Zhengzhou Museum was founded in 1957, is a local comprehensive museum, the collection of cultural relics amounted to more than 50,000 pieces, in 2008 was designated as a national-level museum, to show the long history of Zhengzhou and the splendid civilization of the important window. The building area of the museum is 14,200 square meters, of which the main exhibition hall covers an area of 8,337 square meters, and its architectural appearance integrates traditional culture and the spirit of the times, implying that "the sky is round and the place is square, and the tripod is in the middle of the plains". Over the years, the museum adheres to the motto of "inheriting civilization, serving the society, scientific management, pragmatic innovation", and has made remarkable achievements in display and exhibition, publicity and education, scientific research, etc., and has been awarded the "Provincial Civilized Unit", It has been honored as "Provincial Civilized Unit", "Patriotic Education Demonstration Base in Henan Province" and so on.
Zhengzhou Exhibition Hall **** there are three exhibition halls, one on each floor, the building style is tall and beautiful, magnificent, both three elevators directly to the floor, but also layered rotary ladder by the choice of visitors, I was along the ladder from the low and high level by level visit.
Into the first floor of the exhibition hall, the first leap into the audience's eyes is the east door corresponds to the wide and magnificent hall, dressed in professional clothing and young and beautiful narrator girl in the south side of the desk stand, and fully armed men and women police and male security guards were serving in the door and the exit, the wall has a large area of the honor roll, which hangs the "provincial civilized units "" Certificate of Honor "and so on more than a dozen gold plaques. The north side of the hall for the erection of the activities of the publicity column, the column is richly illustrated, both the Zhengzhou Museum introduction, and there is a huge treasure of the town hall - "Division E mother tripod" and other fine replica prints on display there. Looking around the entire hall, decorated with simple and elegant, clear windows, cultural propaganda atmosphere, not into the exhibition hall, has been the first voice, initially captured the elegant atmosphere of the exhibition hall, leading people to have a first look at the sense of urgency.
The main exhibition hall on the first and second floors. From the first exhibition hall, "the ancient capital of Zhengzhou" to the second and third exhibition hall, all the collections are carefully designed to display, more to the local audience to show the history and civilization of Zhengzhou, the basic display of "the ancient capital of Zhengzhou", to Zhengzhou's brilliant summer, Shang, Zhou three generations of bronze civilization as the main line, focusing on the performance of the "Zhengzhou Shangdu and the ancient capital of Zhengzhou group". This unique landmark historical and cultural relics, heavily highlighting the origin of civilization in Zhengzhou in the Chinese nation, the birth of the country and other areas of distinctive features, focusing on the Zhengzhou region in the origin of Chinese civilization and the development of China's early capital of the history of the important position, to show the long history of Zhengzhou and the window of the splendid culture, widely praised by all walks of life.
In the first exhibition hall, I first saw the red background and white lettering of a beautiful preamble text: "Zhengzhou, located in the Central Plains, is located in the heart of the birthplace of Chinese civilization, thousands of years, our ancestors have been in the land to flourish and create wonders; civilization of the seeds first sprouted here, was born, and continue to grow and develop, in the long history of In the long history, Zhengzhou was China's earliest Xia, Shang Dynasty, as well as many vassals to establish the capital of the Jiyang, the early process of Chinese civilization, many important figures, have to this hot spot for the stage and the history books. Over the years, Zhengzhou region, many early ancient domain and ancient cultural sites continue to discover, once again shocked the world, but also opened up the mystery of the ancient capital of Zhengzhou thousand years." Then, the four official characters of "Ancient Capital of Zhengzhou" glittered under the burning lights. In the following visit, I along the "civilization morning sun" "prehistoric settlement" "creation of the dynasty" and so on several exhibition blocks, roughly understand the earliest ancestors here is how step by step evolution, step by step towards Chinese civilization. The piece of prehistoric bone, a piece of polished stone, a restored white ceramic pots, witnessed the "Yangshao Culture", "Dahe Culture", "Longshan Culture" and so on by the long primitive society to the Xia dynasty slave society evolution, know how to make a good use of the "Yangshao Culture", "Dahe Culture", "Longshan Culture" and so on. The evolution of the slave society of the Xia Dynasty, and understand the profound truth of "labor creates human civilization".
