1. 變莫测 Pinyin: biàn huàn mò cè Explanation: 變變：变化不可测度。 There are many changes that cannot be predicted.
2. 千变万化 pinyin: qiān biàn wàn huà explains: describes a lot of changes.
3. 神乎其技 Pinyin: shén hū qí jì Explanation: Describing a skill or technique that is very skillful.
4. Changelike Pinyin: biàn huà duō duān Explanation: It describes that there are a lot of changes. It also means that there are a lot of changes.
5. 神工鬼斧 Pinyin: shén gōng guǐ fǔ Explanation: It is as if it was made by ghosts and gods. It describes a high level of artistic skill that cannot be achieved by human hands.
2. Sentences describing the Sichuan Opera Changing Faces
"The blue-faced Dourdun steals the royal horse, the red-faced Guan Gong fights in Changsha ......" Students must
be familiar with this song "Rap Faces", yes it is the Changing Faces. Today I came to
the origin of the face changing - Sichuan.
The party officially started at 7:00 pm, every program is very exciting, but I still
look forward to the grand finale - face-changing. Magic, tea ceremony, and martial arts and sketches show that every
individual look at the full of praise, especially the sketches, "lying ears" performance, but also let people laugh
can not close their mouths, "lying ears" is very afraid of his wife, his wife told him to do what he never dared not
to do, he never dared not
to do. What, he never dared not
do, this is not again was punished top oil lamp, drill bench.
After watching the skit for about 30 minutes,
the face changing will finally start. First of all, a group of dancers dressed in gorgeous dancers on the left and right sides,
doing beautiful movements, this time the performance of the three masters of the face suddenly from the backstage debut, they
some head wearing a phoenix crown, some clad in dragon robes, and some hand holding a fan, each with a different
characteristics, the master of the left side of the face began to change! I saw him quickly turn around, gently waved
a few times the fan, turn around again, the original green face suddenly turned yellow,
I have not reacted, he turned his face sideways again, the fan in the hands of a wave, the face again turned
blue, just a few seconds, actually changed three colors, it's incredible! The master on the right shook his sleeve and his face changed from black to red, then from red
to white, and in the blink of an eye to a big flowery face, and I couldn't believe my eyes
! A master in the middle first walked around the stage, then waved his sleeve and took a big step to the center of the stage, then he twisted his head and turned his purple face into gold,
and twisted his head again, and instantly the golden face turned green again, then the master simply walked off the stage and came to the side of the audience, while twisting his head to change his face, changing it several times, almost only
and then he turned his head to the center of the stage. Several times, almost only
with ten seconds, the master will face for seven, eight times, this move so that everyone here
mouths are open into the "o" type, have applauded. The first zero distance to see the face,
with seamless to describe a little too much, pondered half a day did not come up with a reason to
face is the successive generations of Sichuan Opera artists **** with the creation and inheritance down the treasure, we must
to protect, promote, not to let the loss of our culture!
3. What are the sentences describing the "Sichuan Opera Face Changing"The techniques of face-changing are roughly divided into three: "wipe the face", "blowing the face", "pulling". In addition, there is a "luck" face.
"Wipe face" is the makeup oil paint on a specific part of the face, when the hand to the face, you can become another face. If you want to change the whole face, you can put the paint on the forehead or eyebrows, and if you want to change only the lower part of the face, you can put the paint on the face or nose. If only a certain part of the face is to be changed, the oil paint can be applied to only the place to be changed. For example, Hsu Hsien in "White Snake", Pei Yu in "Release Pei", Chen Lun in "Flying Cloud Sword", etc., all use the technique of "wiping the face".
"Blow face" is only suitable for powdered cosmetics, such as gold powder, toner, silver powder and so on. There is a very small box on the floor of the stage, filled with powder, the actor to do a dance movement on the ground, take the opportunity to face close to the box and blow, powder on the face, immediately into another color of the face. It is important to note: when blowing, close your eyes, mouth and breath. Zidu in "Capture Zidu alive", "rule Zhongshan" in the Le Yangzi and other characters of the face change, using the "blowing face" way.
