Wang Songzhong is a young writer, a native of Ji'an, Jiangxi Province, a member of the C*** Party, and a former college teacher. He was awarded the Excellence Prize of the Second Spark Poetry Festival of China, and the Silver Prize of the First Hebei Literature and Art Cai Feng Award. He is a member of Jiangxi Young Writers Association, Hebei Province Cai Feng Society, China Youth Literature and Art Society, Ji'an Writers Association, Literary Creation Association, the first training course for young writers in Ji'an City, China Poetry Network "Poetry Ganjun" column poets, 21st Century Emerging Writers Network prose version of the editor-in-chief, Peach Blossom Dodo members, Chinese volunteers, his works have been published in the United States, the United States, the United States and other countries. Volunteer, his works have been published in "American Huaxing Newspaper", "Global Travel News", "Jiangxi Daily", "Zhongshan Daily", "Southwest Business Daily", "Jiujiang Daily", "Changjiang Weekly", "Ji'an Evening News", "Chinese Poetry News", "Secondary School Student Guide", "Youth Digest", "China Knowledge", "China Writers", "Snow Soul Poetry Journal" and other newspapers and magazines, and his works, "Dog's Tail Grass", "Pomegranate Red", "Listening to the Rain", and other literature have been adapted into audiobooks. adapted into audiobooks, and is the author of the anthology "Born as a Summer Flower", "You don't come and I don't grow old", "When will you come again".
Chinese Name: Wang Songzhong
Nationality: Chinese
Ethnicity: Han
Birthplace: Ji'an, Jiangxi
Occupation: Teacher
Graduated from Jiangxi Agricultural University
Major Achievements: Second Prize of Prose at the First Hebei Literary and Artistic Caifeng Prize
First Prize of Poetry at the First National Competition of Wind-Picking Works First Prize
Second Prize of Poetry Award of the Third Hebei Literary Arts "Cai Feng Award"
Second Prize of Contemporary Literature Selection
Second Prize of the Essay Competition of "Three Lines of Poetry - Chanting Spring"< /p>
Excellent Prize of the Seventh "Certification Cup" Mathematics China Mathematical Modeling Network Challenge in 2014
The Second Chinese Scholars Youthful Chinese Learning Aloe Two-Star Chinese Learning Talent
The First "National Youth Free Writing Competition" Outstanding Award
The first "Nambian Literature and Art" Cup National Literature and Art Works Collection Competition Literary Seedling Award
"Moving Jiangnong" 2015 College Students Person of the Year
Jiangxi Province, Jiangxi Province, the culture of college student associations Park "Outstanding Worker"
Excellent Prize in English Contest for College Students in Jiangxi Province in 2014
Second Prize in "Father in My Mind" Graphic Collection Contest
The Fourth Counselor Skills Competition Second Prize of "Blog Writing"
Second Prize of "Celebrating the 70th Anniversary of the Founding of the People's Republic of China"
Second Prize of "Chu Fengmingxi Dragon Boat Poetry Contest"
Finalist of the Chinese Literature Award 2015
Finalist of the Global Chinese University Short Poetry Competition 2015 Global Chinese Short Poetry Competition for College Students
2015 Writer of the Year Award
Representative Works: Dreaming of Wei and Jin
Personal Introduction
Wang Songzhong is a native of Ji'an in Jiangxi Province, and has worked as a college student village official in Nanchang City, as well as a tutor in a college. He was awarded the Excellence Prize of China's Second Spark Poetry Festival and the Silver Prize of the First Hebei Literature and Art Cai Feng Award. He is a member of Jiangxi Youth Writers Association and Ji'an Writers Association. She is the author of a collection of personal essays, "Born as a Summer Flower".
Character Experience
Bachelor's degree in Economics, Jiangxi Agricultural University, 2012-2016. During the school period, she was awarded the professional scholarship, specialty scholarship and the top ten specialty college students in the school. Jiangxi Agricultural University in 2013 students backbone training course students. She is also the teacher of Jiangxi Agricultural University's Three Agricultural Societies' Stars and Lights Teaching Team.
