Gender: Female
English Name: Chiling Lin
Zodiac Sign: Sagittarius
Birthday: November 29, 1974 (R.O.C. 63)
Blood Type: Type B
Height: 174cm
Weight: 53kg
Circumference: 34C 24 36
Education: Double Degree from University of Toronto, Canada (Economics, Western Aesthetics and History)
Education: Double Degree from University of Toronto, Canada (Economics, Western Aesthetics and History)
Favorite: Travel
Life Beliefs: Happy Life, Enrich Life
Most Satisfied with Myself: My parents have given me a good average
AngelFace Tang Anqi Breasts and Slimming Specialty Store
Lee Cooper Jeans Spokesperson
OLAY Magnolia Oil Shower Gel
Olay Magnolia Oil Shower Gel
Olay Magnolia Oil Shower Gel
Only one of the most popular shower gels in the world is the OLAY Magnolia Oil.
Hitachi Silent Cooling DC Wind Tunnel
Taiyaki Beshome Marine Massage Shampoo
Taiyaki Beshome Natural Salt Facial Wash
Taiyaki Beshome Body Wash
Vanguard Fragrance
Lucky Straw
Botanical Yum
Vistra Oil Wizard
Filmus Unity Four Chicken Essence
Pure gold sex gold jewelry (blue coral reef chapter)
MISASA make-up (autumn light star color) print ads
MISASA make-up (autumn light star color)
Magazine graphic model, car show show model
MTV: Everybody (Leslie Cheung), etc.
There is no sign of any dissipation of the "Lin Chi-Ling fever" at all.
The study of the "Chi-Ling Lin phenomenon" has thus become an interesting endeavor, one that will surely help us to learn a lot about the "not-yet-understood" or "never-fully-understood" versions of ourselves. This study will certainly help us to understand a lot of things that are "not yet known", or "never fully known" about ourselves.
[Wei-Hsiung Chien
From the deputy editor-in-chief of World Magazine to the creative director of Dai-Ichi Advertising, he has been in the magazine and advertising industry for 20 years, and is now the editor-in-chief of Digital Times Fortnightly for the revamping project. He is also a student at the Graduate School of Journalism at National Taiwan University, and is hopelessly obsessed with new ideas, trends, and people in society].
Why has Lin Chi-ling exploded in popularity? Will she, in fact, continue to be popular? What does her popularity mean to us in general?
From a sociological point of view, a phenomenon that can disturb society as a whole is often the result of social change, and not by chance. Behind the "Chi-Ling Lin phenomenon", we can pay attention to three interacting variables: "celebrity" (celebrity), "society" (society), and "situation" (situation). A celebrity, usually only in a specific situation, can gain the recognition of a specific community in society, thus creating a large-scale collective mobilization, and if the celebrity is smart enough to evolve with the society that supports her, watches over her, and guards her (usually a group of economic and cultural "new classes"), this one phenomenon can be transformed into a more dramatic one. This phenomenon can be transformed into a more dramatic culture movement. Jacqueline Kennedy in the United States in the 1960s and Princess Diana in Britain in the 1990s have become symbolic stars around the world with the support of young people fighting against the old forces in American and British societies, respectively.
In our modern society, although division of labor, cooperation, and mutual benefit are obvious values, anyone can feel that competition between large and small groups is everywhere. At the time of the change of era, the new era naturally and must challenge the old era, because they have better work skills, knowledge and more cultural capital (the ability to create value and interpretation of meaning) at the same time, but due to their age and seniority, they are often only in the bottom of the social power hierarchy, and a wave of "upward mobility" is naturally born. A desire to "move up" is naturally born. However, this does not mean that the change of each era can be dramatic. Generally speaking, only when there is a large-scale "paradigm shift" in economic rules, technology, and knowledge "rupture", the struggle of the times will be fierce and radicalized.
