Lu Xun Introduction
Architectural AttractionsLu Xun Ancestral Residence
Sanmeishuya
Lu Xun's Former Residence
Baicaoyuan
Fengcaiyuan
Lu Xun Memorial Museum
Other AttractionsTugu Ancestral Hall
Cheongqing Monastery
Hengjidang
Jingxiuian
Lu Xun Cultural Square
Hotel Xianheng
Cultural relics protection
Lu Xun's footprints
Patriotic education bases
Gallery geographic location
Former residence settings
Lu Xun's introduction
Architectural attractions Lu Xun's Ancestral Residence
Sanwei Book House
Lu Xun's Former Residence
Hundred Grass Garden
Feeling Garden
Lu Xun Memorial Hall
Other Attractions Tugu Ancestral Hall
Changqing Monastery
Hengji Dang
Jingxiu An Temple
Lu Xun Cultural Plaza
Hampton Hotel
Heritage Conservation
Lu Xun Footprints
Patriotic Education Bases
Education Base for Patriotism Education Base
Gallery Expand Edit this section Geographic location
Shaoxing, located in the southeast coast of China, it is east of Ningbo, west of Hangzhou, only 200 kilometers away from Shanghai, the city's total area of 7,901 square kilometers, of which the urban area accounts for 101 square kilometers. Shaoxing natural scenery, rich in cultural landscape, since ancient times that is a tourist attraction, known as the water township, bridge township, wine township, famous scholar township, is a cultural city with a history of more than 2400 years. Lu Xun hometown scenic area, located in the center of Shaoxing city (Lu Xun Road and Yan'an Road intersection), is now the best-preserved historical scenic area in the city. As the main window of Shaoxing's foreign cultural propaganda, Lu Xun's hometown with its unique cultural connotations and heritage, attracting a large number of tourists from all over the world. The transportation to Lu Xun's hometown is very convenient. Every day there are several buses from all over the world directly to Shaoxing. Express buses from Hangzhou, Ningbo, Shanghai are 20 minutes, 40 minutes, 50 minutes respectively; in the city cab and manpower pedicabs as the main means of transportation; in addition in the scenic area you can also take Shaoxing's unique black boat tour of the various attractions.
Editing the former residence setting
Lu Xun's former residence in Shaoxing City, Zhejiang Province, Dongchangfangkou No. 19 (now Lu Xun Road, No. 2 阗)周家Xintaimen, January 13, 1988 announced. The entire Xintaimen where Lu Xun's former residence is located was built around the early nineteenth century. The former residence was originally a two-entry, the front one is no longer the original appearance, the Zhou family's three cottages have been demolished. The back one is a five-room two-story building, the east first downstairs in front of the small hall, is the place to eat, meeting guests, the back half of the room is Lu Xun's mother's room, the west first downstairs in the first half of the room is Lu Xun's grandmother's bedroom. The west second room is the room where Lu Xun was born. At the back of the building, separated by a patio, there are three bungalows for stoves and piling up sundries. Lu Xun spent his childhood and adolescence here until he went abroad to study in 1899, and lived here from 1910 to 1912 when he returned to his hometown to teach, and from 1912 to 1919 when he returned to his hometown several times to live here. Lu Xun's former residence behind the garden is a hundred grass garden, the original is the Zhou family and nearby housing **** have a vegetable garden, an area of nearly 2,000 square meters, childhood Lu Xun often play here, catching birds. Shaoxing Dongchangfangkou 11 (now Lu Xun Road, No. 198) is a private school Sanmeishuoya, 12 to 17 years old Lu Xun in this study. Lu Xun's former residence has been repaired and restored to its former appearance.
Editing Lu Xun's Profile
Lu Xun (1881.9.25～1936.10.19) was a native of Shaoxing, Zhejiang Province, whose original name was Zhou Shuren, and whose characters were Yushan and Yuting, and whose name was later changed to Yucai. He often wore a plain Chinese long shirt, with his hair standing straight up like a brush and a thick beard forming the character "一" in clerical script. Chairman Mao described him as a great proletarian writer, thinker and revolutionary, and the main general of China's cultural revolution. He is also known as the "Soul of the Nation" by the people.
