Dong Po performed as "flowers on the strand of the three absolute lines" cloud: "flowers on the strand of butterflies fly, the river and mountain is still the former people are not; the remnants of a few times dying old, travelers still sing slowly return!
--Wang Shizhen Xiangzu notes
Wu Wangfei must return to Lin'an in the spring of each year to save their relatives, money is very miss. One spring Wangfei did not return, to the spring color will be old, the stranger flowers have been hair, Qian Qian wrote a letter saying: "the stranger flowers bloom, can be slow to return." Wang Fei received the book did not feel sympathetic heart, said: "Wang Mai, both letters, order me to return, and can not be violated?" So he sent an order to embark on the same day, quickly return to Hangzhou.
Stranger Flowers
Touring the Nine Immortals Mountain, I heard the children's song "Stranger Flowers".
Wu Yue Wang Fei every spring must return to Lin'an,
Wang to the book to leave Fei said: "Stranger flowers bloom, can slowly return."
Wu people use its language for the song, thinking, listening to the poignant, and its words mean wild, for the cloud of easy.
The butterflies and flowers bloom on the street, and the mountains and rivers are not the same as in the past. The people who have been left behind have grown old, and the women who have traveled are slowly returning to their homes with long songs.
There are countless flowers blooming in the mountains, and passers-by scramble to see Cui Pian come. If you want to stay in the hall, you have to go back slowly.
When I was born, I was rich and noble, and when I was born, I was rich and noble, and when I was born, I was rich and noble. I've already made it late for you to go to Lu, but I'm still singing for you to go home.
Flowers on the stranger slowly return
March in the spring, the wind and the sun are warm, walk outside the city, look at the willows above the road, wildflowers, body and mind can not help but light and romantic.
Walking on the street, the mood is poetic kind, elegant and scattered, do not cause haste, just because the stranger blossoms; flowers are natural kind, simple and quiet, not fall into the dust. "March style stranger flowers", is the flower in which the life can be bright, people in which the mood to be free of a mood. March flowers on the stranger, let a person love to let a person obsessed, trance people's bones are precipitated by the shadow of the flower, flower charm.
Stranger blossoms, if there is no life from the mundane tired to come out, quietly stand in the strangers and for the strangers to be intoxicated by the flavor of the people, then the flowers are also lonely, the flavor is also pale. So, a "stranger blossoms, can slowly return" I do not know how many people recited how many times. People return slowly, the flowers will have spirituality, will open persistent, stranger flavor was also provoked by the rich and warm.
That is the spring of a most wonderful picture: surrounded by beauty, a beauty like heavenly fairy, elegant style of the noble lady style swing waist limbs walking in a thousand years ago in the south of the Jiangnan Lin'an on the road, when the stranger flowers, willows, butterflies and bees dance, the March style of charming to the. At this time, a fast horse hit the green shade of the willows in the strand drifted, the postman turned down the horse, panting in a letter to the lady. The lady unfolded a look, can not help but full of spring color. Originally, the king of wu yue qian gold in the palace hall but thinking of the far away in linan strangers of the consort, asked her to just pity the flowers and willows, enjoy the spring, do not have to rush back, "strangers in bloom, can slowly return." Ch'ien Ch'ien, this in the Five Dynasties and Ten Kingdoms in the interstices of the twelve states occupied by the king of Wu-Yue, not to mention how he sits on the mountain, just this some of the Consort's thoughtfulness, the love of the spring color of the feelings of the heart, it is enough to let the descendants of the high-five, slow to return to the return of the return of the return of the return of the return of the return of the return of the return of the return of the return of the return of the slow. What a tender sentence, wandering in the ancient annals of history, colorful called a thousand years.
Just again tender, and then considerate words, it is difficult to make the country to escape the doom of the capitulation, pity and spring of the tenderness of the enemy can not be the ruthlessness of the swords and spears and crossbows. From then on, the stranger flowers still bloom, but the money gold smoke died, the princess cloud to go, only "stranger flowers, can slowly return to carry on" this sentence into a beautiful story, wandering in the Lin'an stranger, waiting for descendants of the memorial. Finally in the Wu Yue "country removed" a hundred years after the fall, the poet Dong Po came to Lin'an. History seems to arrange Dong Po in the fall on the strata of Lin'an, the strata of the spring flowers, flowers also bloom in the fall, but the bones of the spring through the tenderness, while the bones of the fall through the depression. So in the fall of the stranger in bloom, dongpo disappointment to the ancients, a veneration, a "stranger flowers" in the chest of the depression, a spit for quick. "Stranger flowers fly butterflies, rivers and mountains are not the same as in the past", "If you stay in the hall to go, and more from the teachings of the slow return"...... poet sang three sighs, drenched with the feelings of the decline and prosperity of the personnel. Stranger flowers, so open in the rut of history, pectinally, drenched in splendor and vicissitudes of life, saddening.
