The 1970s The Golden Age of Taiwan's Qiong Yao Movie Stars
Two Qin Erlin In the Water
In the 1970s, Taiwanese movies once swept the Hong Kong market. Qiong Yao movies were the beginning of many Taiwanese stars entering the movie industry at that time, such as Qin Han, Hu Yinmeng, Zhang Aijia, Gui Yalei and Lin Qingxia. The twisted love stories of "Er Qin" (Qin Han and Qin Xianglin) and "Er Lin" (Lin Qingxia and Lin Fengjiao) on and off the screen also became the center of attention. The brand effect of the star makes the production of love literary film boom continues to heat up, compared to Hong Kong's contemporaries "chaotic flowers charming eyes" dazzling stars, Taiwan's stars have more "in the water" elegant temperament, and at this time the Chinese mainland movie industry is experiencing the "Cultural Revolution". "
Lin Lin's movie is the first of its kind in the world, and it's the first in the world to be released.
Lin Ching-hsia: Ximending stroll out of a "Jiang Yanrong"
In fact, Lin Ching-hsia became a movie star, is an extremely fortuitous thing. 17 years old, she just graduated from high school soon, into a computer center to do the service desk welcome lady, spare time in the night school to make up for their homework, expect the next examination to be able to get a university. One day, she met with a close friend. One day, she and her close classmates went shopping in Ximending, Taipei, when she was suddenly stopped by a short, fat, middle-aged man who said a lot of unintelligible things, and her classmates were worried that they had met a pervert. The short, fat man is Yang Qi, "80's film company" scout, he asked Lin Qingxia willing to act in the movie, Lin Qingxia did not say. Lin Qingxia went home and brought up the matter, which was immediately rejected by her mother. Who knows after a while, she once again shopping, and met Yang Qi, accompanied by a short, fat and black middle-aged man, Yang introduced to Lin Qingxia, this is the director Song Cunshou. Song Cunshou, whose name was very well known in Taiwan, told Lin that she was planning to make Outside the Window and wanted to find someone to play Jiang Yanrong in the movie. Lin had read the novel and was impressed. Song Cunshou found a way to get through to Lin's parents, which led to Lin finally entering the movie industry, and one of the brightest new stars in Chinese cinema rose.
Lin's debut film was "Outside the Window," an intensely sentimental drama about a forgotten teacher-student relationship. Brigitte Lin starred as the sensitive and innocent schoolgirl Jiang Yanrong, and both her look and temperament matched her character surprisingly well. The movie was not released in Taiwan because of copyright disputes, but when it was shown in Hong Kong, Singapore and Malaysia, audiences were amazed to discover this new star with a touching temperament and were stunned. Lin immediately became the object of producers to compete for employment, only in 1974 a year, starred in "clouds floating", "pure love", "clouds deep do not know the place" and other 13 films, in 1975 Lin tried to change the theater to participate in the war film "800 strong soldiers" shooting. 1976 Qiong Yao's own group of companies, Lin became the leading lady, in "I am a cloud", "running to the rainbow" and other films starring In the 80's, Lin became a mature actress, and in the 90's, her role as a male character in "The East is Undefeated" once again amazed everyone and set off the second climax of Lin's interpretation career.
Lin Fengjiao: all the virtues in one
The quiet and dignified woman in the "two Qin and two Lin", before she acted in the literary romance, was mainly in martial arts films, and she was a bookstore clerk and restaurant usher at the age of 18 when she entered the movie industry after a hard life. She made her debut in the movie "The Angry Man of Chaozhou", and director Li Xing was her mentor in discovering her.
1979 was Lin Fengjiao's best year, and she made six films in one go, including Small Town Story, Good Morning Taipei, and I'm Returning from the Waves, in which Lin's mute girl, Ah Xiu, won her the Golden Horse Award for best actress that year, and the 1980 film The Native People, directed by Lee Hsing, showed all of Lin's virtues of humility, simplicity, beauty, and ordinariness in her role. and ordinary are all evident in the character. Director Li Hsing once said, "Of all the actresses I've worked with, I think Ajiao is the most generous and righteous, and she is willing to think of others without being arrogant when she becomes famous, which is really rare."
Entering the 80's she suddenly faded from the stage, single-mindedly as a good wife and mother, in 1982 she gave birth to the house is dedicated to raising children, and willing to do into the secret wife of the dragon. 20 years she never returned to the showbiz industry, and no regrets. Now that her son has grown up, Lin Fengjiao has become her son's manager in the movie "A Thousand Chances", and all those who have come into contact with Fann Wong have praised him for his upbringing, which is perhaps the best answer Lin Fengjiao has ever given.
Qing Han: "The Moon and the Stars"
Qing Han is the one who has done most of Qiong Yao's plays, which made him a hit in Southeast Asia at the time. However, according to Qing Han, he suffered a great deal of internal injuries from acting in the works of Qiong Yao, and even though Qiong Yao's feelings in the book were fictional, the actor had to put in his true feelings when he acted in the book.
Qing Han, whose real name is Sun Xiangzhong, is a descendant of a famous anti-Japanese general. When he was in high school, he actively participated in the film company's actor training class, and because he was tall and handsome, he was spotted by director Song Cunshou, who cast him as a young magistrate in his film <
In 1972, he changed his stage name to "Qin Han" for "Qin Shi Ming Yue Han Shi Guan" in "Five Brothers of Tangshan".
Qing Han's dashing appearance with a scholar's demeanor and often reticent attitude towards things gave people the impression that he was calm and down-to-earth, and he changed his image to play the role of Zheng Fenghi, a disabled teacher, in 1978's A Boat in the Ocean, and played the role of Zhong Lihe, a writer of the vernacular in The Original Countryman, with a subtle and implicit temperament and performance. Qiong Yao's comment was that "he always gave a taste of elegant and gentlemanly speech, sometimes lacking a 'ruthless' strength." However, the two movies Qin Han made in the 1990s, "Rolling Dust" and "Ruan Lingyu", were his best performances after middle age, and he managed to get rid of the image of the unchanging boy in Qiong Yao's movies. In recent years, he has taken on roles in Singapore, Hong Kong and mainland China, such as "The Boss", "Dream of the Mansion" and "Purple Jade and Gold Sand", all of which are comedic or businessman roles, a far cry from his past. Now, Qin Han may have long since transformed himself from a love-struck young man into a simple, down-to-earth man.
Qingyao said Qin Xianglin was "so beautiful that he didn't need to act."
The actor was the most beautiful of all the actors according to Qiong Yao. Qin Xianglin was born tall, handsome and dashing, and was the dream lover of many young girls in those days, and was even called "philanderer Charlie" in Taiwan. Once with the diva Teresa Teng, "philanderer Charlie" was hot, between Xiao Fangfang and Teresa Teng played a triangular game. Lin Qingxia, however, was romantically linked to Qin Xianglin when they co-produced "A Day to Remember," and the two were engaged to be married in 1980, before going their separate ways four years later.
Today, Qin Xianglin settled abroad has long left the vision of young people now, perhaps only those who have experienced that era still belong to his nostalgic corner of the heart. As Qiong Yao commented, "Qin Xianglin is a beautiful man in my eyes, no matter the face or eyes are very beautiful, his beauty has reached the kind of no need to act too much, as long as standing silently looking at the female lead, can make the female lead and the audience are intoxicated to the extent."