Hatha in the Sun Square Dance Formation Version is as follows:
"Colorful Hatha" is a Tibetan ballad, with lyrics by Tianlin and music by Meilang Dorjee. Holding a white hatha in my hand Oh this is a white cloud in the sky Oh this is a flower in the forest Oh a clear spring by the lake Oh this is our sincerity This is the blessing of the new Tibet Our hatha is dedicated to our friend Blessing of our friend's good fortune.
We wish our friends joy and good fortune; our hatha is dedicated to our mother's happiness; we wish her happiness and well-being; we hold a holy hatha in our hands; this is a snow lotus in the mountains; this is a white flock of sheep; this is a river in the snowy mountains; this is our ode to our motherland; this is the blessing of the new era.
Blessings to the motherland for prosperityBlessings to the motherland for prosperity and strengthOur hathaloo is dedicated to the world full of blessingsThe world is full of sunshineThe white hathaloo is dedicated to the world full of blessings.
Knowledge Expansion:
Evening, (loud) volume, public **** space, dance, middle-aged and elderly groups, bringing together these key words, square dance has become a unique social landscape in Chinese cities in recent years. Square dancing has not only aroused the interest of academic researchers.
The attitudes of square dancers and their "mix-and-match" style of dress have even made two French girls living in Shanghai, Elsa and Monique, "fans" (they also published a magazine of the same name on the subject). The magazine has the same name).
By "mash-ups" -- or, to use more academic language, "collages" -- the two women have become "fans" of the magazine, which also publishes a magazine on the same subject. , a recent paper in Sociological Research by Zhou Yi, a professor in the Department of Sociology at Fudan University, puts square dancing into a subcultural studies perspective to understand why it is concentrated among middle-aged and older people, and its sociological significance as a subcultural phenomenon.
Observations, focus groups and individual interviews with 11 square dance groups in urban Shanghai show that the audience of square dance has more obvious demographic characteristics. By age, most are women born in the 1950s and 1960s, with 97.3 percent of Zhou Yi's sample in this age group, meaning that square dance aunts are generally retired women between the current ages of 55 and 67.
From a life course perspective, this age group has three unique experiences. First, because their normal education was interrupted by the "Going to the Mountain and Going to the Countryside" campaign, they generally have only a junior high school or high school education. The subsequent market-oriented reforms have led to the wholesale layoff of this group of women, who were mostly ordinary workers or lower-middle-class white-collar workers.
Finally, as mothers and grandmothers under the one-child policy, the burden of "bringing up children" after retirement is relatively light. It is not difficult to understand that the audience of square dance is mostly middle-aged and elderly women, who have more independent free time after retirement.
However, just having free time is not enough to explain the attraction of square dancing, but also from the meaning of square dancing to this group to find the reason.