On the morning of June 6th, we went to Shanghai Museum. The museum is free to visit.
Shanghai Museum, located on the south side of People's Square in the city center, has a circular tripod structure, which symbolizes the traditional saying of "the sky is round and the place is round" in China. Seen from a distance, this building looks like an ancient Chinese bronze ware. Stepping into the circular central hall seems to be isolated from the hustle and bustle of the city and in a silent world of culture and art. Because it is early in the morning, there are not many audiences. What impressed me is that more than half of them are foreign tourists, from Europe, the United States, South Korea, Japan and so on. Among them, I met a Japanese woman, dressed in bright kimonos and clogs, hunched slightly and faltered, as if attending a grand ceremony. Foreigners eager to know the traditional culture of China came to pay their respects.
The whole museum has ten fixed exhibition halls, including bronze, ceramics, calligraphy, painting, sculpture, seals, jade, coins and ethnic handicrafts, as well as international exchange painting and calligraphy exhibitions.
The museum of ancient Chinese bronzes is located on the first floor. It shows all kinds of bronze wine vessels, utensils, musical instruments and weapons from the Xia Dynasty in the 2nd/Kloc-0th century BC to the Warring States Period. At that time, bronzes, as valuable alloys, were made into ceremonial utensils, which were mostly used to worship ancestors and gods, entertain guests and hold grand ceremonies. Bronzes show the aristocratic status, status and rights of the owner. Sacrifice in the late Spring and Autumn Period shows the superb casting skills of the ancients, with complex shapes and exquisite patterns, which is embarrassing. There are bells with different sizes and sounds, which are arranged and combined to play music. The ancients were quite creative and lived a leisurely life.
China ancient ceramics museum is located on the second floor. Ceramic varieties are rich and colorful, simple and elegant, lifelike; Jingdezhen kiln, blue and white riding animals blowing snails, the old people look different and lifelike; There is also the gorgeous tri-colored Tang Dynasty, which brings together the wisdom and exquisite talents of the ancients.
China Painting and Calligraphy Museum is located on the third floor. More than 100 paintings were exhibited. This time, it is mainly the representative works of various schools in the Ming and Qing Dynasties, with diverse styles, exquisite, neatly arranged, rich in ink and exquisite and subtle college paintings; Or pen and ink indulgence, simple, freehand pictographic painting; Sketch works, sentimental landscape flowers and birds, pay attention to pen and ink feelings, slightly take off the shape, emphasize a lot of charm. China's traditional Chinese painting, with different pen and ink, colorful and long history, is a wonderful flower in the world art world. I especially like the works of Yangzhou Jinnong Eight Monsters.
Jin Nong (1687— 1763) was born in Renhe, Zhejiang (now Hangzhou). The word gatekeeper, known as Mr. Dongxin, is nicknamed Liu Jishan, Qujiang Waishi, Yejushi yesterday, Suolong Xianke, the old man of the Three Dynasties, and Jingmanmin. He is well-read and versatile, and has great attainments in painting, calligraphy, poetry and appreciation.
Jin Nong's landscape painting, 26.2 cm long and 34.9 cm wide, is now in Shanghai Museum.
Paper books. Set the color. This volume is twelve volumes. Every opening is a blend of poetry and painting. Only a few scenes are drawn in each opening, but the idea of creating scenery is ingenious and unique, and the brushwork is clumsy and beautiful, which is the true color of Jinnong's painting style. At that time, Jin Nong was in his twilight years, and his art had reached the state of perfection. Because he has seen countless places of interest in his life, read widely and is knowledgeable, he not only has profound attainments in literature, but also has superb calligraphy skills, so he can "paint the past and get rid of the habits of painters" in his painting creation. Although this "Landscape Book" is only a desk sketch, it shows the viewer a broad vision, and its exquisite pen and ink skills and bold composition give people a sense of novelty and lofty charm.