Editing this section Architectural Attractions
Lu Xun's Ancestral Residence
At the eastern end of the newly built Lu Xun Memorial Hall is Lu Xun's Ancestral Residence, Zhou's Old Terrace Door, which sits in the north and faces south, in front of the mouth of the Dongchangchangfang, behind the Xianhuan River, and in the west of the Daijia Terrace Door, which is across the river from the Sammuishuya (Three Flavors Bookstore). Lu Xun's ancestral home
Lao Tai Men covers an area of 3087 square meters, green tiles and pink walls, brick and wood structure, is a typical feudal scholar's residence. The main building **** divided into four, the first is commonly known as "Taimendou", hanging above the door of a blue background and gold "Hanlin" plaque. Zhou Fuqing, Lu Xun's grandfather, was appointed as a Hanlin in the Tongzhi period, which was a great honor for the Zhou family, so the Hanlin plaques were hung on the ceremonial doors of the three daimen of the Zhou family, which seemed to be three huge business cards displaying the owner's identity. On each side of the plaque, there is a line of clay and gold lowercase: "the governor of Zhejiang and other places to govern the military affairs of the land and water towns and salt Yang Changjun for" and "the Imperial College of the Imperial Household of Zhou Fuqing, a scholar of the Imperial Household of Zhou Fuqing". The second into the hall, commonly known as the "hall before", is the Zhou clan public **** activities, for celebrations, blessings and banquets for guests. Hall hanging above a large plaque "De Shou Hall", both sides of the pillar on a red background, black characters on the couplets: character details, moral firm; matter of reason, peace of mind. The third entry is in front of the Hall of Fragrance, which is a place for ancestor worship and funeral services. Confucianism is based on filial piety, hanging the ancestral statues of the ancestors on the hall on New Year's Day, placing the tablets, setting up five things (candles, incense burners, etc.), placing offerings. Incense burners and so on), put offerings, within five generations of the Zhou family young and old must incense kowtow, perform great rituals, filial piety. Fourth into the building, also known as the seat of the building, for residential purposes. The first to the fourth into the left and right, are built with symmetrical side rooms, buildings, rooms and houses have a corridor between the house through, to avoid sun and rain. Both sides of the patio decorated with a number of rockeries, stone pools and other small scenes, elegant but not vulgar. The entire old Zhou family layout, rigorous, very rich in local characteristics of Shaoxing, from afar, white walls and tiles, black and white, rich in flavor. The Qing dynasty Qianlong nineteen years, Zhou family seventh ancestor Zhou Shao Peng purchased Shaoxing city Raspberry Bridge Zhao's residence, after large-scale remodeling, become quite a large-scale Taimen mansion, this is the Zhou family old Taimen, from now on, the Raspberry Bridge Zhou family in the old Taimen gather family and live, flourish and thrive. Nameless "Lu Xun's family" recorded: "Raspberry Bridge room the richest time, three Taiwan door **** more than three thousand acres of land and several valves when," in fact, the old Taiwan door and the room's property is more than this number, and although the impact of the Taiping Heavenly Kingdom Revolutionary Movement, and the room is still very rich. But and the room to the tenth, there is no son, according to the "small end of the long top" of the family rules, it will be to the wisdom of the room to ask for a, inherited, which is Lu Xun's great-grandfather's youngest brother, later collectively referred to as the "fifteen masters," Zhou Yigang. Among the Zhou Clan in Roppongiqiao, only the Wofang family was the only one who had a single descendant, so their assets were concentrated and they were the richest. Because the Hefang family used to run a business, it was also known as the "Heji" family. Although Lu Xun's family was far away from the Wafang family of the old Taimen, their lineage was very close. After Lu Xun's grandfather Zhou Jiefu was released from prison, he often went to the old Taimen to talk to his uncle. Since then, the Zhou family has been the old door for the Zhou family to live, well-preserved. After the founding of the country, the old platform door was acquired by the state, allocated funds to repair. Has been for the shaoxing library, folk museum and cultural relics management office used. Now the old stage door and restore the old appearance, the display is based on the Zhou family's old stage door architectural pattern, the Zhou family's heyday as the background, the integration of other large families representative of the life scene for the scene layout, to fully demonstrate to the visitors of the Qing Dynasty Shaoxing large family life scene.