Award records
Social awards:
Excellence Award of the Seventh Mathematical China Mathematical Modeling Network Challenge of the Certification Cup in 2014
Second Prize of Selected Contemporary Literature in 2014
Excellence Award of the Jiangxi Provincial College Students' English Competition in 2014 Excellent Award
2015 Second Prize of "My Father in My Mind" Graphic Collection Competition
2015 Literary Seedling Award of the First "Nambian Literary Arts" Cup National Literary Works Collection Competition
2015 Second Prize of the First Hebei Literary Arts Cai Feng Award
2015 Second Prize of the "Three Lines of Poetry - Chanting Spring" Essay Competition
2016 Outstanding Prize of the First National Youth Free Writing Competition
2016 First Prize of Poetry in the First National Competition of Wind Picking Works
2017 The Second Chinese Scholars' Youth Chinese Learning Aloe Two-Star Chinese Learning Talent
2017 Outstanding Prize of the Second Faculty and Staff Photography Exhibition
2017 Second Prize of the Fourth Counseling Skills Competition of "Writing in the Blogs "Second Prize
2019 "Celebrating the 70th Anniversary of the Founding of the People's Republic of China", Second Prize of the 14th "Chu Feng Mingxi" Dragon Boat Poetry Competition
2019 The Third Hebei Literary Arts "Cai Feng Award" Poetry Award Second Prize
Awards during the school period:
Third Class Scholarship in the first semester of 2012-2013
First Class Scholarship in the second semester of 2012-2013
State Inspiration Scholarship for the academic year 2012-2013
State Inspiration Scholarship for the academic year 2012-13 Scholarship
2013-2014 First Semester Second Class Scholarship
2013-2014 Second Semester Third Class Scholarship
Top Ten Specialty College Students in the 2013-2014 Academic Year
"Literature, Sports, Arts and Physical, Mental and Emotional Development" Scholarship in the 2013-2014 Academic Year "Specialty Scholarship"
2013-2014 "Chinese Dream - My Entrepreneurial Dream" the sixth college students entrepreneurial plan competition third prize
2013-2014 the province's college students associations cultural excellence activities during the exhibition to create a cultural park of college student associations "Outstanding Worker"
2014-2015Third Prize of "Houde Cup" Stock Market Mock Speculation Competition in the First Academic Month Series of 2014
Third Scholarship in the First Semester of 2014-2015
2015-2016 "Moving Jiangnong" 2015 College Students Person of the YearWorks
Dreaming of Wei and Jin
The sound of the bell chime, before I had time to recognize, a song "Guangling San" through the ancient years from the distant bamboo forest leisurely attack. I stopped my pilgrimage, leaned on a corner of the stone steps, with my back to the ancient temple, closed my eyes, awakened my ears, and the melodious sound of the zither pulled me back to that ancient and mesmerizing era.
Sitting on the ground covered with bamboo leaves, hot on a pot of chrysanthemum wine, or brewed on a pot of bamboo tea, a breeze through the bamboo forest gap patrol whisked to the seven sages sitting under the bamboo, white clothes and white robes, in front of the end of the bamboo qin. A few beautiful girls, throw this long colorful sleeves, with the bamboo wind, step on the string beat, in front of your eyes dancing dance
Dreaming back to the Wei and Jin Dynasties, the time dialed back a thousand and seventeen hundred years. Alone on the high floor, you look up at the rate of a look, and suddenly looked at the bamboo forest over the sky floating in different forms of cloud waves, such as wine in the wine shop with the wind to display the wine look, that is the Jin Dynasty sky wandering casually in the celebrities and elegant people? The long years, can not be said to love and hate; multitudes of people, who can ride the wind to go home? Rather than in the world of officialdom to meet and greet, hook and corner, and I yuyuxu, it would be better to retreat to the mountains, drink on top of the mountain, and enjoy themselves.
