Beijing Shaanxi folk songs are the traditional folk songs of northern Shaanxi, divided into three categories: labor horn, letter to the sky, and ditty, labor horn includes rammer song, ramrod song, quarry song, yell cow song, and play field song. Let me introduce you to the northern Shaanxi folk songs!
The historical origin of Shaanxi folk songs
Shaanxi folk songs circulate in the Yulin Yan'an hillside, ditch, fields, villages, is the generations of local working people in the northern Shaanxi Province, "feeling the sadness and happiness, because of the incident," with the stop sheep voice back to the cattle sound humming and shouting out the sound of the mountains, lanes and alleys of the song. The sound of the mountains and fields and the songs of the alleys and lanes. The history of folk songs in northern Shaanxi can be traced back to the ancient witch songs and rituals Yangge tune, and with the ancient Chinese New Year "red hot" custom closely associated with, such as Suide unearthed Han dynasty portrait stone in the music and dance and Yangge content, it can be seen that at that time in northern Shaanxi song and dance has been prevalent, the folk song will inevitably goblet with it.
Folk songs are the easiest form of art, it is with the labor of the people of northern Shaanxi and the history of northern Shaanxi and folk activities were born, and has been handed down to this day. For example, the tune of "Footman's Tune" has only three tones, which is a more primitive albatross song reflecting the labor life of the people in northern Shaanxi. Another example is the "tune" reflects the Qing Dynasty Shunzhi five or six years, the Manchu *** suppression *** uprising of historical facts. 30 years before the 20th century, the northern Shaanxi folk songs are in accordance with their own lives and customs, in the cultivation of the land, foot, grazing, drinking, festivals, house building, birthday celebration, weddings, funerals, temple fairs, and other scenes of life, touching the feelings of the improvisation of the compilation of the singers, and gradually formed a high-pitched, bold, bold, and melodious style, send oral transmission of the folk song of the northern Shaanxi people, the "tune" is the most primitive, and has been passed down to the present day, The style of the melodious, sent oral singing and popular, by the collective creation and prosperity, from different sides to reflect the life of the people of northern Shaanxi, history and social change.
Artistic Characteristics of Shaanbei Folk Song
North Shaanxi is a place where Chinese folk songs gather, and there are many kinds of folk songs, which are commonly known as "mountain songs" or "acid songs". There are mainly albatross, ditty, wine song, Yulin song, more than 20 kinds, of which the albatross is the most characteristic, most representative.
Shaanxi folk songs carry the fragrance of the soil on the Yellow Earth, and flow with the most popular vocabulary of the children of the Yellow River and the most beautiful ***. She is the mother tongue and home of our yellow earth, but also the characteristics and essence of our yellow earth culture. Shaanxi folk songs have her distinctive regional characteristics: earthy, atmospheric, beautiful, earthy, big and majestic, beautiful and provocative. This is both vulgar and bright enough to make the characteristics of the singing altar above the temple, with a small tune to vent the momentum of the yellow bells and whistles.
In northern Shaanxi, people's joy, anger, sadness, happiness which emotion, can be expressed in the form of folk songs. Whether standing on the top of the mountains, or walking in the curved mountain road, or traveling in a flat river on the road, everywhere you can hear the melodious song floating in the wind. This is the folk song of northern Shaanxi. "The women are sad and cry, the men are sad and sing songs." In fact, both men and women, young and old, love folk songs in northern Shaanxi. On the Loess Plateau, there are both the low and gentle chanting of the maids of honor, and the echoing of the high songs of "stopping the voice of the goat and returning to the voice of the cow" of the younger generation. The north of Shaanxi, is the world of folk songs, the sea of folk songs.
The heritage value of Shaanxi folk songs
Shaanxi folk songs reflect the richness of social life. Nowadays, most of the popular Shaanxi folk songs were produced from the end of the 19th century to the 1940s, reflecting both the content of social change and the content of the "long work songs", reflecting the resistance of the people of northern Shaanxi to the oppression and exploitation of the feudal unification class, especially the revolutionary history of the folk songs, is a batch of precious revolutionary historical data. Like the famous "when the Red Army's brother came back", "Shandandandan blossom red color", etc., is very valuable. First, the value of language and culture: the art of northern Shaanxi folk songs is the art of northern Shaanxi language, the long-running influence of northern Shaanxi folk songs, has long accumulated a large number of ancient and primitive, geographically extensive, original northern Shaanxi dialect. For the study of northern Shaanxi local language provides a lot of living first-hand information. Second, the historical and cultural value: northern Shaanxi folk songs from various aspects of multi-angle multi-level record of northern Shaanxi folk people, things, things, feelings, the development of northern Shaanxi folk songs, evolution of history, is the history of the development and evolution of social life in northern Shaanxi.
Shaanxi folk songs on the history of the revolution in northern Shaanxi Province for an all-round display: leaders, major events and historical activities in Shaanxi folk songs have different forms of reflection. Third, folk cultural value: northern Shaanxi folk songs contain rich folk materials and information, contains many cultural values of the occurrence and development process of human society. Such as "New Year's Song", "twelve seasonal songs", "winter song", "wedding song", "funeral song", "with the spirit of the song", "rammer song", "shepherd song" and so on. Fourth, the value of recognizing the mountains and rivers and scenery: northern Shaanxi folk songs recorded a group of flowers, a wide range of northern Shaanxi mountains and rivers, grass and trees, local customs. This should be attributed to the "than Xing" technique commonly used in northern Shaanxi folk songs. People singing folk songs, the day of and, God's thoughts, a person, a thing, a scene, a mountain, a water, a grass and a tree are credible hand cattle to pick up, sung into the song, such as "30 miles of bright sand 20 miles of water", "Duange earn earn poplar high", "big red rooster lying on the wall", "buckwheat noodles Ohtuo sheep fishy soup", "hot Gerteng rice wine on the table" and so on. The value of folk songs in northern Shaanxi has far exceeded the category of "folk songs", it is produced in northern Shaanxi, deposited in northern Shaanxi, inherited and treasured in the hearts of generations of people in northern Shaanxi, a rich and brilliant cultural and artistic treasure trove.