Zhou Zhiqiang, male, born in 1969, Han nationality, native of Binzhou, Shandong Province, graduated from the Chinese Department of Liaocheng Teachers' College (now Liaocheng University) in Shandong Province with a Bachelor's degree in literature in 1991, studied at the College of Arts and Letters of Beijing Normal University under the supervision of Prof. Wang Yichuan and received his Master's and Doctor's degrees in literature from 1997 to 2003, and conducted post-doctoral research in the School of Arts and Media under the supervision of Prof. Zhou Xing in 2003 and 2005. From 2003 to 2005, he studied at the School of Arts and Media of Beijing Normal University under Prof. Zhou Xing for postdoctoral research in the direction of film and television art. 2005, he has been working as a teacher of literature and art at the College of Arts and Letters of Nankai University since then.
Doctor of Literature, Professor of the College of Arts and Letters, Nankai University, and Director of the Language Education Research Center of Nankai University. Currently, he is mainly engaged in the research of literary aesthetics, Chinese popular culture and contemporary Chinese literature.
Academic Positions
Vice Director of the Aesthetic Culture Committee of the Chinese Society of Aesthetics; Executive Editor-in-Chief of China Book Review; Deputy Secretary General of the Tianjin Writing Association; Visiting Professor of Mingdao University (Taiwan); Member of the Chinese University Language and Literature Society, the Chinese Society of Literary Theory, and the Tianjin Society of Aesthetics; Lecturing Instructor of the State-Level Fine Courses of College Literature at Nankai University; and Literature Introduction to the National Fine Courses of the College of Letters at Beijing Normal University. Lecturer of the state-level fine arts course Introduction to Literature at the College of Letters, Beijing Normal University. He was the executive editor of Language Newspaper - College Language Special Edition, and the host of Academic Scene and Reading a Question column of China Book Review; 1. "Poetics of History in Dialogue", Literature and Art Research, June 2004 (New Book Review of Literature 2004-2005, Social Science Literature Publishing House, 2006);
2. ""Private Mediums " and the Transformation and Fission of Popular Culture", Studies in Literature and Art, May 2007;
3. "Modern Rhyming White as a Mirror Image of the Literati - An Analysis of the Chinese Language Image in Wang Zengqi's Novels", Literature and Art Controversy, February 2004;
4. "New Language" and the Infectious Education of University Language", Nankai Journal, No. 1, 2007.
5. "Cultural Experience in the Poetics of Modernity," Chinese Cultural Studies, Feb. 2002;
6. "The Historical Contextual Perspective of Pioneer Naming," Tianjin Social Sciences, Apr. 2001;
7. "The Generation of the Concept of Writing and Its Significance," Journal of Xinjiang University, Apr. 2001 (NPC Reprinting Materials of Literary Theory 2002.9);
8. "Language Saves Memory," Fujian Forum, June 2001;
9. "Rewriting the 20th Century: Historical Narrative and Stylistic Forms of Long Novels in the New Century," Journal of Tianjin Normal University, Vol. 2, No. 2, 2008 (Academic Digest of Liberal Arts in Higher Education 2008.3)
10. "Novels as Writings" Literature and Culture, No. 8, Nankai University Press, 2008;
11. "Language is also an Artistic Image" Literature and Culture, No. 9, Nankai University Press, 2009;
12. "From Cultural Identity to Chic Chic and Chicana: New Folklore Dance and Beyond" Art Review, No. 8, 2009;
14. "Producing the Masses", Chinese Aesthetics Yearbook 2005, Henan People's Publishing House;
15. "Private Life in the Age of the Internet", Literature and Culture, July 2005;
16. Blogs and Mass Self-Production," Literary Scene, October 2005;
17. "The Age of Paperless Writing in the Chinese Language," Art Wide Angle, April 2001;
18. "Dance by Sun Ying: A Quiet Revolution in Aesthetics," Journal of the Beijing Academy of Dance, April 2005;
19. "Blogs and the Survival of the Knowledgeable on the Net," China Book Review, 2006;
20. 中国图书评论》，2006年第12期；
20. 《寻绎思想境遇的关键時刻》 《中国图书评论》，2007年第01期；
21. 《中国现代性的历史反思：汪晖访谈录》 《中国图书评论》，2007年第03期；
22. Poetry, Philosophy, and Historical Criticism.
23. "Myth, Imagination, and Geography" (Dialogue) Chinese Book Review, No. 09, 2007.
