First, look at the description of the lotus leaves: "The leaves are very high out of the water, like the skirts of the dancers in the pavilion." If we put aside the specific environment, with "green jade disk" to the metaphor of the lotus leaves? Of course, and the expressive power is quite strong. This description not only painted the color of the lotus leaves, but also expressed the quality of the lotus leaves, but also describe the shape of the lotus leaves. However, this metaphor can only be in the sunset, sunset, or drizzle, never in the light in the moonlight. Night does not recognize the color, it is more difficult to identify the quality of the lotus leaves seen in the moonlight, mainly its natural spreading form, very similar to the skirt, and more give the leaves a dynamic beauty.
Writing about the lotus, the original even used three metaphors: "layers of leaves in the middle, sporadically dotted with some white flowers, there are curly open, there are shyly dozen; just as a grain of pearl, as the stars in the blue sky, and as just out of the bath of the beauty." The lotus flower is delicate and gorgeous, and can be compared to a beauty. The Song Dynasty poet Yang Chengli's poem "Lotus Flower" has the sentence "Just like the Han Palace of 3,000 women, half thick makeup, half light makeup". Hazy moonlight to see the lotus as a beauty, and is just out of the bath, the sense of haze is appropriate. On the contrary, if not in the hazy moonlight, and the lotus flowers compared to the "pearl" and "stars" is also a bit far-fetched.
The article describes the scent of the lotus as follows: "The breeze, sending a wisp of fragrance, as if the distant high building of the remote singing." This kind of intermittent, seemingly non-existent feeling will never be produced in the morning of the sound of books, will not be produced in the sunshine at noon, can only be produced in the "wall of the road on the children's laughter, has not been heard," the silence of the moonlit night. Let's look at another sentence about the scent of flowers: "Here, in addition to the luster, there is a faint fragrance, and the aroma seems to be mauve, too, and dreamily gently envelops me." ("Wisteria Falls") This is the scent of flowers in the bright sunshine, purple flowers are "teasing each other with the sunshine", full of dazzling purple stimulate the author to give birth to the "aroma is also lavender" such a feeling seems very natural.
Only one sentence directly describes the moonlight, and this article is mostly about the shadow of the moon, which has been praised by generations of writers as a performance technique. "The bushes that clumped high above fell in jagged patches of dark shadows; the sinister shadows of the curving willows, however, were like paintings on the lotus leaves. The moonlight in the pond was uneven; but light and shadow had a harmonious melody, like the famous song played on the Van Alen." The dark shadows here are jagged and mottled, giving a sense of swaying and undulating movement. Why? Because it falls in the lotus pond. Lotus pond "breeze over the ...... leaves and flowers also have a tremor, like lightning, suddenly passed over the lotus pond over there, the leaves are shoulder-to-shoulder densely next to each other, it will be like a condensation of blue wave marks." The black shadow falls on the wave mark above, of course, more obvious differences and mottled. It is also because the pond is in this dynamic, willow shadow is like "painting" rather than "print" on the lotus leaves. It is also because of the condensation of the blue wave marks, light and shadow is now a quintet of curves, reminiscent of "Van Alen played on the famous song
First, look at the description of the lotus leaves: "Leaves out of the water is very high, like the skirt of the dancers of the Tingting. If we put aside the specific environment, with "green jade disk" to the metaphor of the lotus leaves? Of course, and the expressive power is quite strong. This description not only painted the color of the lotus leaves, but also expressed the quality of the lotus leaves, but also describe the shape of the lotus leaves. However, this metaphor can only be in the sunset, sunset, or drizzle, never in the light in the moonlight. Night does not recognize the color, it is more difficult to identify the quality of the lotus leaves seen in the moonlight, mainly its natural spreading form, very similar to the skirt, and more give the leaves a dynamic beauty.
Writing about the lotus, the original even used three metaphors: "layers of leaves in the middle, sporadically dotted with some white flowers, there are curly open, there are shyly dozen; just as a grain of pearl, as the stars in the blue sky, and as just out of the bath of the beauty." The lotus flower is delicate and gorgeous, and can be compared to a beauty. The Song Dynasty poet Yang Chengli's poem "Lotus Flower" has the sentence "Just like the Han Palace of 3,000 women, half of the thick makeup and half of the light makeup". Hazy moonlight to see the lotus as a beauty, and is just out of the bath, the sense of haze is appropriate. On the contrary, if not in the hazy moonlight, and the lotus flowers compared to the "pearl" and "stars" is also a bit far-fetched.
