Later on, Yongzhen failed to innovate and was relegated to the position of Secretary of Langzhou. He was not willing to sink, but to create with a positive and optimistic spirit, actively learning from the folk songs, and created the "Cailingshang" and other imitation of the folk song poetry.
After returning to the capital by imperial decree, Liu Yuxi was relegated to the post of assassin of Lianzhou because of his poem "Thousands of peaches in Xuan Du Guan Li, all planted after the departure of Liu Lang", which offended the new nobles. He was later appointed as the Assassin of Jiangzhou, where he composed a large number of Bamboo Branch Lyrics. In the summer of 824, he wrote the famous "Ancient Reminiscences of Xisai Mountain": "Wang Jun's ship went down to Yizhou, and the king's spirit of the Jinling Mountains was eclipsed. Thousands of iron locks sank to the bottom of the river, and a piece of descending streamer came out of the stone. The world has been saddened by the past a few times, but the mountain still rests on the cold stream. Now that we are at home in the four corners of the world, the old base is in the autumn of the reed trees." This poem was greatly appreciated by later literary critics, who regarded it as a masterpiece of Tang poetry with infinite meanings.
Later, after several transfers, Liu Yuxi was sent to Suzhou as an assassin. At that time, Suzhou was flooded and starved. After he took office, he opened warehouses to feed the hungry, exempted taxes and reduced labor, and soon made the people get out of the disaster and live in peace and contentment. The people of Suzhou loved him and appreciated him so much that they called Wei Yingwu, Bai Juyi, who had served as the assassin of Suzhou, and him the "Three Masters" and established the Three Wise Men Hall. Emperor Wenzong of the Tang Dynasty also praised him for his political achievements and gave him a purple gold fish bag.
Liu Yuxi returned to Luoyang in his later years, serving as a guest of the Crown Prince and inspector of the Ministry of Rites, traveling with friends and poets, living a life of leisure. After his death, he was posthumously awarded the title of Minister of Revenue.
More than 800 of his poems exist. He studied folk songs, reflecting the people's lives and customs, with a wide range of subjects, and his style drew on the implicit, simple and beautiful features of Ba Shu folk songs, which were fresh, natural, healthy and lively, and full of interest in life. His satirical poems often used allegory to attack the power elite who suppressed Yongzhen's innovation, involving a wide range of social phenomena. In his later years, his style became more and more subtle and satirical without revealing anything. There are more than 40 surviving lyrics, characterized by folk songs. When Liu Yuxi was in Luoyang, he and Bai Juyi*** created the "Memory of the South of the Yangtze River" lyric plate.
After Liu Yuxi's death, he was buried in Xingyang, Henan Province (present-day Zhengzhou Xingyang).
Editing Liu Yuxi's Poems
Eulogy of a Humble Abode
A mountain is not high, but an immortal is famous. Water does not need to be deep, but a dragon is spiritual. This is my humble abode, but I am a man of virtue and warmth. The moss traces on the steps are green, and the grass color enters the curtains. There are honored scholars to talk and laugh, and there are no white men to come and go. You can tune your zither and read the Golden Scriptures. No silk and bamboo messes with the ears, and no paperwork is laborious. Zhuge's Lodge in Nanyang, Ziyunting Pavilion in Xishu. Confucius cloud: what ugly there?
Autumn wind lead
Where the autumn wind to,
Xiao Xiao send geese.
The first thing I heard was that it was the first thing I heard from a lonely guest.
Walking on the embankment
The wine flag is looking at the head of the embankment,
and the mast is on the embankment.
At sunset, the pedestrians are scrambling to cross the embankment,
and the sound of paddling fills the middle stream.
Autumn Lyrics
Since ancient times, autumn has been a sad and lonely time,
and I say that the autumn day is better than the spring day.
A crane in the clear sky, a crane in the clouds,
then lead the poetic feelings to the blue sky.
Autumn words
The mountains are clear, the water is clear, and the night is frosty,
and the trees are deep red and light yellow.
I'm not sure if it's the color of spring that's driving me crazy, but I'm not sure if it's the color of spring that's driving me crazy.
The first time I visited Xuan Du Guan,
I was in the middle of a hundred acres of court, and it was half moss.
The peach blossoms were all in full bloom, and the vegetable blossoms were all in full bloom.
Where is the Taoist monk who planted peaches,
The former Liu Lang is here again.
