Life is like the first time you see it Full Poem
"The Mulan Words: An Ancient Decisive Words to Invite a Friend"
Author: Nalan Seide
Original text:
Life is like the first time you see it, what's the matter of the west wind and sad painting fan. The old man's heart has changed at leisure, but the old man's heart is easy to change.
The night is half over after the speech on the LIXIL Mountain, and the tears and rain are not complaining. I am so happy to see you, and I wish I could be with you for the rest of my life!
Notes:
1, Magnolia: the name of the word. The first one is a letter to the Emperor, and the second one is a letter to the Emperor, and the third one is a letter to the Emperor.
2. What's the matter sentence: the allusion to the abandonment of Ban Jieyu in the Han Dynasty. Ban Jieyu was the concubine of Emperor Cheng of the Han Dynasty, was slandered by Zhao Feiyan, retired to the Cold Palace, and later had a poem "Grievance Song Xing", which expressed the resentment of abandonment with the metaphor of an idle fan in the fall. The poem "Ban Jieyu's Grievance" by Liu Xiaochuo of Liang of the Northern and Southern Dynasties also points out that the concubine's body is like an autumn fan, and then it is a metaphor for a woman's abandonment to see the donation of an autumn fan. This is to say that they should love each other, but they have become separated and abandoned each other. Wang Changling, a poet of Tang Dynasty, made "Five Autumn Lyrics of Changxin" to pity her.
3, the old man: refers to the lover. But the old man's heart is easy to change (from the Entertainment Garden book), a but the old man's heart is easy to change. Seemingly vernacular, its use of canonical, the source of the Southern Qi landscape poet Xie Wu's "with the king's main book of grievances" after two sentences of the old heart is still forever, the old heart is not seen. Wang Yuanzhi's "Nalan Words" mistakenly engraved the last sentence of the old heart as the old heart, and this error is often followed by modern anthologies.
4, LIXI (l) mountain two sentences: with Tang Minghuang and Yang Yuhuan love allusion. The "Taizhen Gaidian", Tang Minghuang and Yang Yuhuan once on the night of July 7, in the Hall of Eternal Life of Huaqing Palace, Mount Li, vowed to be husband and wife for the rest of their lives. Bai Juyi's "Song of Long Hatred": in the sky, they wished to be birds with wings, and on earth, they wished to be branches linked together. This is a vivid description. After the Anshi Rebellion, Emperor Ming entered Sichuan and killed Yang Yuhuan at Mawei Slope. Before Yang died, she said, "I am truly ashamed of my country's favor, but I have no regrets in dying. Afterwards, Emperor Ming heard the sound of rain and bells on the way and was sad, so he composed the song "Raining Bells" to send his condolences.
5, such as two lines: the use of Tang Li Shangyin "Mawei" poem in how the four centuries for the son of God, as opposed to the Lu family have the meaning of the sentence Mo Chou. The first is that the first time I was in the country, I was in the middle of a long journey.
Poetry:
Getting along with the person of your choice should always be like when you just met, so sweet, so cozy, so affectionate and happy. But you and I should have been close to each other, but why have we become today's mutual separation and abandonment? Now easily change heart, but you instead say lovers is easy to change heart. You and I are like Tang Ming Huang and Yang Yuhuan, in the Palace of Eternal Life, we swore that we would never leave each other in life and death, but eventually we made a decisive parting, and even then, we did not have any grudges. But how can you compare to the Tang Minghuang it, he always with Yang Yuhuan had a bird of prey, the vow.
Appreciation:
The title of the lyrics says that this is a piece of ancient work, which is a kind of ancient poems, which is a woman's tone of voice accusing the man's thinness of love, and thus expresses the state of determination with it. For example, the ancient poem "White Heads" and Tang Yuan Zhen's "Three Songs of Ancient Decisive Words". Nalan Seide's proposed work is a borrowed allusion to the Han and Tang dynasties and expresses the feelings of bosom resentment.
What is the sadness of the autumn wind painting fan sentence with the Han Dynasty Ban Jieyu was abandoned allusion. The fan is used in the summer to tend away from the heat, in the fall, no one cares, classical poems often use the fan as a metaphor for women who have been left out. Here it is said that they should love each other, but they have become separated and abandoned each other. The word mood is again dragged from the beautiful memories to the cruel reality at once.