24. From Pure Aesthetics to Pan-Aesthetics, Journal of Northern Polytechnic University, February 2002 (Philosophy Yearbook 2003, China Social Science Press 2005);
26. Discourse Split and the Generation of the Literati Self, Culture and Poetics, Fifth Series. Peking University Press, 2005;
27. "The Consumption Imagination of Shanzhai Culture", People's Forum, No. 22, 2008 (People's Congress Photocopying Materials, Marxist Digest, 2009.2);
28. "The Right to Know on the Internet, an Illusory Carnival? (People's Forum, 2009.3);
29. "Internet Public Opinion and the "Chewing Gum Idea" (People's Forum, 2009.2);
30. "Misinterpretation of China and Image Remodeling" (People's Forum, 2009.4);
31. "The Right to Profit". The Reasonable Pursuit of "Profit" Deserves Recognition" (People's Forum, May 2009);
32. "Alternative Interpretation of the "Water Injection Phenomenon" (People's Forum, May 2009);
33. "Hotly Acclaimed Experts and the Management Crisis" (People's Forum, May 2009);
34. Management Crisis" (People's Forum), No. 12, 2009;
34. "Media Investigation" and Social Conscience" (People's Forum), No. 15, 2009;
35. "Citizen Accountability and Political Trust" (People's Forum), No. 18, 2009;
36. . "The Irrational Flaw of the Cybersquare" People's Forum, 2009, No. 16;
37. "Cultural Production in the Era of Media Globalization" People's Forum, 2009, No. 25;
38. "From News Barack Obama to Movie Barack Obama", People's Forum, 2009, No. 29;
39. "The Anxiety of the Powerfully Vulnerable Groups after Being" (People's Forum, 2009, No. 19);
40. "Academic Lightness and Thoughtfulness" (学术轻飘飘飘飘 思想夜深沉), Jianghuai Morning Post (江淮晨报-合肥客), 2010.04;
41. . "Cultural Expressions in the Post-Emotional Era," China Society Guide, July 2008;
42. "Deleuze, Roussel and even Chen Guanxi, Can Popular Culture Still Create Gods? , China Social Guide, May 2008;
43. "Morality on the Left, Emotion on the Right--Talking about Wang Xiaoshuai's Movie <Left and Right>", China Social Guide, April 2008;
44. "The Media Changes the Society, Changes the Life", China Social Guide. No.3, 2008.
45. 《在媒介裂缝中走失》，《中国社会导刊》，2008年第3期。
46. "Images: A Way to Change the World", China Society Magazine, No. 1, 2008.
47. 《李安的文化诡计》，《中国社会导刊》，2007年第12期。
48. 《电视广场里的 "吵女"》，《中国社会导刊》2006年8期。
49. "Dreams Come True After "Nationalism"", China Society Magazine, Vol. 10, No. 1, 2006.
50. "The Visual Colonization Era of Chinese Blockbusters," China Social Guide, No. 2, 2007 (Tianya, 2007, No. 3).
