Seeking red sorghum movie review of the review of the nine children
"Red Sorghum" - sorghum field can not be erased red
For the 80-year-old me, this is too old movie. The reason why I found this movie to watch was due to a chance. Inadvertently saw an interview with Lu Chuan, and when the reporter asked him how he came to the movie, he mentioned "Red Sorghum" and Jiang Wen and Gong Li, which made him fall in love with the movie and decide to devote himself to the movie business.
Lu Chuan's movies are very much in love, just "Cocoanuts" one, is enough to make me fascinated with him for life. His movies are very special, as if they are outside of mainstream cinema. So for everything he mentioned, I was extraordinarily concerned. Therefore, I found "Red Sorghum", but did not deliberately adjust my mind to watch it, in front of the computer eating a bought meal, in order not to appear monotonous, so I put on a movie to help.
The movie is a story told through the mouth of a third person, and the screen fades in on Gong Li's young face. It's a simple wedding in those days, and then there's a robbery on the way. Jiang Wen and Gong Li meet and then live together with no twists or turns. The people in the movie are so simple, even the robbers or the bandits don't show any real evil. Everything is so plain, no one is portrayed as heroic or evil.
Even marrying an old man suffering from leprosy, or falling into the clutches of bandits, killing a robber, killing an old man. It was all carried over lightly. People of that era had an unfathomable resilience to suffering and a historic indifference to life and even living.
It seems that China at that time was so kind and simple, and everyone was honest. Whether it's a sedan chair, a winemaker, or a bandit, it's all so plain and simple that you're just doing your job. We can't talk about love, nor can we talk about who is better than who is smart and noble. Every character in it is not like a movie, like a simple life that happens around. Just like this a quiet and peaceful sorghum field, was trampled by the wheels of Japan.
"Red Sorghum" movie review
"Red Sorghum" the film is based on the novel of the writer Mo Yan, the original "Red Sorghum" language concise and pure, the young farmers of that era of love and hatred of the performance of the best, as if floating in front of the eyes of the people is that a piece of red sorghum symbolizes the farmers of that era - - dare to love, hate, perseverance and hatred. -dare to love, dare to hate, perseverance. In the movie, Zhang Yimou is more this kind of unruly spirit performance more mature, easy to use. The most expressed in the movie is red sorghum, which witnessed the love of "my" grandparents, witnessed the Japanese devils peeling the people of China, witnessed the brewery workers and the devils swore to fight to the death. It is not difficult to find that red sorghum actually symbolizes the young peasants on the yellow land of that era. The use of color in the movie is brilliant, and the whole movie is rich in red tones, which represents joy and beauty, as well as revolution and radicalism in China. The eye-catching red color of my grandmother's red cotton jacket, the fluttering red color of red sorghum, the red color of the sky, the red color of the setting sun, the red color of the sky, the red color of the sky, the red color of the sky, the red color of the sky, the red color of the sky, the red color of the sky. -The red color of the sky, the red color of the sun setting, the red color of the flow of sorghum wine and blood. The abundance of red both delights the visual organ itself and symbolizes a strong will to live. The most classic passage, "Mother, mother, go to the southwest, high road, full of coils", "my" father's high-pitched childish voice echoes endlessly, in the shadow of the cut moon, "my" grandfather holding his hand walking in the sorghum field The three hundred townspeople were killed in the field of sorghum, and their bodies were scattered everywhere, and their blood irrigated a large area of sorghum, soaking the black soil underneath the sorghum into mud. The depths of the human month, boundless sorghum red into a sea of blood. Grandma fell peacefully in a pool of blood, sorghum wailed in unison, generous, sad. The sun came out, the sun was dark red blood smeared into crimson, red sun burning brightly, the world is red a dare to love, dare to hate, dare to do, hearty, unrestrained human attitude, the two mingled together, so that people linger and reminisce. The folk songs and ballads of northern Shaanxi, always in the movie, have become indispensable plot propellers. There is also a song that appears many times, "Hey - sister you boldly go forward wow go forward, do not turn back to the big road to heaven, nine thousand nine hundred, nine thousand nine hundred nine wow hey" in the sorghum field "I "Grandpa bit grandma singing, but also the movie between the man and woman protagonist in spite of the feudal rituals of all kinds of obstacles to break the love to the climax of the movie. The song is unobtrusive but passionate, full of the yearning for free love of the young people in this yellow land. When the fellows first brewed wine in front of Grandma, they sang the "Wine God Song": "September 9 brewing new wine good wine out of our hands good wine, drink our wine up and down the ventilation does not cough" tune is high, full of passion, there is a kind of flaunting, revealing the mellow sorghum wine. And when the second time to sing this song, is in the sacrifice of Luo Han big brother, at this time the song has become sad sadness, but also through a kind of resistance, persistence, indicating that the men will be for his revenge and let go of the fight. In the film on the ninth day of the ninth month to pay homage to the god of wine, everyone together in front of the god of wine, in the suona to create a musical background, distinctive expression of the yellow land on the farmers' heroic and wild; and the last "my" father an albatross form of the song is the movie to the highest climax. Red Sorghum" may not be counted as Zhang Yimou's best movie, but it is the most heroic and most vital movie. The movie point red sorghum is the best expression of vitality, "red sorghum" in China's film history shines indelible light!
