I think a lot of people have some voice limitations and think that they are not suitable for singing.... In fact, the vast majority of people can sing very well, even if their voices are not good, they can gradually develop through self-exercise.
In fact, when you reach a certain stage of singing, you can say that you gradually use your voice less. There is a reason why some people use their hands to press their voices to prevent them from going up when they sing. But this is not the right way to sing, because if the voice is pressed down, not to go up, it will not be sung to the open fork, but if you use your hands to press, it will have a certain impact on the voice, and also can not play a substantial effect, rather than you really know how to sing. But not all songs have to be held down the voice to sing, such as: the same song, the female fine-tuned version, you have to lift the voice will be sung so fine.
The people who can sing know that singing is to use the gas to sing, and how to use the gas is the key to singing good or bad. But where does it come from? How to practice qi? In fact, the gas is from the dantian and hair, and lifting the gas upward, the voice is only over the sound, and not with the voice to shout, so the voice usage rate is less than the people who do not sing. After the voice passes through the air, it rushes into the brain, the brain and the back of the head, and the nose **** vibration, so as to achieve the real singing. The size of the nasal sound can be self-adjusted. However, the **** vibration in the head is very large, and if it reaches a certain stage, the head will hurt after singing for a long time. But the inhalation does not need to be very sharp, like the smell of flowers, gently cut evenly inhaled.
And Dantian Qi, in fact, there are many ways to exercise, such as practicing martial arts, every day non-stop singing can also be, every day like a madman shouting can also. But I am here is a kind of everyone has not heard of practicing gas method, with a pillow (filled with sand) and then placed on their own small belly, lying down to practice voice, singing, etc. ... You will gradually feel your own dantian qi in the near future.
The following is also a more important common sense, is to sing before you must open the mouth. The so-called opening of the voice is, for example, shouting, or like learning to sing in the voice, that is, from the bass to the treble... The key is raised and lowered... Only after the opening of the voice, the voice can reach a better state, otherwise sometimes there will be a kind of singing can not feel.
The so-called less use of the voice is not not use the voice, but skillful use of the voice. A lot of local singers, they can sing anything, and it's all very similar. But that's not good, everyone has to have their own style. And imitating others can hurt your style, so stick to your own.
When I was learning to sing
Master taught me a method of vocalization
The voice is born, the singing ability is acquired
So the voice is not practiced
I'll tell you the method, and if it's good enough, you'll be able to taste it yourself
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First of all, exhale all the air in your lungs, and exhale it cleanly
Then, breathe in and out, and press your hand on your abdomen, which is often referred to as a single field
Press hard to make the single field bulge, and your hand should be counteracted on the single field, and you should exert yourself
When bulging up, you should exert your hand gradually and hard, and not all at once
From the beginning to the limit, you should exert your hand to the limit, and then you should exert yourself to the limit, and then you should exert yourself to the limit. Hard to hard to hard to the limit, take about five seconds
Then to the strongest, last five seconds
Finally, gradually relax, and not all at once, about five seconds
The whole time, be careful not to breathe.
This is a cycle, practice like this every day, two hours, half a year
Your singing will be very strong, but don't stop in the middle, especially the first seven days of the week, must stick to it
Practice your lung capacity, swim more, run more! Watch more music videos, look at other singers' mouths when they sing, and imitate more! More singing, more practice
Best to find a professional teacher, guidance, so as not to go astray, will not damage the vocal cords, to pay attention to singing, do not use more of their vocal cords, to let their voices far and steady, pay attention to the use of breath, otherwise it will make the vocal cords calloused
Singing is an art, in order to improve the children's performance of the song ability to be given to the training of the singing skills, the training of the singing skills, the training of the singing skills. The training includes: singing posture, breathing, vocalization and bite and other aspects of the requirements.