51. "Education and Interpretation of Wen", Mother Tongue - Articles - Education (Collected Papers), Higher Education Press, 2009;
52. "Four Types of Rhetorical Forms in Chinese Language", Mother Tongue - Articles - Education (Collected Papers), Higher Education Press, 2009;
53. "A Brief Discussion on the Characteristics of Chinese Popular Culture", Binzhou Teachers' College Journal, April 2003;
54. "Xiao Shenyang: Buried the Era of Cultural Sketches" Oriental Morning Post, April 28, 2009;
55. "Youth Culture High on Youth Culture Low on Youth Culture" Oriental Morning Post, May 4, 2009;
56. "Founding of the Nation: A Postmodern Visual Tourism" Oriental Morning Post, Sept. 21, 2009;
56. "Founding of the Nation: A Postmodern Visual Tourism" Oriental Morning Post, Sept. 21, 2009;
7. September 21, 2009;
57. "Snail Dwelling and the Two Faces of Large Capital" (蜗居与大型资本的两种面面) < Oriental Morning Post (东方早报)2009年12月11日；
58. "Cultural Strategic Transformation Behind "30 Seconds to China"" (《30秒中国》背后的文化战略转型》) < Oriental Morning Post (东方早报)2009年12月02日；
59. "Three Guns: Zhang Yimou's Seduction Mechanisms. Three Guns: Zhang Yimou's Seductive Mechanism of Silly Joy to Death" (Oriental Morning Post, December 16, 2009);
60. "Anti-Story: The Myth of Tian Sufi" (Literature Newspaper, April 9, 2009);
61. "The Mercenaryism of the New Official Novel" (Literature Newspaper, November 19, 2009);
62. "Spoofs". The Popularity of "Spoof": The Result of the Conflict between Old and New Media? China Bookseller, November 2006;
63. "The Poetic Inhabitation of the Body" Beijing Youth Daily, August 24, 2005;
64. "Recommendations for 2008 Long Novels", China Education News, March 2009;
65. "Review of the 2009 College Entrance Examination Essay", July 2009, China Education News;
66. "The New Language: Rejection or Acceptance," China Education News, June 28, 2007, p. 7;
67. "Write a Little Feeling," Language Newspaper University Humanities Edition, 2008, no. 1;
68. "Wang Xiaobo's Bad," Language Newspaper University Humanities Edition, 2008, no. 1;
69. Literary Language Doesn't Have to be Accurate," Language Newspaper University Humanities Edition, No. 2, 2008;
70. "A Little Strangeness," Language Newspaper University Humanities Edition, No. 2, 2008;
71. "The Essay is Imagination," Language Newspaper University Humanities Edition, No. 3, 2008;
72. "Image Interpretation of a Poem," Language Newspaper University Humanities Edition, No. 3, 2008;
72. Language Newspaper, University Humanities Edition, No. 3, 2008;
73. "Writing Meaningful Language", Language Newspaper, University Humanities Edition, No. 4, 2008;
74. "What Happened to the Chinese Language in the Age of Media? (2008) No. 2;
75. "The Bastard Who Couldn't Starve" ("饿不死的杂种"), (2009) No. 1;
76. "The Hot Sales of the Little Reunion and the Degradation of Literary Reading" (小团圆的热销与文学阅读的退化), (2009) No. 12;
77. "Shichahai: The Classical Legend of Modern Beijing" (什刹海：现代北京的古典传奇), (2006) Global Travel , Global Tourism, No. 9, 2006;
78. Those Loves 20 Years Ago, Learning Chinese, 2004;
79. The Rhetorical Interpretation of Narrative Strategies in Thunderstorm, Journal of Xinjiang Normal University, January 2001;
80. Imagining the Pioneers, Art Wide, January 2001;
81.
81. "The Rhapsody of National Identity and the Rise of Heroic Myths", Taiwan, Hong Kong, Macao, and Overseas Chinese Literature, February, 2001;
82. "Heroic Narrative and Its End", Proceedings of the 2000 International Symposium on the Novels of Jin Yong, Beijing, Peking University Press, 2002.