Request a movie review of the movie "Red Sorghum", about 800 words
"Red Sorghum": the cult of primitive vitality
Fan Daming
"I'm telling you about the magical things that happened in that sorghum field in our hometown."
The first line of narration at the beginning of the film "Red Sorghum"
The overall impression I got from "Red Sorghum" is that it fully expresses, with all its might, the author's admiration for the primitive life force. This is a movie that brings Zhang Yimou's strong subjective ideas, and should be seen as a more typical author's movie.
In "Red Sorghum", Zhang Yimou on the primitive will to life, life force of the irresistible praise and praise, can be said to have reached the ultimate, to the point of a few into the essence of the out of the gods, which is a kind of worship of the realm of the five bodies.
First of all, the worship of the divine power of sex. In the "sedan chair" a scene, from the surface, it is more than carrying the sedan chair of the rough men in the sedan chair of a red dress, red head of the bride's playful mischief; but from the deep, it is several bare shoulders in the face of the bride's charisma of the budding of the potential joy and desire for spontaneous catharsis of sexuality, but also to the nine children facing an irrational and inhuman The combination of the sexes is not reasonable and inhumane, but it is also a spontaneous outburst of sadness and resentment that Jiu'er can't help. And the only can make this singing and dancing "upside down sedan chair" disco from the apex of the madness came to an abrupt end of the power of God, not other than the sedan chair Jiuer's several choked sobs. The writer-director in this mood and rhythm of the transition point, the group of rough and strong man inside the natural human nature of the beautiful spirit of insight and candles out, is the beginning of the movie first hit the heart of the eye. The difference in mood caused by this rhythmic break establishes the truly sacred position that Jiu'er actually occupies in the hearts of the wild men, and is a clear proof of the movie's worship of the divine power of sex. In this group of sedan chair-bearers, only "my grandfather" Yu Zhanao, with his stronger willpower of life driven by the divine power of sex, dares to put his inner turmoil and longing one by one into practical action - compared to other strong men, Yu Zhanao is indeed a step ahead of the rest. Higher than the other strong man, Yu Zhanao is indeed a chip, is truly the only one - with the nine children had given him a beautiful eyes look forward to, so that the ensuing kill husband, wife robbery and even sorghum in the wild sex, have become a pile is no longer violence and evil, but all the natural package of "benevolence"! "Things beautiful business. Here the "benevolence", can not be narrow law of the law as a criterion, and must be from the broader natural and primitive laws of life - the kind of benign reproduction and development, the kind of survival of the fittest to look for; and here the "beautiful The "beauty" here is naturally the beauty of the movie, which is artistically selected and rendered. When the screen to show the nine children obsessed with the poetry like hazy close-up, Yu Zhanao kneeling in that side of the fallen sorghum on the open space of the red "big" unfolded in front of the nine children overlooking the large distant view and backlighting in the red sorghum shadows and shadows in the sun and the wind in the swaying of the dynamic aerial mirror, it can be said to be the film on the worship of the primitive vitality in the This situation and the scenarios blended in the pavement painting pushed to the high point of artistic beauty - but looking back at the movie, Zhang Yimou really should be here to make the concentration of the article a little bit more adequate, in order to make this "heavenly, the beauty of the ground into the" red sorghum ground scene of intercourse, the The "heavenly match" scene of red sorghum land is to reach a more sacred situation like a gorgeous movement!