Waiting to change the heart of the old man, but the old man's heart is easy to change two sentences: because this word is a simulation of the female tone of writing, so from these two sentences written out of the protagonist of the deep self-reproach and remorse. Nalan was not a heartless man, just that the teenager at that time had not yet mastered his own destiny. In fact, a great Tang emperor like Li Longji could not keep his beloved lover, let alone Nalan.
Li Shan language to stop half of the night, tears and rain zero bells end up not complaining of two sentences with Tang Ming Huang and Yang Yuhuan love allusion. On the eve of the seventh day of the seventh month, Tang and Yang swore an oath of alliance in the Huaqing Palace. The oath of alliance is still in the words, the Mawei incident broke out, Yang Guifei became a victim of political struggle. It is said that when Emperor Tang Minghuang was on his way back to Chang'an from Sichuan, he heard the ringing of bells in the rain on the trestle path, which aroused his thoughts about Yang Guifei, and he wrote the famous tune "Raining Bells". The song is borrowed here to say that even in the final parting, there will be no grudges.
The second line is based on the poem "Mawei" by Tang Li Shangyin, which takes over the meaning of the first two lines and illustrates the hero's steadfastness in his feelings from the other side.
The whole word is a woman's tone, expressing the feelings of grief of being abandoned by her husband. The words are mournful and poignant, and the words are twisted and entwined. Autumn wind sad painting fan that is to lament the fate of their own abandonment, the words of the Lixian Mountain alludes to the original moments of love, night rain Linling write like Tang Xuanzong and Yang Guifei as close lovers also ultimately intestines broken Mawei slope, than the wings of the branch from the "Song of Long Hate" verses, write once the love vow has become a distant past. And behind this bosom complaint, seems to have more deep pain, bosom complaint is just a kind of pretense. Therefore, some people believe that this piece has a hidden meaning, the lyricist is to use the love between men and women as a metaphor to show that with friends should always be the same, life and death are unswerving.
Don't you see the sad gray hairs in the mirror of the high hall, as if the green silk becomes snow in the twilight.
Life must be happy, do not make the golden bottle (zūn) empty to the moon.
The natural talent of a man is very useful, and a thousand pieces of gold are scattered and come back.
Cooking sheep and slaughtering cows is a pleasure.
Cen Fu Zi, Dan Qiusheng, will enter the wine, the cup does not stop.
I will sing a song with you and ask you to listen to it for me.
I wish to be drunk for a long time, but I don't want to wake up.
All the sages and sages of the past are lonely, but only the drinkers keep their names.
The king of Chen used to have a banquet in Pingle, where he drank ten thousand cups of wine and made merry.
Why did the master say that he had less money to spend, he just had to sell it to you.
The five horses and the thousand gold furs are the same as the five horses and the thousand gold furs, and they are the same as the five horses and the thousand gold furs, and the five horses and the thousand gold furs are the same as the five horses and the thousand gold furs.
Notes:
1, will enter the wine: this poem was written in Tang Xuanzong Kaiyuan twenty-four years (736). The poem was written in the 24th year of Emperor Tang Xuanzong's reign (736), and the title of the poem is "Will (qiāng) Enter Wine". It was written in the 24th year of Emperor Tang Xuanzong's reign (736).
2. Running into the sea will not return: the Yellow River flows eastward into the sea and will not flow backward.
3. Gautang: parents.
4. Sorrowful White Hair: sadness for the gray hair on the temples.
5, towards as green silk into snow: describing the time is rushed, life is short. The black hair is black. The second half of the year, the black hair turns white at night.
6, pleased: refers to the mood of pleasure, have fun.
7, a thousand gold scattered but also come back: meaning that money is not expensive enough, scattered but also will come.
8, will have to: should.
8, Cen Fuzi, Dan Qusheng: Li Bai's friends Cen Xun, Yuan Danqiu.
9, side-ear listening: listen with your ears sideways, describing listening attentively and carefully. Side, a tilt.