Looking at Dongting
The light of the lake, the moon and the autumn moon,
The surface of the lake is not windy and the mirror has not yet been polished.
Looking at the water of the Dongting Mountain,
A green snail in a silver plate.
Jiangnan Spring
The new makeup is suitable for the face of the vermilion building,
the deep lock of the spring light of a yard of worry.
The number of flowers in the courtyard,
The dragonfly flew up to the head of the jade tickle.
Bamboo branches
Spring grass grows at the head of Baidi City,
and the Shu River is clear at the foot of the White Salt Mountain.
The southern people come up to sing a song,
and the northern people do not go up to move their hometown.
Bamboo branches
Qutang is a noisy twelve beaches,
and the road here has been difficult for a long time.
I hate that the human heart is not as good as water,
and I can't wait to see the waves on the ground.
Bamboo branches
Peach and plum blossoms on the mountains,
and smoke and fire in the clouds.
The silver bracelet and the gold hairpin come to carry the water,
and the long knife and the short hat go to burn her.
Bamboo branches
Peach blossoms are all over the head,
the spring water of Sichuan River flows in the mountains.
The bonus is easy to fade like a man's will,
and the water flows infinitely like a man's sorrow.
Bamboo branches
When the Wushu Gorge is in full bloom,
the apes are crying in the highest branches.
The song is not a sad one, but a sad one, and it's a sad one.
The Bamboo Branch
The willow is at the level of the river,
and I hear it singing on the river.
The sun rises in the east and rains in the west,
but there is no sunshine.
Bamboo branches
There is a lot of rain on the Chushui and Bashan rivers,
and the Ba people can sing their own songs.
The Bajan people can sing the songs of their hometown.
Bamboo Branches
The spring rain on the river is clear,
and the spring water in Dewuixi is grained with silk gauze.
The willow on the east and west of the bridge,
and the people singing.
Bamboo branches
The flowers on both sides of the mountain look like snow,
and every house is full of silver cups of spring wine.
The women of Zhaojun's Square,
are all together,
and they come to walk in the green outside the Yongan Palace.
Bamboo Branches
Outside the western gate of the city is a place of rippling ripples,
and every year the waves cannot be destroyed.
Chagrin's heart is not as good as a stone,
but it goes to the east and comes back to the west.
Bamboo branches
The sun rises at three rods and the spring mist disappears,
and the Shu guest at the river head stops at the orchid copter.
With a letter from the madman,
I live in Chengdu, on the Wanli Bridge.
The words of the poem
The mother planted peaches between the clouds and the sea,
The flowers fell on the city of Zicheng at the age of 2,000 years.
The sea wind blew the most luxuriant branches,
kneeling on the agate plate to offer to the heavenly emperor.
The stars and the immortal words are all heard,
but the wings fly to the five clouds.
The ball is thrown in the air
and embroidered in five colors,
to the tortoiseshell feast of the king.
It's best to do it under the red candle,
but it's better to do it in front of the falling flowers.
If the guests get up first,
they should be given a boat.
The ball tossing music
I saw the flowers in the early spring,
and I hated to send them out late.
But after seeing the flowers,
I remember when they were not yet in bloom.
Fortunately, there is a ball tossing game,
and you can't say goodbye to a cup of wine.
Uighur Naquan
The willow is green,
and the bamboo is infinite.
When I look back with my husband,
I will listen to the Uighur song.
The Uighur Song
The music of Uighur is endless,
but the tune is the same and the words are different.
I wish you a long life,
and a long life as a master.
The Wave of Sand
The Yellow River is a river of 10,000 miles of sand,
and the waves and winds have been blowing since the end of the world.
Now I'm going up to the Milky Way,
to the home of the weaving maiden.
The waves of August
came roaring down to the earth,
and touched the mountains with their heads several feet high.
In a short time, it entered the sea gate,
and rolled up the sand like a pile of snow.
The waves of the sea
The flowing water and the sand will not pause,
the first wave is not yet extinguished, and the next wave will be born.
One suddenly remembers Xiang Xiangzhu,
and sings back to welcome the gods.
Wave Amoy Sand
The spring sun slopes by the Luoshui Bridge,
and the blue stream is light and shallow, and you can see the agitated sand.
For no reason at all, the winds on the street were so fierce,
that they startled the mandarin ducks out of the waves.
Wave Amoy Sand
Don't say that slander is as deep as the waves,
Don't say that the migrant is as deep as the sand.