"Pulling the face" is a more complex method of face changing. It is beforehand the face painted on a piece of silk, cut, each face is tied to a handful of silk thread, and then one by one on the face. The threads are tied to a convenient and unobtrusive part of the dress (e.g., on the belt). As the play progresses, the threads are pulled off one by one under the cover of dance movements. For example, in The Legend of the White Snake, the mantle boy (purple and gold cymbal mantle) can change into seven or eight different faces, such as green, red, white, black, and so on. The thief in "The Old Building" and Nie Long in "Wang Niang Tan" also use face-pulling. There are certain difficulties in "face-pulling". First, there should not be too much adhesive on the face-pieces, so as not to be unable to pull them off, or to pull off all the face-pieces at once. Secondly, the action should be clean and sharp, and the fake action should be skillful to cover the eyes of the audience.
As a result of new, strange, fast, cool features, Sichuan Opera face changing in recent years, hot, and become a trend. So, how did the face-changing stunts appear in the first place, how rich?
At the end of the Qing Dynasty and the beginning of the Civil War, Sichuan opera entered a period of prosperity, famous actors. Among them, those who gained great fame for their roles in the civil and military arts were Kang Zilin (1870~1930 AD) and Cao Junchen (1882~1946 AD). Tracing back, today's popularity of the performing arts circle "pulling the thread to change the face" stunts, is in their art competition, exchanges in the birth of the two.
Three Changes, also known as Returning to the Righteous House, is a high-cavity opera of Sichuan Opera. Su Yue Niang fortunate to meet the chivalrous Bei Rong rescue, righteousness brother and sister, to escape the sea of bitterness ...... played by Wusheng Bei Rong, not only martial arts, but also good at disguise, he had 3 times in the play, mysterious and unpredictable face.
According to Kang Zilin's disciple Liu Zonglin recalled: before, play Bei Rong, need to bring a pre-prepared paper face shells, out of a debut, pull off the shells and then sing, which is the "incarnation" of the initial germ. Later, Cao Junchen changed to use grass paper to cover his face and paint it with colors. Performance, sprinkle a handful of powder fire (made of rosin and other things), a hand wipe the face, wipe away the paper face, the original shape, and then open the board to sing, which is a great improvement.
Kang Zilin is a vain person, he was inspired by Cao Junchen, first give up the paper face shell, and do not need to sprinkle powder fire, just pull the straw paper face. Afterwards, he repeatedly thought about it, and improved the straw paper face masking method. Change the straw paper for the toughness of the better plywood, change a layer for three layers, even three times, changing appearance. In the process of practicing, uncovering the paper is often wrong, not at ease, and then once suddenly from the "pulling the film" in the inspiration, began to design the pulling line, will be a thread of pulling, will uncover a layer of the face, he has been successful: borrowing a thread of pulling the power to collect the effect of the instantaneous change.
There is also a wipe face color, often used on stage. There is a prominent example: in the 1930s, "Yuelai Tea Garden" performed "The Tale of the White Snake? Broken Bridge", the best performers were Xiao Kaishen (after Kang Zilin, president of the "Three Celebrations") as Xu Xian, Zhou Mulian as the White Lady, Xie Guoxiang as Qing'er.
In the story of the White Snake in Sichuan Opera, Qing'er was originally a male, but was transformed into a servant girl when she was taken in by the White Snake. She has to show her original form when she is furious, so "Broken Bridge" is played by a male martial artist. Xie Guoxiang utilizes the techniques of "playing with fangs" and "changing faces" in this play. When Qing'er meets Xu Xian, a man who has betrayed him, he is so angry that he suddenly appears as a ghost with a green face and fangs, and a mouth that eats people. Xie Guoxiang had to prepare for the "face wipe" before the performance. He used the tin foil in the carton of cigarettes, wrapped three pigeon egg-sized white, red and black glaze, the opening of a direction.
When the show, Qing'er by the dismounted door on the stage, standing on top of the foot box, in the face of the negative Xu Xian angrily, left hand wobbling, sleeve shaking, and suddenly with his right hand from the forehead down a wipe - "white color" has been clamped in the first "! The "white color" has been sandwiched under the "forehead", and the opening is toward the bottom, so the face is wiped white, which means "the face is white with anger". Next, Qing'er and the White Lady "on the style of mouth", the White Lady begged her not to act recklessly, to protect Xu Xian. Qing'er waited for the opportunity to put the "red color" held in her left hand to her face, so the red covered the white. Qing'er chased Xu Xian down to the field. Xie Guoxiang quickly washed his hands in the basin, and then dried them, and then chased after Xu Xian with the "black color", and when he pounced on Xu Xian and grabbed him, he smeared his face with black color; at the same time, his fangs stretched out of his mouth, and he flipped his mouth from side to side to show the hideousness of his green fangs.