Sanmishu House
Shoujia Taimen is the house of Mr. Shou Jingwu, Lu Xun's tutor. Mr. Shou Jingwu (1849-1930), known as Huaijian (怀鉴) and Jingwu (鏡吾), was a learned scholar. He was a learned Confucian. He was a man of good character and uprightness, and he was averse to fame and fortune, and he did not take any more exams since he passed the Xiu Cai examination, and he was a life-long apprentice of the school. Lu Xun praised him as "a very square, simple and knowledgeable person in this town". Shoujia Taimen was purchased by Shou Jingwu's grandfather, Fenglan Gong, during the Jiaqing period, with a total floor area of 795 square meters, in front of the river, with a stone bridge, and a bamboo garden in the west, the whole building is across the river from the Zhou family's old Taimen, and the famous Sanmeishuoya (Three Flavors Bookstore) is located in the east side of the Shoujia Taimen's compartment. The first entry, i.e. Taimendou, above the hidden door hangs a "Wenkui" plaque, this plaque is for Lu Xun's tutor Shou Jingwu's elder brother Shou ZiZhi hangs, he in the second year of the Guangxu (1876) in the C Zi section of the JiuZi, this plaque is used to shine the family lintel, and that the Shou family has ever been a JiuZi, it is a bookish family. On the west side of the first daimen-dou, through the patio, there is a small square bamboo garden, and the north side of the bamboo garden is now set up as the "Sanyu Study House", which is the original name of the "Sanyu Study House", and the "Sanyu Study House" is the original name of the "Sanyu Study House". "Sanyu Study Hall" is the original name of "Sanwei Study Hall", "Sanyu Study Hall" is placed in imitation of "Sanwei Study Hall", visitors can sit in this simulation of the bookstore, experience a private school life, or take pictures. The second is called the front of the hall, every ancestral anniversary, red and white wedding, the arrival of the gathering place of VIPs. A plaque of "Siren Hall" hangs on the forehead square. Hall columns hang a light green wooden board carved couplets, coupled with the cloud: "character section of Taishan Qiaoyue, mind flowing water and clouds". The back of the gold pillar hung on Lu Xun's tutor Shou Jingwu virtue, speech praise hold a pair of: "DaoYiJiaMu see bones, aphorisms and virtue ZeshanZi." Passing through the patio, the third entry is the Za Lou, where the small hall, the study and Mr. Shou Jingwo's bedroom are displayed in their original state. The front of the small hall was used to receive friends and relatives. On the screen of the retiring hall hangs a plaque of "revisiting Panshui", which was sent by his nephew Shou Xiaotian to congratulate Mr. Shou Jingwu on the 60th year after he had been awarded the title of Xiucai (entered the Panshui), i.e., one year before he passed away in 1928. Lu Xun was full of sincere love and respect for Mr. Shou Jingwu, and after he left Shaoxing, he and Mr. Shou Jingwu had been exchanging letters. 1906 Lu Xun went back to Shaoxing, and visited this teacher again, telling him what he had seen and heard outside, and at that time, Mr. Shou Jingwu was here to receive him. Mr. Shou Jingwu's study is a typical schoolteacher's study, with a special bookcase for the Twenty-four Histories, a general bookcase, literary utensils and so on. Inside the room on the square hanging on the "three Yu Zhai" plaque, "three Yu" from the "Three Kingdoms" Pei Song's note, that is, Dong Yu said "for the study of the three Yu, winter is the rest of the year, the night is the rest of the day, rain and sunshine of the rest. " It means that people should utilize all spare time to study. In Mr. Shou Jingwu's bedroom were placed shelf beds, closets, chests, wooden recliners, coat racks, wash racks and other items. As Mr. Shou Jingwu was very strict in his teaching, he only took in eight students per year, thinking that he could not teach them if he took in more, so his income from teaching was very limited, so the bedroom furnishings that we see now exceeded Mr. Shou Jingwu's actual living conditions at that time, and in fact, he led a much more frugal and frugal life. From the third entry to the east, there is the east compartment of the Shou family's daimen, which is divided into two parts, the south and the north. The south side of the room is now on display to introduce the history of ancient education in the famous historical and cultural city of Shaoxing, divided into "Yuezhong Prefectural and County Schools, Yuezhong Academy and Yuezhong Schools" three major content. The north side of the room is Mr. Lu Xun's study place - Sanmeishuoya. Lu Xun wrote in his famous essay "From the Hundred-Clover Garden to the House of Three Flavors": "Going out to the east, not more than half a mile away, over a stone bridge, there is my husband's house. Through a black oil bamboo door, the third room is the study. In the center hangs a piece of flat road: Sanmeishuoya;...... "Sanmeishuoya was a prestigious private school in Shaoxing city at that time. Lu Xun began to study here at the age of 12, and studied there for about five years. Sanmeishuoyu is about 35 square meters in size, with the plaque "Sanmeishuoyu" hanging above the center, which was inscribed by Liang Tongshu, a famous calligrapher of the Qing Dynasty. The meaning of "three flavors" is: reading