I, singing posture
Correct singing posture, not only is the singer's good state of mind performance, but also relates to the use of breath, *** sound regulation and the effect of singing, in the training, the students should be allowed to develop good singing habits, so that the two eyes look at the God, jaw inward, the neck is straight and not tense, the spine is straight, the abdomen is slightly closed, the waist is stable.
Two, singing in the breathing
First of all, inhalation, when doing breathing exercises, first do a good job in the correct singing posture, keep the waist straight, chest and shoulders loose, head freely, eyes look away, from the inner to the face of the expression are full of love, and then, "a sigh of relief" so that the chest relaxes, inhalation, the mouth slightly When inhaling, the mouth is slightly opened, the hard and soft palate is lifted, and with the action of lifting the eyebrows, it is very exciting to have the back waist as the main focus, and the waist is loosened outward, so that the gas naturally and smoothly "flows in" so that the waist and back have a "sense of gas", and the chest will naturally have a feeling of width, such as with the "yawning". "Yawn" to feel the above action.
But the exhalation is not allowed to be too deep, or make the chest and abdomen stiff, affecting the flexibility of the voice and the accuracy of the pitch, inhalation should not be sound, on the contrary, not only affects the artistic effect of the singing, but also make the inhalation is not easy to be deep, affecting the support of the breath, so it is necessary to develop the habit of expansion of the two ribs in daily life, and the small abdomen slightly retracted.
Three, vocal exercises are a comprehensive basic skills training, learning to sing must start with the most basic vocal exercises.
1, do get the breath pivot point of the exercise, the experience of suction and sound with the use of scientific humming method, experience and regulate their own singing **** Ming.
2, learn to open your mouth to sing, the upper and lower teeth loose, have a loose jaw "drop feeling" tongue loose against the lower teeth.
3, sing the octave, from low to high, vowel not broken and sing, mouth and throat cavity at the same time from small to large open.
4, the breath is smooth with the sound of a rounded, smooth and comfortable voice.
Four, biting, spitting accurate, clear
Pronunciation exercises, in the final analysis, is to sing the song more perfect, so must pay attention to biting, spitting clear, correctly grasp the language of the echoes, clear the structure of the Chinese language law, the song tune and biting and spitting combined with the practice. When practicing singing, each word in accordance with the outgoing lead to a long return to the rhyme of the biting method, read a few times, and then combined with vocal exercises, with the word with the voice, and strive to achieve the word correctly, the voice and emotion, singing the focus point of the vowel, should be as close as possible to the centralized point of the vocal area, so that the three vocal areas of the **** sounding to be articulated and flexibly adjusted.
Singing art is a combination of sound and literature art, we sing good songs, can not only talk about the sound, do not talk about feelings, and vice versa, we should be the ideological content of the song, the expression of the method, as well as the author of the lyrics, songs of the times, have a comprehensive understanding of the analysis, and then appropriate processing, the artistic image of the song accurately and completely reproduced to achieve the feelings of the sound with the sound, the sound of the feelings.
How to sing high notes
One of the human singing instincts
You have heard the dirge of the blind girl on a rainy night, right? You've also heard the happy men and women singing mountain songs, right? These people have never had any vocal training, and their songs are just as moving to you, because they utilize their natural singing instincts to the fullest. Everything I said earlier about breathing, vocalization, ****ing, soprano, everything is based on natural conditions, along with all the physical conditions that come with nature. Unfortunately, we tend to discard this natural conditions, and to find some "shortcuts", "secret", that is very sad thing.
The singer sings, the role of the larynx belongs to, but the heart can also sway it. In singing, the action of the larynx is completely spontaneous, the singer sings, want to sing what sound, the vocal tension and the number of oscillations will be completely in line with the idea. The vocalization is of course accompanied by the use of the diaphragm, the abdominal muscles, the ribs, the laryngeal tongue and other rapid forces. A newborn baby, who knows nothing of these things, can put those forces to good use. When he cries, he cries sadly; and when he laughs, he makes pleasant tones. Thus it is proved that life is inherently endowed with a natural ability to use our voices freely and with expression.