And we have good reason to believe that the "Chi-Ling Lin phenomenon" is a symptom of the largest power shift in Taiwan, and that the role played by the "beautiful Chi-Ling Lin" is precisely that of a group of young new class self-identification, self-motivation, and self-unity. The role played by the "beautiful Lin Chi-Ling" is a cultural symbol for the self-identification, self-motivation, and self-unification of a new group of young people, and "Lin Chi-Ling" is the embodiment of the "idealized self" of this group of people, as well as a spokesperson; Lin Chi-Ling's popularity is not so much due to her personal beauty, but rather due to the fact that she is a "symbol" (symbol). Lin Chi-ling's popularity is not so much a result of her personal beauty, but rather the fact that she "symbolizes" all the new values that a new class of people promises itself. Her popularity comes from the fact that this new class of people is running, mobilizing, and promoting the new values that it embraces in all corners of the society, or in other words: it is the young marketing managers, college students, new media people, new entrepreneurs, new officials ... ...the result of "voting for themselves" in countless social practices.
[Lin Chi-ling's popularity is not so much a result of her personal beauty as it is a result of her "endorsing" all the new values that a new class of people has promised itself, and her popularity comes from the result of this new class of people running, mobilizing, and promoting the new values that they have embraced in all corners of society
To analyze In order to analyze how the three influencing elements of "star", "society" and "situation" work, the scene becomes particularly clear when we pull the perspective back to the beginning of Lin's popularity in April 2004
The first thing I'd like to do is to take a look at how the three influences work.
First, look at the situation. At this point in time, Lin Chi-ling has been engaged in modeling work for more than ten years, endorsement of more than ten kinds of goods, in fact, she has been a product release to attract the attention of the photographer's favorite, but no one knows "Lin Chi-Ling" is the name of this beautiful woman, she is from "" beautiful nobody" to "beautiful nobody" to "beautiful nobody" to "beautiful nobody". The first step in the process is to make sure that you have a good understanding of what you're getting into, and how you're getting into it.
If you go to the web search system of China Times and United Daily News, you can clearly find that the news of "Chi-Ling Lin" is rapidly increasing after the 319th presidential election voting day. It was only after the presidential election voting day in March 19, 2001, that the number of "Lin Chi-Ling" news increased rapidly (the ratio of the number of news in the eight months before and after this point in time was about 1 to 30, and the number of news with Lin Chi-Ling as the headline was even more of an overwhelming contrast), and even in the news of the launching of a new book by five Kaiwu models, Kaiwu Famous Models' Beauty Manifesto, on March 11, 2004, the editor of the China Times treated it with the headline of "Wang Xiaoshu and other famous models' beautiful books", instead of the headline of "Wang Xiaoshu and other famous models' beautiful books". The title of the book is "Wang Xiaoshu and other famous models beautiful book", rather than Lin Chi-ling as the main character of the news (if it were today, the publisher would only use Lin Chi-ling, and the other four can stand on the side), so it can be seen that in the pre-presidential election, Lin Chi-ling is simply in the state of "not yet red".
The answer to the question "Why did Lin Chi-ling become so popular at this point in time? The key to interpreting the "Chi-Ling Lin phenomenon" is to answer the question, "Why did Chi-Ling Lin become so popular at this point in time? The second factor we will look at here may be to go back to the individual "star Chi-Ling Lin" in April 2004," she said.
[In the process of the rise of handsome men and beautiful women, mere "handsome" and "beauty" are by no means the key factors, they are like the base of the pyramid, which is a necessary condition, but also like those boulders, which only help you to see some distant ups and downs at the edge of the desert, but only to see some distant ups and downs. Seeing some distant ups and downs
Compared with past beauties familiar to Taiwanese, Lin had a few very intriguing media images at the time:
First, she had a relatively special high education - graduated from the University of Toronto in Canada (a traveler's degree), a double degree ( "The two degrees (Western Art History and Economics) combine the two most "in" aspects of "art" and "knowledge". The two most opposing concepts of "art" and "knowledge" are "in", breaking the social concept of "beauty and knowledge are inherently distant".
Second, she is relatively tall -- in Taiwan's familiar experience of beauty, 170 centimeters seems to be a barrier, and those who exceed this measure are usually less flexible (physically and intellectually). From a sociology of the body perspective, a taller but more flexible body usually means that the character has more strength of mind and self-control.
Third, she has an unusually soft personal demeanor - in the face of the limelight, Lin Chi-ling has a rare "shrinking ego" posture of humility. This relatively low-profile, introspective qualities, mirroring the strong talent of the previous two, combined into a rare public figure, extremely special grace and calm. She doesn't rush to a press conference for a rebuttal, she doesn't provoke, she doesn't singe, she doesn't create new rhetoric; this "de-verbalized" strategy of interaction not only disassociates herself from the clamor of the adult world and the hustle and bustle of the teenage society, but also outlines the value of a new kind of stardom.