The article describes the scent of the lotus as follows: "The breeze, sending a wisp of fragrance, as if the distant high building of the remote singing." This kind of intermittent, seemingly non-existent feeling will never be produced in the morning of the sound of books, will not be produced in the sunshine at noon, can only be produced in the "wall of the road on the children's laughter, has not been heard," the silence of the moonlit night. Let's look at another sentence about the scent of flowers: "Here, in addition to the luster, there is a faint fragrance, and the aroma seems to be mauve, too, and dreamily gently envelops me." ("Wisteria Falls") This is the scent of flowers in the bright sunshine, purple flowers are "teasing each other with the sunshine", full of dazzling purple stimulate the author to give birth to the "aroma is also lavender" such a feeling seems very natural.
Only one sentence directly describes the moonlight, and this article is mostly about the shadow of the moon, which has been praised by generations of writers as a performance technique. "The bushes clumped high above fall in jagged patches of dark shadows; the sinister shadows of the curving willows, however, look like they are painted on lotus leaves. The moonlight in the pond was uneven; but light and shadow had a harmonious melody, like the famous song played on the Van Alen." The dark shadows here are jagged and mottled, giving a sense of swaying and undulating movement. Why? Because it falls in the lotus pond. Lotus pond "breeze over the ...... leaves and flowers also have a tremor, like lightning, suddenly passed over the lotus pond over there, the leaves are shoulder-to-shoulder densely next to each other, it will be like a condensation of blue wave marks." The black shadow falls on the wave mark above, of course, more obvious differences and mottled. It is also because the pond is in this dynamic, willow shadow is like "painting" rather than "print" on the lotus leaves. It is also because of the condensation of the blue wave marks, light and shadow is now a quintet of curves, reminiscent of "Van Alen played on the famous song
1. Appreciate the description of the scene
The characteristics of the description of the scene in this article is the description of the lotus pond and the description of the moon color is cleverly combined. The lotus pond is the lotus pond under the moon; the moon color is the moon color on the lotus pond, highlighting the elegant, hazy, quiet beauty. The fourth and fifth paragraphs can best reflect this beauty. Such as: "layers of leaves in the middle, sporadically dotted with some white flowers, there are curly open, there are shyly dozen; just as a grain of pearl, as the stars in the blue sky, and as just out of the bath of the beauty. The breeze sent a wisp of fragrance, as if it were a faint song on a high building in the distance." This paragraph does not write about the moon, but there is moon everywhere, lotus leaves, lotus flowers, are in the hazy moonlight, with a strange luster. The blooming and budding white flowers are compared to "pearls" and "stars", and the beauty of the lotus is written in terms of color and brilliance. Write the fragrance of the lotus, the breeze transmission, like a distant song seems to be like nothing, intermittent, elusive not open lotus fixed. This elegant and distant feeling can only be in the moonlit night alone, such as in the noisy daytime, will never have such a feeling. The fragrance of the lotus is an olfactory image, the author likened it to the "distant high building faint singing", so that it is transformed into an auditory image, this kind of image of a sense into another sense of the image of the writing method, in rhetoric called "general sense" or "joint sense". This kind of writing method transforms the image of one sense into the image of another sense, which is known as "general sense" or "joint sense" in rhetoric. The use of this rhetorical method can inspire readers to more broad and far-reaching imagination and association, so that readers from their own life experience and cultural literacy, to understand the ideological content of the work and the artistic realm. Another example is: "The moonlight, like running water, cascades silently over the leaves and flowers. A thin green mist floats up in the lotus pond. The leaves and flowers seemed as if they had been washed in buttermilk; and like dreams enveloped in a light veil." Putting the lotus leaves and flowers in the background of the moonlight, the word "lagoon" gives a sense of milky white and vividly dripping; the word "floating" also shows the misty and gentle posture of the lotus leaves and flowers under the moonlight. The author is through writing leaves, flowers, quiet, quiet, set off the moonlight hazy soft. Another example is: "The moonlight shines through the trees, and the bushes on the heights, falling in mottled black shadows, are like ghosts; the sparse shadows of the curved willows are like paintings on the lotus leaves." The "dark shadows" and the "silhouettes" here are still about the moonlight, because the shadows are produced by the moonlight shining on the objects. The shadows of the trees are bright and dark, and are staggered, reflecting the lightness of the moonlight. The color of the moon is difficult to describe, but the author writes about the color of the moon through different scenes and from different angles, making the difficult scene as in front of you.
, the author's thoughts from the quiet, seek quiet, get quiet to out of the quiet, back to reality, time is not long, but the feelings have gone through complex changes.