This poem laments that things are different, and advises people not to pursue superficial flashy things too much, cherish the real things and live a good life. This is an antique sentence written by contemporary people.
Content of the original poem:
At the end of the song, people are scattered, everything is like a dream, and prosperity is exhausted.
When the wind stops, the dust is fragrant and the flowers are exhausted, and the hair is tired at night.
Things are people, not everything, and tears flow first.
The allusions used in this poem:
1, used as: "The end of the song is not seen, and the peak on the river is green."
The original text is as follows:
Qian Qi in Tang Dynasty: Hunan's Provincial Examination
It is often heard that the immortals in Xiangshui are good at playing the piano and singing.
Beautiful music makes Feng, the river god, dance and dance, which is unbearable for travelers who travel far away.
Deep and sad melody, even hard stones are moved by sadness; The sonorous, high-pitched musical tone is so penetrating that it has been flying to lofty places.
Cangwu complains, and Angelica dahurica is fragrant.
Running water flows to Pu, and I hate Taiwan crossing Dongting.
The music is quiet, but there is no drums of the water god. The river disappears, revealing several peaks, which are green and charming.
2. Background introduction
This poem was circulated for a while, which established Qian Qi's immortal reputation in the field of poetry. This poem, named Xiang Gu Ling Se, is taken from the poem "Make Xiang Gu Ling Se Xi and Hai Ruo Dance Feng Yi" in Chu Ci Yuan You, which contains a beautiful legend-Shun Di was buried in Cangwu Mountain after her death, and her concubine threw herself into Xiang Shui because of grief and became the goddess of Xiang Shui; She often plays the piano by the river and expresses her grief with the harp.
According to the requirement that the trial poem should stick to the theme and not be detached, the poet summarized the theme in the first two sentences, pointed out the legend that the goddess of Xiang water was good at drumming instruments, and secretly used the meaning of "Nine Songs of Mrs. Xiang" and "Going to the North of Zhu" to describe the goddess going to the shore of Xiang water. She was full of sadness, stroking clouds and musical instruments, and playing weeping music.
The touching sound of the harp first attracted Feng Yi, the water god, who danced wildly in front of Xiangling. But the word "empty" shows that Feng Yi doesn't understand Xiangling's sadness. But those "Chu Ke" who were relegated to Xiangshui appreciated Xiangling's sad heart hidden in the music, and could not help feeling sad and unbearable.
Please refer to Baidu Encyclopedia-Hunan se Provincial Examination for the above contents.