In the process of the rise of handsome men and beautiful women, simple "handsome" and "beautiful" are by no means the key factors, they are like the base of the pyramid at the bottom of the pedestal, is a necessary condition, but also like those boulders, can only help you in the edge of the desert to see some distant ups and downs only. Some distant ups and downs. The new men and women of each era must come up with new elements of charm so that they can dismantle the old aesthetics of the previous era and ascend to the upper audience of the social horizon.
Lin Chi-ling's beauty certainly needs no introduction, but beautiful women abound, Lin Chi-ling really outstanding is her "knowledge experience", "body" and "style". It is these three things that have made her a breath of fresh air in the chaotic world of blue-green rivalry in Taiwan, where people suffering from political battles have found a space to breathe in the pages of newspapers and TV channels that curse each other. Soon, media, businessmen and politicians sensed the huge economic value of this space, and all kinds of resources scrambled to invest in it (from playing the role of Japan's tourism ambassador, endorsing the international brand Longines, to hosting the Golden Horse Awards), contributing to her unparalleled magnetic attraction.
The third angle is "society". The chaos of the presidential election in March provided the time and space for Lin to become famous, but this is only a short-term demand of social sentiment. The fact that Lin has been so popular until now, and that her popularity has expanded from movie and drama to society and news, and that her popularity has extended from Taiwan to China and Hong Kong, shows that there is a group of collectives in our society who not only consume (through the media) the short-term refreshing and indisputable qualities of Lin, but who are also involved in a larger and deeper level of socialization, such as the "social" and the "social". It has also entered into a larger and deeper process of identity production and reproduction.
To be more precise: we clearly feel that a large group of people in our society have become "Lin Chi-Ling fans", "Lin Chi-Ling voters" and "Lin Chi-Ling tribes". ".
"Fan" (fandom) is emotional, ignoring the negative news of the star and follow, and forms the basis of the star's charisma (e.g., Bae Yong Joon fans). After accepting a star's emotional appeal, "voters" will continue to engage in a dialog with the star's values, which has greater breadth and staying power, but once some of the star's "life politics" claims ("environmental protection", "disadvantaged people") are accepted, the "voters" will continue to follow the star's values, which has greater breadth and staying power. ", "compassion for the disadvantaged", "animal rights" ......) are challenged by voters, they will also turn away en masse (e.g., drunk drivers will always be "only a fan" and not a "fan"). There is only one fan", not "voters").
However, the economic value of both "fans" and "voters" is relatively small, and it is the social style of tribal identity, as depicted by the concept of "ethnicity", that is the real "killer" in celebrity economics. The reason for the "killer application" in economics is very simple, because the main producer of economic output and the maintainer of star power is not the star, but you, me, and him in the style tribe. Look at the "Madonna tribe" in the early 1990s, the "Hamasaki Ayumi tribe" in Japan at the beginning of the 21st century, and the "ipod tribe" of today's Apple computers, these tribal ethnic groups "dress up" in their daily lives. In their daily lives, these tribesmen "dress up" themselves, "consume" tribal cultural commodities, "promote" the concept of tribal leaders, and present themselves as evangelists of the "new whistle of the times". "The new tribal ethnic group is the one that drives away the old guard in terms of ideological or cultural dominance, as the new star eliminates the old star.
In the "Chi-Ling Lin phenomenon", we should be able to clearly see this "star power" transfer - Chi-Ling Lin surpassed Xiao Qiang, and the "Chi-Ling Lin tribe" has become the most popular in the world. The "Lin Chi-Ling family" is out of Taiwan's "forty years old era".
In Taiwan's over-40 society, Chi-Ling Hsiao was once a superstar with a lot of fans, and in the 1990s, when she rose to prominence, the two symbols of "beautiful woman" and "strong woman" merged for the first time in her body, creating a social trend. Xiao Qiang's career was meticulously calculated, and this social image echoed the instrumental ra<--- main page begin --> tionality of Taiwan's ODM electronics industry in those days, and also the workplace trend of the first large-scale entry of women into high-ranking positions in the service industry, which was close to the values and ethics of the workplace. The first of its kind, the "Pinky" is the first of its kind in the world.
