5. Jiaozhou Yangge
I. Introduction to the cultural background of Jiaozhou Yangge
Jiaozhou Yangge is commonly known as "Running Yangge," a folk square song and dance that has been passed down around Jiaoxian County, Lunan. Jiaozhou Yangge consists of two parts, "running and small theater". In Jiaozhou Yangge, each character's dance posture and rhythm has its own unique characteristics, such as the fan girl's dance performance has the characteristic of stretching, the Little Man has the characteristic of gentle, and the Cuihua has the characteristic of spiciness. Therefore, we can appreciate the stretching and generous, enthusiastic and dexterous inner state and the beautiful dancing characteristics of the Jiaozhou Yangge women's dance style.
Shandong Jiaozhou Yangge Dance Appreciation Knowledge
Jiaozhou Yangge in the dance of the physical characteristics of the performance of the "three curves", that is to say, we appreciate the Jiaozhou Yangge will find that the women's dance movements have the characteristics of the "three curves". The aesthetic characteristics of the dance are: twisting, grinding, stretching and toughness. At the same time, because of its dance movements in the footwork is very rich, most of the double knee slightly bent, waist twisting, so in the performance of the actor's body needs to have the overall coordination of the ability to screw the foot to have the strength of the viscous force of the knee, the waist to have a twisted neck, the arm should be stretched, only to these dynamic requirements of the dance all to do so in order to complete the performance of the Jiaozhou rice-planting song of the characteristics of the dance style. How about friends, sounds difficult, right? In fact, it is really difficult, in the professional dance colleges, Jiaozhou Yangge this material is mostly in the high class will be opened, because its training is more to see the effort time-consuming, so there is no some of the dance foundation, want to show a good Jiaozhou Yangge style characteristics is not easy.
6. Anhui Flower Drum Lantern
Anhui Flower Drum Lantern Cultural Background
Flower Drum Lantern is a folk song and dance art that is very popular in China's Huaihe River Valley, especially in the rural areas around the northern part of the country. From the style characteristics, it is from the local lanterns, social fire customs gradually formed and perfected. The dance art form of Hua Gu Lantern has comprehensive characteristics, which includes three parts: dance, singing and opera, which are relatively independent in form, and they are characterized by the following features: ① No dance during the song, no song during the dance. Whether the combination of song and dance can be organic and harmonious. ② It is characterized by the combination of self-indulgence and performance. ③ Its accompanying instruments are percussion: a large gong, a flower drum, a small cymbal, a large cymbal and a small tambourine are composed. Fans and handkerchiefs are the main props during the performance of flower-drum lanterns.
Anhui Flower Drum Lantern Dance Appreciation Knowledge
Flower Drum Lantern Dance is characterized by twisting and tilting in the body rhythm, as well as emphasizing the three bends formed by the actor's body in the twisting and tilting state of movement. Nowadays, most of the movements used in our dance programs are the dance parts of the "Small Flower Field" of Fengtai and Huaiyuan schools of Anhui Flower Drum Lantern folklore, and the basic movements of "Wind Swinging Willow", "Single-turned Leaning Tower" and "Three-turned Back", as well as other basic movements of steps and frames, which are distinctively featured by the professional dancers, have been selected from the characters of "Big Orchid", "Small Orchid" and "Racks". The basic movements of the footwork and the frame.
We appreciate the Anhui Flower Drum Lantern Dance from three main aspects to observe the performance of a dancer in the dance. First, we should observe the actor in the dance calf rapid pounding and brake control ability, whether it can reflect the "slip up, brake, flexible and changeable dance rhythms. Secondly, we have to look at the physical characteristics of the actor's body "twisting, leaning and rotating" during the dance. Finally, we have to look at the dancer's ability to grasp the rhythm of the dance performance, as well as the magnitude of the movement of the center of gravity of the body, the speed of the movement and so on. Of course, the most important thing is to see whether the dancer's inner feeling is rich, and whether she can reflect the aesthetic style characteristics of the Flower Drum Lantern, which is "delicate, dignified, beautiful and sharp"."
7. Northeast Yangge
I. Northeast Yangge Cultural Background
China's earliest Yangge was produced in the Central Plains, and then spread to the Northeast region, where it was cultivated by the Han and Manchu peoples***. Shunzhi years of the Qing Dynasty, "Yang Bin" in the "Willow side of the record" has recorded: "on the night of the New Year's Eve, the good people are always dressed up rice-planting songs." This shows that the circulation and development of the northeast rice-planting song has a history of at least three hundred years.
In the northeast of China, there are three types of rice-planting songs:
1, rice-planting songs on stilts
2, two people
3, rice-planting songs.