Thousands of liquids are being blown through the cold sand to the gold,
.
Wave淘沙
Bianshui eastward flowing tiger's eye pattern,
Qinghuai dawn color duck head spring.
You can see the sand at the ferry port,
but how many people are on the ferry.
The waves of the river
Maundyville River is full of flowers on both sides,
and the spring breeze is blowing the waves of the river.
The girl cut the brocade of mandarin ducks,
and will set the evening sun in the middle of the river.
The waves are poring over the sand
The sun is shining and the fog is opening up on the river,
and the gold digging women are all over the river.
The jewelry of the beauty is the seal of the king,
all is the bottom of the waves in the sand.
Wave Amoy Sand
The waves at the head of Parrot Island seem to be floating on the sand,
and the blue building is looking at the slanting sun in spring.
The swallows in their own names are trying to get back to their homes,
and the maniacs alone do not remember their homes.
The willow branch
The plum blossom in the north of the Seychelles is played by the Qiang flute,
and the laurel tree in Huainan is written on a small hill.
Please don't play the songs of the past dynasties,
but listen to the new Yang Liu Zhi.
The willow branch
The green door of the royal street hangs down on the ground,
a thousand strands of gold and ten thousand threads of silk.
Now it is made into a knot of the same heart,
and will be given to the pedestrians.
The willow branches
are so light and curly that they take up a lot of time,
and cover up the dance halls and makeup buildings.
The wind is blowing, and the wind is blowing, and the wind is blowing.
The willow branches
When the spring grass in the south and east,
Where can we meet each other?
Peach and red and white are all good,
but you have to play with the poplar.
The willow branches
The spring breeze blows the wine flag outside the city,
and the pedestrians are waving their arms in the west of the sun.
On the strangers of Chang'an, there are endless trees,
but there are only poplars to manage the parting.
The willow branch
The Yangzi River is full of smoke,
and the soi palace trees are on the golden embankment.
Saga still has the color of the time,
half dipped in the waves of the water birds live.
The willow branches
were the first to welcome the light of spring,
and the light yellow and light green of the buildings.
It is only because of the curls of love,
but also by the spring wind long frustration destroyed.
The willow branch
The willow branch of the Wushan Mountain in the Wushan Gorge is a lot,
and it is far away from each other in the morning clouds and the evening rain.
Because I think of the infinite things on the balcony,
I sing the song of the bamboo branch for you.
The willow branches
The phoenix que is lightly covered by the emerald curtain,
and the dragon court is looking at the dusty threads of the koji.
The spring water of the royal ditch is a reflection of the city,
and it kills the young children of Chang'an.
The willow branches
When they were first planted in front of the Calyx Building,
the beauties were fighting upstairs.
Now it's thrown down the street,
and the dewy leaves are like cries of hate.
Willow Branch
Emperor Yang's palace is located on the waterfront,
and the few remaining willows are not as good as the spring.
The wind is blowing like snow,
and the flowers are flying into the palace wall.
The willow branches
The warblers fly about in the Golden Valley Garden,
and the wind blows on the Bronze Camel Strand.
The peaches and plums in the east of the city will be finished in a moment,
and the poplar will be infinite.
The lyrics of the song
The moon on the spring river is out on the embankment,
The women on the embankment are walking with their arms linked together.
I can't see the partridges in the red window.
The words of the song
The peach grove and the willow paths are passing by,
and the stirrups are made up to sing under the moon.
It was the place of Xiang Wang's former palace,
and the waist is still thin.
The lyrics of the song
have been handed down to us in new words,
and the sleeves of the head have been rolled up in front of the wind and the dew.
The moon is falling and the crows are crowing and the rain is falling,
and the children are gathering flowers on the street.
The lyrics of the song
At sunset in Jiangnan, the bamboo branches are heard,
The southern people are happy and the northern people are sad.
Since I sang a new song in the snow,
I will sing it until the end of the flowers in spring.
Remembering the South River
The spring has gone, thanks to the people of Luoyang.
The weak willow from the wind suspected of lifting the arm,
Yi Lan Zhi Lu seems to be stained towel,
sitting alone also contains knitted brows.
Remembering the South River
Spring is gone, and the sun is shining.
The peach blossoms and the flowing water are still there,
and there is no excuse for drunkenness in front of the bamboo leaves,
but I want to see the blue sky.
The Dash God
Xiangshui current, Xiangshui current,
Nine doubtful clouds to this day in the fall.