It was a dark and dystopian era: a time of domination, of individual rule, of iron horses and of constant warfare. The rulers lived and killed, and the lives and deaths of ordinary people were like the lives of ants, not to mention the celebrities who satirized and abused the government, and who made articles out of their laughter and anger. However, even in such a bad situation, the Wei and Jin celebrities of elegance is still not lost points ho, stroking the zither and singing, laughing and laughing in the elegant demeanor is still leaping off the page.
Wei-Jin era, while talking, while reaching into the clothes to catch lice is considered an elegant thing. The "and Shan Juyuan book" in the "critical sitting for a moment, the paralysis shall not shake, sex more lice, scratching endlessly" record, I think this is for the cleanliness of modern people, I am afraid it is unimaginable, and even think of it will make people goosebumps. Not coincidentally, the medieval ascetics have also respected lice, said lice is "God's pearl", this statement elegant and honorable, the famous scholar of the Wei and Jin dynasties will certainly agree. Some celebrities see the guests also ignored, still sitting on the pedestal only to focus on their bare bladders in the body to pick up the "Pearl of God", like monkeys in the zoo to catch lice, as if no one else, but only less lice to catch and open their mouths to eat this part. Guests see the host of this serious, not angry, if so elegant things angry, can only show their own vulgar. As for why lice are considered elegant things, you think a long time, do not dare to agree, let's just agree with it.
In this group of elegant Wei Jin celebrities, but have to say that such a cultural group - the seven sages of the Bamboo Grove. But all know the history of the people, the seven sages of the Bamboo Grove is no stranger, and even able to rate their articles and sing, recite backwards. Ruan Ji, Jikang, Liu Ling, Shantao, Xiangxiu, Wang Rong and Ruan Xian are the representatives of the Seven Sages of the Bamboo Grove. The seven of them are representatives of the Wei and Jin metaphysics, in politics tends to do nothing, in life is not bound by the rituals and laws, quiet and inactive, often in the bamboo forest drinking, singing. About that era of the world has long been polished by the years, the only thing left behind is their criticism of the dark world of the valuable text and their rate of freedom, debauchery and uninhibited legend, about the memories of that period of time flows to this day, gurgling, gurgling, unbroken.
Look, Jikang, bamboo forest between the rolled sleeves of the iron man, leeching sweat is along his bronze skin sliding down, in the red arm groove and hard clavicle at the convergence of a veined stream, drilling into the layers of rotting leaves, flowing into the land, history seems to be in an instant in the opening of a verdant bamboo forest. He swung the heavy hammer with his sinewy palm, the red iron brand and the big hammer intertwined and collided, sparks splashed, "clang, clang, clang," the rhythmic rhythm of the iron sound, resonating throughout the bamboo forest, drifting to a distant time and space. This is the most unusual life, but, however, such a heavenly free and easy quiet days did not last long to be broken, Jikang due to political non-cooperation, by the Western Jin Dynasty in power, behind bars, neck to neck, generous and heroic. Still remember the "Shishu Xinyao" recorded: "JI Zhongsan in torture East City, the spirit of unchanged, Suoqin play, play "Guangling San" song ended, said: Yuan Xiaoni please learn this loose, I Jin solid not with, Guangling San in today's extinct!" Three thousand students petitioned, please think teacher, not allowed. Now these ancient texts with the scars of the years read carefully, still can feel this state of mind before his execution, is hate is anger? Is it hatred, anger, or relief? Only wait to dilute the interpretation of the years.
