(I) Characteristics of Spinning
1. The spinning technique in the basic training of Classical Chinese Dance is mainly characterized by the dance structure of twisting and tilting form, which is still very different from the spinning in the basic training of ballet. Ballet basic training in the rotation are straight, mostly in the frontal plane on the basis of three-dimensional composition and shaping the image, therefore, the action is long and stretching, a strong sense of extension. The body's drive, the arm's drive, the cross drive is very important, the rotation depends on the coordination of the whole body.
The rotation in the basic training of Chinese classical dance, in addition to the straight body rotation, is characterized by the body shape in the twisting and tilting rotation of the dance posture modeling on the turn, especially "tilting" on the balance of the center of gravity on the turn, the upper and lower body into the meridian phase on the basis of the three-dimensional composition of the shape of the image. Therefore, the action shows the slenderness in the graceful turn, the continuation in the rapid belt in the air, and the change of the rotating spiral shape, such as the reverse tucking leg back to the chest turn, backward side turn.
2, the waist with the characteristics of the movement, the formation of Chinese classical dance basic training in the turn of a variety of "law", and more generally in the process of moving the "law". Such as the big tuck step turn, sweep the hall to explore the sea turn.
3, Chinese classical dance basic training in folk dance posture turn "body law" is very strong, part of the folk dance posture turn, can be said to be the body of the law to be continued and exaggerated.
4. The mobility and complexity of the folk dance posture turn is relatively strong, with large spatial changes, such as the turn from the bottom to the top or the turn from the top to the bottom, and the complexity and mobility of various dance postures in the process of the turn.
The development of folk dance is just the beginning, there is still a lot of room, there are good prospects.
(2) The Characteristics of Turning Over
Turning over is a national skill that we are blessed with. It is incomparable to any other country and any other nation in terms of the variety of styles and the splendor of its variations.
Turning over is a unique technique in the basic training of Chinese classical dance, which is a turning over with the waist as the axis and the body tilted at the horizontal line. The movement runs through the forms of twisting, tilting, pitching and side lifting from the beginning to the end.
1. Strong ethnicity
The technique form of turning over fully embodies the aesthetic characteristics of classical dance and the characteristics of movement, and it is also the closest combination with the body method. Therefore, it has a strong national character.
2. Strong image
Turning over has a clear image in space movement, such as "sea-visiting turn over", "limp turn over" and other large-scale slow turn over, the arc movement in space is continuous and rounded, just like undulating waves; The "point step somersault" is quick and agile, as fast as lightning; the continuous "string somersault" is like a rolling wheel, with a strong visualization.
3, expressive
Turning over with a variety of different speeds and rhythms, different connections, different personalities, resulting in different artistic sensory effects, so that you can show a variety of different feelings and moods, such as slow continuous turn over, showing a lingering feeling; fast turn over, showing clean or light and playful; rapid and powerful performance of martial arts and robust! ......
Chinese classical dance somersault has a new development, rich in structural form, strengthened mobility and composite, strengthened contrast, in addition to the character of rigid and soft, sharp and slow, big and small, fast and slow contrast, as a training content and means of expression of the skills of the Chinese classical dance basic training, it can be further developed, better show our national identity. show the national characteristics of our people.
(3) Characteristics of bouncing
The bouncing in the basic training of classical Chinese dance requires lightness and drift in the method of exertion, and requires the combination of looseness and tightness in the process of movement, concentration of force, and quickness in the process, and pays attention to "exerting force at the root and exerting force at the tip", and to the "inch strength". "
In terms of bouncing, the characteristics of our nation are becoming more and more obvious and difficult.
1, the original national skills to new and strengthen the difficulty.
2. Strengthening the "body style": develop the body style movement on the ground into the air. In the process of jumping, it shows twisting, tilting, turning, flashing, spreading, prancing and moving.
3. The horizontal turn in the air has been newly developed, which shows the characteristics of our national skills and the strengthening of skills.
4. The contrast between high and low, ups and downs, and contrast is another characteristic of the bouncing of Chinese classical dance.
5. Due to the explosive power of the bouncing technique, it provides and creates conditions for the development of the complexity of the bouncing technique, and there is a substantial development in the compound technique of bouncing.
6, the change of orientation in the air is also a characteristic of classical dance jumping.
7, the combination of bouncing and martial arts skills.
Numerous stances and techniques are important aspects to be absorbed in classical dance. However, the purpose of their training is not the same. While training in martial arts is aimed at technique and attack and defense, training in dance is aimed at portraying the figure and characterization of the character.
8. Combined with the body method, it forms and strengthens the mobility and linguistic and stylistic characteristics of classical dance.