If you ask where the two concubines are,
Zuoling grass in the dew of sadness.
The Dashan God
The Bamboo Branches, the Bamboo Branches,
The Tear Marks, the Tear Marks, the Tear Marks, the Tear Marks, the Tear Marks, the Tear Marks.
The Chu guests want to listen to the Yao Se's complaint,
when the moon is bright in the late night of Dashan.
Ancient memories of Xisai Mountain
Wang Joon's ship went down to Yizhou
The King of the Jinling Mountains was in a state of mourning.
A thousand iron locks were sunk at the bottom of the river,
and a piece of flag was lowered out of the stone.
The world has seen a lot of sadness in the past,
and the mountains are still under the pillow of the cold stream.
Now we are at home in the four corners of the world,
and the old base is in the autumn of the reed.
Reward Lotte Yangzhou first met on the seat to see the gift
Bashan Shu Shui bleak land,
twenty-three years to abandon the body.
I'm not sure if I'm going to be able to do this, but I'm going to be able to do it, and I'm going to be able to do it, and I'm going to be able to do it.
The first time I saw a boat, I saw a sail, and the second time I saw a tree, I saw a tree, and the third time I saw a tree, I saw a tree, and the third time I saw a tree, I saw a sail.
Today, I heard you sing a song,
and I've been drinking wine for a long time.
Edit Liu Yuxi and the Wuyi Lane poem
Wu Jiling
Liu Yuxi's poem "Wuyi Lane": "Vermilion Bird Bridge wild grass flowers, Wuyi Lane sunset slanting; in the old days, Wang Xie Tangqian Swallow, flew into the homes of the ordinary people". This poem is one of Liu Yuxi's group poems, "Five Questions on Jinling", which describes the changes in the prosperity and decline of the aristocracy in a small way, and the last two lines, which have been recited for thousands of years, are popular among the people.
Usually, the interpretation of the last two lines is that the swallows, which used to nest in the mansions of the royal family, now have to fly to the homes of ordinary people to build their nests because those mansions have disappeared. Here, the change of the swallows to reflect the change of personnel through the change of moving and nesting, so that people can not help but feel the vicissitudes of the world.
In addition, Shih Tzu-hua said in "Da Nang Yung Poetry", "If the swallows go away, it will be fruitful. The swallow is still in this hall, Wang Xie scattered, has been transformed into ordinary people carry on. In this way, the feelings are endless, and the writing is extremely curved." Here, put forward the "Wang Xie Hall" and "ordinary people" is a matter of two things or a matter of one thing, but the feelings of the system, it seems that there is no big picture.
However, the strange and bizarre is that some people have stolen from this poem on the ability to change the pillar, don't make strange say. Liu axe "Qingzao摭遗" cited Song Zhang Dunyi "six dynasties" cloud: "Wang Ché, Jinling people, the world to sail for the industry. One day, lost ship in the sea, pan a wood ashore, see a weng and a crone, all dressed in soap. To the residence, is the country of Wuyi also, with a female wife. After a long time, Ché Si return, and then take the cloud Xuan pan-sea. To home, there are two swallows perched on the beam, Sal with his hand, that is, flew to the arm, take a piece of paper and write a small poem, tied to the swallow tail, said: 'Talking about Huaxu country up to the people of the end of the day, bitter pity talent; Yunxuan floating away without news, tears in the wind a few hundred times.' In the coming spring, the swallow flew again, and there was a poem on his body, saying: 'In the past, we met each other all the time, and now we are far away from each other; in the coming spring, even if there is the word "lovesickness", there will be no swallows flying in the south of the sky in March'. To the next year, Yan did not come. Because of the eye of the salvation of the residence for the Wuyi Lane, so Liu Yuxi has a poem '...... Wuyi Lane mouth ......' also." In this way, the "wood" character side for "speech" character side and to sal sal metabolism, it is clear that the Wang family name, Xie family name of the two families will easily become "Wang Salt" a person; coupled with the insertion of the The original poem of sending Shuai Gu Xinghuai sentimental feelings has completely changed its flavor, and has become a love song of Liu Yuxi who is in love with his old love. If Liu Yuxi, who was known as a great poet, had heard of this, I really do not know what his feelings would have been like. I'm not sure how he would feel about it, but I'm sure he would feel about it.