Look, Liu Ling, wine and song of the man, he was accompanied by the wine bottle holding the wine Saint Dukang brewing of the jelly, he was frankly a wave of the long sleeve, stroked his beard, raised the bottle of wine to his mouth a pour, gorgeous poetry from his gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle gurgle. Wine and meat through the intestines, show mouth is half of the Western Jin Dynasty years. When a person is loaded with talent, but the talent is not met, nowhere to show, is a thing of pain, to drink to dispel the sorrows will become a natural. How many times have I thought, born at the wrong time, unrecognized talent, is a kind of misfortune, but still be able to do not violate the wisdom, love my love, even if the ordinary is also a kind of life is fortunate. But we were not born at the wrong time, on the contrary, we are in the era for us is so lucky, no war smoke, no dark political persecution. We can breathe freely, live freely, live in a thousand times better than thatched cottage, enjoy the red wine and green recreation, but we are still counting every penny, suffering from loss, not happy, not free. I still think of Liu Ling, who used to ride in a deer cart with a jug of wine and a shovel, warning those around him that he would bury me if he died. When the road ended in white clouds, he bawled like a little child and then returned to his senses. This is a kind of what kind of free feelings ah, it is like a breeze, blowing those worldly and rust stains of the heart.
Look, Ruan Ji, climbed Guangwu Cheng, viewed the ancient battlefield of Chu and Han, lamented "no heroes, so that the vertical son of the famous" of the man. He lost his father at the age of three, his family was poor, and he studied hard to become a talent. He had the will to help the world, bearing the spirit of "to reach the world, the poor is good alone", eager to enter the civil service, to build a career, but when such a dystopian dark world in front of him, he was lost, is it in or out? The inner voice resolutely gave him the answer: so, he closed the door to read, or climbed the mountain in front of the water, or drunkenness, or silence; so, he and J Kang, Liu Ling, etc. hand in hand into the Bamboo Forest, song, wine, writing, and therefore the achievement of his "grief and sadness, hidden and twisted," the style of poetry. I still remember "when I was driving alone, not by the road, the car track is poor, always mournful crying and back". Let me see the weakness of the seven-foot man's true nature. Wang Bo "Tengwangge Preface" said "Ruan Ji rampant, not as poor cry", now read carefully, Ruan Ji was born at the wrong time, the dissatisfaction of unrecognized talent is still so sad. The good thing is that there is so a group of friends to accompany their own left and right, forget the unpleasantness, drink and chat, poetry and fugue, leisurely, will also not live up to this life.
......
Bamboo forest, was a usual and then can not be usual landscape, into the countryside, into the countryside, randomly raise your eyes will be able to see, do not feel rare, but when the scholar into such an ordinary bamboo forest, but also produced a cultural history of the wonders of the miracle of the history of political history, the history of the mind produced a strange talk. History often plays a joke, destroying something while shaping it.
Confucius once said, "If the road doesn't work, take the beam and float in the sea. For Confucius, the Tao is not in power, but in the human heart, and when the human heart is open, all things are happy. The Seven Sages of the Bamboo Grove have found their own path, or hidden or service, but not against the wisdom of the heart, through the branches of the leaves in the square of the heart, in pursuit of the meaning of life and mission.
Buddhists say, planting such a cause, receiving such a fruit, everything is created by the mind. The truth of the matter is, how pertinent it is: face it with a smile on your face, know what you're getting into, don't complain, and stay true to your life, so that you can be true to yourself.
Looking back at ourselves, how have we ever found ourselves and been true to our own hearts? Some people say that this is a lack of faith in the times, the walking dead, busy, no faith,. Although the words are sharp, but not lack of truth. When pressed by reporters to ask if they are happy, some people are at a loss for words, and even more flirting with the last name "bitter", a variety of answers to make people laugh and cry.
Think about it, it is really pathetic and ridiculous, hateful and lamentable, we live in a thatched cottage than ten million times better than the reinforced concrete room, do not have to worry about "my hut alone suffer from cold death also foot" miserable, eat than the tea and rice tens of thousands of times better than the delicacies, open than donkeys and horses faster than I do not know how many times the number of comfortable many times of the transportation, more do not have to Not to mention that you don't have to buy wine in a shop or forge iron in a furnace to make a living. But there are still so many people who are not happy, do not know enough, not happy, and even lost themselves: fighting, killing, fighting, and cheating. Sometimes, we should not look back to history, remember the Wei Jin, learn from the ancients?
