On the surface, the lyrics of this Yangtian song are divided into three sections. In fact, only the first sentence of each section is a "substantial word", followed by the fixed line "Uproot the reed flowers" and the imaginary words. Daishi's "fragrant roses and magnolia flowers are blooming". This kind of lyrics structure shows that this song is based on the "flower" to express interest, and does not care about what is being sung. This is also one of the characteristics of general labor songs. This song was recorded by the musician Fike in the early 1950s. It has two kinds of music scores, one is the one included in this book; the other is a stage score. In order to enhance the lyricism, the recorder added the score in the sixth to last chapter. Two short sentences are added to the bar and repeated again, which gives the music a new and lingering meaning, and also balances the music body through expansion, turning the original irregular three sentences into four sentences, and the expanded sentence It plays the role of "turning" sentences. The tone of the whole song is bright, unrestrained and high-spirited, with a little euphemism mixed in. It combines hardness and softness, and combines the characteristics of Jiangnan and Jiangbei, labor songs and lyrical folk songs. This is one of the reasons why it is widely circulated.