Indeed, when Xú Zhēng and Bo Huang are together, they will never disappoint people. Sometimes we have to admit that good actors are really important. At least in the current cinema market, the box office appeal of actors is really considerable.
However, if we forget the feeling when we were in the cinema and look back at this film now, we will find that this film has many practical significance. At least it wants to show us the concept of love and what marriage is in the present era. This is just a scam. What is love? It is indulgence and willfulness when meeting our hormonal needs. In the era of fast food, we choose fast food love, and people who are distracted are often the most hurt.
A lens portrayal of the protagonist's emotional expression
In this film, we saw many wonderful shots, and the use of these shots made us feel the emotional changes of the protagonist Geng Hao.
In Tianmen Mountain, Yi Hao easily hooked up with the little sister of Avatar with his golden words, while Geng Hao's mood was full of jealousy and loneliness.
Several children shouted after the teddy bear pulling the cart. Big stupid bear? And Geng Hao did drive the frolicking children like a big stupid bear, but he found out? Big stupid bear? Has pulled the car away, so Geng Hao hurried forward to catch up? Big stupid bear? . This shot is wonderful, and it depicts Geng Hao's present state very well.
Then Geng Hao met Zhou Lijuan, the girl who killed Matt. In the lens in front of the first floor of the hair salon, the director repeatedly used the mirror to shoot Geng Hao's facial expression, which also provided a good place for the props in the scene.
So we saw many mid-range facial images of Geng Hao in the mirror, giving people a very comfortable and natural feeling. From Geng Hao's changing face in the mirror, we can also see the inner changes of Geng Hao at this time. In the face of the girl who killed Matt, his heart originally refused, but because he didn't understand the young man's thoughts, Geng Hao was also very embarrassed at this time.
Then Zhou Lijuan said goodbye and Geng Hao walked out of the salon. He passed a square. The square is crowded with grandmothers dancing in the square. At that time, the music was "the most dazzling national style", but look at the scene of Yi Hao and Avatar girls rolling sheets in the car.
So the director used a big scene and included it all. I believe this scene made many netizens laugh.
Outside the car is a man and a dog, inside the car is a pair of derailed men and women, and behind them is a lively square dance squad. Although there are comedy elements everywhere in this big scene, what we feel is Geng Hao's lonely heart at this time. The use of these lenses shows Ning Hao's directing skill.
Emotional liberation is actually a thorough understanding of feelings.
This trip to go to dali actually belongs to a trip to Yi Hao, but it belongs to a study trip to Geng Hao.
Before embarking on this road, Geng Hao had been thinking about why Kang Xiaoyu left himself, and he could never get rid of this feeling. Along the way, he met the massage girl Matt, and then the gay beauty Siqing.
These experiences made him understand a truth: there is no feeling that he can't get out at present. Saying goodbye to the past in time and enjoying the present life is the meaning of life, so when he returned to Wu Tong Inn later, he planned to say goodbye to the past.
In the end, he made fun of the feelings of the bar owner in person, while Geng Hao bravely fell off the boss's tablet and was beaten all the way by a group of people. This is actually a kind of self-salvation of Geng Hao. He saved his heart that he would never leave, and finally got a bottle of wine in his head to make fun of Yi Hao, which also shows that he began to face up to the love with his friends in Yi Hao.
Of course, comedies always end in happy families. Geng Hao met Xiaobei. Although he didn't tell him the ending of Xiaobei, I believe everyone knows the final result. All this shows that Geng Hao has the courage to start over.
Of course, this is also the purpose of the director. What he wants to tell you is that feelings in modern society are nothing serious. There is no need to torture yourself because of feelings. It is the strength that this era gives to each of us.
Feelings, if you are serious, you will lose.
Affection, not promiscuity, is not destroying the three views.
After watching this movie, many people bluntly said that it was a movie that destroyed the three views. Isn't this teaching young people how to promiscuous?
I don't think so. In fact, we can clearly realize that whether it's Miss Avatar, Yi Hao who is having fun all the way, or every woman Geng Hao meets along the way, although their lives are different, each of them knows what kind of feelings they want, and they know exactly what they need.
But Kang Xiaoyu is not. As a young woman in literature and art, Kang Xiaoyu looks very literary, but she really doesn't know what she needs at all, so when she married Geng Hao, she felt that she didn't like this kind of life, and Geng Hao was not the man she needed, so she would cheat and find another life.
Similarly, although Yi Hao seems to be unreliable emotionally, in the end, such an unreliable person was moved when he faced his persistent little sister Avatar, so they got married and had facts and results.
Therefore, every relationship is not blind, and every encounter is not hooking up. For Geng Hao, he naturally finally understood this truth, so I don't think this film is a destruction of the three views, nor is it an erotic film.
This may be the case with feelings in today's times. In the face of on-off couples, and couples who have lived for half their lives but divorced because of trivial matters, all this is nothing. Everyone is just a passer-by in his own life. Living a good life now is everyone's wisest choice. In the face of emotional setbacks, we should have more courage and be more free and easy. Only in this way can we live a good life. I think this is also my truest feeling about this movie.
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