Yulin Intangible Cultural Heritage include Shanbei Yangge, Yulin Xiaoqu, Shanbei Folk Song, Qingjian Daoxiang, Vintage Duo Rentai, etc.
1.Shanbei Yangge is a kind of folk song that has been passed down in northern Shaanxi Province.
1. Shaanbeiyangge
Shaanbeiyangge is a traditional dance art form with a wide mass and representation circulating in the northern Shaanxi Plateau, also known as "red fire", "haunted rice-planting", "haunted rice-planting" and "social fire". It is also known as "haunted red fire", "haunted rice-planting song", "haunted social fire", "haunted sun song", etc. It is mainly distributed in northern Shaanxi. It is mainly distributed in the northern Shaanxi region of Yulin, Yan'an, Suide, Mili and other places, especially Suide Yangge is the most representative.
The northern Shaanxi Yangge is a form of collective dance performed in squares, courtyards, streets and other occasions, and it is mainly performed during the Spring Festival and the Spring and Autumn Sacrifices.
2. Yulin Xiaoqu
Yulin Xiaoqu is a folk rap art form produced and circulated in the city of Yulin. According to legend, Yulin Xiaoqu was produced in the Ming Dynasty. The content of Yulin Xiaoqu is mainly reflecting the interest of city life, in which the tracks depicting sadness and love account for a large proportion of the male and female love. The structure of Yulin Xiaoqu is divided into two forms: Xiaoqu (i.e. single song) and Lianzheng (i.e. joint set).
There are about 50 instrumental songs. The accompanying instruments of the Xiaoqu are yangqin, guzheng, pipa, sanxian, jinghu and saucer. Xiaoqu can be sung by one person or two people; it can be sung sitting or standing; and the accompanist can sing in different lines.
3. Northern Shaanxi Folk Song
Northern Shaanxi Folk Song is a regional folk song circulating in northern Shaanxi and Shanxi, Ningxia, Gansu, Inner Mongolia, Hebei and other areas around northern Shaanxi, is the people in the long-term production and life practices in the formation of poetic verbal creation of folk art forms. The form of folk songs in northern Shaanxi is mainly in the form of xintianyou and ditties.
Because northern Shaanxi has long been in a relatively closed state, the ancient art form of northern Shaanxi folk songs still maintains many features of the early national culture, with high historical and artistic value. Northern Shaanxi folk songs have been included in the second batch of national intangible cultural heritage list.
4. Qingjian Daoxiang
Qingjian Daoxiang is a form of folk music circulating in Qingjian County, Yulin City, Shaanxi Province. Qingjian Daoxiang has a long history, beginning in the Tang Dynasty, molding in the Ming and Qing Dynasties, and has a history of more than 1300 years. Qingjian Daoxiang was originally sung in a class, and then gradually developed into a form of folk music that can be performed in the square and on the stage with songs and dances under the influence of Jin Opera and Shanxi Daoxiang.
The basic tunes of Qingjian Daoxiang are borrowed and combined with elements of Qinqiang, Meidu, Bowanqiang, and folk songs of northern Shaanxi to form music with strong local colors of northern Shaanxi, and the main tunes are "Pingtong", "Crosstong", "Liangtong", and "Liantong". The main tunes are "Pingtong," "Cross Tune," "Liangtong," "Yizhimei," and nine other categories. The lyrics and the dialogues are sung in local dialects, which are simple and easy to understand. Accompanying musical instruments include flute, pipe, three strings, four tones, banhu, wooden fish, and so on.
5. Fugu Ernantai
Fugu Ernantai can be divided into two categories: ballad and narrative. The content of the works reflects the interest of rural life, in which the proportion of plays reflecting male and female love and anti-feudalism is larger. It is sung in a combination of true and false voices, with a staccato rhythm and a bright, melodious accent.