People in the sudden encounter unexpected, thrilling change of a moment, often "shocked", "change face color". Art reflects life. Sichuan opera is from the actual life, to be refined, exaggerated, and thus created one of the original Sichuan opera stunts face change.
4. What are the words that describe "Sichuan Opera Face Changing"Changeable Pinyin: biàn huàn mò cè Explanation: changeable: change unpredictable.
There are many changes that cannot be predicted.
神乎其技 pinyin: shén hū qí jì Explanation: Describing a skill or technique that is very skillful. Pinyin: biàn huà duō duān Explanation: It describes that there are many variations.
It also means that there are a lot of changes. Pinyin: shén gōng guǐ fǔ Explanation: It is like something made by ghosts and gods.
It describes an art that is so skillful that it cannot be achieved by human hands.
5. Action Description of Traditional TechniquesFace-changing is a kind of stunt used to portray characters in the art of Sichuan opera. It is a romantic technique to reveal the inner thoughts and feelings of the characters in the play.
The traditional Chinese folk art of face-changing (9 pictures)
According to legend, "face-changing" is an ancient technique in which human beings, facing ferocious beasts, sketched their faces in different forms in order to survive, so as to frighten the invading beasts. Sichuan Opera has brought "face-changing" to the stage and made it a unique art with its marvelous skills.
Emotional makeup in Chinese opera. It was first used in the Ming Dynasty for the roles of gods and monsters. The Ming miscellaneous drama "Goukou Erlang beheading Jianjiao" has a record of "changing the green face". At that time, face-changing was done by the actors backstage. In later times, it evolved into face changing on the spot, which became a performance stunt, and many local operas have it, with Sichuan Opera being the most famous. There are two types of face-changing: big face-changing and small face-changing. The big face-changing is to change the whole face, with 3, 5 or even 9 changes; the small face-changing is a partial face-changing. There are three main techniques of face-changing: wiping stormy eyes, blowing powder, and pulling face. The first two are coated with make-up, such as smearing the eyes of the actors fingers on the preexisting brow or sideburns of the ink green, a smear that is changed; blowing powder is even more crude, that is, the actors blow up the color powder to change the face; the latter is added with masks, layer by layer set on the face, tightening the dead or alive degree, change when one by one pulled down. In addition, there are tearing face and sticking face, is not used more. Changing face requires agile movements, without revealing traces. Mainly used in the play characters panic, despair, anger and other sudden changes in mood
6. Description of the Sichuan opera essayMy hometown of local theater - Sichuan opera
My hometown, in China is also considered a famous, the birthplace of Sichuan cuisine - Sichuan. Sichuan. This Sichuan ah, not only have delicious Sichuan cuisine, beautiful scenery, and our rich characteristics of the Sichuan opera.
The history of Sichuan Opera is also relatively long, according to records, the late Ming and early Qing dynasties, due to immigrants from all over the country, as well as the successive establishment of local guilds, resulting in a variety of northern and southern voice theater also spread throughout Sichuan, and in the long-term development of derivation, and the integration of the Sichuan dialect and local languages, folklore, folk music, dance, rapping and singing, folk songs and ditties, and gradually formed the characteristics of the Sichuan voice art, thus contributing to the development of local theater in Sichuan, and the development of the Sichuan Opera. The art of Sichuan opera, thus promoting the development of the local opera genre - Sichuan opera.
There are many types of Sichuan opera. There are five kinds of vocal cadences in Sichuan Opera, namely, Kun Cavity, Gao Cavity, Huqin, Bouncing Opera and Lantern Tune, and five kinds of musical forms such as gongs and drums, suona songs and qin and flute scores accompanying the five kinds of vocal cadences. The music of Sichuan Opera is a combination of many different styles of music, including the absorption of all the major vocal systems of the national opera, and the integration of the local language, sound, and music of Sichuan, resulting in a variety of forms, a rich repertoire of songs, a rigorous structure, and a very different style of music of the local opera.