scriptures tastes like rice sorghum, reading history tastes like delicacies, and reading the hundred schools of thought tastes like acyl minced meat. Under the plaque hangs a picture of "Pine and Deer", and every day when students go to school, they have to salute the plaque and the picture of "Pine and Deer" before they start to read. On the pillars on both sides, there is a pair of couplets: "The only thing that has no sound is filial piety and brotherhood, and the only thing that has flavor is poetry and books". The wooden square table and high-backed chairs in the center of the study house were the lectern of the teacher, the chairs on both sides were for visitors to sit, and the seats on the side were for the students. Lu Xun's seat was initially located under the south wall of the study house, but because people often came in and out of the backyard and walked around, affecting his study, he asked the teacher to change the location and move his seat to the northeast corner. Lu Xun used a two-drawer hardwood desk, and there was a one-inch-square character "早" on the right side of the desktop, which was carved by Lu Xun in the same year. Once, Lu Xun was late for a reason and was severely criticized by his teacher, so he carved the word "morning" to encourage himself. Lu Xun's desire for knowledge was very strong, in addition to studying the Four Books, the Five Classics, Tang Poetry, and the Han, Wei, and Six Dynasties rhetoric and some other classical literature, he also found a lot of extracurricular books to read, such as "Er Ya Yintu", "Kui Si Class Draft", "Poetry and Painting Boat", "Dream of the Red Chamber", "Water Margin", "Rulin and the Layman's History," and so on. Lu Xun benefited greatly from his study career in Sanmeishuoya. Lu Xun accumulated a wealth of cultural knowledge here, laying a very solid foundation for his later literary creation. There is a small garden at the back of the Sanwei Study Hall, only two zhang from north to south, and more than one zhang wide from east to west, with a plaque of "Ziyi" signed by Zhao Mengfu hanging on the back wall, and a quatrain poem inscribed by Shou Yunchao, the father of Shou Jingwu, on the pink wall outside the pavilion: "One year of planting flowers, ten days of looking at them. The pearl and jade spring light, how can it be lightly lost? Pi Bo Xing Shi, brake the scene is too strong. I wish to be on the green chapter, soaring rain screen." There are osmanthus trees and plum trees in the garden. When Lu Xun was studying in Sanmeishuoya, he used to come to the garden with his classmates to play, catching crickets, looking for cicada shells, and watching ants carrying flies in this small world. Lu Xun once said, "I read the books of Confucius and Mencius the earliest and the most familiar, but they seem to have nothing to do with me." Nevertheless, Lu Xun still has a very deep memory of Sanmeishuoyu, which is vividly and meticulously depicted in the article From the Hundred-Clover Garden to Sanmeishuoyu. The Sanmeishuoyu has a history of more than a century, but it is very well preserved. The house, tables and chairs, plaques, couplets and so on are mostly the original things of those years. After the founding of the State, the descendants of the owner of the Sanwei Schoolhouse, such as Shou Jiaming, gifted it to the State. As a national key cultural relics have been properly protected, and become an important open place of Lu Xun Memorial Hall.
Lu Xun's Former Residence
The Zhou family in Roppongqiao, due to the successive reproduction and the rapid increase in the number of teeth, the old Taimen houses were no longer sufficient, and in the Jiaqing period of the Qing Dynasty, the Zhou family purchased and built a residence to the south and west of the old Taimen, which was called the Cross Bridge Taimen and the New Taimen. New Taimen is located in the west side of the mouth of Dongchangfang, is a large Taimen building, its size and structure and the old Taimen basically the same, sitting north to south, green tiles, brick and wood structure, * * * divided into six, * * * there are large and small houses of more than 80 rooms, together with the back of the Bacchus Garden, * * * covers an area of more than 4,000 square meters. At that time, the six families of Zhou's family in Roppongiqiao lived in the Xintaimen ****, and Lu Xun's former residence was located in the west of the Xintaimen. Lu Xun spent his childhood and teenage years in the Zhou family's Xin Tai Men, leaving many intriguing traces for people. Lu Xun's Former Residence