But there is no doubt that Xiao Qiang and the managerial rationality of the age of forty are no longer the values to which the new globalized age aspires. The new generation, with a background similar to Lin's, was born in Taiwan's first affluent, deregulated, and internationalized era, with better education, better English skills, more international experience, and more self-confidence and self-practice aspirations, to put it in another way: they are the era of Taiwan's most individualistic beliefs.
[The social style of tribal identity depicted by the concept of "ethnicity" is really the "killer application" of star economics, because the main producer of economic output and the maintainer of star power is not the star, but the style of tribal identity. You, me, him].
The new era's romantic pursuit of "dreams", "possibilities", "wanderlust", and "serendipity" in the outlook of life is not the same as that of the same society.
The romantic pursuit of "dream", "possibility", "drift", and "chance" in the new age is different from the serious ethics of "discipline", "obedience", and "calculation" that are brewing in the "risky age" of the 40-year-old in the same society. The same society, the "risky age" of forty years of age, "discipline", "obedience", "calculation" and other serious ethical **** place, in fact, have a high degree of intrinsic tension with each other (many entrepreneurs say that the young age is the "strawberry people", is a reflection of this tension).
Lin's attitude is usually very humble, but when she was modeling professionally, the way she walked and looked revealed a high degree of confidence and dominance, a confident style that mixes beliefs about life, body maintenance, strategies for dealing with the world, and a sense of aesthetics. The new era of globalization in Taiwan may not be as beautiful as she is, but the desire for this "aestheticized life style" is rather shared. When the over 40s are more enthusiastic about the duel between blue and green ultimate political ideas, the new generation has found in Lin Chi-Ling a point of identity and resistance. Becoming a member of the "Lin Chi-Ling tribe" represents a firm self-worth and confirmation that one is not alone, and we can also find in the rise and fall of Lin Chi-Ling and Hsiao Chiang the "victory of the alternative" in the ethnicity. "The first time I've seen this, I've seen a lot of people who have been in the same boat for a long time.
With this understanding, it's easier to assess: how much longer can Lin Chi-Ling remain popular? And if she can continue to be popular, what kind of interaction will she have with the new relationship she may have with society? The "situation" of the blue-green struggle makes Chi-Ling Lin popular, which seems to be an accident of time, but it is a historical necessity, because sooner or later, the new era that has been thriving will have to choose their spokesperson (just as the manufacturing era chose Qiang Xiao-Qiang). But the key to Lin's continued popularity goes back to the new class relations between society and her counterpart.
[American society in the 1960s, when Jacqueline Kennedy rose to prominence, was a time of collective rebellion among young people, and her highly modern personality traits echoed the zeitgeist of the time, which was looking for change and newness].
[Marilyn Monroe's uniquely "womanly" charisma, a languid femininity that made men fall in love with her, mirrored the gender and career expectations of a vastly expanded white-collar society].
Let's take a look at the English-speaking world, four female celebrities became popular as the "style of the times" story:
Jacqueline Kennedy (Jacqueline Bouvier Kennedy Onassis, 1929-1994), in 1963 Kennedy was assassinated, the President of the United States. President Kennedy was assassinated in 1963, but this tragic event created Jacqueline became the United States of America's "Mother of the Nation" (national gooddess), in fashion, culture and values of life into a globally popular iconic figure. Her rise in the 1960s American society was a time of collective rebellion among young people, and Jacqueline's highly modern (always ready to renew herself and demand that tomorrow's me must be different from today's) personality traits echoed the spirit of the times, which were looking for change and innovation.
Marilyn Monroe (Marilyn Monroe, 1926-1962), because of the filming of "The Seven Year Itch" (The Seven Year ltch) became popular as a sex goddess. She was the first person in the Western world to liberate women from the image of the good wife and mother in the family after World War II. Women were no longer just men's sex slaves, and the division of gender roles in industrial and commercial societies allowed women to gain the power to reverse the status of "domestic laborers," and women had the ability to show their unique charms "as a woman. Women have the ability to show the unique charm of "being a woman", a languid femininity that makes men fall in love with them, reflecting the gender and career expectations of the white-collar class in a society that is growing in numbers.