Liu Yuxi's poetic style
Liu Yuxi and his poetic style are quite unique. He was a tough guy, with a bold and fierce temperament, and in the years of banishment when he was still in trouble, he did feel a heavy psychological anguish, and sang a song of lamentation of the lonely ministers. But he never despaired, always beating a fighter's soul; wrote "yuan and ten years from langzhou summoned to the capital play gift flower gentlemen", "revisit xuandu guan absolute lines", and "hundred tongues", "gathering mosquito ballad", "kite exercise", "huatuo theory" and other poems, repeatedly satirized, attacked the political opponent, which led to a political repression and blow, but this repression and blow but provoked him to more intense resentment and resistance, and in different ways to strengthen his political and political opponents. And from different aspects to strengthen his poet temperament. He said, "I am a native of Shandong, and I have many feelings in my life" ("Visiting the Zen Master of Zhushan"). This "emotion" not only increases the flavor of his poems, but also greatly enriches the depth and strength of his poems.
Liu Yuxi's poems, no matter short chapters or long chapters, are mostly simple and quick, with a handsome flavor, a kind of philosopher's wisdom and poet's sincere feelings permeate them, and are very rich in artistic tension and majestic momentum. Such as "the north wind sad old steed, autumn frost moving birds of prey. If ...... don't feel the decline of the festival, how can I stimulate the strong heart" (the second of the Three Songs of Learning Ruan Gong's Style), "The horse thinks of the grass on the border, and the sculpture looks at the green clouds and opens its eyes to sleep. Heaven and earth can be clean and clear, for you to help the sick on the high platform" (Beginning to hear the wind of autumn), this kind of poetry, written in a high and lofty, radical style, with a kind of invigorate the decline of the waste, urging people to go upward power. As for its seven-character stanzas, is also unique, such as: "Do not say slanderous words such as waves deep, do not say that the migrant like sand sinking. Thousand Amoy ten thousand liquids although hard, blowing all the wild sand to gold." (Nine Waves and Sand Words, Eight) "The plum blossoms in the northern part of the country are blown by the Qiang flute, and the osmanthus trees in the south of China are written on a small hill. Please don't play the songs of the previous dynasty, but listen to the new version of Yang Liu Zhi." ("Yang Liu Zhi Lyrics Nine Songs," No. 1) On the poetic point of view, these two works are concise, clear and easy to understand, but through a layer, you will understand a proud of the sorrows, independent and unshakeable temperament and to meet the suffering, transcend the suffering of the mood, a kind of rushing away from the vitality of life and the abandonment of the old and the new optimistic spirit of the future, a kind of perseverance and purity of the personality of the inner. Then his famous "Autumn Lyrics":
Since ancient times, the autumn is sad and lonely, I say autumn is better than spring. The first time I saw a crane in the sky, it led me to the blue sky.
The whole poem is contrary to the traditional view of sadness in autumn, praising the autumn, giving the autumn a kind of power to guide life, showing the poet's infinite yearning for the realm of freedom. The poem is a great example of the poet's infinite yearning for a free world.
Liu Yuxi lived in Jiaxing with his father in his early years, and often went to Wuxing to visit Kyauk Ran and Ling Che as a famous Zen monk and poet monk in Jiangnan, according to his "Chue Shangren Anthology Chronicle" self-reported that at that time, he "Fang to the two fashionable pen and ink, accompanied by its chanting, said that the children are teachable," and the influence of this early experience on the creation of his later poems is very deep. So, Kyauk Ran, Ling Che's poetic advocacy is how? Kyauk Ran has "Poetry Style" on poetry, pay special attention to two aspects, one is to advocate the exercise of painstaking thought, requiring poets in the words and phrases to be carefully hammered after the return to nature, he believes that this natural is the ultimate poetry; the second is to attach great importance to the poetry of far-reaching meaning and chi Yun Lang smooth and elevated realm, that "to take the realm of the bias of the high, then a body of a lift will be high, taking the realm of the bias of the escape, then a body of a lift will be escaping! It is believed that "if you take a high environment, then a piece of writing will be high, and if you take an elegant environment, then a piece of writing will be elegant. And this "realm" that is, the mood comes from the creative subject's state of mind, "the true thought is in the darkness, the floating thought sends the shape and shadow" ("Reply to Yu School Book Winter Night"), that is, the poet's subjective state of mind and the aesthetic illumination is the most important. Ling