First of all, let's talk about Kun Cavity, which is the work of many literati, with elegant words, strict rules and regulations, and special attention paid to the words, plus the twists and turns of the song and the slow rhythm; Gao Cavity is the most important voice in Sichuan Opera, which combines the Sichuan dialect, folk ballads, labor horns, and the forms of hair between the raps, etc. After several processing and refinement, it has been gradually formed into a variety of forms, with a rich and rigorous structure, and a very different style of local opera music. After several processing and refining, it has gradually formed the vocal music with local characteristics; the Huqin cavity of Sichuan Opera is the collective name of Xipi and Erhuang, which is collectively called Huqin because its main accompanying instrument is the "small huqin". The Erhuang is suitable for expressing deep, serious, euphemistic and light moods, while the Erhuang is suitable for expressing bleak, miserable, sad and angry moods, and the old tunes are mostly used for high-pitched and impassioned moods. The Xipi cavity of Sichuan opera is the opposite of the musical character of the Erhuang cavity, with a bright, dashing, exciting, concise and smooth character ......
There are too many types of Sichuan opera to be introduced. You may not know much about any of these, but there is one thing that you have definitely seen, and that is the face-changing of our Sichuan opera. The dazzling face, the speed, the magic, let a person look at it can be memorized. The methods of face changing are roughly divided into three, they are "wipe face", "blow face", "pull face".
Wipe the face, is the actor will make-up oil paint in advance on a specific part of the face, when the hand in the face a wipe, you can make the face become another color;
Blow face, is the actor will be powdered cosmetics (gold dust, toner, silver powder) placed in a specific position on the stage in containers or characters used in the wine cups and other vessels, then close your eyes, closed, blowing with your mouth, will make the face change color;
Blow face, is the actor will be placed in a specific position on the stage container or character used wine cups and so on vessels, then close your eyes, closed, blowing, it makes
Pulling the face, the actor will be painted on the silk of a number of faces stacked together on the face, each face has a specific silk thread, and fixed in a specific position. With the needs of the performance, under the cover of the performance action, a sheet of rapid pull down.
In addition, there are many masterpieces in our Sichuan opera, such as spitting fire, hiding knives, top oil lamps ...... We also have many famous Sichuan opera plays, such as "Wusan take tiger", "Three Maidens Teach Their Children", "The Legend of the White Snake" ...... I like the Sichuan opera because of its interesting I like Sichuan opera because of its interesting Sichuan dialect, which is so interesting that I never tire of listening to it.
How about, now you have some understanding of Sichuan opera. Opera, which is a special feature of our country, in which we can learn a lot of things, I hope students can listen to more opera and learn more about it.
7. Idioms describing the performance of the actorsGag Section: refers to the expressions and actions in classical opera; Gag: witty and amusing words.
Opera, opera actors in the performance of the *** to go to the laughter inducing action or language. Source: Ming Gao Ming, "Pipa Records - Reporting on the Play": "Hugh about gags, not looking for the palace number of tunes, just look at the son filial piety and wife virtuous." Opera, opera actors in the performance of the *** to go to the laughter of the action or language.
Source: Ming Tang Xianzu's Nanke Zhi - Manifest Destiny: "I am a famous one in Yangzhou City. I have been a wanderer all my life, and I have been a flirt all my life.
But the bad luck of the family, they will ask me to summarize the section to play coaxing; regardless of the interesting children, all with him to drill lazy to help idle." The handful of the discipline to play the holes 犹言插科打诨打.
Opera, Chinese opera actors in the performance of wear *** go to the action or language of the attraction of laughter. Holster, with "coaxing", clamor.
Gag Gag: witty and funny words.
Same as "gag". Powder and ink: cosmetics used for applying face paint and drawing eyebrows.
Originally, it refers to an actor who puts on make-up and performs on stage. It is a metaphor for a bad guy who is dressed up to appear on the political stage.
Source: Zang Maozhuan's "Preface to the Selected Yuanqu Operas": "And Guan Hanqing's generation even practiced the rehearsal, but also the powder and ink." .