Princess Diana (Diana Frances Spencer, 1961-1997), who took the world by storm in the 1990s, symbolized that women all over the world no longer had to be *men* (even in positions of power, such as Prince Charles), but could act as autonomous beings, and that her charisma came from the fact that she was capable of dealing with life's tragedies independently, more so than a man (she openly opted for a divorce, while the prince's husband is left to secretly rendezvous with his mistress). This tender yet powerful story of the reversal of power structures has touched the hearts of men and women all over the world who have suffered from "intimacy failure." She has traveled to Bosnia to promote anti-landmine activities, and to Africa to care for malnourished children; she has even independently led her two young children in their fight against the royal family. Diana represents a new breed of independent, confident, beautiful and charming women.
Audrey Hepburn (Audrey Hepburn, 1929-1993), considered the first Hollywood actress with "intellectual", although she was naturally shy, few public activities, but she starred in every movie (from 1953's Roman Holiday, 1961's Breakfast at Tiffany's to 1971's The Rise and Fall of the Crown). Although she was naturally shy, every movie she starred in (from 1953's Roman Holiday, 1961's Breakfast at Tiffany's to 1964's My Fair Lady) elevated the image of women as sensible, and she retired from acting at the height of her powers in the late 1960s to become a UNICEF ambassador in 1988, a position she held for a long time. If Virginia Wolf, the talented British author, symbolized the "lone star" of intellectual women in the 1920s, Audrey's life is a metaphor for the "star" of intellectual women in the second half of the twentieth century. The story of Princess Diana, who became a worldwide sensation in the 1990s, and whose charisma came from her ability to deal with life's sorrows independently, more than a man's, is a gentle yet powerful story of the reversal of power structures that touched men and women around the world whose "intimacy has failed"].
[Audrey Hepburn was the first Hollywood starlet to be "intellectual," and if Woolf, the talented British author, symbolized the "Lone Star"-like sadness of intellectual women in the 1920s, Audrey's life is a metaphor for the "Lone Star" of intellectual women in the second half of the twentieth century, and the "Lone Star" of intellectual women in the second half of the twentieth century. The second half of the twentieth century, intellectual women "group of stars" type of Jedi rebound].
Examining the life histories of these four women, it can be found that they are all in the experience of "female tragedy" (divorced or widowed, Audrey went through two divorces), to obtain a higher star index, which does not mean that the misfortune helps to win the sympathy of the community, but rather, the "unfortunate encounters This does not mean that misfortune helps to win the sympathy of society, but that "misfortune" creates an opportunity for them to express their unique personality, because "sadness is hard to fake" and "sincerity can not be imitated". Their personal suffering starts as a spokesperson for the "females" and gradually turns into a "virtual psychiatrist" who leads by example, teaching individuals in the "tribe" how to overcome their grief. The "virtual psychiatrist" will gradually become a "virtual psychologist" who teaches individuals in the "clan" how to overcome their grief.
So Lin's continued popularity must also be determined by her ability to deal with "life's tragic situations". That's a cruel condition for a woman who is not yet married. But let's not overlook the fact that love loss, injuries, aging, career setbacks, denigration by opposing forces, occasional emotional outbursts, and outward complacency are all "small-scale tragedies," and perhaps the deeper, more mysterious truth is that being "unmarried for a long time" is itself a "tragedy" in itself. But the deeper, more mysterious thing is that perhaps the "late marriage" itself will be a "female tragedy" that will challenge her.
Lin's birth background, as well as the intelligence and sensitivity she has demonstrated in her rise, are enough to keep her popularity on the rise, but the outcome depends on how she manages her life in the future, and whether she has the ability to create "ethical fashion" (ethic fashion), the so-called ethical fashion, which is her way of dealing with old age, sickness and death. The so-called "ethic fashion" is whether she can show a leading and contemporary style of action when facing old age, sickness, death, sadness, joy and happiness. Jacqueline, Audrey Hepburn, Princess Diana in engaging in philanthropy or serving as an ambassador for peace, have exuded the most lacking sense of sincerity of the society at that time, even including their choice of those activities, have a high degree of innovation and forward-looking significance.
["The Goddess" is the social mechanism by which we "sanctify" the original maternal comforting power we feel in our lives. In identifying with the Goddess, the individual in society is transported back to infancy, where he or she feels safe and secure in the bosom of his or her mother].
