Tibetan opera originated from Tibetan religious art in the 8th century. In the 17th century, it was separated from the religious rituals in monasteries and gradually formed a life-oriented performance that was mainly based on singing and combined with basic procedures such as singing, chanting, dancing, expression, speaking and skills.
Tibetan opera is basically a square opera, and singing and dancing are the outstanding features of Tibetan opera. Dance is often not directly related to the plot, but is mainly used to enhance the atmosphere of the performance. Only a few movements in the dance have some symbolic meaning, and most of them imitate the movements of labor, life and animals.
After the peaceful liberation of Tibet, the Tibetan Autonomous Region Government established the Tibet Autonomous Region Tibetan Opera Troupe based on the original Juemulung Tibetan Opera Troupe. It took on the task of inheriting and developing Tibetan opera, and successively organized and performed some "Langsa Wen Clam" Traditional plays such as "Princess Wencheng" and "Prince Nuosang" have also created and performed some modern-themed plays. On the basis of maintaining the original square artistic characteristics of Tibetan opera, the troupe has practiced theater stage art, making Tibetan opera from the square. On stage, there are lights, scenery, costumes, and orchestral accompaniment.
After the 1980s, the Qinghai Tibetan Opera Troupe was established in Huangnan. It created and performed excellent plays such as "The Fairy of Joy", "The Messenger of the King of Tibet" and "The Golden Dawn", which produced many works at home and abroad. Big impact.