It is generally believed in art history that Jin Nong began to learn painting after Bo Hongxue's ci failed. Although this statement is universal, it is different from historical records. In Li E's "Xie Fan Mountain Residence Collection", there is a phrase "supervising cattle to plow the fields and Ouyang Guizhai". Shoumen is a picture, because the topic is behind. This postscript was written in the fifty-seventh year of Kangxi (A.D. 17 18), and Jinnong was 3 1 year old. This is the earliest record of Jinnong's painting activities. In Mr. Dong Xin's own library, there are also written records of his paintings before he was 40 years old, but his creations at these times were accidental, not his main business, not to meet the needs of food and clothing. In Jin Nong's mind, poetry comes first, followed by painting and calligraphy. He didn't start selling paintings until he was 50 years old, not only because the paintings at that time were close to maturity and formed his own style, but more importantly, he had to use them as a means of making a living.
In the first year of Qianlong (1736), recommended by Ling Qiu (Lu Qing) of Gui 'an County, Zhejiang Province, 49-year-old people had to choose knowledgeable and ambitious ci subjects, but none of them were selected, so they wandered between Qi, Yan and Zhao, and finally went to Yangzhou to make a living by selling paintings, and lived in Sanzhuan and Xisi successively until they were 77 years old. Seeing a painting is like seeing a person, and there is a feeling of reluctance in my heart. It was difficult to accomplish in ancient times.
The lighting in the painting and calligraphy exhibition hall is inductive. When people go to the front, the lights automatically light up, showing the whole picture of the painting. When you leave, the light fades. Such careful design may take into account the influence of strong light on image quality. It's so careful. Reflect respect and protect works, moisten things silently.
The exhibition hall is spacious, dimly lit, spacious and quiet. You can browse quietly and freely, and you can also take pictures. Here, there is no noise, people silently abide by the contract, watch with their eyes and hearts, be peaceful and quiet, taste historical, cultural and artistic treasures, and bathe in a kind of spiritual enjoyment.
On the fourth floor, quaint and elegant Ming Dynasty furniture is displayed. qing dynasty furniture, which is rich in materials, complicated in decoration and heavy and gorgeous, restores the use scenes of halls and ancient furniture in the Ming Dynasty, and Four Treasures of the Study is full of books and ink. I enjoyed it quietly. A foreigner moved to the front with a focused expression, "I'm sorry". I was shocked when the foreigner blurted out. Oh, he blocked my view and couldn't help laughing. It is a virtue to apologize, feel cultural accomplishment and consider others.
Do you care about yourself and neglect to cover others when you are in a hurry?
Advocate nature, calm and calm. Being a man and drawing, going your own way, drawing your own pictures and expressing your feelings have become your own pen and ink procedures and modeling norms. Pingping? Is it easy?
Reflections on Shanghai Museum 2 Today, my parents and I went to the Shanghai Museum. As soon as I got off the bus, eight magnificent white marble statues in front of the museum immediately caught my eye. The museum consists of a cube base and a giant dome, which is divided into four floors with their own characteristics. The first floor is the Bronze Museum, the second floor is the ceramics museum, the third floor is the Painting and Calligraphy Museum, and the fourth floor is the Currency Museum.
We entered the museum hall with the orderly visiting team, and first came to the bronze museum. The bronzes in it are dazzling, and the bronzes such as Dakeding, Xizun and Huangwan have a long history. Dakding was cast at the end of 10 BC. Thousands of years ago, the ancients could create bronzes with such gorgeous and exquisite patterns. It's amazing!
After visiting the Bronze Museum, we came to ceramics museum. I found two very different kinds of porcelain. One is called Ruyaopan, which is a teapot in the Northern Song Dynasty. Its texture is very hard, so far there are no signs of wear, as always. I think this must be the painstaking efforts of an unknown artist in ancient times. On the contrary, the hollow high-handle cups made of black pottery in Dawenkou culture are easily broken, and the wall thickness is only one millimeter, so they are called "eggshell pottery".
After seeing so many cultural relics, I like blue and white porcelain best. Blue dragons are painted on the snow-white porcelain. These dragons are lifelike, and some of them are bared their teeth, as if looking for someone to compete; Some two dragons are intertwined, as if fighting; Some struggled to fly to the sky, as if to take off the sun ... Looking at these energetic dragons, I could not help secretly admiring the rich imagination and exquisite craftsmanship of ancient artists.