In the second exhibition hall on the second floor, I confirmed that Zhengzhou is the ancient capital of China's Shang Dynasty in front of a large number of collections, of which, I appreciate the Shangdu Fu - "the capital of the king": "Dusty three thousand years, she witnessed the vicissitudes of history. The vicissitudes of history, a final awakening, she revealed the early Shang civilization and the early Shang capital of the real existence of the city walls towering, silent, as if in retrospect of the former glory, brilliant giant system, the treasure tripods are still in the, Herren manifested the majesty of the king of the distant past. Cheng Tang had from here to uphold the battle-axe westward, Jian Ji Jie, wrote the first thrilling dynastic confrontation in the annals of Chinese history, the interpretation of the ancient tradition of admirable ministers and famous prime ministers. The world-renowned Yin and Shang bronze civilization started here and has since gone on to glory, and the history of China's ancient civilization has been enriched by her." In the 16th century B.C., Chinese history entered the second hereditary dynasty - the Shang Dynasty. After the establishment of Shang Tang, learning from the lessons of the Xia Dynasty's demise, he was diligent in governance and love for the people, paying attention to the development of agricultural production, and the country grew stronger and stronger, and ultimately became a vast territory on the map of the early history of East Asia, with the submission of the square countries, and the slogan of "No one dares not come to the king's enjoyment, no one dares not come to the king's enjoyment. No one dared not come to enjoy, no one dared not come to the king". In this exhibition hall, there are "The King's Power", "The Prosperous Shang Capital", "The People's Livelihood in Shangyi", "The Mystery of the Shang Capital", "The Mystery of the Shang Capital", "The Mystery of the Shang Capital" and "The Mystery of the Shang Capital". "Mystery of Shangdu", "Bronze Masterpiece", "Spring and Autumn of the Old Capital", "Old City of the Old Country", 7 exhibition blocks, detailed understanding of the Zhengzhou as China's ancient capital of the early Shang Dynasty and the evolution of the late capital of the process, showing the great contribution of the Shang Dynasty to Chinese history, especially the bronze culture, for the development and progress of the Chinese slave society plays an indelible role in history.
Here, I see: that a handful of bronze made of knife arrowheads and halberds and arrows, as if the king of the Shang Dynasty led the troops to expand the territory used when the sharp edge; that a bronze made of bronze mirrors and seals, as if the ancient forefathers dressed and groomed when used in the daily necessities; that a bronze made of wine pots, as if the king of the scholarly entertained friends and relatives when used in the utensils; that rows of rows of various colors of ceramics, showing the Xia, Shang and Zhou Dynasties, the different colors of porcelain. The rows and rows of colorful porcelains show the intelligence and wisdom of the ancient people in different periods of the Xia, Shang and Zhou Dynasties.
Here, I see: three-legged pottery can burn fire cooking delicacies, food raw into cooked perspective of the invention of the ancient forefathers, which is also flint's "drilling for fire" of the continuation of the 24 bronze bells can play the heavenly music, and from now on the court music and dance for the royal palace, become the princes and nobles of the "cultural slavery". "cultural slaves"; "Hundred crafts" map shows the Shang Dynasty sites unearthed on the "a wide variety of cultural relics, also reflects the Shang Dynasty technology has reached a certain level and the degree of social civilization. ......
Here, I also saw the second floor of the circular corridor is exhibiting Zhengzhou ancient scientific and technological artifacts pictures "Tiangong chasing dreams". Such as "ceramic invention": ceramics is the art of fire and earth, but also one of the greatest creations of the Chinese nation. From red pottery to gray pottery, colored pottery, black pottery, white pottery, glazed pottery, Tang Sancai, from primitive porcelain to celadon, white porcelain, blue and white porcelain, colored porcelain, every progress is accompanied by tire, glaze, furnace, color and other corresponding technical improvements and breakthroughs. Zhengzhou ancient ceramic production has a long history and brilliant achievements. Ten thousand years ago, the Xinmi Lijiagou site, has found the earliest pottery debris in northern China; rich colored pottery treasures, is a typical representative of the Yangshao colored pottery; Zhengzhou Shang Dynasty green glazed porcelain Zun discovery, rewriting the history of Chinese ceramics, China's production of porcelain time ahead of the 3,600 years ago; Zhengzhou area is not only the hometown of the Tang Sancai, but also China's blue and white porcelain birthplace; white porcelain, pearl engraved porcelain, painted porcelain, etc., as early as in the history of Chinese ceramics are all The white porcelain, pearl engraved porcelain, colored porcelain, etc., have all occupied a remarkable place in the history of Chinese ceramics. In addition, there are "fire quenching gold" "measuring shadow stargazing" "to create technology" and other illustrated explanations, after reading the great knowledge, here will not repeat.
Visited the second floor, I rested for a moment, hunger, and insisted on the third floor. The exhibition hall here is small, because the museum exhibition hall is "cone" shape, the more up the more pointed, the entire third exhibition hall, is the "Central Plains Ancient Moment Art Exhibition". Stone carving art is an ancient Chinese art treasure trove in a branch of a strange flower, its categories, rich content, or carved or engraved, or faceted or ground, usually to solidify the moment, the pursuit of a flow of eternity. This hall exhibits more than 50 pieces of art treasures, mainly including Buddhist statues and calligraphy carved stone two major parts. Its style is unique, the charm of God, known as one of the best stone carving art in the Central Plains. In these stone Buddha, the vast majority of Shakyamuni Buddha and many Bodhisattvas, some broken arms and legs, some headless, some only head, well-preserved fewer, mutilated many, ancient cultural relics can be seen in the excavation and protection of a long way to go. In these stone calligraphy, seal script, regular script, rows and cursive script, five styles are seen. Some calligraphy such as running clouds and water, wild cursive wild book, between the real and the virtual, unrestrained; Some of the monument carving point horizontal and vertical skimming, a stroke, square, strong and upright, rules and regulations. As for the calligraphy of the text content of the stone carving, because of hunger really do not have the patience to read in detail, but to walk around, while enjoying the side shooting, hastily, rush to the last attraction to go.