Walking on the street, although not as woozy as the princess of Wuyue all the way to walk in the flowers on the street, and can not be as sad as the heart of Dong Po, reciting a thousand years of poetry, however, this does not prevent me from Ch'inggold and the Wang Fei's "slow return" as a human being in the face of the nature of the state of mind to be nostalgic, of course, Dong Po through the history of the ruts in the pushes and rain, soaked in the splendor and vicissitudes of life. Of course, Dong Po's historical insights through the blossoming of flowers on the street shook my heart with a powerful force.
I almost fell in front of the flowers. Suddenly I felt that this bunch and clump of flowers on the street, which bloomed and fell, and fell and bloomed again, simply bloomed and fell for the sake of the history and culture of mankind. I don't dare to say that I can touch history and culture, but I can realize that I can touch the delicate and tenacious flowers on the street. The flowers bloom slowly on the stranger, which not only means leisurely, poetic, but the greater meaning is to let our mind in the quiet of the stranger bloom quietly like flowers, return to nature, return to the history and culture of mankind.
Slowly return, slowly return, wearing a "March style", and then pick a bunch of "stranger flowers", slowly return.
Slowly returning, my heart is already a stranger's flower.
An Yiru's work, "Flowers on the Stranger's Path, Returning Slowly"
The Lefu is another great collection of ancient folk songs following the Poetry Classic, with a common language, close to life, meticulous characterization, and a complete storyline, making it an important stage in the development of the pentameter style of Chinese poetic history. Facing the literary treasures of thousands of years ago, are they familiar? Unfamiliar? Time is like a huge wall, blocking the communication of our emotions, the difficult to understand the words from the distant ancient times, exquisite and precious, but so vague and distant, with the help of piles of boring annotations, it can finally be translated into modern language, but the distance, it seems, has not been a little closer. However, in An Yiru's delicate words, Lefu, is no longer just Lefu, she carefully releases them from her heart with the posture of a tiger lightly sniffing the roses, depicting a scene of beautiful and touching historical love scroll behind the classical poems, and leading the readers to listen to a classic and shocking romantic past.
From "Life is Like the First Time You See Me," "It Was Unusual at the Time," and "Thinking of Innocence" to this book, "Flowers Blossom on the Stranger's Path," readers can truly feel that the classical and the modern can be found to fit together, and that over the past few thousand years, everything has changed drastically, but only the hearts of people have been changing slowly. An Yiru is not confined to a literal understanding of classical poetry, nor is it a simple appreciation in the traditional sense, but a kind of prose-essay with a unique style and rich feelings, combining the macro-historical environment and delicate and sincere human emotions, and expounding her unique ideas from a modern perspective. When the reader experiences, understands, and reads it with all his heart, at once, there is a kind of feeling of heart-to-heart across the ages.
An Yiru said: to look at the stories hidden behind the poems, to write some real emotions, real people, carefully describe the true nature of those across the history of time and space, not because of the people abolish the text, nor because of the text abolish the people." It was with the support of this idea that she put pen to paper and wrote a series of articles on the appreciation of ancient poems. And "Stranger Flowers Slowly Returning" is undoubtedly going to bring people more moving and thinking.
Let's go back to the Han Wei, the two Jin dynasties, the Six Dynasties and the Tang Dynasty. Let's go back to Han Wei, two Jin, six dynasties and the Tang Dynasty to see the infinite wind and moon of those times, and ask for some love from those ancient people to warm up our bodies.
From "Life is like the first time you see me", "At that time, it was only ordinary", "Si Wu Yi" until "The flowers on the street bloom slowly return", only in An Yiru's narration, I really feel that the classical and the modern can also find a point of convergence.
Everything has changed dramatically over the millennia, but only the human heart has changed slowly. She is not bound by a literal understanding of classical poetry, nor is it a simple appreciation in the traditional sense, but a kind of prose-essay with a unique style and rich feelings, combining macro historical circumstances and delicate and sincere human emotions, and articulating unique ideas from a modern perspective. When experienced, understood, and read with the heart, I believe there will be a sense of heartfelt connection across the ages.
The history of the North and South Dynasties is light and strange, and the era before the Great Unification is unspeakably absurd and flamboyant. Those simple song chapter, in the history of the tour as bright as the blooming flowers, as tomorrow's flowers withered, or happy or sad, this book is destined to history to deduce love.
With the posture of a tiger sniffing roses, carefully release them from the heart, depicting a scene of classical poetry behind the beautiful, moving historical love picture, leading us to listen to a classic, shocking romantic past.