10, bells and drums: a substitute for wealth and fortune. In ancient times, the rich and powerful families used bells and drums to accompany their banquets. The food is as precious as jade.
11, lonely: obscurity. A said by the world cold.
12, King Chen used to feast on Pingle: King Chen, referring to Cao Zhi (192232), a Wei poet during the Three Kingdoms, was crowned King of Chen. Banquet Pingle, in Luoyang's Pingle optimistic feast.
13, Doo wine ten thousand wanton joyful banter: Doo wine ten thousand, a bucket of wine is worth ten thousand money, referring to the price of wine. Cao Zhi "name of the chapter": return to feast Pingle, wine bucket ten thousand. The bucket is a wine container with a handle. Wantonly joyful bantering, seek joyfulness to the fullest. The first is the "Joy", the "Joy".
14.
15, five-flower horse, a thousand gold fur: five-flower horse, refers to the expensive horse. The first one is a kind of a "fur", which is a kind of leather jacket.
16, will be out: out.
17, ten thousand years of sorrow: endless sorrow.
Poetry:
Can't you see that the water of the Yellow River rushes from the sky, and the waves tumble straight to the East China Sea, and never comes back. Don't you see the aged parents, lamenting their gray hairs in the bright mirror. The green hair of their youth is now snow-white. （
Don't let this cup of wine be empty to the moon. Each person's birth must have its own value and significance, and even if a thousand taels of gold are used up in one stroke, it can still be obtained again. Let's cook goats and slaughter cows for fun, and drink 300 cups of wine at once! I'm not going to be able to do it again!
Drink up! Don't stop. Let me sing a song for you, and ask you to pour out your ears for me: what is so precious about the luxurious life of eating delicacies of the sea all day long, and wishing only to be drunken and not to be sober? Since ancient times, sages have always been cold and lonely, and only those who know how to drink have been able to leave a beautiful name. Chen Wang Cao Zhi, when the banquet Ping optimistic deeds you know, the bucket of wine thousands also drink, so that the guests and hosts to enjoy the fun. Master, why do you say I don't have much money? Why don't you just buy us some wine and let us drink together? And what precious horses, and what costly fox furs, call out your son, and let him take them for the wine.
Let's get rid of this endless long sorrow!
Appreciation:
Li Bai's poems on wine can express his personality, and these poems are certainly more profound in thought and more mature in artistic expression than those made after he was released from Chang'an.
"Will enter the wine" is the original Han Lefu short xiao cymbal tune, the title of the interpretation of the meaning of the song that is to persuade the wine, so the ancient lyrics will enter the wine, ride the big white clouds. The author of this fill with Shen Yi Yi (Xiao Shi Eddie "Classified Supplementary Note Li Taibai Poetry") of the famous piece, about Tianbao eleven years (752), he was with his friend Cen Xun in Songshan, another good friend of Yuan Danqiu Yinyang mountain residence as a guest, the three tasted high drinking ("pay Cen Xun to see the search for Yuan Danqiu to the wine to the poems to see the trick": not to thousands of miles away, the order of the drive to come to meet each other. I met Yuan Danqiu in the middle of the day and climbed up to the ridge to feast in the blue sky. I thought of me when I was drinking wine, and I was wailing in the clear sky.) I am not sure what to say. Life is faster than wine will be friends, the author is holding the world's talent and not meet with the occasion (Xiao Shi Yun), so full of anachronism by wine Xing poetry, to a full expression.