Che did not have poetry, but according to Quan Deyi "send Ling Che on Mount Lushan return to Wozhou preface", he said, "the heart of the netherworld and the trace of the text, so the language is very easy, such as not out of the ordinary realm, and all the living thoughts can not be ...... know that his heart does not wait for the realm of quiet and quiet"; and that he often "Whisking the square robe, sitting in a light boat, back along the mirror, quietly get a good sentence, and then deep into the silence, all the worries of the wash," visible Ling Che also attaches importance to the subject of the silent illumination to win the ethereal depth of the context, and the language is also the pursuit of natural. On the one hand, these insights were influenced by the poetic styles of Dali and Zhenyuan, which emphasized the refinement of words without revealing them, and on the other hand, they originated from the Buddhist idea of paying attention to the "heart," i.e., the subjective experience of feelings. Liu Yuxi was a firm believer in Buddhism, and he realized that it was a very long time later that he still said that a poet should be able to "express a hundred meanings in a few words, and serve ten thousand scenes in a single sitting" (Dong's Wuling Jiji), which refers to conciseness and subtlety of language in the first sentence, and the subjective illumination and meditation in the second sentence. Therefore, on the one hand, he attaches importance to the refinement and embellishment to make the language of poetry is both subtle and natural, and opposed to the use of more out-of-the-way words and eyes, put forward "for the poem with out-of-the-way words, there must be a place to ......
The later generation of poetry, that is, there must be based on the road can not be rate also" ("Liu Binggui
On the other hand, he also attaches great importance to the subject of observation and meditation, in the "Autumn over the Hongju Venerable Master Temple will be sent back to the Jiangling Poetry Guide" in which he said:
can be away from the desire of the square inch of the ground is virtual, virtual and all the scenery into; into the must have some leakage, is the shape of the word.
They are the most important thing in the world of poetry, and they are the most important thing in the world.
Fixed, is to exclude distractions of the view, wisdom, is a kind of inspiration. The poems written in this way can accommodate richer connotations and have a deeper meaning. Therefore, most of Liu Yuxi's poems are natural and fluent, concise and sharp, with a sense of open time and space. His famous lines, such as "The new leaves of the forest hasten the new leaves of the old, and the front wave of the flowing water gives way to the back wave" ("Letian Seeks to Show the Injury of Wei Zhi Dun Shi Xi Shu San Jun Zi All Have Deep Differences, So He Composed This Poem to Send It to Me") and "A Thousand Sails Pass by a Sinking Boat, and Ten Thousand Woods Spring in front of the Diseased Tree" ("Paying Lotte for the Gift of Yangzhou for Meeting with You on a Seat"), are all examples of Liu Yuxi's understanding of history. ), all of which are his epiphanies after contemplation on history and life. This kind of epiphany appears in the poem as an image, which not only has an open vision, but also has a kind of transcendent time span, showing the intermingling of history, reality and future here.
Liu Yuxi's poems on history are very well known. These poems use concise words and selected imagery to express his contemplation after experiencing the vicissitudes of change, which contains deep feelings, such as "Ancient Reminiscences of Mount Xisai", "Wuyi Lane", "Stone City", "Temple of the First Lord of Shu" and so on, all of which are famous pieces.
Wang Joon's ship went down to Yizhou, and the king's breath was eerily collected in Jinling. The first time I saw him, I was so happy to see him, and I was so happy to see him, and I was so happy to see him. The world has been hurt a few times, and the mountains are still pillowed with cold streams. Now that we are at home in the four corners of the world, the old base is in the autumn of the reed trees. （
The wild grass flowers by the Zhuquiao Bridge, the setting sun at the mouth of Wuyi Lane, the old Wang Xie Tangqianyan, the swallow in front of the Hall of Fame. In the old days, the swallows flew into the homes of the common people. ("Wuyi Lane")
The first song is the poet stood in the Xisai Mountain far view of the sentiment, in his mind, is a strong contrast between eternity and transience: a thousand sails, iron locks sinking river, whether it is a war, rule and chaos, division and unity, all of which is compared to the silence of the nature, are but a fleeting smoke cloud, a momentary flash of time. The latter song is through the Wang Xie these old traces of scholars into the common people's homes of the historical changes, presenting the depth of people's hearts and minds of all the prosperity and nobility will be washed away by the time of the sigh of purification.