Lu Xun's Former Residence, with its two black stone doors on the street, was originally the side door of the Zhou family's new door, and was the place where Lu Xun's family came and went. From the black door in, through the small patio, is a mud floor of the door room, the Department of Lu Xun family used to put the transportation place, where the display of the sedan chair and scullery, which sedan chair bar Department of Lu Xun's original. Through the side door of the platform door, there is a well, which is also a relic of those days. Through the long corridor, you will arrive at the Guihua Hall. Mingtang is commonly known as the patio, where two luxuriant golden laurels were originally planted, which gave the name to the Osmanthus Mingtang. When Lu Xun was a child, he used to lie on a small table under the laurel tree in summer, listening to his step-grandmother Jiang telling him riddles and stories. Lu Xun's bedroom was in the summer of 1909, when he returned from his studies in Japan and taught at the Zhejiang Normal School in Hangzhou. During the Xinhai Revolution, he returned to his hometown and took up teaching positions at Shaoxing Prefecture Middle School and Shanhui Primary Normal School. This was his bedroom and study room during his teaching period in Shaoxing. Lu Xun often prepared his lessons and wrote here until late at night. This is where he wrote his first novel "Nostalgia". The iron pear wood bed displayed in the bedroom is the original one Lu Xun slept in. Passing through the patio, the well-preserved Lu Xun's former residence has two floors and two floors. The first half of the east end is the living room, commonly known as the "small hall", which is the place where Lu Xun's family eats and meets guests. During his teaching period in Shaoxing, Lu Xun often received visiting friends and students here. In addition to tables and chairs, there is also a leather recliner, which was used by Zhou Boyi, Lu Xun's father, to rest when he was ill. Zhou Boyi (1861-1896), whose real name was Fengyi, was a scholar by birth and had been living at home because he had failed to pass the countryside examinations. He was open-minded and a sympathizer of the foreign affairs movement. After Lu Xun's grandfather Zhou Fuqing's fraud case, Zhou Boyi was dismissed from his status as a scholar and was very sad. He used to drink to relieve his sorrows, and later became entangled in illness and was wronged by a quack doctor, and died at the age of 36. The bedroom of Lu Xun's mother, Lu Rui, is located in front of and behind the small hall. Lu Xun's mother, Lu Rui (1858-1943), was a native of An Qiaotou in Shaoxing. She had a kind and resolute character, and was originally illiterate, but "she acquired the ability to read by self-study". In the south side of the bedroom, there is a big bed, which is the original thing that Lu Rui slept in. Against the north window of the table display Lu Rui do needlework with the life of the plaque, scissors, ruler, powder bag, iron, thread board, etc., which a sock boat Department of the year she gave the worker Wang Hezhao hand-sewn original. The first half of the west room is the bedroom of Lu Xun's step-grandmother Jiang. His step-grandmother, Jiang (1842-1910), was a native of Lu market outside the Shaoxing side gate. Jiang had a good sense of humor, and her nephews and grandchildren loved to go to her place to chat. Jiang often told the young Lu Xun folk tales and legends such as "The Cat is the Tiger's Master" and "The Water Fills San Francisco", which left a deep impression on Lu Xun. Later, Lu Xun had vivid recollections in his articles such as "Dog-Cat-Rat" and "On the Fall of Leifeng Pagoda". Behind Jiang's bedroom is the aisle with stairs to the top. The first east room upstairs was the bedroom of Lu Xun's original wife, Zhu An. Zhu An (1878-1947) was a native of Dingjialong in the city of Shaoxing. In the summer of 1906, Lu Xun, who was studying in Japan, returned to Shaoxing on his mother's order to get married. Lu Xun had no love for Zhu An, saying, "This is a gift from my mother, and I can only provide for her well. Love is unknown to me." Within days of his marriage, he returned to Tokyo, Japan. From then on, Lu Xun and Zhu An were titular couples for the rest of their lives, victims of the feudal marriage system. After marrying into the Zhou family, Zhu An lived with Lu Xun's mother and served her mother-in-law for the rest of her life. Passing through the long lane at the western end of the former residence, you come to the kitchen. In the kitchen there was a large three-eyed stove used by a large family, and there was also a Baxian table and other cooking utensils on display. Hanging on the wall is a large bamboo dish cover, which was originally made for the Zhou family by Zhang Fuqing, a "busy month" (seasonal laborer) in those years. Zhang Fuqing, a native of Dupu Village in Shangyu, Zhejiang Province, had a hand in bamboo craftsmanship in addition to farming. He often came to the Zhou family to do busy months, such as planting, drying grain, repairing bamboo furniture and so on. He had done some bamboo toys for the young Lu Xun, Lu Xun very much loved. When the work was too busy, Zhang Fuqing brought his son, Zhang Yunshui, to help him. Zhang Yunshui was about the same age as Lu Xun, with a "round purple face, a small felt hat, and a shiny silver collar around his neck". It was in this kitchen that Lu Xun first met him and became a good friend. Yanshui taught Lu Xun how to catch birds, and told him stories about watching over watermelons and stabbing Badger with a fork in the sand by the sea, and it was Yanshui who made Lu Xun realize a strange world that he could not see in books. 