Chang'an Avenue is even narrowly slanted, green ox and white horse seven fragrant car.
The jade carriage passes through the main house, and the golden whip goes to the marquis' house.
The dragon is carrying the treasure cover, and the phoenix is carrying the tassel with the evening sun.
A hundred feet of roving wire around the tree, a group of delicate birds **** cry flowers.
The bees and butterflies are playing on the side of a thousand doors, and the blue trees and silver platforms have ten thousand kinds of colors.
The two roofs of the house are covered with phoenix wings, and the two windows of the house are connected with each other.
The Liang family's painted pavilion rises from the sky, and the Han emperor's golden stem is straight outside the clouds.
We don't know each other in front of the building, how do we know each other on the street?
I'm not sure if you've ever seen me before, but I'm sure you've never seen me before, and I'm sure you've never seen me again.
The two of them were in the same boat, but they were not in the same boat.
The two of them are really envious of each other, but if you don't see them, you can't see them.
I hate the idea of having to embroider a lone bird in the tent, but I'd rather have a double swallow on the curtain.
The two swallows are flying around the beams of the painting, and the curtains are covered with tulips.
The clouds are on the wings of cicadas, and the first moon is on the yellow of the crows.
The first time I saw this, I was in the middle of a car, and the second time I saw it, I was in the middle of a car.
The demonic child, BMW, is a man of iron, and the whore, Panlong, is a man of gold.
The royal historian crows at night, and the bird wants to roost in front of the courtier's door.
The city is hidden in the jade road, and the curtain at the beginning of the business is not at the end of the golden embankment.
The eagle flies north of Duling with a bomb, and the pills are lent to the guests west of the Weiqiao Bridge.
They invited the chivalrous Furong Sword, and stayed in the prostitute's house.
The whore's dress is purple at sunset, and the song is a chirping atmosphere.
The north hall is like the moon at night, and the south street is like a cloud.
The North Hall of the South Stranger is connected to the North Mile, and there are five dramas and three articles controlling the three cities.
The willow and the green acacia are hanging down on the ground, and the red dust is darkening the sky.
The Han Dynasty Kingu's thousands of riders came, jade Tusu parrot cup.
The jacket and the belt are for you, and the song and the dance are for you.
The other luxuries are called generals and ministers, and the sun turns back to the sky and does not give way.
The first time I saw him, I was so proud of him that I could not stand him.
The authoritarian spirit of this hero, green gnarls and purple swallows sitting in the spring breeze.
He said that he had been singing and dancing for thousands of years, and that he had been extravagant and overbearing.
The world's most beautiful city is a place where you can enjoy the beauty of the sea and the world's most beautiful countryside.
The old golden steps and white jade hall, now only see the green pine in.
The book was written in a bed of books, but it was not written in a bed of books.
The only thing that I can see is the osmanthus flower in the south mountain, which is flying around and attacking people's train.
Since the Han, Wei, and Six Dynasties, there have been a number of works that depicted the life of the upper class in Chang'an, Luoyang, and other famous cities, and some of the poems were satirical through comparison, such as Zuo Si's "Winged History" (a poem about a city in the capital of "Jiji"). Lu Zhaolin's poem uses traditional themes to write about the realities of Chang'an at that time, and expresses today's feelings with "ancient ideas". The whole poem can be divided into four parts.
The first part of the poem (from "Chang'an Avenue is narrow and slanting" to "Prostitutes bend their knees in gold and dragons") describes the life of Chang'an's aristocrats, who competed for luxury and chased after pleasures. The first sentence unfolds the plan of Chang'an with great momentum, intertwined with the avenues and alleys as dense as a spider's web. In the second sentence, the street scene is filled with countless carriages and horses. Such a simple and strong general mention of the program, and then sprinkle open ink, wantonly describe: the jade carriage across, the golden whip deduction, the dragon with the treasure cover, phoenix spit tassels ......, really like the ripples of the sunset, Shu Shu scroll splendor. These "golden whip", ride the "jade carriage", car decorated with expensive, in and out of the princess residence, the princes and lords of the house, of course, is not an idle character. The number of people can be seen in the "vertical and horizontal", "endless", and the rhythm of life is a whirlwind like speed. This scene from the "morning sun" rising to the "evening sun" will close, two or six hours in no time or has been. In Chang'an, not only people are busy, even the scenery is also rich and lively: write "silk" is "hundred feet", write "delicate birds" are flocks, "competition" word "**" word "**". "word" "***" word, all show the bustle of the city. Scenery has the function of accompaniment. The following is written in Chang'an building, and by "flowers" to bring out the bees and butterflies, by the bees and butterflies to bring out the ordinary people have no way to see the palace scene, the pen is flexible. The author does not write about the structure of the palace comprehensively, only to show a few close-ups: the palace door, colorful platforms, carving exquisite acacia patterns of window panes, decorated with gold phoenixes of the double Que's roof ......, so that people through these successive flashes of gold and blue local, overview of the panoramic view of the magnificent palace. Written to the mansion, the tone is more concise: "Liang family (borrowed from the poor soil and wood of the Han Dynasty Liang Ji refers to the Changan aristocrats) paintings in the pavilion in the sky," and the momentum of its lofty than the Han Palace copper columns. This colorful flying ink, a flurry of sights, a few people are dazzled and blossomed. So, in the plane of the thoroughfares and small streets and alleys, standing up the painting of the gorgeous buildings with flying eaves, becoming a three-dimensional "stage", which is the upper class world of bliss. This part of the spend a lot of ink to write the city, also constitute the background of the poem, the next part of the colorful characters are still on the background of this activity.
