Tencent announced the top ten popular songs in 20021year. Netizen: Entertainment pills. "Top Ten Hot Songs of the Year" has quickly become a hot topic in the whole network, and the reading volume of related topics on Sina Weibo has reached nearly 200 million. Tencent announced the top ten popular songs in 20021year. Netizen: Entertainment pills.
Tencent announced the top ten popular songs in 20021year. Netizen: Entertainment Pill 1 Did you watch Goose Factory Music Festival?
It's quite large, but look at the top ten hit songs of the year on the list of winners. What the hell are these things?
Click on the song list, in fact, most of them are familiar, but if you want to guess the name of the song, 99% people probably can't answer it.
Why?
Because these songs are forced to listen when brushing a certain tone, the melody is remembered, and few people know the title and singer at all.
So all the netizens who eat melons sighed in unison: The Chinese music scene is really going to die this time.
For the current situation of Chinese music, not only netizens who eat melons, but Yang Kun, who has always dared to speak out, also boldly opened wheat on social networks:
"I once said that this era is progressing, but music has gone backwards for at least ten years. Until yesterday, I suddenly found out that I was wrong and too conservative. "
What do you mean by that?
This is just a satire on those so-called hit songs of the year.
Besides, this is not the first time that Yang Kun has opened wheat. Before, he thundered that "pop music has fallen back to the level before 15".
It's hard to hear, but it's true.
In this year's Top 100 list of Chinese mainland pop songs released by a music platform, Jay Chou's songs not only occupy the top five in the list.
Of the *** 100 songs, 54 are from Jay Chou.
Friends, what is this concept?
It is no exaggeration to say that after the Jay Chou era, there is no new person in the Chinese music scene.
Perhaps some fans don't agree with the idea of pulse, because many fans of traffic singers like to say that XXX is half of the Chinese music scene.
The top sellers are also occupied by traffic.
But think about it, can the Chinese music scene now really compare with the past?
It's not an exaggeration to say that time goes back 15 years.
Around 2000, it was the golden age of Chinese music, and it was also the last golden age of Chinese music.
Jay Chou is the dividing line between the 20th century and the 20th century.
Before the Jay Chou Fire, the Chinese music scene was dominated by four great kings: Tao Zhe, Jacky Cheung, May and Richie Jen.
Thus, Jay Chou was born with his two albums, Jay and Fan Texi.
The sound of "Wu ~" in the prelude to the first song of his first album "Lovely Woman"
It opened a great music era belonging to Jay Chou, and it was also the youth of many people.
In the same year, Angela Zhang released his first solo album Over the Rainbow, which included familiar fables and lost beauty.
With this album, Angela Zhang not only won the award of 1 1 the most popular emerging singer in Hong Kong and Taiwan in the global Chinese language list, but also won the award of the best emerging artist in the 5th Music Billboard.
Also in this year, she also cooperated with Wilber Pan in the Happy Worship.
For the post-80 s and post-90 s, she is the first female group.
In the same year, their Persian cat became a divine comedy in the streets, and everyone could hum a few words.
There is also a song "Jiangnan", which let many people know about JJ Lin.
At that time, his songs were always played on the school recess radio. Although the lyrics are a bit strange, it doesn't affect everyone's love for this song at all.
In addition to these super classic tracks, in the year when Jay Chou exploded, there were Jolin Tsai's Rewind, Fish Leong's Ningxia, Christine's First Dream, Mayday's Stubbornness, and Phyl's Our Love, etc.
Two Butterflies, The First Snow in 2002, Mice Love Rice and other well-known works are also from 2004 to 2005.
This year's songs simply meet the needs of the whole family KTV.
Unfortunately, after the most glorious year, the Chinese music scene began to decline.
With the rise of the draft, Jane Zhang,,, Jason,, Hua Chenyu, etc. have gradually become the backbone of the mainland music scene in the future.
Around 2006, these online singers of Vae officially entered the online vision of young people.
Then brainwashing divine comedy like Little Apple and The Most Dazzling National Style became popular, and Ronghao Li's model saved the music scene in a short time.
Boy, a voice will appear soon.
"Let's learn to meow together."
"You say your mouth beeps, and I beep."
More and more saliva songs began to occupy the hot song list. It is ridiculous that in almost a period of time, most users will choose the same songs as bgm.
As the assembly line passed, these songs were listed on the charts.
Obviously, the current music charts have lost their credibility, and Zheng Jun also talked about this issue in a program.
However, this does not mean that the Chinese music scene is completely hopeless.
Musicians like G.E.M., Charlie and Mao Nan are also good.
Just why people in the Jay Chou era have been killing the list, and the latecomers are basically in a fault state?