The common props used in the performance of the rice-planting songs are handkerchiefs and fans, but also other props, such as: hand jade, etc.? The music of Northeast Rice-planting Song is also very characteristic, in which suona and cymbals are commonly used musical accompaniment instruments. The style of Northeast Yangge can be summarized as: "stable in the wave", which is precisely the Northeast people's rough and simple spiritual qualities, character psychology and life interests of the art of generalization.
Second, the Northeast rice-planting dance appreciation knowledge
Han's Northeast rice-planting dance form, mainly to walk phase, stable phase, drum phase, hand towel flower (specific dance training content name) to reflect the style of dance. To appreciate the Northeast Yangge, we have to start from the dancer's footsteps, and look at the actor's body from the bottom up to show the beauty of coordination, that is, whether the actor in the dance dynamics embodied by the feet of the kicking steps led by the upper body of the twisting and twisting and wrist around the flower of a kind of coordination. Another important point to appreciate the Northeast Rice-planting Song is to see the performance skills of the handkerchief flower. The handkerchief flower is the "handkerchief" that we often say in our lives. In the dance, the handkerchief flower is not only a kind of skill performance, but also one of the main means to express the emotion. In the dance, different handkerchiefs are often used to show different characters with different ways of playing and changing rhythms. It can not only use the beautiful "piece of flower" (a kind of handkerchief flower play) to show the beauty and shyness of the big girl, but also can be flexible and brisk "Swallow wings" (a kind of dance movement and handkerchief flower combination of dance dynamics) to show that the little girl's handsome and spirited handkerchief flower is the main link of the dance performance to highlight the power of realization. Of course, in addition, we also need to look at the inner rhythm of the actor's grasp and body control ability in the dance. In short, excellent dancers can always put the dance performance of the free, so that the audience in the dance to appreciate the dazzle.
8. Dai
I. Dai dance cultural background knowledge
The Dai people live in the subtropical region, due to the hot and humid weather, and live in ?
The Dai people live in subtropical areas, due to the hot and humid weather, and live in the tranquil countryside, people do not like intense activities, so the dance is more stable, tranquil, jumping less, the rhythm of the rhythm of the majority of the 2 / 4 beats of the rhythm of the continuous type of dance, dance the basic rhythms of the leg to maintain a semi-squatting state, the heavy beat down, the knees in the bending of the bending, stretching and action, to bend the body driven by the body of the quivering and left and right pendulum; feet are mostly kicked, kicked up quickly and powerfully, landed on the ground when a light and steady, the rhythms are not only This rhythm not only simulates the gait of the peacock walking, but also like an elephant strolling in the forest, with an inherent subtle and steady power beauty.
Mouth dance styling of? and? A smooth side? The fusion of the two forms a combination of soft lines, reflecting the peaceful, soothing regularity characteristic of the Dai dance. The dance posture? Yishunbian? comes from people's labor life, such as the gait and form of the Dai girls when they carry water, grain, and raise the field. In the agricultural work, when sifting grain with a big fan, the hands, feet and body are in the same direction, so the dance posture is not only characterized by three curves, but also has the feature of "One Shunbian". A Shunbian?
The Dai Dance Appreciation Knowledge
Pure background color with large margins
The Dai Dance Accompaniment is an important musical instrument for the Dai Dance
The Dai Dance Appreciation Knowledge
The Dai Dance Appreciation Knowledge
The Dai Dance Appreciation Knowledge
The Dai Dance Appreciation Knowledge is an important musical instrument for the Dai Dance Accompanying the Dai Dance Accompaniment. The Elephant Foot Drum? A senior player of the drum is not only a musician, but also an excellent dancer. Because the performance level of Dai dancers is closely related to the drummer's performance. The dancers and the musicians usually do not practice together before the dance, and they rely entirely on each other's feelings for tacit cooperation and performance. The drummer, being familiar with the dance, chooses and changes the rhythm and tempo of the drums according to the level of the dancers, and even guides the dancers to show their difficult skills. On appropriate occasions, musicians will also participate in the dance, with the fingers and palms of the hands, as well as fists, elbows, head, feet parts, beating a variety of imitation of the natural world of a variety of acoustic drums skilled, a hammer down, the drums of the sound of the length of the Chinese blouse can be unbuttoned all the loops, and then hit the hammer, and then button loops all the buttons on. The musicians sometimes span about 80 centimeters long small elephant-footed drums and dance while beating the drums. Their dance is flexible, joyful and jumpy, and it is an excellent form for young men to show their personal drumming level and skills