The next sentence of "Love my house beside the lake is thousands of hectares": the vast expanse is pure and moist. Title of the poem: "Taking Fish Roe: Retreating to Gao Aishan". Real name: Zhang Yan. Font size: Shuxia, Yutian, also known as Lexiaoweng. Era: Song Dynasty. Ethnic group: Han Chinese. Birthplace: Lin'an (now Hangzhou, Zhejiang). Date of birth: 1248 AD. Time of death: approximately 1320 AD. Main works: "Spring Water in Nanpu", "A Sense of Spring in the West Lake on the High Balcony", "Remembering the Past", "The Desolate Prisoner", "The Heaven in the Pot/Niannujiao Night Crossing the Ancient Yellow River, and Shen Yao, Dao and Zeng", etc.
We provide you with a detailed introduction to "Aiwu Lu Beside the Lake Thousands of Areas" from the following aspects:
1. Click here to view the full text of "Taking Fish Roe·Gaoai Mountain Residence" Details of "Touching Fish Roe·Gaoai Mountain Residence"
Aiwulu is surrounded by thousands of hectares of lakes, and the vast expanse is pure and moist.
In the warm and green place of Qinglan, the shadows of flowers look back into the sky mirror.
Shapujiong. Look at the wild water and the waves.
There is a solitary boat across the willows. The sleeping gull has not yet woken up.
Even in the Chunxiang Township, no one can see it.
The spring dim light rises slantingly. Also focus on province.
Unexpectedly, the Qin and Jin Dynasties in the mountains are difficult to recognize today.
The forest is the road to eternal life, and a smile is not a shortcut.
Deeper and quieter. When the flute is played, the wind will be cold across the sky. Drink with high dew.
The sky is blue and dusty, the light shakes half of the wall,
The moon is on the top of ten thousand pine trees.
2. Translation
I love my house, surrounded by thousands of hectares of lakes, and the vast expanse is pure and moist. Qinglan is warm and green, and the shadows of flowers look back into the sky mirror. Shapujiong. Look at the wild water and waves, and the lonely boat across the willows. The sleeping gull has not yet woken up. Even in the Shunxiang Township, no one can see it, and the spring dim light rises slantingly.
I love my home. The humble house is located next to the Thousand-hectare Mirror Lake, and the world is cool and clear. The warm mountain light, green trees, and mottled flower shadows are all reflected in the mirror lake under the moon. There is a beach in the distance, the water of Guanjing Lake is rippling, and a small boat is parked under the shade of willows. The gulls are still sleeping before they wake up. This place is rich in water shield soup and sea bass, but people turn a blind eye to it, only to see the setting sun bringing the spring evening.
Return to the province. Unexpectedly, the Qin and Jin Dynasties in the mountains are difficult to recognize today. The forest is the road to eternal life, and a smile is not a shortcut. Deeper and quieter. When the flute is blown, the wind is cold across the sky. Drink with high dew. The sky is blue and dusty, the light shakes half of the wall, and the moon is on the top of ten thousand pine trees.
Think again. People are looking for the Peach Blossom Spring that the Wuling people of Jin Dynasty visited. Even if they find it, who knows whether this Peach Blossom Spring is from Qin or Jin? It may be difficult to recognize it if they see it. Don't say that living in seclusion among forests and springs is the road to immortality. I smiled brightly, knowing that living in seclusion is not a shortcut. I am going to leave with my hair down, playing the flute and straddling the crane to ascend to the immortal world. Why should I be afraid of the cold wind and cold weather? Drink the dew in the wind and stay away from the world. The moonlight swayed half of the mountain cliff, and a bright moon rose to the top of Wansong Mountain.
3. Appreciation
The first part depicts the scenery of a hermitage, the first half of the second part expresses the mood of seclusion, and the second half depicts the scenery again, but the time has passed from day to night, and the realm has advanced a lot. layer, completely new.
The three words "Love my house" suddenly appear, leading the whole article, which makes people feel refreshed. By using Tao Yuanming's poem "I also love my house" (one of the Thirteen Poems in "Reading the Classic of Mountains and Seas"), the profound meaning of "contrary to the world" has been implicitly expressed and set the tone for the whole poem. "Next to the lake there are thousands of hectares, and the vast expanse is clear and moist." I wrote about the lake first. Qingrun refers not only to the coolness and clarity of the lake waves, but also to the refreshing and pleasant climate. Follow the two sentences "Qinglan" and write about the reflection in the lake. After the above summary is completed, people have an overall impression of the lake's breadth, clarity and the beauty and tranquility of the scenery around the lake. The author promptly turns to detailed description: "Shapujiong" describes the beach in the distance. The two sentences "Wild Water" describe the small place under the willow shade. Similar artistic conception has been written by predecessors, such as Wei Yingwu's poem "Chuzhou West Stream", "No one crosses the wild water, and the boat crosses it", and another example is the poem of Kou Dai in the Northern Song Dynasty, "No one crosses the wild water, and the lonely boat crosses it all the time." The use of famous sentences is rich in meaning, and it foreshadows the meaning of "no one" below. The front and back mirror each other, how fine the needlework is. "The sleeping gull has not yet woken up. It occupies the whole village of Shunshi, but no one can see it. The spring dim light rises slantingly." "Sleeping gull" is also a metaphor for a hermit and a secluded person. It is a combination of the scene and the person. "Very" means right. "Xiangxiang" refers to the hermit hometown based on the story of Zhang Hansi's hometown of Wuzhong.