In addition to fewer and fewer all-round musicians, the segmentation of various music types is becoming more and more serious, and the audience of each circle is fixed. The so-called pop songs are really out of fashion now.
There is no denying that the songs on the major lists are updated quickly, but when it comes to KTV, it seems that the songs that people can sing are still those of Jay Chou, Wang Leehom, Jolin Tsai, Stephanie, Mayday, JJ Lin and Tao Zhe.
Fashion will fade and classics will not be forgotten.
Perhaps this is the reason why the songs of Jay Chou's generation are still popular after 17.
Tencent announced the top ten popular songs in 20021year. Netizen: Neiyu Pill 265438+February 1 1. On the evening of October 0, the 3rd TMEA Tencent Music and Entertainment Festival, known as the "National Music and Entertainment Festival in Chinese Music", closed at the Venetian Golden Art Museum in Macau. During the ceremony, the "Top Ten Popular Songs of the Year" were announced, and short video songs such as Sea of Clouds, Treading Mountains and Rivers, Bai Yueguang and Zhu Shazhi, Gossip of the Prodigal Son, and Shepherd of Coco Tuohai took all the seats. A stone stirred up a thousand waves, and "Top Ten Hot Songs of the Year" quickly became a hot topic in the whole network. The reading volume of related topic # Chinese Music # in Sina Weibo is close to 200 million.
Music lovers, music practitioners or people who eat melons have participated in the discussion. Some people lament that the Chinese music scene is about to die, while others claim that they should cherish the present instead of the past, and should evaluate the development status of the music industry realistically. Generally speaking, in the end, most online arguments have their own reasons, and each does not accept the other's reasons. In this case, it may be more beneficial to put aside the controversy and take the phenomenon that short video songs monopolize the annual hot song list as an opportunity to talk about the industrial law of China pop music and the update iteration of the audience over time.
Can popular songs represent the Chinese music scene?
Only by figuring out what hot songs are and how they come from can we know whether hot songs can represent the Chinese music scene. First of all, according to the introduction of Encyclopedia, Tencent Music Entertainment Festival is an annual music event jointly created by music platforms including QQ music, cool dog music, cool music and national karaoke. The organizer said that the annual award of Tencent Music and Entertainment Festival "allows richer and more diverse data to talk to fans. Based on the massive users and huge data of Tencent Music and Entertainment Group, it comprehensively considers various factors such as time dimension, list results and market value." Therefore, it can be roughly said that the "Top Ten Popular Songs of the Year" is a list drawn by the organizers according to the data played by their streaming media platforms. In addition, works whose copyright is not in Tencent Music Entertainment Group cannot participate in the selection. Therefore, nature cannot represent the Chinese music scene.
Ironically, the selection of many authoritative awards is influenced by the judges' human factors, but "Top Ten Hot Songs of the Year" may be the fairest award because it almost only looks at the data. It seems incredible, but it is also reasonable. It illustrates a phenomenon that has always existed but been ignored: the "silent majority" has been seen-they have been caught by big data and they have begun to speak.
Who is exploding in production?
Although silence does not mean non-existence, in the traditional communication effect, sometimes silence does mean non-existence. It is appropriate to use "silent majority" to describe the audience of Chinese pop music. Such people are more accustomed to being fed than actively choosing songs to listen to. Before the internet age, they almost listened to the songs pushed on the market. In contrast, some fans or musicians choose songs in another way. They not only have the ability to actively search for songs that suit their tastes, but also know something about the creation or production of songs.
In the past years, even in the early Internet era, the former, that is, the "silent majority", did not grasp the trend of music-related public opinion, which was dominated by the media, music critics and record companies, plus music awards such as the Golden Melody Award. With the rise of digital music such as mp3, the traditional recording industry has been impacted, and the industrial transformation has begun, and the rules have changed: the music market and public opinion once controlled by a few people have been divided by more newcomers.
The most representative phenomena during this period are the "ringtone" that started in 2000, the "traffic stars" around 20 14, and today's short video explosion. The essence behind it is that the development of new technology allows more audiences to contact music in a more convenient way. With the popularity of smart phones, the audience of pop songs is no longer limited to young people who follow the trend. More middle-aged and elderly people join the ranks of enjoying pop music, and even have the potential to catch up. Among them, BGM (background music) of square dance is a good example. The rise of platforms such as Weibo has provided the soil for traffic stars to survive. Coupled with the popularity of short video software such as Tik Tok, with its precise algorithm and the sinking of the market, explosive hot songs have spread in the crowd in a viral way. Where there is demand, there are products. Taking this as a cycle, relevant music practitioners will connect the music industry with the market and the public with a "short, flat and fast" attitude under the premise of interest orientation.