At the beginning of the poem, there are two sets of long prose sentences, such as the winds of the sky and the rain of the sea, which come to the readers face to face. You can't see the water of the Yellow River coming from the sky, flowing to the sea never to return, Yingyang to the Yellow River is not far away, climbed high and longitudinal eyes, so I borrowed to rise up. The Yellow River has a long source of flow, the drop is very great, such as from the sky, a cascade of thousands of miles, east to the sea. Such a magnificent wave scene, certainly not the naked eye can be extreme, the author is trying to fall out of the sky, since the road to get, language with hyperbole. The first sentence is written in the big river, unstoppable; the next sentence is written in the big river to go, the potential can not be returned. A rise and a disappearance, the formation of scrolling back and forth aria flavor, is a short single sentence (such as the Yellow River fell to the sky to go to the East China Sea) does not have. Immediately after that, don't you see the high hall and mirror sad white hair, as if the green silk twilight into snow, just like a wave has not yet subsided, a wave rises again. If the first two lines are exaggerations in the spatial category, these two lines are exaggerations in the temporal category. Lamenting the shortness of life, but not directly say self-inflicted injury to the boss, but said that the high hall mirror sad gray hair, a kind of scratching the head to look at the shadow, in vain, can do nothing about the situation as if the picture. The whole process of life from youth to aging is said to be a matter of morning and evening, and the original shortness is said to be even shorter, and the first two sentences are said to be even more magnificent, which is a reverse exaggeration. Thus, the opening of this set of long lines of prose has the meaning of comparing the river to the river that never returns as a metaphor for the life that is easy to pass away, and also has the role of contrasting the greatness of the Yellow River to the eternal form of the smallness and fragility of life. This beginning can be said to be extremely sad, but does not fall weak, can be said to be a giant type of sentimental, with thrilling artistic power, but also by the long sentences of the opening of the momentum caused by the sense of the opening of the prose. This opening technique is commonly used by the author, such as those who abandoned me, yesterday's day can not stay; mess with my heart, today's day more worries ("xuancheng xiequlou preserved school Shuyun"), Shen Deqian said: this kind of style, Taibai from the heart out, can be seen that it is quite creative. This poem two for the gentleman not see the call (general music poetry only in the beginning or the end of the piece of occasional use), but also make the emotional color of the poem greatly enhanced. The poem has a so-called "big open" and "big close", and this can be called "big open".
The heaven and earth, the adversary of all things; the light of day, the passing of a hundred generations (Spring Night Banquet from the younger brother, Peach and Lee Garden Preface), sadness is not inevitable, but pessimism is not close to Li Bai's sexuality. In his opinion, as long as life is satisfactory, there is no regret, when the joy of indulgence. The fifth and sixth lines are a reversal, from sadness to joy. From then on, until the cup is over, the poem becomes more and more wild. There is no time to be sad when one's life is full of joy, and one should drink fine wine and climb up to a high building ("Liang Yuan Yin"), and one should not enjoy oneself without wine. But the sentence is not written directly in the cup, but with a golden bottle to the moon of the figurative language out of it, not only vivid, but also the drinking poetic; not written directly should be drinking wildly, but to make the empty double negative syntax instead of a straight statement, the tone is more emphatic. Life must be happy, this seems to promote the idea of timely happiness, but it is only a phenomenon. Has the poet ever been happy? Phoenix first purple clay edict, visit the emperor said goblet on the imperial feast ("Jade Pot Yin") seems to be pleased; however, that is just a mirage, playing the sword for the song to play the sound of bitterness, train the king's door does not seem to be pleased, there is disappointment and indignation. But it is not depressed. The poet is then optimistic and strong tone of life, sure of self: born to be useful, this is a stunning sentence. Useful and must be, very confident, almost like a declaration of human values, and this person I must be capitalized. Here, from the seemingly negative phenomenon reveals a hidden deep inside a kind of unrecognized talent and eager to enter the world of the positive nature of the content. It is the long wind and waves will sometimes, should drink and sing for such a future, and what is the cost of a thousand gold is scattered and come back! This is another highly confident amazing line, can drive money but not for money, really enough to make all the common people stagger. Poetry is like the person, think of the poet in former times traveled to Weiyang, not more than a year, more than three hundred thousand gold scattered ("on the Anzhou Pei Changshi book"), what a heroic act. Therefore, this line contains a deep feeling of grandeur in the bones, which can never be obtained by a person who pretends to be a man. Comparable to this style, the author depicts a feast, which is not just a dish or two? Is there a jug of wine, or two? Rather, the whole head of the whole head of the cooking sheep and cattle, not to drink three hundred cups will not rest. The first thing I want to say is that I am not going to be able to do anything about it, but I want to do something about it!