The last question: why a male idol is not necessarily needed in industrialized societies around the world, but why a goddess is absolutely essential - there are clues to understanding this in sociological research!
As Western European civilization evolved into the early 20th century, Coco Chanel was the first known female public figure (in 1913, she launched the still best-selling No. 5 perfume), but if you look closely at the reasons why women went from being considered incapable of being a public figure to having a public figure that male celebrities couldn't match, you can see that they had a lot to live up to. But if you look closely at why women went from being considered incapable of becoming public figures to having the kind of popularity that male celebrities find difficult to match, you can see that Chane was just a spokesperson for a symbol, like Lin Chi-Ling in Taiwan, and that the changes in industrial society behind the times seemed to be the key motivation - or perhaps it would be more direct to say this: the more industrialized society becomes, the more it needs a Power Goddess!
In addition to the constant pursuit of economic output by industrialized society, the need for a Power Goddess has also become more important. In addition to the fact that industrial society's constant pursuit of increased economic output has pulled women out of the home and into the workplace, and that the "goddess" has become a symbol of their identity and solidarity, the role of the "goddess" is also closely related to the inherent spiritual anxieties of society. Most of the ethics and knowledge in industrial society are about "how to be successful", but paradoxically, the skill most needed by most people in industrial society is "how to accept failure" - in competition, success is always in the hands of a few. In competition, success belongs to the few, and even those few fail in their families and relationships ("Even if I win the world, I lose to myself!"). . People in an industrial society have the thrill of attacking and conquering by day, but more than that, they are afraid at night, and who will soothe a lonely and frustrated soul.
The "Goddess" is the social mechanism by which we "sanctify" our lives by feeling the power of the original maternal comfort. In the process of identifying with the "Goddess", individuals in society feel as if they can return to their infancy, snuggle up to their mother's chest and be satisfied with a sense of security. In the 1940s and 1950s, the cockpits of U.S. Navy fighter jets were covered with stickers of large-breasted actresses. These images were not necessarily used to satisfy the pilots' desire for sex, but rather to help them return to their mothers' arms and hope that she would give them the courage to do so in the moment of life's struggle and death.
In the modern post-industrial society, people are not always successful, no matter men and women, all need a kind of daytime can not see the comforter, she is hidden in the heart of each person, and finally through a symbol of the icon (icon) will be embodied in the sharing of this icon at the same time, the modern people feel the warmth brought about by the "endless love".
This is the first time I've seen the icon in my life.
Perhaps this is another reason why the modest, friendly Lin Chi-ling has become so popular in Taiwan. ......
While she is known for her sexy curves, her sunny, girl-next-door smile is one of the most popular images for many people who have fallen in love with Lin.
The whole process of the design and construction of a new product was done in a way that was not only a good idea, but also a good way to make the product more attractive.
Plastic surgeon Lin Jing Yun analyzed, Lin Chi-ling's facial features, her beautiful straight nose, and sunny smile with the right combination, giving people a very coordinated visual enjoyment.
The endorsement manufacturers of the TV commercials that have been filmed in cooperation with the love of fresh home and the whole rainbow said that Lin Chi-ling's cordial work attitude impressed them, no matter how busy and tired she was, Lin Chi-ling's smile on her face has never disappeared, and to the fans who were waiting at the shooting site, she was also asked to sign autographs and take photographs.
The newest addition to the lineup is a new version of the original, which is a new version of the original, which is a new version of the original, which is a new version of the original, which is a new version of the original, which is a new version of the original, which is a new version of the original, which is a new version of the original, which is a new version of the original.
[Numerologist Cai Shangji: W-shaped chin is the typical face of a beautiful woman, but the relationship will be unstable in the early stages, and you have to marry late to be happy, like Brigitte Lin].
With a sweet smile broadcasting the news, Hou Pei-Chen quickly won the title of Taiwan's first beautiful anchorwoman. Plastic surgeon Lin Jing Yun analyzed why Hou Pei-Chen makes people feel that she smiles at all times is because her eyebrows, eyes, and the corners of her mouth all show an upward curve.
In March 2004, Patty Hau and Chi-Ling Lin*** co-hosted the Golden Melody Awards gala to unveil the finalists, and in July, Chi-Ling Lin was invited to appear on an entertainment news program hosted by Patty Hau, creating a wave of discussion on the Internet about whether Patty Hau or Chi-Ling Lin is beautiful. The program is a great way to get the word out.