Second is the worship of the divine power of death. In the "red sorghum", Zhang Yimou to show us the picture of life is: these eighteen miles slope people, they love women, live freely, live painfully; and for the family hatred of the shame of the country, they must also rise up to fight, avenge the shame, even if it is for this death - and death, but also want to die freely, die painfully! The two poles of life and death love and hate are opposite and consistent. Indeed, these people say die, that big head Li, the road robbers posing as "bald three guns" and so on, seems to be so easy to die, so easy and so noiseless. Naturally, we are not referring to these negative deaths. But those who have a positive meaning of death, those who fight against foreign invasion and the death of righteousness - no matter Luo Han uncle or nine children and even the "bald three guns" died under the Japanese invaders of the butcher's knife and artillery, have become the death of the sacrifice of the death of the heroic, shocking the people's death! For this reason, Zhang Yimou in the movie do not hesitate to let people accept the bloody sensory stimulation, and let the cattle slaughtered and people slaughtered into the sacrifice to strengthen the contrast. In this regard, we cannot superficially regard it as an exegetical illustration of the original meaning of the word "sacrifice", but rather as a metaphor for the fact that the sacrifice of cows is not the same as the sacrifice of people. The ending of the film makes the bloodthirsty Japanese invaders realize that the cow is slaughtered in silence and becomes a sacrifice, while the human being achieves his sacrifice in an outburst of resistance and will die with the slaughterer. This performance, too, ultimately became a testament to the divine power of death.
The third is the worship of the divine power of wine. The character of sorghum wine, which is beautifully called "Eighteen Miles of Red", is given the highest praise in the Song of Wine Sacrifice, which has been sung twice: "Drinking our wine will nourish the yin and strengthen the yang and the mouth won't stink Drinking our wine will make you not kowtow to the emperor", and it is precisely in the "Drunkenness of Wine" song that Yu Zhanao is honored. Yu Zhanao is in a drunken party in the power of wine, with nine children in the sorghum field of their own personal love for a spit, and in the eighteen-li slope people from ancient times to the present day as a beautiful story - red sorghum wine of the power of God, is the eighteen-li slope people's wild and uninhibited power of God; red sorghum wine character, is the eighteen-li slope people's free and easy character. One forty-seven, three sixty-nine: Jiu'er, the only female of the eighteen-li slope, is not it in the eighteen-li slope wine shop she joined the master for the shopkeeper of the moment, to the wine shop fellows for the first time to announce their own little name is "Jiu'er" it? Wine and people, its divine power and character is the same, because both were born in the red sorghum field. The people of Shibalipo take wine as their atmosphere, and the people of Shibalipo take wine as their support; wine pervades the people of Shibalipo, and wine becomes the catalyst for the people of Shibalipo to regulate and strengthen their interpersonal relationships. To put it bluntly, the movie's worship of the divine power of wine is the worship of the divine power of the people of Eighteen Mile Slope.
"Red Sorghum" worships sex, death, and the divine power of wine, and expresses the worship of the primitive desire for life and will, the essential power of life, which is the most fundamental spiritual source of human nature; it is fully displayed in the film in a devastating and wanton manner, making the film extraordinary. "It is a groundbreaking attempt and exploration of Chinese cinema today. In my opinion, the film was able to win the ****ing and unanimous applause in the international film world, precisely at this point; it can not be summarized by the phrase "the more national, the more global".
Seeking "Red Sorghum" 800-word movie review, how to analyze the film's audiovisual and theme?