By this time, the feeling of exuberance tends to climax, the melody of the poem accelerated. The poet's drunkenness jumped out of his eyes and ears, and it was like hearing his voice exhorting him to drink: "Cen Fu Zi, Dan Qiusheng, will enter the wine, the cup does not stop"! A few phrases suddenly joined, not only to make the rhythm of the poem rich in change, but also written to force the voice of the seat. Not only is it a meeting of confidants, but it is also a meeting of rivals in wine, not only forgetting to Er Ru, the poet even forgets that he is writing a poem, and the poem seems to be reduced to life, he also wants to sing a song with you, please listen to it with your ears for me. The following eight lines are the song in the poem. This is a very strange idea, and it is purely the work of God.
Bells and drums and jade means that the rich life (the rich and noble people eat bells and tripods, food as fine as jade), but the poet thought it was not expensive enough, and said that he wished to get drunk and never wake up again. At this point in the poem, it is clear that it has changed from wild exuberance to indignation. Here is not only a drunken rant, but also a drunken speech. I was born with useful talents, I should have reached the rank of minister and risen to great heights, but the road is like the blue sky, but I am not allowed to go out ("Hard to Walk"). He said that the rich and powerful are not noble enough, but it is out of indignation. The following ancient sages are all lonely two sentences are also indignant. The poet had sighed and said to himself that Guan Ge who is actually Xu, so that the ancient loneliness, but also to show their own loneliness. Therefore, I would like to be drunk for a long time. Here, the poet is already using the ancient wine cup, pouring his own block. When it comes to the only drinker to keep his name, he cites Cao Zhi, the king of Chen, as a representative. And he used the sentence of "Returning to Feast on Pingle" in "The Name of the City", which says, "The wine bucket is 10,000". The ancient wine drinkers all over the world, but prefer to cite Chen Wang, which is inseparable from Li Bai has always been pretentious, his mind as a role model for Xie An class of high-level characters, and such characters, Chen Wang and wine more associated. This writing will have a style, and the tone of the previous extremely confident consistent. Moreover, Cao Zhi, the king of Chen, was highly suspected in the Pi and Rui dynasties, and his ambition was difficult to realize, which also aroused the poet's sympathy. The poet's sympathy is also aroused by the fact that he mentions the sages of the past and Cao Zhi, the king of Chen, in the same breath. The beginning of this poem seems to be only about the feelings of life, without political color, in fact, the whole poem is full of a wide range of sorrow and anger and belief in self. The poem is a sad but not hurt, sad but can be strong, that is the root of this.
Just show a little deep heart, and then back to talking about wine, and it seems to be more excited about wine. The master of the word less money, both in line with the thousands of gold scattered sentence, but also made a fall, leading to the last words of bravado: even if the thousands of gold scattered, but also will not hesitate to put out of the precious treasure of the five-flower horse (hair color for the five-flower pattern of the good horse), thousands of gold fur in exchange for wine, figure a drunkenness. The end of this wonderful, not only in the call child and Er, the tone is very big; and has a kind of author may not be aware of a moment will be the guest as the master of the arbitrary absurdity of the situation. We must know that the poet is just a guest invited by the friend to drink, but now he is high up in a seat, the gas makes the command, proposes to be a horse, a few people do not know who is the master. Romantic color is very strong. Quick words, non-conformity of the heroic friends can not come out of this. Poetry to this wild to the extreme, people sigh and sing, and want to dance with their hands and feet. Love has not yet, the poem has ended, and suddenly burst out of a sentence with you to cancel the sorrow of the ages, and the beginning of the sadness off together, and the meaning of the sorrow of the ages is even deeper. This white clouds from the empty, with the wind into the end of the extinction, showing the poet's feelings of the torrent of the ups and downs. Throughout the whole piece, it is really a big ups and downs, not like a huge pen not to do.