Chang'an is a sea of people, the number of people to the extent that "the building in front of each other do not know, strangers meet the museum to recognize? Here, "the rich and luxurious, the narrow evil and colorful, everything", written to see enough. The author did not write about the life of the rich and powerful in a comprehensive way, but used a large paragraph to write about the songs and dancers of the rich and powerful, through their emotions, life to generalize the life of the rich and powerful a spot. Here someone fell in love at first sight, and inquired that the fairy Lanyu ("blowing to the purple smoke") like a beautiful woman was a dancer of the noble family, which aroused his passionate love: "To be more than the eyes of why not resign to death, and would like to be a mandarin ducks do not envy the immortal." The dancer also understood: "The lovebirds can be envied, and you can't see them both going and coming together. I hate to embroider a lone luan on the forehead of the tent, but I'd rather have a double swallow posted on the curtain." The four lines of "Lend Me Your Eyes" and "Compare Your Eyes" use the language of inner monologue, which is a song and a harmony, and the man has the intention of the woman. "Compare and contrast", "mandarin ducks", "two swallows", a series of pairs of things and "lone luan", "why don't you die", "why don't you die", "why don't you die", "why don't you die", "why don't you die", "why don't you die". "Why not die", "not envious of immortality", "really enviable", "good to take", "life hate These poems dedicated to "men and women" are, as Wen Yiduo exclaimed, more "morbidly shameless" and "vain" than "looking at each other's breath and hoping for mercy from the king, who can be shy and refuses to go forward" (Wusu Qu by Emperor Jian Wen Di), which is a kind of "morbidly shameless" and "vain". Compared to the "sickly impudence" and "feeble feelings" of the "Dancers" ("Wusu Song" by Emperor Jian Wen Di), "what kind of vigor is this now" and "this really has the power to bring back the dead" ("Self-Redemption of Palace Poetry"). Through the depiction of the dancer's mind, it reflects from the side the longing of people in Chang'an for love. The following poem, cited by the two swallows, is written about the boudoirs of the dancers of the noble singers and singers ("the curtains are covered with tulips"), which are so fragrant; and their make-up ("pieces of traveling clouds are covered with cicadas' wings, and the slender early moon goes up to the yellow of the crows"), which are so enchanting. "Containing a delicate state of love is not a" heh. Dressed up, so loaded into the car treasure horse, with the noble owner of the trip. This part of the end of the two sentences "demon child BMW iron even money, whore Panlong gold bent knee (engraved dragon pattern of the whole leaf, car decorations.)" Bending the knee" is the same as "buxu"." In response to the first part of the article, "Green Ox, White Horse and Seven Fragrant Vehicles", it marks the end of the description of Chang'an's hot daytime scene. The next part of the night in Chang'an, no longer involved in the love affairs of the rich and powerful, in order to let more kinds of characters on the stage "performance", at the same time, from the enjoyment of these people's life is not difficult to deduce the situation of the rich and powerful. It can be seen that the use of simple and simple.