Like red like fire spiritual struggle-Analysis of the audiovisual style of Red Sorghum
The film Red Sorghum is adapted by Zhang Yimou from Mo Yan's novel of the same name, and the film continues Zhang Yimou's directorial art style of heavy color, heavy portrayal of the times, and other artistic styles. Red color is the soul of the film, ups and downs, the red sorghum, with the local people and even the whole Chinese people's spirit of resistance. The director borrowed Jiu'er, Yu Zhan'ao and other characters to eulogize the simple but struggling working people in the Northwest of China in the 1930s, and extended the hot feelings of contemporary people about it. This is his story of the colorful manifestation, but also for the small to the feudal rites of bondage, large to the national invasion of the great spirit of resistance to praise.
The reddish hue of the movie is so hot that it penetrates to the depths of the movie's soul. The director has kept the theme of resistance close to his heart from the beginning, and from the very beginning of the picture, Jiu'er appears in a rich red color. The red color is not only a basic foil for the wedding, but also a foil for Jiu'er's resistance, as can be seen from the close-ups of her frustrated and unwilling face. "You can't cry in a sedan chair; there's no good reward for crying and spitting in a sedan chair. The cover can not be lifted, the cover is lifted will cause trouble." However, Jiu'er lifts the cover and cries in the sedan chair, which is her resistance to her parents' order and matchmaker's words, and the red color is the best interpretation of her heart at this moment. Until the end of the movie, the expressive power of red color is even more distinctive and bright. Jiu'er, Yu Zhanao and a few brothers at night in the winery with sorghum wine to pay tribute to the heroic sacrifice of brother Luo Han, the surrounding burning fireworks will be the whole house filled with red warm, reflecting their hearts here and now burning the flame of resistance to the Japanese.
The connotation of red sorghum interprets the character's true monologue. Red sorghum as the title of the film, not only because the story of the people's lives are always around the red sorghum, but also because sorghum represents the simple working people at that time; a "red" word, not only because the color of the sorghum is red, but also because it represents the simple working people also has a red spirit of resistance conveyed. From a small point of view, Yu Zhanao and other sedan chair workers on the way to send nine children, in the sorghum field encountered robbers, the face of the robbers of the brutal threat, they made a small compromise to save the overall situation will give the money, but when the robbers hit the idea of the nine children, Yu Zhanao, headed by the brothers will rise up to fight back against the robbers defeated. This small episode for the next big aspect of the echo. The same in this sorghum field, the climax of the end part, in the face of the Japanese oppression of the local people, as well as the nine children's heroic sacrifice, a bloody war in this sorghum field, the process of directing a large number of close-ups of the sorghum field, a blood red and magnificent struggle in the red sorghum between the complement each other to show the red sorghum connotations of the red sorghum complement each other to the struggle of the crowd in the middle of the crowd.
The heavy ink rendering of the mood gives the picture room for imagination. The film has a number of heavily written sequences, often presented in a distant view and without character dialog ......
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How to evaluate the TV series "Red Sorghum"?
Both in terms of ratings statistics and comments from viewers and netizens, the TV series "Red Sorghum" was extremely well-received on its first day of airing, and can be considered one of the best of the recent domestic dramas. Compared to the movie version of "Red Sorghum" in the 1980s, the TV version has undergone a complete overhaul in terms of direction, casting and scene setting.
The lineup, director Zheng Xiaolong, a famous director in mainland China, whose representative works include "The Fourth Generation", "Editor's Tale", "Golden Wedding", etc., has reached the pinnacle of his career with the release of his work "Harem - Zhen_Zhen Chuan" in 2011, which can be said to be the biggest in China's TV drama directing sector, and the TV dramas directed by him have penetrated into the hearts and minds of viewers of all age groups. The first female, the famous actress Zhou Xun, with the age of 40 years old to play the 19-year-old "Jiu Er" is a highlight of the drama, a southern woman playing a northern woman, seemingly weak, but through the boldness, righteousness, in the drama, Zhou Xun is a northern woman, "Xun brother" temperament revealed. In the drama, Zhou Xun is a woman of the north, "Xun brother" temperament is revealed. The first male Zhu Yawen, with the "break into the East" in the straight, tough, manly strength of the image of fame, this time in the play "Yu Zhanao" is a full display of the many characteristics of the Shandong big man.