"Will enter the wine" is not long, but the five sounds will be complicated, the weather is extraordinary. It is full of pen and ink, the feelings of extreme sadness and anger and wild, the language is extremely bold and calm. The poem has the momentum and power to shake the past and present, which is admittedly not unrelated to the hyperbole, for example, the poem repeatedly used a huge number of words (thousands of gold, 300 cups, 10,000 buckets of wine, 1,000 furs of gold, 10,000 sorrows, etc.) to express the heroic poetic mood, but at the same time, it does not give people the feeling of empty pomposity, which is rooted in the fullness of the deep inner feelings of the underlying wine words, such as the waves under the rage of the emotions. In addition, the whole piece of great ups and downs, poetry suddenly open and close and open, from sadness to music, to wild, to anger, and then to wild, and finally the knot in the ancient sorrow, responding to the beginning of the piece, such as the great river running, momentum, but also twists and turns, the vertical and horizontal, the force can carry the tripod. The song has a song of the pregnant writing method, and there is a ghostly work of art, never go to the pen and ink borders of the wonderful, both non-recruitment carving can learn, and non-rate can be to. The whole piece is mainly written in seven lines, and broken by thirty or fifty lines, which is very different and intricate; the verses are mainly written in loose lines, and dotted with short couplets (such as Cen Fu Zi, Dan Qusheng, five-flower horse, and a thousand gold furs), and the rhythms change in all directions, which is free and unrestrained, but not easy to flow. The "Tang Poetry" said that those who read Li's poems in the male fast, to get its far-reaching and elegant God, is the face of the banished immortals, and this piece is enough to be the same.
The commercial girl does not know the hatred of her country, but she sings the flowers of the back garden across the river.
Notes:
1, Qinhuai: that is, the Qinhuai River, originating in Jiangsu Jurong Damaoshan and Lishui East Lushan between the two mountains, through Nanjing into the Yangtze River. Legend has it that it was excavated by Emperor Qin Shi Huang during his southern tour of the city of Huijie, and was used to dredge the Huaihe River, so it was called the Qinhuai River. Throughout the ages, it has been a prosperous place to visit.
2, smoke: smoke.
3, berth: mooring.
4, merchant girl: to sell singing for a living songstress.
5, Houtianhua: short for the song "Jade Tree Houtianhua". Chen Shubao, the emperor of the Southern Chen Dynasty (i.e., Chen Houzhu), drowned in sound and color, made this song and the harem beauties to seek pleasure, and eventually led to the death of the country, so the later generations of this song as a representative of the sound of the death of the country.
Poetry:
The blurred moonlight and light smoke cover the cold water and white sand, and the boat is moored in the Qinhuai River at night, close to the restaurant on the shore. The girls were singing "Jade Tree and Backyard Flowers" across the river, not knowing what it meant to hate the dead country.
Appreciation:
Parking at the Qinhuai is one of Du Mu's masterpieces, which is contained in All Tang Poetry, Volume 523. The following is an appreciation of the poem by Mr. Zhao Qijun, a professor at the College of Literature of Anhui Normal University.
Jiankang was the capital city of the Six Dynasties, and the Qinhuai River flowed into the Yangtze River through the city, with restaurants on both sides of the river, which was a place for the aristocrats and bureaucrats to enjoy themselves. Although the capital of the Tang dynasty is not in Jiankang, the scene on both sides of the river is the same as before.
It has been said that it is rare to write a poem with a good line (Yan Yu, "Canglang Poetry"). The first line in this poem is extraordinary, and the two caged characters are striking. Smoke, water, moon and sand are harmoniously dissolved together by the two words "cage", painting an extremely elegant night color by the water. It is so soft and quiet, but also implies a slightly floating and flowing mood, the ink is so light, but the atmosphere of the misty silence is so thick. The first line of the moon, water, and the second line of the night parked Qinhuai is associated, so after reading the first line, and then read the night parked Qinhuai near the restaurant, it seems very natural. But if the poet's activities, it is the first night parked in the Qinhuai, to see the smoke and cold water, the moon shrouded in sand scenery, but to really fall over a read, but will feel flat and tasteless. The benefits of this writing method in the poem are: first of all, it creates a very distinctive environmental atmosphere, giving people a strong attraction, resulting in a preemptive artistic effect, which is very much in line with the requirements of artistic expression. Secondly, the first and second sentences are handled in such a way that they are very much like the relationship between the picture and the inscription of a painting. Usually people appreciate a painting, often the first focus on the wonderful picture (which is like the smoke and cold water and the moon shrouded sand), and then go to look at the corner of the inscription (which is the night parked in the Qinhuai). So the poet wrote this is also quite suitable for people to appreciate the habit of art.