1921, when Lu Xun was writing his famous novel "Hometown", he used Yanshui as a model to create the living artistic image of "Leuntu". At the north end of the stove, there are three small rooms, which were restored in 1981 after careful examination in commemoration of Lu Xun's 100th birthday. When "Busy Moon" Zhang Fuqing worked and lived here, the east room was his residence. One of the rooms on the west side was a stacking room, in which rice and other agricultural tools such as hullers, windmills, bamboo woven mats, hoes and other miscellaneous items were stored. The middle room was an aisle with a door leading to the Bacchus Garden. At the end of 1918, the six houses of the Zhou family in Xintaimen **** discussion, decided to sell the entire Xintaimen together with the Hundred Cao Yuan in the back, together with the Zhu family, the east neighbor. After purchasing the Xintaimen, the Zhu family built a big construction project, changing the original structure of the Xintaimen together with his own original residence and tearing it down to rebuild it. As a result, most of the houses in New Taimen were completely disfigured. Fortunately, the main buildings of Lu Xun's former residence located in the west of the original stage door were not altered, and were preserved in a relatively intact way. in October 2003, the altered part of the new stage door was restored for display, and the Zhou family's new stage door of the old and ancient mansion was again displayed in front of people's eyes. After the restoration of the Zhou family new stage door **** divided into three, by the stage door bucket, hall, incense hall, side compartments and miscellaneous house, etc. Composition. The door of the platform hidden door hanging above Lu Xun's grandfather Zhou Fuqing "Hanlin" plaque. The second "De Shou Hall", for the three open rooms of the hall, is the new Taimen the whole house family public **** activities in order to celebrate, blessings, banquets for guests. Above the hall and the Zhou family of the same high hanging a "De Shou Tang" plaque, plaque hanging under the "Pine and Crane" hall painting, and with a couplet: "Character details bright moral firmness, the matter of the heart of the peace of understanding. " On both sides of the pillars there are two couplets: "Void can attract and quiet can be born to realize, up to observe the ancient and down to observe the present." "Hold your will without violence, be sensitive in matters and cautious in words." East and west sides are hung with mahogany inlaid marble "hanging screen". The third "incense hall" for auxiliary display, the content is divided into three parts. The first part is "Zhou's house family rise and fall". Through a large number of objects and photos, the exhibition shows the Zhou (Lu Xun) family history, revealing the development of the Shaoxing Zhou, growth, change, decline of the trajectory, focusing on Lu Xun's grandfather Zhou Fuqing, his grandmother Jiang, his father Zhou Boyi, his mother Ru Rui, the first wife Zhu An and other immediate family members of the biography, and the profound impact they have on Lu Xun's life. The second part, "Lu Xun and Zhou Zuoren" and the third part, "Lu Xun and Zhou Jianren", also display the relationship between Lu Xun, Zhou Zuoren and Zhou Jianren with pictures as the main part and objects as the secondary part. Zhou Zuoren's section highlights his relationship with Lu Xun during his studies in Japan and his achievements in the May Fourth New Literature Movement. The section on Zhou Jianren focuses on Lu Xun's care and nurturing of Zhou and his journey to become a democratic revolutionary.
The Hundred Grass Gardens
Lu Xun once recalled: "Behind my house there is a very large garden, which is said to be called the Hundred Grass Gardens. ...... which seemed to be conclusively filled with only a few weeds; but at that time it was my paradise." Although the name of the Hundred Grass Garden is elegant, but in fact it is just an ordinary vegetable garden, it is the new Taimen Zhou clan **** have, covers an area of nearly 2000 square meters. Usually planted some vegetables and melons, and used to dry rice in the fall. In his childhood, Lu Xun often came to play with his buddies in the Garden of Hundred Herbs, catching crickets, playing with speckled fibers, picking mulberries, picking raspberries, and pulling He Shouwu. In summer, they cooled themselves in the shade of the trees, and in winter, they hunted birds in the snow. On the detailed situation of the Hundred-Clover Garden, Lu Xun in the "From the Hundred-Clover Garden to the House of Three Flavors" article made a very vivid description: "Do not have to say that the turquoise vegetable beds, smooth stone well fence, tall soapberry trees, purple mulberry; do not have to say that the cicadas chanting in the leaves, fat wasps crouching in the cauliflower, light and swift call of heaven (larks) from the grass suddenly scurrying straight to the clouds. The short area around the mud wall alone is infinitely interesting. The lacewings sang low here, and the crickets played the piano. ......" Lu Xun was sent by his family to study in Sanmeishuoya when he was 12 years old, and he was very much attached to this paradise of his own. He said, "I don't know why my family sent me to a book school, and the one known as the harshest in the whole city. Perhaps it was for pulling out the heshouwu and ruining the mud wall, perhaps it was for throwing bricks to the Liang family in the intervening wall, perhaps it was for standing on the stone well bar and jumping off,...... there is no way to know. To sum up: I shall not be able to visit the Bacchus Garden very often.Ade, my crickets! ......"