Two, shout out the high notes first
When we do any kind of exercise, such as pushing a lead ball, we must first have the strength to lift it. People who practice martial arts practice picking up water first in order to increase the strength of their hands and feet, and it is only after they have the strength of their hands and feet that they can dance with a big sword without it flying out of their hands.
Our vocal cords, to be able to resist the high pressure sent up from below, can pronounce words. Some people ask if shouting will happen when the vocal cords make sounds under high pressure, and if they will shout through the vocal cords. No. As long as you maintain the correct breathing and singing posture, you will not break your vocal cords. As for the position of the treble and the masking problem, your treble has not yet shouted out and how to determine its position?
We start by shouting down, half a tone up, #f2, g2, #g2 until, five tones into a group. Do not start to shout too much, because at first your breathing and singing posture may not be right, to sing while correcting, and so on all aspects of the match is good, may wish to shout some more. When #g2 is sung well, a2 is another way of breathing. We know that when we sing high notes, we have to press the breath up in a high-pressure way, and we actually have to use the breath of the waist at this point (see next section), and after we've shouted #a2 with the breath of the waist, we can then use the same breath to shout down #b2.
Generally speaking, the high notes of people who sing soprano voices are innate, it's just that we don't go to use them. A girl who has never had vocal training can usually only sing up to f2, but when she suddenly encounters a horrible thing, he can't help but scream, and that scream may reach f3 in highC, but normally she wouldn't be able to produce such a high tone anyway. So don't be apprehensive, be bold enough to scream at a high pitch, it pays to do it more often.
Three, breathing and posture
If we also have the opportunity to stumble upon a very surprising thing and lose our voice and scream, we must remember the posture of that shout, and then use it to sing the high notes, that's right.
Singing the high notes, unlike singing the low notes, involves pressurizing the air into a thin line that strikes the vocal cords. When the strength of the diaphragm has been used to the apex and it is not possible to pressurize it, waist strength is necessary. As mentioned earlier, the lobes of the lungs are larger than the lung tips, i.e. the bottom is larger than the top, and the top lung tips are expanded outward by the ribs. To use lumbar force, you first cross your waist with your hands (you don't need to pay attention to your abdominal muscles at this time, it will work naturally during inhalation), inhale the air around your waist, feel the front and back of your waist expanding, and then close the air in (open your mouth wide, see figure 7), force your waist and ribs inward, and lift your chest upward, and you'll feel the pressure press down on your palate.
As I said before, f2 - #g2 we use the contraction of the abdominal muscles to increase the pressure, and when we get to a2, we use the waist force, and when we get to descending b2, since only a small amount of air is needed (but with high pressure air), just open your upper lip as if you were yawning, showing a little bit of the upper teeth, and with the tip of the tongue flat on the lower teeth, you will be able to sing descending b2. From b2 down and above, to the notes above highC, the method is the same as b2 down.
Here is another example of singing high notes with the force of waist production.
Singing soprano with the force of the waist is equal to filling a long balloon with air, and then pinching the lower half with your hand, then the upper half of the training is distended, which is like the diaphragm has risen to the apex, and can't go up any further. We will be waist full of air, and then the entire waist and the following open ribs inward, chest out, as if the role of the hand pinch the balloon, resulting in a strong, rising airflow, and this is what we sing soprano to use.
Four, Close and cover
Once upon a time when I was learning to sing, when I sang a high note, I had to Close! And this word is still used in China today. Because of the confusion about the true meaning of Close, I don't know how many tenors have been harmed and how many good voices have been spoiled.
My insight into Close is that it closes the ****ing sound box below and opens the ****ing sound box above. When we sing high notes we need head **** chirping, and that raises the soft lid. We open the upper lip in order to raise the soft lid, and at the same time, we have to use our waist strength to open the soft lid. As for today's domestic people use the term "cover", I think it is better, it means that the treble should not be too white, more or less cover, as if there is a bowl on top of the treble as a double cover.