Night at the Qinhuai near the restaurant, seemingly ordinary, but very interesting. The logical relationship within this poem is very strong. Because the night berth Qinhuai near the restaurant. However, the first four words for the previous sentence of the scenery point out the time, place, make it more personalized, more typical, but also according to the title of the poem; the last three words and open the way for the following, due to the near restaurant, only to lead out the businesswoman, the hatred of the country and the back of the garden flowers, and thus touched the poet's feelings. Therefore, from the point of view of the development of the poem and the expression of emotions, the three words "near the wine shop" are like starting the gate, and the water of the river will gurgle and flow out in an endless stream. These seven words to carry on the beginning and end, the network of the whole, the poet's conception of the fine, exquisite, can be seen here.
The merchants' maiden is a songstress who serves others. What they sing is determined by the listener's interest, the poem said that the businesswomen do not know the hatred of the dead country, is a kind of song, really do not know the hatred of the dead country is the seat in the admirers of the feudal aristocracy, bureaucrats, gentry. The Houtian Hua, or Jade Tree Houtian Hua, is said to be a piece of music produced by the despotic and misguided Chen Houzhu in the Southern Dynasty, which has long since brought the Chen Dynasty to an end. However, now there are people in this declining years, not to the national affairs of the mind, but with this kind of dead sound for pleasure, which can not help but make the poet produce history will repeat the hidden worry. Two words across the river, take on the story of the dead country hate, referring to the Sui soldiers Chen division north of the river, a river away from the small court of the southern dynasty is at stake, and Chen Houzhu still indulging in sound and color. The word "Judas Singing" is a subtle and natural way of stringing history, reality and the imagined future together in a meaningful way. The song, "The Commercial Girl Doesn't Know the Hate of the Fallen Country, and Sings the Flowers of the Backyard Across the River," is a masterpiece, expressing bitter sarcasm, deep sorrow, and infinite emotion in the tune of a gentle and lucid style. These two lines express the more sober feudal intellectuals on the national affairs of the state of mind, but also reflects the bureaucrats and aristocrats are to the sound and color songs and dances, paper drunken life to fill their rotten and empty soul, which is the decay of the late Tang reality of life in the two different sides of the reflection.
The whole poem
The whole poem
"Spring Night Joyful Rain"
By Du Fu
The original text:
The good rain knows the time of the year, and when the spring occurs, it occurs.
The wind dives into the night and moistens things silently.
The path is dark with clouds, but the riverboat is bright with fire.
At dawn, the red wet place, flowers heavy Jin Guancheng.
Notes:
1, know: understand, know. To say that rain knows the season is a kind of anthropomorphic writing style.
2, is: on. Occurrence: sprouting growth.
3, submerged (qin): secretly, quietly. Here it means that the spring rain comes quietly with the wind at night.
4, moist: to make plants nourished by rain.
5. wild path: the path between the fields.
6, these two sentences mean that the sky is full of black clouds, even the path, the river, the river boat can not be seen, you can only see the lights on the river boat, suggesting that the rain is thick.
7, dawn: when the sky is just bright. The red wet place: the rain wet flower bushes.
8, flowers heavy (zhng): flowers look heavy because they are full of rainwater. Jin Guancheng: the former site is in the south of today's Chengdu City, also known as Jin Cheng. In the Three Kingdoms of Shu and Han Dynasty, the officer who managed the brocade weaving was stationed here, hence the name. It was used as an alternative name for Chengdu. This sentence is about the beauty of the dew filled with flowers.
Poetry:
The timely rain seems to know the season, as if it came in the spring with the spring wind quietly fell at night, silently moisturizing everything. The sky of the field path is dark, only a little fishing fire on the riverside fishing boat radiates a ray of light, seems particularly bright. When the day breaks, the damp soil must be covered with red petals, and the streets and alleys of Jin Guan City must be a scene of thousands of purple and red.
Appreciation:
This is a masterpiece that depicts the rainy spring night and expresses the joyful mood. At the beginning, the rain is praised with a good word. In life, good is often used to praise those who do good things. Nowadays, praising rain with good already evokes associations about people who do good things. Next, the rain is anthropomorphized, saying that it knows the season and knows how to meet objective needs. The word "know" is used in such an evocative way that it literally brings the rain to life. Spring is the season when everything sprouts and grows, and just when it needs to rain, it rains. It is indeed very good.