Liu Yuxi's landscape poems also changed the style of the Dali and Zhenyuan poets, who were narrow and depressed, and often wrote about a kind of open landscape that was half-imaginary and half-real beyond the spatial distance, for example, "The clouds on the distant mountains under the water are like snow, and the grass on the flat bank by the bridge is like smoke" ("Drunken fable of traveling to the Nanzhuang with Niu Sangong as a gift to Lotte and as an indication"), "The wild grass is fragrant and red," and "The wild grass is fragrant and red," "The wild grass is beautiful, and the grass is beautiful. "The wild grasses are red brocade, and the wandering silks are dazzled by the blue sky" ("Spring Day Calligraphy Sending Dongluo Bai XXII Yang Baidi Shu Zi"). Another example is "Looking at Dongting":
The lake light and the moon in autumn, the surface of the pool without the wind mirror has not been worn. Looking at the cave garden mountain water, silver plate in a green snail.
In this quiet and ethereal mountain scenery and water color into the poet's subjective emotions, constituting a quiet and peaceful atmosphere.
However, although Liu Yuxi said, "If you can get away from the desire, you will be empty," he was actively involved in Yongzhen's innovation, in fact, he still wanted to realize the ideal of life in the community; his character is also stubborn, so despite the influence of the Buddhists, he was not like the late Bai Juyi, sometimes satisfied, sometimes disillusioned, but often in the poem, showing a high and cheerful spirit. Instead, his poems often show a high and cheerful spirit. For example, one of the two poems of Autumn Lyrics: "Since ancient times, autumn has been a sad and lonely time, and I say that autumn is better than spring. A crane in the clear sky rows up the clouds, and leads the poetic feelings to the blue sky." In "Climbing the Pagoda of Qiling Temple with Lotte": "It is not difficult to carry each other step by step, leaning on the railing beyond the nine layers of clouds. Suddenly, they laughed and laughed halfway up the sky, and the infinite tourists raised their eyes to see." All of them have a kind of exalted power. Because of the implicit and deep connotation, open and sparse realm and lofty emotions, Liu Yuxi's poems appear to be both clear and bright.
Some of his poems influenced by folk songs should also be mentioned. Kyauk Ran, Ling Che and others lived in Wu, where folk songs flourished, and in the view of Zen Buddhism, folk songs are straightforward, natural, lively and simple, which is the ultimate in language, so they also drew on the characteristics of folk songs to write poems, which undoubtedly had a certain influence on Liu Yuxi; Liu Yuxi was relegated to the south for many times, which is also the place where folk songs are prevalent, so Liu Yuxi often collects folk ballads and learns from the tone of it to write poems, such as The White Heron Child:
Black Egrets.
The egret is the highest form. The snow is not enough for the new sweater, and the birds are clamoring to be alone and silent. I'm not sure if I'm going to be able to get a good deal on this, but I'm sure I'm going to be able to get a good deal on this. The first thing you need to do is to get your hands dirty.
The poem is written in a metaphorical way to write their own lonely feelings, but with a light folk song. There are also some works completely modeled on folk songs, such as "Bamboo Branch Lyrics", "Willow Branch Lyrics", "Walking on the Embankment", "Stepping on the Lyrics", etc., are very simple and natural, fresh and lovely, exuding a rich flavor of life like folk songs, the following two are particularly evocative:
Jiangnan, Jiangnan, and the north of the river look at the waves of smoke, the pedestrians at night accordingly sing. Peach leaves to send love to the bamboo branch complaints, the water flow unlimited moonlight more. （
The river level is green, and there is a sound of singing on the bank. The sun rises in the east and rains in the west. (One of the Two Songs of the Bamboo Branch)
Edit Liu Yuxi's Tomb
After his death, Liu Yuxi, a great poet of his generation, was buried in Xingyang, Henan Province (present-day Zhengzhou Xingyang). On the basis of Liu Yuxi's tomb, the municipal government of Xingyang spent a huge amount of money to build a large cultural theme park covering an area of more than 280 acres ---- Liu Yuxi Park.
Liu Yuxi's Tomb is located on the high ground south of Wolf Wo Liu Village, east of the city of Xingyang, in the township of Twenty Mile Shop (today's Yulong Township), which was anciently known as Tan Mountain. Tomb north of Zhengzhou to the street highway about 70 meters, sitting north to the south, there is a round mound, mound height of about 7.5 meters, circumference of about 20 meters. According to the Republic of Xingyang County Records, "Liu Yuxi's tomb is in the Sandan Mountain.