Facing the temple and standing, the setting sun picked up, diffuse over my feet. The cool wind coming from the mountain, blowing the ears and temples, the twilight drums quietly sounded. Toward the temple, I put my hands together and refused to leave for a long time.
The sound of the bells and chimes rose, dreaming of the Wei and Jin Dynasties, picking up a frank.
The play of life--"Dream of Red Mansions"
In 2010, the new version of "Dream of Red Mansions" was finally screened on all major TV channels across the country after half a year of filming. However, the new version of "Dream of the Red Chamber" did not win good reputation, but constantly attracted public opinion from all walks of life. Even some people on the new version of the "Dream of Red Mansions" made this evaluation: the scene like "Journey to the West", music like "Liaozhai", the lens like "Harry Potter", the narrator like "Animal World" also have red scientists have to accuse, bad reviews, criticism, behind, thought-provoking.
Some people say: "The new version of the Dream of the Red Chamber" is a pile of money out of the play, a cool hype play, a lack of idealism play. In the era of great material wealth, we have reason to believe that our lives should be given colorful and endless interest. However, there are always some profit-oriented cultural businessmen who deviate from the cultural theme and cater to vulgar interests, spoofing our national culture. The 2012 Spring Festival Gala skit "Jing Ke" is the most powerful indictment of the phenomenon of cultural spoofing. The spoofing of our national culture is a blasphemy against our vast national culture. I do not intend to say that the new version of "Dream of the Red Chamber" of the evils, in this "cultural stage, the economy sings" era, we can not change the status quo, but even though I am not a small person, but I still want to shout, or to shout, I just think: the play of life, should be serious.
In 2009, Chen Xiaoxu, the actress who played Lin Daiyu in the 1987 version of Dream of Red Mansions, died. When I heard the news, I was a bit sad and sorry, like the sadness I felt for Daiyu's death when I first watched "A Dream of Red Mansions," which flooded and lingered at times. I was not a mediocrity, I was moved by Chen Xiaoxu, by the idealism of that era.
In 1987, "Dream of Red Mansions" was broadcast on a trial basis across the country, and was met with an enthusiastic response, receiving favorable comments from many "Dream of Red Mansions" enthusiasts and criminologists, especially on the "Dream of Red Mansions" Lin Daiyu's portrayal of a very high evaluation, calling her "Daiyu's incarnation". In most people's eyes, Chen Xiaoxu's portrayal of Cao Xueqin's sentimental and sentimental heroine Lin Daiyu has left a deep impression on the viewers, and many of them are even willing to combine her and Lin Daiyu into one. However, after more than twenty years, the 87th edition of Dream of Red Mansions is still the object of many people's after-dinner conversation, and Chen Xiaoxu, who played Lin Daiyu, has also been the subject of much discussion. But who knows, in the moment of overnight fame, only twenty-two years old Chen Xiaoxu did not follow the trend to become a big hit of the Mikado superstar, on the contrary, such as Jia Baoyu general, to see all the prosperity, fluttering away, faded out of the screen, in the nineties, converted to Buddhism, Buddhism, and then shaved in Changchun, into a nunnery, took the name of Miaochen, like Miaoyu when up the nuns, but in 2007 in Shenzhen, died, the death of the disease. She died in Shenzhen in 2007 after a long illness. A wisp of the soul with the wind, sadness into the dream of three more remote, her departure to the world left a piece of strangling regret. Someone said: "She took the play as her life, and used her life to perform the play."
