Common terms for ballet—
1, slats, the general term for leg movements.
2. Use Bat Mang Soup to correct Battement tendu and wipe the floor.
3. Demipley is also Demipley, half squatting.
4. Brother Jean Depouly is also a Grand plie, squatting.
5, Bart Mantang corrected the Japanese generation Battement tendu jete, kicking.
6. Jean de Xiang Bo? Lund jembe? Draw a circle with your legs.
7. Art Artrey, ground
8. Buttermont wind corrects batman square and squats with one leg.
9. In ancient times, it was also Cou-de-pied, and the action foot was located at the ankle of the main foot.
10, Bart Manfra bay? Bartmont Flappe, Little Bouncing Leg
1 1, adagio, adagio, refers to the control action.
12, the nest of aerial anglers
13, Ge Jean de Bart Mang Ri De Bat, kick.
14, the sun is afraid of Rafe, rises, points to half a toe, and toes move.
15, front, front
16, Epulumang Epaulement, head and shoulder movements
17, Cross, Cross, Cross
18, wipe it clean and let's go.
19, Alabasp, AlaBeske, spread your wings and dance in the wind.
20.Egarde (former) Ecarte, peak climbing type
2 1, Egard (rear) Ecarte, overlooking type
22. Artie Posture, crane vertical dance
23. Temporary workers lie in the soup and shift their focus.
24. Balance, swing dance steps
25, toe rotation, toe rotation, rotation.
26. Ndejos, outward
27. Antoine DeDanes is inward.
28, whoosh, small jump
29, Shahiman changed and jumped five feet.
30.Eshabe Echappe, displacement jump
3 1, Glissade in Gorisha, a connecting auxiliary action.
32. Assange is not tired of assembly and jumps up and down.
33. On the same day, Barry made a double jump and a single jump in Pasjet.
34. Sisney Fermi, Victoria Song Fermi, jump with your legs.
35-year-old, Sisone Ovett, Sisone Ovett, control the leg jump.
36, Kubei Coupe, kicking the ground, more as an auxiliary action of jumping.
37. Grand Assan is tireless in Crossay, Grand assemble croise, and big double ups and downs leap forward.
38. grand asan buleiegad grand assemble ecarte, the big one jumps aside and does it.
39. Bashasai, catch up.
40. On the way, turn around
4 1, dot, toe point.
42.Grand rond de jembe jete, a Japanese generation, has big legs.
43.Petit battement refers to the pendulum movement of the calf to the side.
44.Bobatri Pour batterie is an auxiliary exercise of the middle stroke, which is only performed at the grip.
45. Brasport de Bras waves, hand and waist exercises.
46, vestment Failli, flashing
47. Skillful (male)
48.Grande Japanese grandjet, big jump, refers to volley.
49.Ambode Emboite, jumping from one foot to the other.
50. On the day of Basai, I was afraid of Passer Reeve and stood on my toes.
5 1, Suivi Yiwei, Minbu
Extended data:
Body language—
All ballet begins and ends in one of these five postures. These postures were created in the18th century to achieve balance and make feet look beautiful.
Traditional classical ballet techniques are based on the aesthetics of opening, stretching and straightness. Including: five basic foot postures and three basic dances, such as Allah Beske, Posture, Ikate, etc. Leg skills: various layering, including leg stretching, opening, ronddejambo (leg drawing circle);
Jump in various ranges and dances; Various rotations; Leg-hitting skills; Various dance steps and connecting movements; Women's tiptoe dancing skills; Techniques such as support and lift of duet; And porter brass, etc.
These basic movements (elements) of classical ballet are like letters. The choreographer uses these letters to record the characters, identities, emotions and roles of different roles in the development of the plot, and arranges and combines these elements according to specific structural techniques to form visual dance vocabulary to express the plot and create various artistic charm dance images.
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