The last three sentences say that in this free world, there is no one, except for a ray of setting sun shining brightly in the darkness of spring.
The first film mainly depicts the surrounding environment of "My House", which was written by the author boating on the lake and constantly changing the angle of observation. However, from "Liu Heng's lonely place" onwards, it has gradually entered into human affairs, and the last sentence uses the passage of time as a clue, becoming the key to switching between the upper and lower parts of the film.
In the setting sun and the dim dusk, the undercurrent of the poet's emotions is stirring. He watched it again and fell into deep thought: "Unexpectedly, the Qin and Jin Dynasties in the mountains are hard to recognize today." The waves suddenly rose. I never imagined that even the isolated mountains could not escape the influence of changing times. It turned out to be a fairyland-like place. It has changed beyond recognition. The implication is that in this era of disintegration, it is really difficult to find a "land of refuge from Qin" that "does not know the Han Dynasty, regardless of the Wei and Jin Dynasties" and is far away from the chaos of the world. It has a similar meaning to the author's poem "Xizizhuang": "The fishing boat seems to have never returned, thinking of a peach land and a road leading to the world." However, after sighing, he immediately comforted himself, and the tight strings relaxed again. Then, the work begins with a series of round and beautiful lines, so-called "as numerous as pearls", and goes straight to the end. In the high-pitched, bright, translucent tone, "it makes people float and feel like they are flying in the clouds". The whole movement ends in a lofty realm:
It is deeper and quieter. When the flute is blown, the wind is cold across the sky. Drink with high dew. The sky is blue and dusty, the light shakes half of the wall, and the moon is on the top of ten thousand pine trees.
On a moonlit night with pines and wind in the valleys and dust-free jade, the poet imagines playing the flute and straddling the crane, drinking the dew in the wind, and leaving behind forever the turbid world full of uneasiness and suffering. The night scene written here is completely different from the scene in the previous film: the previous film is the real scene before your eyes, and every word is accurate; while here, the scenery is purely based on emotion and is a fictitious illusion. Just like "the spring dim light rises slantingly". The author's romantic spirit tries his best to break through the darkness and find a ray of light for himself.
This is a typical "White Clouds in the Mountains" style: there are not too many piling and carving of rare words and difficult sentences, there is no abuse of virtuosic cadenza, but just vigilance and refinement. The sentences are circling in one breath, like fighting a whale with bare hands, like a healthy falcon flying into the sky, and winning depends entirely on the style and artistic conception.
This kind of whimsical idea of ??a crane carrying the sky wind, wandering in the blue sky, and "not eating the fireworks of the world" is not the author's invention. It is similar to Qu Yuan's "Yuan Yu" and Guo Pu's "You" "Xian" poems and so on are closely related to each other. Guo Pu's poem "Wandering Immortals" wrote: "The jade plays with the orchid and the sweet potato, and the appearance is more vivid. The green radish is tied into the high forest, and the green grass covers the mountain. There is a silent man in the middle, quietly whistling and stroking the clear strings, letting go of love outside the mausoleum, chewing The pistils are flying in the spring. The red pine is approaching the upper reaches, riding on the purple mist. The left is floating on the sleeve of the hill, and the right is patting the shoulder of the Hongya. I would rather ask about the year of turtles and cranes. "This kind of work is as Zhong Rong rightly pointed out:" They are just words of praise, not the taste of immortals." (Volume "Poetry") They are all words of support, not really dreaming of ascension in the daytime. The same is true for Zhang Yan's poem. Since "there will be a big disaster in the future and my mouth will be dry and my lips will be dry", I have no choice but to try to use the "immortal travel" dream of pulling out my hair to leave the earth to comfort the painful and anxious soul and seek temporary relief from the annoyance.
This not only reflects the author's serious dissatisfaction and hostility towards the Yuan regime, but also reflects his weakness in being unable to fight and can only hide in the ivory tower he built with lyrics, music and words. , the depressed side.
4. Notes
Qingrun: refers to the clear and clear water of the lake.
Qinglan: The fog in the mountains and forests on a sunny day.
Tianjing: refers to the surface of the lake.
Jong: far.
Xunxiang: This is an allusion to Zhang Han’s work as an official abroad and his longing for his hometown Chunxiang soup and seabass soup. This refers to a place of seclusion. Use the story from Tao Yuanming's "Peach Blossom Spring".
Shortcut: refers to the way to become an official by living in seclusion and raising one's social status.
Bi Luo: Still clouds and blue sky.
5. Zhang Yan’s other poems
“A sense of spring in the West Lake on the high balcony”, “Sparse Shadows·Ode to Lotus Leaves”, “Unraveling the Lone Goose”, “Flute under the Moon”, “ Crossing the River Clouds".
Poems from the same dynasty
"General Cao", "Going down to Qutang", "Tengwang Pavilion", "The Son is Nei, the Angry Man Abandoned His Wife, the Cold Resentment and the Anvil, Tang Meishan Poems Are Also Played as Jianzhi", "Inscribed on Ai River" ", "Abandoned Gongyuan is worth the rice," "Send off guests to Linggu", "Sigh", "Inscribed on Chen Chaoyu's Love for Bamboo Pavilion", "Four Hao Pictures of Rewarding Chunhu Shilu Yonghui".
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