The second part of the book (from "The Imperial Household of the Emperor's Night Cries" to "Swallow Songs and Dances for the King") is mainly centered on marketplace prostitution, and writes about the night life of all kinds of characters. The Book of Han. Zhu Bo (朱博传) says that thousands of crows roost in the cypress trees of the Imperial Palace in Chang'an, and the Records of the Grand Historian (史记). The biography of Ji Zheng says that after Zhai Gong was dismissed from his post as a court officer, the door was deserted, and the first two lines of this part of the poem use the allusion. The words "the crows cry at night" and "the hidden vermilion city is on the jade road, and the remote cui front does not have the golden embankment" describe the dusk scene, indicating that the time has entered the twilight. The phrase "the sparrow wants to roost" implies that the court officials such as the royal historian and the court captains have no power in the court. Night Chang'an has become a paradise for "adventurers", where there are prodigal sons who hold bombs and fly eagles, and unlawful teenagers who assassinate public officials (in the Han Dynasty, Chang'an teenagers had the organization of murdering officials to avenge the death of others, and set up three kinds of red, white and black pellets before the action to touch and take them for assignments, which is why it is called "exploring pellets and borrowing customers"), and those who fight for their lives with the Emperor's officials. "), there is a sword traveling chivalry ......, these people in the daytime on one side of the same odor, seems to invite good like, the night are in the whore's house party. The use of "peach and plum grove" refers to the whore house, not only because peach and plum can be a metaphor for color, but also because of "peach and plum do not say, under from the grove" idiom, implying that it is also people come and go, there is a kind of hot place. People here are enamored of the song and dance, intoxicated by the heavy atmosphere of the mouth, fell under the purple skirt. Inside the prostitute door, "the north hall is like the moon at night", it seems that the youth can last forever; outside the prostitute door, "the south street rides like a cloud", it seems that the door will not be cold. Here, from "night" to "morning" is the same as in the previous part of the poem, from "morning" to "evening", which is the same as in the previous part of the poem, from "dragon" to "night". "The time is consecutive to each other, which shows that people in Chang'an enjoy themselves night after night, week after week. The streets of Chang'an are long, the market is prosperous ("five dramas", "three strips", "three cities" refer to various streets), and there are many prostitutes ("the south street and the north hall are even the north mile"). Lian Beili"), becoming a "social center". In addition to the above several kinds of free characters, there are a large number of forbidden army officers ("Jingo") negligence of duty to drink here for fun. Here is a variety of "goods" exhibition. The Records of the Grand Historian. Shijie Liezhuan" wrote: "the end of the day, the wine, and respect to promote sitting, men and women with the same seat, shoes and slippers crisscrossed. The cups and plates were in a mess, and the candles in the hall were extinguished", "罗襦襟解，微闻芗(香)泽", and here "罗襦宝带为君解", that is to say, one or two of its literal implication of the same scene. In the ancient times, Yan and Zhao had developed songs and dances and had many beautiful people, so they also used "Yan Song and Zhao Dance" to write about their sound and color entertainment. In this part, all kinds of characters in Chang'an appeared one scene after another, "through the 'five plays and three strips' of 'weak willows and green acacias' to '**** stay at the whore's house and peach and plum groves. '. Admittedly, it's not a beautiful hilarity. But there is trembling in this madness, and there is spirituality in this degradation" (Wen Yiduo), which is by no means comparable to the anemic and shriveled palace style poems.
The third part (from "there are luxury called generals and ministers" to "now only see the green pines") writes that the upper class in Chang'an society, in addition to chasing after the hard to satisfy the lust, there is a kind of lust for power, which drives civil and military ministers to fall out with each other. These luxurious figures, known as generals and ministers, have power over the Son of Heaven ("Turning the sun back to heaven") and do not give way to each other. The general was a member of the Han Emperor Wu Di's army, and he was executed by the Prime Minister, Mr. Tian Wuan Hou, because of his association with Dou Ying, who made wine and cursed the seat ("Records of the Grand Historian"). Wei Qi Wu'an Hou Lianzhuan"); Xiao He, the prime minister of Han Gaozu, Gaozu sealed his first ministers of merit, the military ministers are not happy ("Records of the Grand Historian"). Xiao He was the prime minister of Han Gaozu.) The two sentences of "the spirit" use these two canonical references to the mutual exclusion and rivalry between the ministers and generals of the military. The one who is pleased with himself is arrogant for a while, and he claims to be rich and powerful for a thousand years. In this section, the two sentences of "Green Gnarls (dragons, referring to steeds) and Purple Swallows (steeds) sit in the spring breeze" and "Saying that songs and dances will last for a thousand years" echo with the descriptions of carriages, horses, songs and dances in the previous two parts. So although writing another content, but related to each other hook locks, and does not stray. "Self-speaking" and "self-referential", the irony is self-sufficient. The following take advantage of the situation to turn, such as the celestial steed downhill: "The festival scenery does not wait for each other, the mulberry fields and the blue sea will be changed in a moment. In the past, there were golden steps and white jade halls, but now I can only see green pines in (referring to the grave field)." These four lines are not only on the "luxury generals", the actual sweep of the first two parts of the various types of roles mentioned, just as Shen Deqian said: "Chang'an Avenue, luxury and arrogance, narrow and evil and colorful, everything. Since the favorite and chivalrous, and Jin Wu, and the ministers of power, all to the whore house to stay, and said they can always keep rich and powerful carry on. However, in a short time, the ruins and graves are all that remain." (Tang Dynasty Poetry) The four lines not only contrast with the previous long narrative in terms of content, but also in terms of form, the language has become plain and simple. As a result, there is also a contrast in the color of the words, which accentuates the tragic effect of sweeping away everything. Wen Yiduo pointed out this new evolution, here seems to have "persuade a hundred ironic" suspicion. The first part of the poem is about the "irony" in the palace style poem, how rusty a message!