One day flies by, and I will leave the museum in a blink of an eye. Looking back at the museum behind me, I deeply feel that the ancient cultural relics in China are not pure works of art, but symbols of the times. Bronze ware, porcelain, sculpture, calligraphy and painting have precipitated China's 5,000-year-old civilization and told the vicissitudes of history. I am proud of the splendid culture of the Chinese nation!
Reflection on Shanghai Museum 3 One day, the school organized us to visit the Shanghai Museum. Shanghai Museum is a large-scale ancient art museum in China, with a collection of 6.5438+0.2 million precious cultural relics, among which bronzes, ceramics and calligraphy and painting are the most important. Shanghai Museum has a total construction area of 39,200 square meters and a height of 29.5 meters. It has eleven special museums and three exhibition halls. Among all the exhibits, my favorite is "Jingdezhen Kiln Blue and White Peony Pot with Twisted Branches" and a painting named "Peach Blossom Double floral axis". Although I have long heard that Jingdezhen's porcelain is famous, I didn't expect our ancestors to hand-make such exquisite porcelain more than a thousand years ago. This kind of porcelain is underglaze colored porcelain fired at high temperature. Its mouth is very small, and the middle protrudes outward. Peony painted in the center of the cylinder is elegant, lovely and lifelike. I seem to smell the flowers through the glass window, which makes me crazy, as if I were playing in the peony flowers. I couldn't help standing in front of it for a long time and didn't want to leave, alas! If only my family had one. ......
When I was still immersed in the exquisite porcelain products in the porcelain museum, a beautiful and moving painting appeared in front of me, that is, the Peach Blossom with Two Strings in Qing Dynasty by Dai Gallery of China Club. This painting, with a length of 132 cm and a width of 50 cm, endows China with a unique traditional national style. It is drawn by hand with brush, ink and silk paper as the main tools. In the picture, a pair of birds stand on a peach blossom branch and sing sweet songs to each other. Its mouth is orange, there is a feather slightly upturned mark just above its head, it is sky blue, and its abdomen is white. The feathers on its back are light brown. The most unusual thing is that it has two long peacock-like feathers on its tail. It is conceivable that its feathers must be beautiful when flying.
If you look at the peach blossoms in the painting, there is a faint pink, as if dancing in the breeze. No wonder these two birds can't help but stay on the peach blossom branch ... Although the visit time is limited, the wealth left by the ancients reflects the long tradition and profound heritage of China ancient culture.
Visiting can not only let us know about the precious cultural relics in ancient China, but also teach us a lot of knowledge, which really makes me proud of my motherland and inspires me to study hard for our motherland.
Clear skies in Wan Li Today is the last day for my father and I to visit Shanghai. We decided to visit the Shanghai Museum, which is one of the largest exhibition halls in Shanghai.
After queuing for nearly an hour, we entered the museum, which is divided into four floors. We decided to go up to the fourth floor first, and then walk down to visit.
The first thing you see on the fourth floor is the Coin Museum, which contains more than 3,000 exhibits, including paper money, knife coins, gold, silver, copper and aluminum ingots. The big TV in the museum introduced us to the development history of ancient coins.
Then we went to the Gujia Pavilion, where the furniture was antique and varied, including chairs, tables, beds and furniture with special purposes. Almost all of these furniture are made of precious wood such as rosewood, rosewood and chicken wing wood. They are very precious and exquisite in workmanship. I really admire the dexterity of ancient craftsmen.
The third floor is the calligraphy hall and painting hall. Let's take a look at calligraphy first. The words here are very well written, with uniform thickness and size, and every word seems to be written alive. The famous teacher's paintings displayed in the gallery include a picture of a shepherd boy grazing, a picture of a lotus flower, and a very long picture of the Riverside at Qingming Festival, each of which is very detailed, as if it had entered a beautiful picture. Later, we went to the ceramic cultural center on the second floor and the bronze museum and sculpture museum on the first floor.