83. 'The Pioneer: What We Expect from It', Shanhua, February 2001;
84. 'The Rhetoric of Self-Anxiety', The Great Stage, June 1998;
85. 'The Classical Topic', Journal of Yunnan Institute of Nationalities, June 1998;
86. 'The Narrativization of History and the Historicization of Narrative: Jemson's Poetic Construction", Journal of Binzhou Teachers' College, March, 1998;
87. "The Narrative Strategy of Thunderstorm", Northwest Forum, No. 1, 1998;
88. "A Hundred Years of a Golden Mean", Binzhou Daily News, Sept. 5, 1992;
89. "Aesthetic Connotation of the Depiction of Martial Arts and the Penetration of Social Emotions", Journal of Binzhou Teachers' College, No. 3, 1992;
91. "The Aesthetic Connotation and the Penetration of Social Emotions in the Description of Martial Arts", Journal of Binzhou Teachers' College (1992) 3;
90. "Discussing the Philosophical Depiction of Martial Arts in New School Martial Arts Novels," Binzhou Teachers' College Journal, 1994, 1;
91. "Two Issues to be Aware of in Building a Modernized Language Environment on Campus," Binzhou Teachers' College Journal, 1996, 3;
92. "Historical End of Heroic Narrative Poetry," Changji Teachers' College Journal, April 1999;
93. "The Setting of the Aesthetic Series of Courses and Its Significance", Research on Chinese School Education, Collected Papers, Legal Publishing House, 1998;
94. "How the Author Died", Journal of Binzhou Teachers' College, March 2000;
95. "Farewell to the Heroes", Journal of Binzhou College of Education February 2000;
96. "Trying to Discuss the Death of the Author", Tangshan Normal College Journal, February 2000;
97. "Salary Reform of Colleges and Universities under the Trend of Politicization", People's Tribune (Issue No. 1, 2010);
98. "The Cultural Consumption of Movie Greeting Years and the "Age of Silly Joy"", Oriental Morning Post Cultural Consumption in the "Age of Silly Fun"", Oriental Morning Post, 2010.1.25
99. "Everyday Spring Festival Gala: Is It Sad or Happy?
99. "Daily Spring Festival Gala: Is it a Sorrow or a Joy?", Oriental Morning Post, 2010.2.05
100. "China's Adolescent Troubles: The Social Changes Behind the Anxiety", People's Tribune (total 280 issues), January 2010 (below);
101. "Collective Anxiety of the "Post-80s" is the Cost of Social Transformation", Oriental Morning Post, 2010.3.19.102. "The New Visual Hegemony in the 3D Era", Oriental Morning Post, 2010.3.30.
103. "Where to Put Zhao Benshan's "Compassion", Oriental Morning Post, 2010.4.14.
104. "The Logic of Dignity", People's Forum, 2010.10.
105 "From Entertainment to Silly Fun - On the Depoliticization of Chinese The Depoliticization of Popular Culture", Tianjin Normal University Newspaper, No. 4, 2010 (reprinted in full in NPC Copy Materials - Cultural Studies, 2011.1, and summarized in Xinhua Digest and College Liberal Arts Digest);
106 "The Deeper Dimension of Officials' Accountability", People's Tribune, Issue 12, 2010;
107 "Why is the National Strength and the People's Embarrassment Why the Dilemma of a Strong State and a Strong People is Growing Stronger and Stronger", People's Forum (《人民论坛》2010年第12期);
110. "The Transformation of Cinema's Spectacle under the Mechanism of Seduction", China Social Science News (《中国社会科学报》2010年5月18日);
111. "The New Visual Hegemony of the Era of 3D Blockbusters", Art Wide Angle (《艺术广角》2010年第3期);
112. "Political Psychology", People's Forum (《人民论坛》2010年第18期);
113. "Tangshan Earthquake: Bubbling Emotions under the Narrative of Disaster", Oriental Morning Post (《东方早报》2010年7月26日);
115. "Collective Anxiety Disorder of the Wind Chasers", People's Forum 2010 年 22 期；
115. issue;
116. "Why Directors Are Paranoid About "Innocence"", Oriental Morning Post, August 13, 2010;
117. "Old Boys and the Failure of Ideal Promises", Oriental Morning Post, November 16, 2010;
121. "Politics of Interest and Government for the Public Good", Phoenix Morning News, July 26, 2010;
121. "Politics of Interest and Government for the Public Good", Phoenix Morning News, July 26, 2010;
2. and Public Interest Government", Phoenix Weekly, December 2011, Issue 35;
122. "The Crisis Behind the Overdraft of Trust", Phoenix Weekly, December 2011, Issue 36;
123. "From Realism to Foolishness", Nanjing Social Science, Issue 12, 2010;