Style Garden
In the northwest of Lu Xun Memorial Hall in Shaoxing, there is a Zhujia Taimen, also known as the "old Panlu", which is connected to the west of the Zhou family's new Taimen, the east of the Zhou family's old Taimen, the north of the East Xianhuan River. It is connected to Zhoujia New Taimen in the west, Zhoujia Old Taimen in the east and Donghanhuan River in the north. Zhu family stage door environment elegant, and in the monuments, for the ancient city of shaoxing most complete preservation of the typical garden stage door building. The owner of the Zhu family is called Zhu Langxian, that is, the "descendant of Zhu Wen Gong" who bought the Zhou family's new door. The Zhu family's Taimen was originally the former site of Yue Wang Wang Hua Palace, which was part of the official residence of Hu Hai, a famous general in the early Ming Dynasty. Inside the door, there are a hundred years of Luo Han Pine, pan acacia, red plum, green calyx plum and many other valuable flowers and trees, as well as 400 square meters of a side of the pool, years of drought does not dry. In the first year of Xuantong in the Qing Dynasty, Shaoxing famous scholar Cheng Baotang personally wrote "this place for the Yue Wang Wang Hua Palace site, this pool under the Dragon Spring", and le stone in the pool, "Pan Lu" because of the stone and got its name. About this rock, there is an unusual story. This rock for the Ming dynasty minister Zhu Geng belongings. That year, Zhu Geng glory home, passing through Shandong, see this stone, rubbing a long time, its disciples suitable for local officials, the power of a moment, they will love this rock gift to the teacher. Qing Tugu Shrine is the land temple, "soil" refers to the land god, valley, refers to the god of the five grains. There is also a Tugu Shrine in the south of Tazi Bridge, which is situated diagonally opposite to Changqing Temple, and there is a pavilion in front of the shrine. There are many plaques on the pavilion with flying eaves and heavy colors, one of which has the words "Enpei Dongtao, Shouhuaijian, a resident of the village, respectfully erected". Shou Huaijian was Mr. Shou Jingwu, Lu Xun's tutor when he studied in Sanmeishuoya. At least two plays are performed in this pavilion in a year, a lantern-head play in the first month of the year and a peace play in the month of May. In addition, when there is a natural or man-made disaster in the neighborhood, there are also temporary performances, and Lu Xun once went here to see a play when he was a child. There are three ancestral temples side by side, the northernmost is the Tugu Temple, the center is the Mu Shen Temple, and to the south is the God of Wealth Hall. The scale of land temples is generally small, and this Tugu Shrine is only one doorway wide, because Lu Xun had depicted more about this place in his writing, which drew people's attention. At the entrance of the Tugu Shrine, in addition to the gate, there is a wooden fence gate, painted in ochre color. Above the gate there is a wide overturned eaves, and below it is a stone threshold that is not too high. The first entry is a gate house with a pair of holding pairs on the porch pillars: "The winds and rains are favorable to the five grains, and the country is peaceful to the people and the six animals are prospering." In the center is the patio, on both sides of the perimeter corridor. The second is the main hall, the bright room towards the top of the display of the land and the land on the two statues of land, kind and friendly, as written on both sides of the hold on the "fairness of the work of the male, the mother-in-law bitterly", y loved by the people. Above the statue hangs a big plaque in gold letters on a red background, inscribed with "five blessings contained in the ground" four words, from the Shaoxing village sage Tao Junxuan's Weibei calligraphy. In front of the main hall, there is a pair of golden pillars: "Blessings from the sky with integrity, virtue from the set of righteousness must be fair," for the great calligrapher of the Sui Dynasty, Zhi Yong font. On weekdays, the Tugu Shrine is not as busy as Changqing Temple, and it is cold and quiet. However, on the 14th day of the 4th month of the lunar calendar, which is the birthday of the Bodhisattva, people come to worship the Buddha and burn incense. The winter solstice to light candles, only to appear more lively. At the end of the Guangxu period, a temple priest named Ah Qiu was in charge of the Tugu Shrine. Because Tugu Shrine is relatively cold, when some homeless beggars, vagabonds will live in the temple, the person in charge also do not go to interfere with them, this has become their shelter. Speaking of Tugu Shrine, people will associate it with Lu Xun's famous book "The True Story of Ah Q", which says that Ah Q lived in Tugu Shrine. In fact, there was not really Ah Q here, but only Lu Xun's material: there was a man named Xie A Gui, who was all alone, and he used to live in Tugu Shrine. He made his living by pounding rice for other people, and worked as a short-term laborer for the Zhou family, but he had a bad reputation for stealing. Lu Xun was familiar with him and used him as a "model" to create the immortal artistic image of "Ah Q" in "The True Story of Ah Q". Tugu Shrine was destroyed for many years, the current facade was restored in 1981. 2003, Shaoxing City, the implementation of Lu Xun's hometown protection project, the relevant departments and funded the Tugu Shrine was rebuilt in situ and restore the old view. Chinese and foreign guests to visit, often recall the life of Lu Xun's Q, Lu Xun's wife Xu Guangping said, in the Tugu Shrine can be "more intimate to find the location of Q, as if there is a familiar face, called out.