The "red sorghum" culture of the 1980s has continued to this day, when "sorghum fans" have now entered middle age. The emergence of the TV series "Red Sorghum" has reawakened the memories of the old "sorghum fans", while at the same time, a large number of new "sorghum fans" into which the old, middle-aged and young generations are watching "Red Sorghum" is not too much.
As the show's original author and general adviser, Nobel laureate Mr. Mo Yan has said in public: "It's still the same kind of basic mentality as in the past, with a little more attention. Because after all, it is the past few decades, after all, "Red Sorghum" is also so famous works, and there is the previous movie "Red Sorghum" as a monument stands in front. He said he read the synopsis of the script, very much hope to see this TV series, high expectations, he wanted to complete to see Zhou Xun how to interpret the character of Jiu Er, but also want to see Zhu Yawen and other this group of young actors how to create with their times far away from the history." Meanwhile, Mr. Mo Yan had wept after watching clips from the TV series "Red Sorghum.
A good play, the real core value does not lie in how huge the investment, nor does it lie in how beautiful and gorgeous picture, the more important value lies in the play is able to poke at the heart, whether it is able to evoke the memory and reminiscence of the past through a play. In any case, a good play in the "people" molding is the most important, and the TV series "Red Sorghum" in the "people" performance is more in-depth, each character's characteristics are so expressive, many of the " Sorghum fans" like is this stock dare to love, dare to hate, can afford to let go of the feeling.
Red Sorghum Movie Review Analysis
The movie "Red Sorghum" tells the story of the primitive force of the Northeast Gaomi Township, "my grandfather" rescued trapped in arranged marriages, "my grandmother", the mistake of making a wine shop rich eighteen miles red, and finally in the spontaneous organization of the anti-Japanese resistance. Finally, he witnesses the story of "Sunset Red" in a self-organized anti-Japanese movement.
This is adapted from Mo Yan's "Red Sorghum" and "Sorghum Wine", when Mo Yan was not a Nobel laureate, but just want to use their own words to describe the living color, rolling with blood and flesh, burning with the spirit of the Northeast Gaomi countryside, just 30 years ago, various directors, writers and actors are still in the beginning stage, but can be thus to the world, it is clear that not only is the crowd achieved it, "Red Sorghum" also accomplished it. Red Sorghum" also accomplished the crowd.
The impressive thing about the whole film is undoubtedly the many "reds": the red of sorghum, the red of the setting sun, the red of blood, the red of wine, and the red of clothing, the color red throughout the whole film, or as a symbol of sexuality, or allegory of the blood of the working people, or on behalf of the people of China's struggle for national survival, and the use of color! The use of color to tell a story, to show characters and emotions has always been the means that Master of the Nation excels at, as well as the world that turns completely red during the final solar eclipse.
The Chinese people seem to worship the color red even more because it is the color of blood, the blood that flows through the bodies of billions of people. The presence of this bright color better expresses the passion and boldness of the people of northern Shaanxi, presenting the upward spirit of Chinese farmers.
Zhang Yimou's skill and inspiration in the use of color is especially worth studying. For a long time, the master's works have often been characterized by a strong sense of Chinese vernacular, with realistic details hiding a touching romance, and touching everyone with human feelings regardless of race and national boundaries.
The characters in the movie are full and vivid, "my grandfather" character has the northern people's unique atmosphere and boldness, afraid of his wife to be bullied, a person risked his life to fight the bald three guns, drunk in public pointing at "my grandmother" to declare sovereignty.
"My grandmother" gentle and virtuous, hard-working and willing to work hard, a hand to take care of the brewery up, but at the same time she is strong and resolute, tortured in the sedan chair but did not say a word, arguing with his father to no avail after the horse alone, Luohan uncle was killed by the Japanese devils, she decided to avenge Luohan uncle, in the eyes of a trace of fear. There is not a trace of fear in her eyes. She has the typical temperament of a traditional Chinese woman and a new type of woman, an idealized rural woman.
"Red Sorghum" in the sex, wine, death are expressed almost primitive worship, love for the theme but did not appear a word of love is to show the Chinese introverted view of love, personal sense of responsibility for the survival of the country is the theme of the whole film to do the sublimation of the red sorghum at that time just as the Chinese race stood up to the world's forest of the spirit of the totem.