The use of stage folk dance props skills
The use of stage folk dance props is by the attention of the following I would like to introduce the use of stage folk dance props skills, I hope to help you!
1. Emphasize the identity of the role and determine the nature of the event
Relative to the Square Folk Dance traditional props in the interchangeability and abstraction of the object anthropomorphism, the role of Stage Folk Dance props to emphasize the role of the identity of the role and determine the nature of the event in the first place. Dance as a comprehensive art, in the set, costumes and other provided under the premise, dance creators often still need to rely on the role of props in order to complete the accurate role positioning and environmental cues. An oar, a pout, a goat-herding whip, a bucket, etc. can completely reveal the identity, status and environment of the dancer. A wine altar can reflect the joy of harvest farmers, a silk umbrella can fully reveal the feelings of a young girl in spring when trekking; an oar is enough to make the audience feel the vastness of the smoke, the rapid flow of water; a pout can show the Nanniwan warrior's powerful momentum of the opening of the land and making fields. For example, the red silk ribbon in "A Man Who Twists Rice-planting Songs" clearly expresses the identity of the old performer, and the ribbon becomes a link to the beautiful memories, and the ribbon is attached to the old performer's cheek, lightly shaking and fluttering, which delicately reproduces the image of an entertainer who loves dance as much as his life. The flying fans in "Spring" warmly emphasize the hustle and bustle of spring. The motifs of Jiaozhou and Haiyang Yangge, the stretching, controlling and shaking of the fan all figuratively define the overall atmosphere of spring, describing the image of flowers, spring breeze and green leaves, thus giving spring a sense of exuberant life. In the specific use of the fan, different forms are handled to create different images, such as the half-covered fan suggesting shyness, and the fan's flickering over the top highlights the boldness and spiciness. It is because of the unique role of props, the audience can accurately grasp the progress of the plot, to understand the rich emotions of the inner world of the characters.
2. Extend the dynamics of the dancer's body and enrich the expression of the dancer.
From the point of view of dance morphology, the main component of the "human body rhythmic expressive movement" is the "moving human body", i.e., dancers use their own body as a tool to express their understanding of the outside world, to create an image of beauty, and to complete their work. That is to say, dancers use their own bodies as tools to express their understanding of the outside world, to shape the image of beauty, and to complete the creation of art. However, with the help of some dance props to enrich the visual image of the dance and show the dynamic beauty of the dance, it is the inevitable result of the continuous development of the dance from the lower stage to the higher stage. The use of props greatly enriches the dancer's expressive power and dynamic beauty, which expands the human body performance space, extends the human body movement, thus becoming the movement of the human body's "stylized" organic composition, such as long-sleeved dance, a great extension of the dancer's body language movement space, and the dancer's physical form together to form a more broad Expression space, further enriching the audience's visual image, thus achieving a stage effect that is difficult to achieve only by pure body movement. The ribbons in "The East is Red" fully rendered the fiery atmosphere and fully extended the dancers' passionate movements. The sleeve of "Zahidl", the fan of the dialog in "Fanny", the fan of "Arirang" to promote the climax and the dance clues, etc. are all the dancers' beautiful and dynamic posture, which is crucial for the creation of the entire visual environment of the stage.
Chinese folk dance props have a high degree of symbolism. This symbolism is the props at a higher level of operation and development. Props to express the rich inner world of the dance is the Chinese folk dance attaches great importance to and emphasizes. For example, an ordinary handkerchief in Chinese folk dance can fully express the ups and downs of the character's feelings and the shape of his/her heart. Through the handkerchief's throwing, receiving, turning, grasping, swinging, top and other different treatments, can be just right to reveal the character's joy, anger, shyness, urgency and other moods, so that many of the body movement alone is difficult to complete the performance of the mind, and this kind of props, the skill of the actors can easily grasp.
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