Through today's visit, I gained a lot of knowledge, which really excited me!
On February 10, my parents took me to Shanghai Museum. It rained that day and we stood in line for an hour. Finally, we arrived at the gate of the museum. I saw the shape of the museum, just like an ancient cauldron, and I thought it would be beautiful inside.
The * * * building of the Museum is four stories high, which contains many fine works, including historical relics of various dynasties in China, especially ancient bronzes, calligraphy and paintings, among which the calligraphy works of Wang Xizhi and Wang Xianzhi are the treasures of the town hall.
The first floor of the museum is the ancient bronze museum, the second floor is the ancient ceramics museum, the third floor is the Gu Shuhua Seal Carving Museum, and the fourth floor is the ancient jade, Coin and Ming and Qing Furniture Museum. The whole building is magnificent, and the shape below the upper circle means "a round place" We visited from the fourth floor to the first floor in turn.
Among them, the museum of ancient coins impressed me the most, from which I learned the origin of coins, from seashells to metal coins such as knife coins, copper coins and silver ingots. They have different shapes and strange shapes, some are knife coins in the shape of weapons, Kaiyuan Bao Tong in the outer circle, various ceramic models for making coins, and cash cows that shocked me. ...
During the visit, I saw many foreign friends, who seriously appreciated every collection. I think these treasures belong not only to China, but also to the world. They represent the ancient civilization and traditional culture of China. We should study hard and continue to carry forward China culture.
Shanghai Museum is a very big museum. If you have time to visit, you will benefit a lot, which is of great significance to understanding China culture and China history.
China has a long history of culture, and every Chinese descendant is proud of it. The 5,000-year history of civilization is worth writing in detail by everyone in China. It can be expressed through cultural relics and calligraphy, so I think it is necessary to have a look at the Shanghai Museum. At the same time, through the visit, you will find that even if you are rich in knowledge, you can only understand less than one tenth, and I believe most people can't understand this ratio.
At present, families are all children. At home, they just pass on historical knowledge through books, let children visit the Shanghai Museum, let them know about our nation, our great achievements, our long history and splendid culture, which will help children to motivate themselves and improve their horizons. Shanghai Museum is really a good place to go.
Reflections on Shanghai Museum 7 This trip to the museum has benefited me a lot and I have learned a lot.
Shanghai Museum is a large-scale museum of ancient art in China with an exhibition area of 2,800 square meters. The collection of precious cultural relics is 6.5438+0.2 million pieces, especially bronzes, ceramics, calligraphy and painting. Rich collection and exquisite quality enjoy a high reputation at home and abroad.
Shanghai Museum is famous at home and abroad for its large collection of exquisite artistic relics. Among them, it is characterized by bronzes, ceramics and paintings of past dynasties. The bronzes in Shang Bo are mainly a batch of famous products collected by several collectors in the south of the Yangtze River since the late Qing Dynasty, such as the famous Dakeding. Shang Bo's collection of ceramics concentrates most of the fine products in the south of the Yangtze River, and the pottery elaborately crafted by prehistoric Liangzhu culture is even more rare. Collecting primitive celadon is also a major feature of the collection. The products of representative kilns in Tang and Song Dynasties also have a collection system. As for Jingdezhen's collection of colored porcelain, it is unique. Shang Bo's ancient calligraphy and painting collections are known as half of the country in the south of the Yangtze River. In calligraphy, Wang Xianzhi's Duck Head Pill Sticker, Tang Gaoxian's thousand-character Wen Juan and Huai Su's Bitter Bamboo Shoot Sticker are all masterpieces of one generation. In painting, Gao in the Tang Dynasty, Xia Juan by Dong Yuan in the Five Dynasties, and Eight Monks Picture Juan by Liang Kai in the Song Dynasty are all rare treasures. As for the collection of Ming and Qing painters' works, it is even more contemporary. The collection of other cultural relics has also become a spectacular landscape. Such as coins, ancient jade, seals, sculptures, etc. , have a certain scale, many famous products, self-contained.