With the second floor of the same circular corridor, on the third floor there are also famous modern Chinese artists photo exhibition. In view of the time has come to 2:30 pm, in order to hurry home to eat lunch, according to the order from left to right, one by one quickly shoot their pages, stay later slowly enjoy. Cell phone is now saved: Wu Hufan, Li Kuchan, Yue Xiangshu, single should be Gui, Wu Changshuo, Huang Yongyu, Chen Shizeng, Guan You sound, He Xiangning, Huang Junbi, Ya Ming, Qi Baishi, Xu Beihong, Fu XinShe, Xu Linlu, FuSongWindow, ZhangShanZi, GaoJianFu, PanTianShou, LouShiBai and so on 20 famous painters, there are still about six, seven due to the cell phone did not have power and not shoot, very regrettable, however, in the near future I will specially However, in the near future I will specifically go to view once again, make up for the remaining photos to make up for the lack of this time. However, most of the painters in this exhibition are black-and-white headshots of themselves, with two to three paragraphs of text at the bottom. These text content, some are biography, some are quotations, some are selected poems and songs, in short, closely around the fine arts and lyrics, is the first time in my life to understand China's recent contemporary art most, this time I must remember!
Because it is noon, to visit the people say not bustling, but three or two, groups of groups of students in schools and colleges to a lot of groups. Some like young couples, men dressed in summer clothes, carrying a black backpack, inside the simple luggage, outside the mineral water bottles inserted in the special water bottle. Women wearing dresses, a hand holding sunglasses, a hand holding her boyfriend's hand, a few minutes of leisure, a few minutes of intimacy, sweet demeanor. Some are family tours, or a family of three, or father and son, mother and daughter in pairs, every interested in a cultural relics before, the child will raise questions, parents will answer questions, pointing, laughing, as if to tell the provenance of such cultural relics, shapes, names, etc., especially with children to the more, may have been the summer vacation, the parents would like to give their children to broaden their horizons, to increase the understanding of the knowledge of the ancient times of Zhengzhou, complementary learning of history and culture. Cultural knowledge. Where to visitors, see the wonderful place, adults will take cell phone photos, especially rare rare treasures, antiques and curiosities, always want to take the usual fine appreciation, I belong to this category, almost look at the side shot, lest which one of the ancient artifacts left out.
Zhengzhou Museum in line with the "inheritance, watch, cultivation, innovation" principle, adhere to the "innovation, ancient for modern use", in the same industry in the country in a leading position, its collection of fine art has dozens of times to Sweden, Japan, Italy and other countries to participate in the National Heritage Board and the Henan Provincial Cultural Relics Bureau, the State Administration of Cultural Heritage and the Henan Provincial Cultural Relics Bureau, the State Administration of Cultural Heritage and the Henan Provincial Cultural Relics Bureau. State Bureau of Cultural Relics and Henan Provincial Cultural Relics Bureau organized by the exchange of cultural relics outside the exhibition. In order to adapt to the current trend of audience rejuvenation, it is understood that the museum has also strengthened the role of new media in the visit guide, publicity display and public interaction. Took the lead in opening the "sweep the two-dimensional code, swim museum" Zhengzhou Museum WeChat public platform, and provide voice guidance, the museum in the "interpreter" at any time "with" in the side. In addition, also with Baidu encyclopedia cooperation set up the Zhengzhou Museum encyclopedia of digital museums, each collection is equipped with voice commentary and text introduction; launched the Zhengzhou Museum "handheld mobile museum", you can see, listen to cultural relics collection of 3D displays and displays exhibition halls virtual roaming....... ...
Learning history can be wise, interest in determining thinking. When I walked out of the Zhengzhou Museum, ask yourself, what I learned, what experience? Through this visit, my experience is: in the past, many people mentioned the "museum" on the feeling of esoteric, in fact, only the first to arouse the interest of the audience, to attract them to the museum to see the exhibition, in order to slowly develop their habit of visiting, and ultimately in the influence of the subtle influence, to understand the history of the city, know the knowledge of cultural relics, and ultimately enhance cultural pride, enhance cultural self-confidence, and the cultural heritage of the city. Enhance cultural pride, enhance cultural self-confidence, I am personally keen to visit the museum many times, thanks to this.