The fourth part of the last four lines, on the basis of the vertical contrast between the past and the present, and then make a horizontal contrast to the poor and sad book Yang Xiong self-reporting, and Chang'an luxury characters in contrast to the end of the poem, which is obvious that Zuo Si, "Jizi within the capital city" a poem influence. However, Zuo Si's poem is written in eight lines about luxurious people and eight lines about Yang Xiong. And this poem to sixty-four lines to write luxury, the richness of its content, the picture of the grand, the details of the vivid are far from the left poem can be compared to; the end of the four lines written Yang Xiong, the contrast here in the weight seems to be disproportionate but the effect is more significant. In front is the city of Chang'an, boisterous; and here is the Terminal South Mountain, "silent and lonesome". The front is to let love and lust rely on power, here is a clear mind, do not want glory ("years and years a bed of books"). The former's reputation is extinguished, but the latter's literary reputation has been known for centuries ("Only the South Mountain osmanthus hair, flying to and fro to attack the train of people"). Although four sentences to sixty-four sentences, has its own "hammer although small pressure thousand pounds" feeling. This ending not only implies the criticism of the extravagant and vulgar life in the very different life interest, but also carries the sense of indignation and loneliness of those who do not meet the time and the meaning of self-condemnation. It is the place where this poem comes back to its interest.
This is the first time in the early Tang Dynasty that a poem like this was written. And better still, it is full of emotion and power. It mainly uses the fugue method, but is not an average force, spread all the time; but there are key, detailed description, back and forth, appropriate details; and the end is quite Xingyi, enduring aria. It is generally four lines of a change of scenery or a change of meaning, the rhyme iterative conversion, the formation of a dragon and tiger like the rhythm of excursion. At the same time, in the change of meaning at the change of scene more use of the ligature (such as "...... good to take the curtain post double swallows. Double swallows ......", "...... delicate early moon on the crow yellow. Crow yellow ......"), or the former divided after the total of the compound compound layer recursive sentence style (such as "to become than the eye why not resigned to death, would like to be mandarin ducks do not envy the immortal. The two of them are ......", "The people in the North Hall are like the moon at night, and the riders in the South Strand are like clouds in the morning. South Mor North Hall ......", "The spirit of the spirit from the row of irrigation husband, authoritarian judgment can not be Xiao Xiang. The authoritarian spirit ......"), so that the intention to change the rhetoric, forming a gas to the end and the melody of the intertwining and repeating. In this way, the end of the Chen Sui "sound time bad, the rhythm is not harmonious" phenomenon, "a change and the essence of Liu Liang; rise and fall, all harmonious Gongshang; open and close the conversion, salty in the kanxin" ("Poetry Serval" within the editorial volume 3); therefore, Hu Yinglin extremely mouth praise: "seven words long body, extremely in this carry on!" (Ibid.) Although, this poem colorful rich support, still have the six dynasty Yu Xi, but generally can obey the new content needs; the first few parts of the luxury of the spread so many beautiful sentences, the end of the vertical and horizontal contrast to clear words, so do not hurt in the floating colorful. In the poetry world of the early Tang Dynasty, where the Gong style was still blazing, Lu Zhaolin "let go of his bold and mellow voice" and sang such a song to overwhelm the "weak and delicate insect chants on all sides", which was indeed a welcome new sound in the history of the development of the Seven Ancient Songs, and in terms of the artistic value of the poem itself, it was enough for him to be praised as "not abolishing the river". The first time I saw this, I was in the middle of the night, and I was in the middle of the night.