Chinese folk dances have taken root and blossomed in the land of Singapore. The Chinese dances in Singapore have retained the essence of Chinese ethnic folk dances, but have added elements of modern dance on top of that. For example, in the Hainan Li's "Pounding Rice Yao", the Li women use a wooden mortar and pestle and a wooden mortar for pounding rice, which is dug out of a whole section of a thick tree trunk, and the mortar and pestle are about 1 meter long, with one end being thick. This dance uses this tool as a prop, and straw is placed under the wooden mortar to enhance the sound. Dancers 4 or 6 people, the performance, the dancers stand around the wooden mortar, around the mortar dance knocking, or knocking mortar bottom, or knocking mortar bang, mortar edge, the sound of the rising and falling, light and heavy, intertwined with the formation of a wonderful music, a unique interest. The Singaporeans combine traditional Chinese dance with modern dance in their performance of "The Ballad of Pounding Rice", and the addition of modern dance elements gives traditional Chinese folk dance a different look. The Malay folk dance is both joyful and enthusiastic and has the simplicity and delicacy of oriental dance. The varied arm movements and the curvaceous body shape are the characteristics of Malay folk dance. For example, the Sumazau dance is the totem dance of the Sabah Kadazan Dusun. When dancing, male and female dancers stand in a row facing each other, stretching their arms, along with the rhythm of six drums, imitating the movement of birds flying, spreading their sleeves and dancing, their movements are neatly organized, and their emotions are passionate and impassioned, reflecting the Sabah Kadazan Dusun people's reverence for the sacred bird. Singapore dancers will be Malay folk dance and other ethnic folk dance or Western dance fusion, non-Malay dance elements into the Malay folk dance, this way to make the Malay folk dance in Singapore has a different style. Indian folk dances are fast-paced and simple in movement, and are usually danced in squares and villages. People dance mostly to please the gods or to entertain themselves. Dance movements to dance the life of the main action.