Chinese name
Camellia girl
Foreign name
Camellia girl
Author
Elken Abso
Source
Adapted from Russian folk songs
Adapted from Russian folk songs
Lyricist:
Feng Chen
Arranger:
Erken Abra
Song lyrics
If you are in a bad mood today
Don’t think about anything else
I will take you to a magical place
Make you feel different
p>
Let joy be by your side
A cup of tea and forget the sorrow
A cup of tea and forget the sorrow
A life without ideals and love
Just like a cup of coffee without sugar
A life with laughter and tears
Even if it is difficult, it is what I want
Let joy be by your side
A cup of tea and forget the sorrow
Let joy be by your side
A cup of tea and forget the sorrow
No matter whether it is windy, rainy or sunny tomorrow
I am willing to be by your side
Whether life is happy or bleak
You tell yourself to be strong
Forget the sadness with a cup of tea
Let joy be by your side
A cup of tea and forget the sorrow
Let joy be by your side
A cup of tea and forget the sorrow
A cup of tea and forget about sorrow
Related introduction
Lyricist
Mikhail Madusovsky is a famous Soviet lyricist , winner of the Soviet State Prize for Literature and Art. In the spring of 1942, he published a short poem "Singing Lake Ilmin" in a war newspaper, which was composed into a song by an old musician Marian Kovar. That song did not arouse any repercussions, but its tonal basis and its rhythmic structure were accumulated in the depths of the poet's creative memory. 25 years later, it finally got a new life in "Moscow Suburbs at Night". The artistic conception of the poem "Evening on the outskirts of Moscow" is similar to that of "Singing Lake Ilmin". As for the number of syllables and iambic meter, the two poems are completely consistent.
Madusovsky’s poems brilliantly depict the inherent simplicity and beauty of Russian nature; in the songs, the sincere and excited voices of young people, the emerging love and the feeling of farewell before dawn are all Blending harmoniously with the beauty of nature. And Solovyov Sedoy's charming, crystal-clear melodies support and develop the poetic image, as if born from Russian nature itself. In the words of the composer himself, the song "flows out from under the tip of the pen along with the letters."
Composer
Vasily Solovyov Sedoy (1907-1979) was one of the most famous composers of the Soviet era. He was born in St. Petersburg into a garden sweeper's family. His father could play the accordion, his mother was a good singer of folk songs, and his brothers and sisters also liked to play and sing, so when Vasily was seven or eight years old, he could play the songs he heard fluently on the guitar and mandolin. There was a small cinema in the building with a piano. Vasily often helped the projectionist organize film reels after school, so the projectionist allowed Vasily to play the piano for a while. Vasily was self-taught and relied only on his own hearing. He quickly learned to play some pieces of music and became an indispensable little pianist at school evenings. After the October Revolution, the Solovyov family moved from the dark cellar to a spacious house with a piano. At the age of ten, Vasily also began to formally study piano with a female teacher.
After graduating from high school, Vasily worked in several clubs and cultural centers.
This sixteen or seventeen-year-old boy often improvises accompaniment as the plot develops on stage, fully demonstrating his talent. In 1929, Vasily was admitted to the Central Music College in Leningrad. Two years later he transferred to the composition department of the Conservatory of Music and graduated in 1936. During the Great Patriotic War, he served as artistic director in the mobile battlefield theater "Sea Eagle" and in the actor group of the Baltic Fleet.
Since 1948, he has served as chairman of the Leningrad Composers' Association. He was awarded the highest honorary title of "People's Artist of the Soviet Union". Solovyov Sedoy was good at writing lyrical songs and witty songs. His marches are not many in number, but they are not inferior in any way. He has scored more than 40 films in his life (of course, film inserts are indispensable), and composed more than 400 songs of various styles and styles. Among the most familiar ones to our people, in addition to "Evening on the Suburbs of Moscow", there are also "Night at the Harbor", "Spring Comes to Our Battlefield", "Song of the Communist Youth League Members" and "Departure", etc.