Anemone music, which can be called an explosive machine, is the most typical example. Winners of this year's hit songs, such as Daiko who sang "Bai Yueguang and Zhu Shazhi" and Wang Jingwen who sang "Autumn", all came from this company. Through market research and big data analysis, on this basis, Anemone Company has made a complete production line for explosive songs. The data shows that they have more than 560,000 massive music libraries, and nearly 1 10,000 Demo have not been released. The market share of popular songs produced by the company is 15%, and the cumulative play volume exceeds10 billion times. This order of magnitude is difficult for traditional record companies to achieve in a short time.
The rules are changing. With the popularity of short videos and the encirclement and suppression of capital, China pop music is becoming more and more content-based industrialization. Content and platform divide up most of the profits, and traditional record companies are facing more and more severe challenges. It's not so much that it's finished as that it's facing another drastic change.
The world of music is extremely rich and diverse.
"The world is very big, I want to see it." So is the world of songs. Due to the convenience of the information age, more and more songs can be listened to online through streaming media. For music listeners, as long as you are willing, you can actually find more music to satisfy your own tastes, even very unpopular songs. Although there is no online listening channel, most of them can also be obtained through the network.
For music creators, besides popular songs, there are also more creative directions. For example, the band culture rekindled by "Summer of the Band" can now feel how the band culture that rose in Europe and America in the 1960s took root and grew up in China, and how these bands and musicians changed from pop music to rock, folk songs, jazz and electronic music, thus expanding the style of China music. For example, "City Pop", which rose in Showa era in Japan, is sought after by subculture lovers today with its relaxed and lazy urban style, and has set off a wave of "steam wave" retro songs. For another example, this year, Cui Jian, Dou Wei and Xie Tianxiao, as well as rising stars such as Mr. Turtle and Dirty Fingers, are still releasing high-quality new albums. More and more creators, whether they are graduates of the Conservatory of Music or slash youths with musical hobbies, are interacting directly with the audience through live and offline performances ... These are all things that happened at the moment when we debated whether the Chinese music scene was over.
Understand the current situation of the music industry and put aside the controversy, you will find a fact: more and more people are listening to music, and more and more people are starting to make music. As long as you open a music APP or walk into a Livehosue, you can find new music and new musicians, and the scale of music participants and listeners is also increasing as never before. This is both an opportunity and a challenge. The future of China music is like a ship sailing in the fog. Whether it is an industrial bubble or the birth of a new pattern remains to be tested by the market and time. But for music creators and fans, getting out of the cocoon of self-information and embracing the bigger music world may be the best action at the moment.
Tencent announced the top ten popular songs in 20021year. Netizen: Inner Entertainment Pill 3 recently released the list of top ten popular songs this year by Tencent Music Entertainment, showing a list detail completely different from our imagination: the songs on the list include "Sea of Clouds", "Bai Yueguang and Zhu Shazhi" and "Gossip of the Prodigal Son". If you don't pay attention to short video songs, you don't even know what these songs are.
For a time, it was widely rumored on the Internet that "the Chinese music scene has regressed". Coincidentally, the list of "Chinese mainland 202 1 TOP 100" released by Apple Music also shows that Jay Chou's songs are over half. In the past 20 years, it seems that Jay Chou's successor has not been found in the Chinese music scene, which makes people think deeply: Has the Chinese music scene really regressed?
65438+February 15 "20021Hall of Fame Annual Humanities List" sponsored by cover news and Huaxi Dushi Bao was officially launched. 65438+February 28th, the annual music list will be officially released. The cover news of this list will be jointly launched by migu music, with reference to the data of both parties and comprehensive consideration. Please pay attention and interact.
202 1 What musical events do you remember?
202 1 Just after New Year's Day, the music circle ushered in its first "critical attack": on June 5th, 1, Xiami Music announced that it would officially shut down in March, which aroused the nostalgia of the whole network. Big fish eat small fish, small fish eat "shrimp". Shrimp, as the spiritual habitat of countless people, finally fell into the copyright dispute of major music platforms.
On February 3rd, Zhao Yingjun, a musician who sang "The King invited me to visit the mountain", died of illness at the age of 43. Just before his death, the movie of the same name starring Jackson Yi and Liu Haocun, the theme song of A Little Red Flower, which he sang, was just released, with a box office of 654.38+04 billion.
In March, Shanhe Ling swept the Internet, starring Simon overnight. In a live broadcast, Gong sang the online song "I like you so much", which was ridiculed by fans as "tone-deaf". One sentence "Love you, alas" came out of the circle, which triggered the "Simon War" between Wuhu, Anhui (homophonic "alas") and Chengdu, Sichuan.