Writer Sun Weimang said that beautiful women should be confident in the face of gossip, Hou Pei-Chen was photographed kissing with the subject of the scandal, you can choose not to respond, rather than saying that it is a matter of camera angle.
Since 2004, when she was widely reported in the media, Lin's curvy figure has been the center of attention in front of the fluorescent screen, with adjectives such as "golden ratio" and "perfect" attached to it. Plastic surgeon Lin Jing Yun said, Lin Chi-ling's upper body and lower body proportion, just in line with the best ratio of three to seven, there are magazines have written an analysis, Lin Chi-ling body parts, indeed in line with the golden ratio of one to one point six to eight.
In addition to the nearly perfect body proportion, Lin Chi-ling is a rare model in the East who wears designer clothes and can make the cut of the clothes perfectly express the advantages of her body in the eyes of the French photographer Chang Yi, who specializes in fashion and clothing photography. With a good figure of Lin Chi-ling, will be dressed in a moderate show belonging to the charm of women, with elegant body language with a sense of beauty, people leave the impression of elegant temperament.
[Hair stylist Li Shude: Xiao Qiang keeps Taiwan's standard safe beauty head, long hair with waves, make it clean, shape the elegant image of temperament beauty].
In the advertisement of "Elise Pantyhose", Xiao Qiang was wearing a colorful red low-cut dress, bending down and grabbing the stockings with a puppy, which established the image of Xiao Qiang as the No.1 beauty in Taiwan. Since then, Xiao Qiang's slender figure among actresses has often appeared in front of the public with sexy and bare clothing, and her dress principle does not emphasize the fashionable sense of fashion, but aims to express the sexy image of the style.
After Lin Chi-ling's popularity, she has gained a lot of "beauty image" endorsement opportunities. For example, Fox Movie premieres for powerful films used to invite Cherie Hsiao to attend, but the July 2004 premiere of Ambush on Ten Fronts invited Lin Chi-ling to walk on the red carpet, which allowed the media to begin to associate Lin Chi-ling with Cherie Hsiao, the "first beauty" of the world. The company's "first beauty" title is up for grabs," he said.
The show's performance has made Chi-Ling's career as a model even more appreciated. Photographer Huang Tianren, who has been in and out of many shows for Bazzar magazine, said that Lin Chi-ling is a model he loves to shoot because her curves, facial proportions, and body language look especially good on camera.
Lin's performance on the runway can be judged by the level at which she is invited to walk the runway. In August 2004, Chanel's Asia-Pacific fall/winter show in Taiwan was regarded as the main event in the fashion world, with all of the top domestic models present, and special guests Zhang Zhen and Feng Delun appearing, followed by Chi-Ling Lin taking the lead in the opening show. In October, Lin Chi-ling was invited by Longfan to participate in Paris Fashion Week, the highest honor in the modeling circle.
Hair stylist Lee Shu-Tak said that compared to other models, Lin's hairstyle is bright and distinctive, with slightly curly layered hair that matches her heart-shaped face, light reddish-brown color that makes her skin look lighter, and a hair length that matches her body's proportions just right.
[Numerologist Chua Sheung Kee: The texture of her face is as tender as a ripe peach, but she needs to strengthen her demeanor and express herself in a more personal way].
Yao Chai-Ying, who was seen smiling brightly in the Ginza chocolate commercials, is regarded as Lin Chi-Ling's successor because of her youthfulness, and has been favored by Tang An-Qi this year after Lin Chi-Ling, who has signed on to be the spokesperson for a slimming company. In the modeling circle, Yao has not yet had the experience and performance of walking in big international shows, and her body language on the runway has not yet developed her own characteristics and personality, which can also be seen in her hairstyle.
Hair stylist Li Shude said that it is common for models to keep their hair long and straight, so as to make it easier for them to match the needs of various types of runway shows. Yao, like most models, wears her long, dark, straight hair in a minimalist and natural way, so she can't let her hairstyle add to her overall personality.
Society's ****ed attention and memories have shaped the image of beauty in history. In 1962, when Taiwan TV was launched, the mass media allowed beautiful women in various fields, such as movies, TV programs, and advertisements, to enter the realm of your life and mine. Let's look back at the era of beauty and classic photos that have shone in these forty years.