The viewing order of the three major dramas of "Only Henan" is "Waiting Hall", "Train Station" and "Lijiacun".
1. "Waiting Hall"
Taking a station check-in office as the starting point, it tells the story of people from Henan who come and go. The stage setting is crawler-type, and the audience looks at the imitation train platform in the middle on both sides, which is very creative. The plot is small and realistic. "The Pit of Tianzi Jialiu Ruins" has a dialogue between the night watchman at the archaeological site and the owner of the tomb through time and space, which leads to the center of the eternal existence of culture despite the absence of names. The actors are very talented and the plot is interesting.
2. "Train Station"
One of the major theaters, a four-act mobile theater tells the story of a pair of brothers during the 1942 famine, where human love and family ties collide with national justice. The first and third acts tell the main plot, and the rhythm, actors, and design are all shocking. The second act is to watch a slice of the scene in the form of a blind box. The rising theme in the fourth act is a bit overdone and a bit too long. It actually caused some thinking about how to find a balance between promoting traditional culture and avoiding feudal dross.
3. "Lijiacun"
One of the major theaters, it is also a four-act mobile theater. This one is more emotionally strenuous, and even brought tears to the clothes. The level of ravage on the board is probably a 100% warning for tears. The first act introduces the background of the 1942 famine. Because most people were not involved in the situation, and the actors did not bring microphones, the experience was average. The next two acts are continuous and also the climax. The last scene recalls the bitterness and sweetness. It still has the same theme party feel as the train station, but it is better than the last scene at the train station.
Introduction to the characteristics of "Only in Henan":
1. In the scenery, in the shape, in the architecture
The square city and square courtyard are "Only in Henan" One of its typical features is the traditional Chinese meaning of a round sky and a round earth. Among them, the 56 grids of the planned layout are different in size and scene, which is equivalent to forming 56 different worlds. At the same time, there is no direct obvious moving line design between them. This is a rich but elusive scene. The "Fantasy City".
Visitors enter the city and freely choose routes to enter different courtyards of the void. Differentiated choices, unknown exploration and experiences bring novelty and immersive experience.
2. It depends on the story, actors, and content
When talking about the Central Plains culture, it is more like an abstract word, a big word that makes people look up to and alienate from. Wang Chaoge's "Only Henan·Drama Fantasy City" is to restore "Central Plains culture" into vivid lives, using scenes and performances to restore history before your eyes.