, her way of survival."