"The boat soars far away and the wind blows. I asked the journeyer about his previous path, and hated the morning light." The meaning of this poem is: the boat gently floated forward on the water, lightly moving forward, the wind fluttered lightly and blew up the clothes. I asked pedestrians about the road ahead, hating that the day dawned too slowly.
The line is from a small lyrical fugue composed by Tao Yuanming, a literary scholar of the Jin and Song dynasties: "The Rhetoric of Returning to China".
The thematic idea expressed in the whole text is:
It expresses his understanding of the officialdom and his contemplation of life, and expresses his spiritual sentiments of keeping himself clean and not being a partisan. By describing specific scenes and activities, the work creates a mood of tranquility and comfort, joyfulness and nature, and sends up his ideals of life.
The rhetorical device is: the metaphorical rhetorical device, to express the author's own out of this belongs to the heartless, and like that return to fly the bird, the official career has been very tired of the idea.
The Rhetoric of Returning to the Land of the Ruoxi (归去來兮辞), written by Tao Yuanming (陶渊明), is a declaration of the author's return to the countryside after his resignation from the government. This article was written at the beginning of the author's resignation from the government, and describes his interest in life and inner feelings after he resigned from the government and went back to his hermitage. The language is simple, the diction is free, the craftsmanship is ingenious and natural, the feelings are sincere, the meaning is far-reaching, and there is a strong infectious force. Structural arrangement is rigorous and thorough, prose preface focusing on the narrative, rhyme and fugue is full of lyricism, each of them has its own role to play, into a "double beautiful" trend.
Expanded Information
Author's Biography:
Tao Yuanming (365-427) was a poet, rhetorician, and essayist of the Eastern Jin Dynasty. A Qian, word Yuanliang, private posthumous Jingjie. He was a native of Chaisang, Xunyang (present-day Jiujiang, Jiangxi Province). The Book of Jin and the Book of Song all said that he was the great-grandson of Tao Kan. Once served as Jiangzhou priest, Zhenjun Senjun, Pengze order, and so on, and then went to his post to go back to his hometown, never want to career. He was good at poetry and literature. Most of his poems depicted idyllic scenes and his life in the countryside, which often implied his distaste for the corrupt officialdom and his unwillingness to be complicit in the dirt, as well as his longing for a peaceful society; he also wrote about his anxiety about the shortness of life and his concept of life of conforming to the nature and being contented with the life of heaven and peace of mind, which had more philosophical elements. His artistic characteristics are both plain and bright; his language is simple and natural, but quite refined, with a unique style. There is Tao Yuanming Collection.
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