In 1984, at the age of eighteen, Chen Xiaoxu finally stood out after layers of assessment and selection, becoming the actor of Lin Daiyu. From 1984 to 1987 Chen Xiaoxu and other "Dream of Red Mansions" actors have been working hard for the role of "Dream of Red Mansions" shooting work, especially Chen Xiaoxu as Lin Daiyu. People who know "Dream of Red Mansions" know that Cao Xueqin had such a description of his Lin Daiyu: two curved like knitting _ smoke eyebrows, a pair of like sobbing non-sobbing eyes with dew. The state of the two dimpled sorrows, the delicate attack of a body of the disease. Tears, panting slightly. When you are quiet, you are like a delicate flower shining in the water, and when you are in action, you are like a weak willow helping the wind. The heart is more than Gan more than a hole, the disease as the western child wins three points. This description depicts Lin Daiyu's weak, sickly and sentimental form to the fullest extent. However, how difficult it is to play such a sentimental role as Lin Daiyu well, but Chen Xiaoxu did it with her own idealism: when other girls went to take a rest, she continued to hold a thick copy of Dream of the Red Mansion, under the heat of the Yi Dynasty, memorizing her lines, trying to figure out the psychology of the characters, often sitting all day long until late at night. Often, she sat there all day and into the late hours of the night. She is quietly interpreting the ordinary, silently releasing her stubbornness, and proving the tenacity of life without words.
Chen Xiaoxu in 1987 in the memoirs of the long article "dream three years" said: I have countless beautiful dreams from here, three years of trials and tribulations so that we are mature and self-confident, but I hope that the vicissitudes of the world do not wear out our former innocence. I am so in love with the April Yuanmingyuan! Loves that blooming peach blossom! That a winding path! Those girls who agonize over choosing an ideal role and practicing for it. What Chen Xiaoxu herself did not expect was that she was really "in the movie" and fell in love with her character so much that she could not extricate herself. Chen Xiaoxu has recalled: "Lin Daiyu has become an insurmountable peak on my way to interpretation, after this, it is the pale time of my life, although I am a star in the eyes of the people, but no director dared to ask me to play other roles, I think the Dream of Red Mansions let me see a very wonderful world, and then it is, it is to me to the door closed, I can not have more in the acting career. I couldn't develop more in my acting career, and Chen Xiaoxu's name was replaced by Lin Daiyu. This shows how much work she has put into Daiyu and how much emotion she has poured into her!
Chen Xiaoxu completed two plays in her life, Dream of Red Mansions and Family Spring and Autumn, but her fame is greater than many actors who have acted all their lives. The idealism she poured into her plays seems so out of place compared with today's contemporary utilitarian society of movie-making: every important action, every insignificant detail, has been poured into how much sweat and pain she suffered.
Nietzsche said, "Love all words written in blood." We say, "Love all the plays that are performed with life. Hastening in the modernized city, bathed in red wine and green, will we remember the woman who plays with life and true love? That era of idealism? I am afraid there are very few of them. In this era of hedonism and entertainment hype, many people gradually intoxicated by crude and deformed cultural works, keen on a variety of nonsensical hip-hop spoofs, gradually deviated from their own cultural standards, so we lost the simple, become tricky and smooth, insensitive.
The dead are as good as the dead, the classics can not be reproduced, with the life of the theater has become obsolete. I miss Chen Xiaoxu after 90 years, I miss the era filled with idealism, Chen Xiaoxu has left us far away, but I still believe that all the good things will always be there, they are just like ice like condensation, and one day will be reopened like a flower.
Life is like a play, the play is like life, the play of life, should be serious, woo-hoo, the dead, "Red Chamber" era is gone, with the life of the play has become obsolete, only left behind is the playwright's confession:
Please don't believe in my beauty
Also don't believe in my love
In the Underneath the oil-painted face
all I have is a playwright's heart
so
please never
don't take my sorrow seriously
and don't be heartbroken with my performances
dear friend
in this life and in this world
I'm just a playwright
always in someone else's Stories
Keeping my own tears