Pang Langmai, a grassroots singer who quickly became popular because of My Skateboarding Shoes, was admitted to a mental hospital by his agent, and his absurd fame history and the story behind it once again floated to the public's attention. It is worth pondering whether fame made him or destroyed him.
In May, the copyright dispute between Greeny, the lead singer of China music band Sodagreen, and his former agent was raging. I can't sing my own songs, and the dispute over song copyright has sparked heated public opinion. At the same time, Zhang Wei, G.E.M., Hebe Tien and even Taylor Swift, the international queen of songs, have fallen into such a problem.
On July 24th, the State Administration of Market Supervision made a decision to order Tencent to revoke the exclusive copyright of online music. Subsequently, head music platforms such as QQ Music and Netease Cloud Music began to enjoy resources. The era of monopolizing the core exclusive copyright is passing, and the word "exclusive" slowly disappears. This also means that concerts by pop singers such as Jay Chou and Mayday appear on many platforms.
In the Olympic month of August, a magical brainwashing divine comedy occupied the hot search of major platforms-"Ping-Pong Odyssey". This song is sung collectively by the members of the table tennis national team, but most of them are not good at singing. In addition, the lyrics and tunes have a strong sense of rhythm, which forms a strong contrast with the players and spreads rapidly in the network.
TFBOYS, who debuted for 8 years, canceled the concert for the first time this year, causing dissatisfaction among fans. This is the first time since the trio cancelled the ensemble concert. Even in 2020, the worst epidemic, ensemble concerts were held online. For a time, there was a hot discussion on the internet. I don't know if the 10 th anniversary debut concert can still be held.
Four months after the release of Kun's new album Fan, there are still six songs to be released. The word "Gong Gong Song" spread like wildfire, causing criticism and discussion on the whole network. Critics believe that "singing on credit" is like cutting fans' leeks and malicious marketing. However, fans and some musicians in the circle think this is a normal way to make albums. Multi-party discussion has once again triggered discussion: Has today's pop music entered the era of "enclosure and self-germination" fans?
At the end of the year, a warm "Mohe Ballroom" evoked the memory of the public, touched thousands of people in Qian Qian with simple and touching feelings, and made this song play 2.9 billion times in Tik Tok, and Mohe, the northernmost town in China, also came into public view.
202 1 Is the Chinese music scene really "finished"?
Undoubtedly, the overall performance of Chinese music has been poor in recent years. Many music producers expressed the same feelings to the West China Daily and cover journalists. Earlier, the singer Yang Kun once said: The Chinese music scene has regressed for ten years. Not long ago, he commented in Weibo: I suddenly realized that I was wrong and too conservative.
It is true that in recent years, it is difficult for us to hear a popular song that is widely sung and really popular. Yu Damiao, the founder of Dayu Culture, who is deeply involved in the production of pop music, lamented to reporters that the most impressive thing in the music circle for a whole year was probably that netizens urged Jay Chou's new songs, from the beginning of the year to the end of the year.
The marketization of the use of short videos has also caused profound changes in the carrier of music communication. If you look at the data, you can find that most of the most popular songs are short videos. This change has also led many singers to try to release new songs on short video platforms such as Tik Tok and Aauto Quicker.
15 seconds and 30 seconds of song fragments have become popular, and people seem to have no more patience to listen to a complete song. "So the top ten popular songs released by Tencent, you don't know what they are at all, and netizens think it's ridiculous, but you put a clip and most of them have heard it, which is really hot." Yu Dayou said.
This change has both advantages and disadvantages. On the positive side, it does increase the spread of songs, but it also brings positive challenges to song production. But the bad side is also obvious: the spread of fragmentation will inevitably have an impact on the complete and textured song creation.
On the other hand, some musicians think that the "online songs" widely played and spread on the platform are not representative of Chinese music, but more like BGM (background music) of short video service. Although these songs have a high number of hits, their quality and value cannot be considered at all.
Another more serious influence on the music world, in the view of professional musicians, may also have the influence of fan economy. "The Chinese music scene has long since disappeared, and now there are only entertainment circles." It is true that Sean Xiao's "Light Spot" can break the sales history of Chinese music. If we only measure Chinese music by click volume and sales volume, it is obviously lacking.
"It is not impossible to say that the Chinese music scene is over, but the music with texture is indeed decreasing." Yu Damiao said, but this is not entirely a bad thing. The hot search on this topic has proved that it has aroused public reflection, and it will inevitably bring a series of reflections from producers and singers. "I believe this is a process worth waiting for. In the next two years, the Chinese music scene will definitely improve. "