124. "Zhao Benshan's The Real World," China Report, 2010, no. 12;
125. "There's a Bullet Flying in Everyone's Heart," Oriental Morning Post, December 20, 2010;
126. "The Vivid Expression of Ordinary People's Life Experiences," Liaoning Daily, December 17, 2010;
127. The "Gazer" Shaped by the "Gaze"", China Book Review, No. 12, 2010;
128. "Expecting an Expert Society", People's Forum, No. 6, 2011;
129. Zhao Benshan's "Mundane Control"", Oriental Morning Post, February 9, 2011;
130. ""Small Freshness" Hostile to "Petty"", Southern Weekend April 21, 2011;
131. "Panic Farce and Broken Communication System", People's Forum, No. 10, 2011;
132. "Crossing Drama: Young People's Emotional Tourism", Oriental Morning Post, April 25, 2011;
133. "Modernist Realism - Five Essays on Long Novels in the 21st Century", Oriental Morning Post, April 9, 2011;
134. "Modernist Realism. -Five Stylistic Pictures of Long Novels in the 21st Century‖, Journal of Tianjin Normal University, No. 2, 2011;
134. -Landscaped China‖, Literature and Art Studies, No. 4, 2011;
135. -Political Metaphors at Highway Intersections‖, People's Forum, No. 13, 2011;
136. "From Entertainment to Silly Fun - A Rambling Discussion of Chinese Popular Culture", Tianyi Lecture Hall.2010, China Literature and History Publishing House, March 2011;
1. "I Click and I Exist: The Net", Yunnan People's Publishing House, August 2004
2. "You Cool, I Comment: Heroic Rumors", China Industrial and Commercial Union Publishing House, 2002.
3. "Framed: World Famous Classic Character Journal" (co-author), China Chang'an Publishing House, March 2005.
4. The Theory and Criticism of Popular Culture, Higher Education Press, March, 2009.
5. "The Modern Literati Self in the Image of Chinese Language", Peking University Press, August, 2009
Teaching Materials
1. Aesthetics and Aesthetic Education (Ministry of Education Talent Cultivation Mode Reform and Open Pilot Teaching Materials) as the fourth chapter of writing, *** counting 80,000 words, Central Television University Press (Beijing), 2002.
2. "Introduction to Popular Culture" (higher education liberal studies course series textbook) as the fourth chapter of writing, *** counting 20,000 words. Higher Education Press (Beijing), 2004.
3. "Aesthetics Course" (Fudan erudite 21st century key textbook) as the seventh chapter *** counted 20,000 words. Fudan University Press, 2004.
4. Introduction to Literature (Ministry of Education Talent Cultivation Mode Reform and Open Pilot Teaching Materials), as the second (part), three, four chapters of the writing, *** counting 80,000 words. Edited by Prof. Wang Yichuan, Central Television University Press (Beijing), 2004. Completed projects:
1. Beijing Municipal Philosophy and Social Science Planning Project: Media and Literature in the Nineties (chaired by Prof. Wang Yichuan), head of the sub-theme (provincial and ministerial level project). Self-financed, completed.
2. "Vernacular Language and Modern Transformation of Chinese Literature" (TJYW06-2-003), Tianjin Eleventh Five-Year Plan Project, 3 years, host. Completed.
3. Major Project of Humanities and Social Sciences of the Ministry of Education: Chinese Images in Modern Literature (chaired by Prof. Wang Yichuan), head of the sub-theme (Chinese Images in Literary Literature) (Provincial and Ministerial Key Project). Sponsored by 20,000 yuan, has been completed.
4. "Vernacular Literature and Modernity of Chinese Literature", Youth Project of Nankai University, 3 years, host; completed.
5. "Vernacular Language and the Occurrence of Literary Modernity", Nankai University Liberal Arts Innovation Fund, 3 years, moderator; completed.
6. "The Setting of Aesthetic Curriculum", Research Project on Teaching Reform of Binzhou Teachers' College, Moderator (Municipal Project). Sponsorship funds 2 thousand yuan, has been completed.
7. "Jin Yong novel rhetorical theory interpretation", Binzhou Teachers College youth project, host (municipal project). Sponsorship funds 3 thousand yuan, has been completed.
Ongoing projects:
The Realistic Stylistic Changes of Long Novels in the New Century, Ministry of Education Youth Fund for Humanities and Social Sciences (09YJC751047), 3 years, moderator.