The enjambment writes about the occurrence of rain, and further expresses the goodness of rain, in which the words "submerged", "moist" and "fine" vividly characterize the goodness of rain. The reason why the rain is good, good at the right time, good at moisturizing. Spring rain, generally accompanied by the wind and rain to moisturize everything. However, there are exceptions. Sometimes, it will be accompanied by a cold wind, by the cold air from rain into snow. Sometimes, it is accompanied by gusty winds and rains fiercely. Although the rain falls in the spring, it is not a typical spring rain, which only damages things but does not moisturize them, so naturally it will not make people happy, and it is not likely to be well received. Therefore, the first couplet's knowledge of the season is not enough to fully express the goodness of the rain. By the time the second couplet is written about a typical spring rain--a drizzle accompanied by a gentle wind--that good word will be realized. With the wind into the night, moistening things silently. This is still using anthropomorphism. The combination of "entering the night" and "silent" not only indicates that the rain is a fine rain that comes with the wind, but also that the rain intends to moisten things and has no intention of pleasing them. If it intends to please, it will come in the daytime, it will make a little noise, so that people can see and hear. But it is intentional moisturizing, do not intend to please, it chose a time that does not interfere with people's work and labor to come quietly, in the night of people sleeping soundly, quietly, fine down.
Rain so good, I hope it down more down enough, down a night. If it only falls for a while, then the clouds disperse and the sky clears up, then the moisturizing will not be very thorough. The poet seizes this point and writes the neck line. On a less gloomy night, the paths are easier to see than the fields, and the river is easier to recognize than the shore. Now when I look around, the paths and clouds are all dark, and the riverboat's fire is only bright. Only the lights on the ship are bright. In addition, even the surface of the river can not be seen, the path is not recognizable, the sky is full of dark clouds, the ground is also as dark as clouds. The sky was full of dark clouds, and the ground was as dark as the clouds. It looked as if the rain would go on until dawn. These two lines write a beautiful scene of the night rain, black and bright against each other, not only pointing out the clouds thick rain enough, but also give people a strong sense of beauty.
The last line is an imaginary scene, closely linked to the title of the word "happy" to write the imaginary morning after the rain of the fascinating scene of the city of Jin Guan. Such a good rain on the night, all things will be moisturized, hair glory grow up. One of the flowers, the most representative of spring color, also with the rain open, red and want to drip. The poet said: wait until tomorrow morning to see it, the whole Jin Guan Cheng (Chengdu) mixed flowers and trees, a red wet, a red, heavy, converge into a sea of flowers. The use of words such as red wet flower heavy, fully illustrates the poet's body delicate.
Pu Qilong said: write rain cut night easy, cut spring difficult. This spring night rain poem, not only cut the night, cut the spring, and write a typical spring rain, that is, the noble character of good rain, showing the poet's all good people of noble character.
The poet looks forward to such good rain, and loves them. So the title of the word "happy" in the poem, although it did not show up, but the joy of bursting through the cracks (Pu Qilong, "reading Du Xinjie"). The poet is looking forward to the spring rain to moisturize things, the rain came down, so it came up and shouted with joy. The second link is written by the poet to listen out. Poet leaned his ear to listen carefully, heard that rain in the spring night in the dense underground, only for moistening things, do not seek to know, naturally happy sleepless. Because the rain is silent, not really hear, afraid that it stops, so go out to see. The third link written, is the poet saw. Saw the rain is thick, can not help but imagine after dawn after the spring color of the city's beautiful scenery. The infinite joy of the mood, expressed very vividly. In the middle Tang Dynasty, poet Li Yao had a song "Praying for Rain": mulberry leafless soil smoke, xiao tube to welcome the dragon in front of the water temple. The Jumon Gate is a place to watch songs and dances, and I am afraid that the spring shade will swallow the pipes and strings. Compared with those who watch songs and dances in the vermilion door, Du Fu's joy of spring rain to moisturize things is naturally a very noble feeling.