Origin of Samba

Samba is known as Brazil's "national dance". In Latin America, the largest country, the popularity of samba dance, there is such a saying: people do not distinguish between men and women, young and old, usually jumping, more jump on holidays; jump on the stage, jump on the street; jump during the day, jump all night. Whenever the sound of exciting music, people are always passionate, can not help but swinging legs and waist, jumping up, like a drunk, can not stop, want to rest hard to stop.

The samba originated in Africa. The word "samba" is said to have evolved from the second largest tribe in Africa, the Kimbundu language in Africa, "Samba". Samba" was originally a kind of exciting belly dance. As the name suggests, the dance is characterized by the up-and-down shaking of the abdomen and the shaking of the hips. It was one of the most popular dance movements in Angola and began to spread with the rise of the slave trade. For more than 300 years, from the 1630s to the mid-1800s, Portuguese colonizers trafficked 12 million black slaves from Angola and other parts of Africa to Brazil. In cramming black slaves into the holds of ships bound for the newly discovered continent of Latin America, white slave traders feared that the long journey, with black slaves nestled in the holds for dozens of days at a time, would not fetch a good price when they arrived on shore with weak legs. Therefore, they rushed the black slaves who were crowded in the cabins to the deck every day, and let them dance a samba to the accompaniment of banging on the wine barrels and iron pots, so as to move their muscles. In this way, the colonizers' move, which was intended to enhance the bidding power of the Negro slaves as a special commodity, inadvertently brought the dance, which was popular in Africa, to Latin America.

It has been established that samba was first popularized in Brazil around Salvador, the capital of Bahia state. This is where the Portuguese first landed to colonize Brazil. They ran a large number of plantations and mining sites here. The black slaves who were trafficked to the plantations and mines danced this hometown dance for fun after their heavy labor. In later centuries, black slaves and their descendants from Africa had more contact with whites from all over Europe and gradually integrated with indigenous Indians. As a result, their dances gradually absorbed some elements of the Bohemian polka from Europe, the Habanera from Cuba and the locally popular Brazilian Maxiche, gradually forming the modern samba. It is recorded that it was the women of Bahia who brought this dance to the then capital of Brazil, Rio de Janeiro, in the early 20th century. Since then, the dance has spread from the coast to the interior, from the slums to the upper class, from the blacks and mulattos to the whites. At the same time, the six-string guitar and ukulele, which had been the main instruments of accompaniment, were gradually replaced by brass drums, gongs, cymbals, and other percussion instruments from the favelas of Rio de Janeiro. In 1928, the first Brazilian samba school, "Let's Gossip", was established in Rio de Janeiro, and in 1932, the first Valentine's Day samba parade was held in Brazil, which was well received by the public. From then on, modern samba soon became popular throughout Brazil.

Samba is a kind of collective fellowship dance, the participants are as few as dozens of people, as many as tens of thousands of people. The dance is accompanied by drums, gongs and other percussion. The dance steps are simple, the feet move forward and backward, the body side leaning, swaying back and forth. Male and female dancers dance in pairs in situ or around the ballroom with each other, or they can be separated to dance their own steps. Male dancers are fond of all kinds of dexterous movements of the feet, and their feet move or rotate rapidly. Female dancers focus on upper body shaking and abdominal and hip twisting. Samba can be performed in ballrooms and on the stage, but more often it is performed in groups in open squares and streets. The dancers form a circle or a double row, singing and dancing. The dancers are wild and uninhibited, with large movements and strong rhythms, giving people a feeling of passion like fire. And drums, brass drums, tambourines and other percussion instruments at the same time and work, high-pitched and intense, the sound waves rolling, and more to create a tense, hot, fiery atmosphere. When this atmosphere reaches a climax, the music often comes to an abrupt end, and the difficult dance dynamics are instantly condensed into a sculpture-like static that is silent. The instantaneous change of movement and stillness, the amazing harmony of the ups and downs, creates a unique sense of surprise and shocking beauty.

What makes the samba even more colorful is the gorgeous costumes of the performers. Both men and women are dressed in colorful costumes. Male actors foot boots, wearing an ancient European knight-like vest, or draped in African big chief-style robes. The female actors were more elaborately dressed. They are either wearing the body wrapped tightly around the beautiful pattern of the floor-length dress, or just hanging on the small can not be smaller, nearly naked "three-pointed", or even completely bare chest, only in the nipple painted a little colorful decorations. Their headdress is more chic, or wearing a gorgeous crown, or insert colorful bird feathers, or top a fire like plumes. Colorful dress is also full of colorful beads and jewels. Whenever the sound of dance music, modern lights flashing, clothing that is with the dance steps fluttering, beads and jade with the lights flow, like a group of flames flickering, such as a shooting star flying around, forming a dreamlike world. Being there, people have a feeling of floating, soul ascension.