Changqing Temple
Changqing Temple is located in the south of Shaoxing Tazi Bridge south side of the movement, less than 200 meters away from Lu Xun's former residence, the old Shaoxing one of the eight temples, was built in Tang Yong Hui two years (651 years), 841-846 years once destroyed, to 958 years and rebuilt, can be said to be the millennium old temple. The temple is located in the west and faces east, with ochre walls and black tiles. On the red door hangs a red background hot gold "Changqing Temple" plaque. Entering the door is the head of the temple, the original a bare chest and belly, smiling Maitreya Bodhisattva. The main hall is divided into two halls before and after the front hall for a Rudraksha Buddha and the eighteen Luohan, the stone pillars in the hall are engraved with two couplets: "Nine Lotus Lion roaring and elephant singing on the throne of the law, the three gold phase of the dragon and tiger out of the rooftop"; "Bing Huizhao in the western sky teaching the two Han, shade of Ci Ling in the middle of the earth in the ten directions! ". The back of the temple is a wood carving of the thousand-handed Guanyin statue, Lu Xun also said: "I did see the temple has more than ten feet of the Buddha, there are a few feet or a few inches of the small bodhisattva", there are also more than fifty large and small plaques in the temple. There is an interesting story about the relationship between Lu Xun and Changqing Temple. Lu Xun was the eldest son and grandson of the Zhou family, and the year he was born was a leap year, and his birthday was the third day of the eighth month of the lunar calendar, which happened to be the same birthday as the legendary Zaoji Bodhisattva. According to the old folklore, such a child is very noble and will have a good career in the future, but there are many resonance stars, so I am afraid that it will be difficult to raise him, because the ghosts and gods specially want to make trouble with the children who have a "good career". Lu Xun's parents believed in this superstitious folklore and firstly, they "enrolled" Lu Xun in his infancy to the Bodhisattva, that is to say, he was already a "monk", and then they worshiped a monk as their master, which meant that he had already "become a monk" and became a minor monk. Then he worshiped the monk as his master, which meant that he had already become a monk, and was no longer a child of the common people, so that he could be protected from demons and ghosts by the blessing of the gods. Lu Xun said: "I was born in the Zhou is the eldest male," "things are expensive", my father was afraid that I have a future, and therefore do not raise, less than a year old, will lead to the Changqing Temple to go, to worship a monk as a teacher." This monk was Long Zu, the abbot of Changqing Temple at that time, and Lu Xun called him "Master Long". Master Long gave Lu Xun the name "Changgen", which Lu Xun called "Changgeng" in "My First Master". According to the Shaoxing pronunciation, "root", "geng" homophonic, both have the meaning of praying for longevity. Long master also gave Lu Xun a cast of "Three Treasures disciple Dharma name long root" words of the silver gossip, a small olive-shaped silk pieces of various colors sewn together and become "a hundred garments", as well as a known as "cow rope "of things, hanging small pieces, such as calendars, mirrors, silver sieve and so on. It is said that hanging or wearing these things can ward off evil spirits, children can be safe from accidents, but also long life and wealth. You can still see these items in the display hall of Lu Xun Memorial Hall in Shaoxing. Changqing Temple
Master Long, with his long, lean body, thin face, high cheekbones and thin eyes, was quite a rebellious character. Monks are not supposed to have beards, but he had two drooping locks of beard, and even more against the precepts, Master Long had a wife. He married after a very dramatic: once in the countryside in the performance of the community theater, the dragon master went to see the play, because he and the performers know each other, they went on stage to beat the gong for them, although the young dragon master is beautiful and capable, but the audience thought he was not doing his job, look at him scolded him, the dragon master is not willing to show weakness, contradicted a few words, so the stage sugar cane tails rained like flying on the stage, and a few also grabbed the front to try to teach a lesson! This monk. After all, the stage is crowded, although Master Long has a handful of boxing is difficult to resist, had to flee, the crowd in pursuit, forcing him to panic, fled into a house. And this family has only a young widow, the widow was bold enough to rescue him,...... later, Master Long married the widow as his wife. At that time, the Buddhist disciplines were very strict, only the "blow knocking monk" can be public