One,
1, Wang Changling's poem "Lotus Picking Song"
Don Wang Changling
Cut a ruffled skirt in one color,
Lotus flowers bloom on both sides of the face.
You can't see it in the swimming pool,
I didn't realize that someone was coming until I heard this song.
2. Appreciate:
If this poem is regarded as a picture of picking lotus, the center of the picture is naturally the girls picking lotus. But the author didn't let them appear in this picture from beginning to end, but let them blend in the lotus leaf and colorful lotus flowers, let the lotus picking girl blend in with the beautiful nature, and make the whole poem unique and beautiful. This artistic conception is original.
From the very beginning, the lotus picking girl skillfully formed a harmonious and unified whole with the surrounding natural environment-"Lotus leaf skirt cuts hibiscus to both sides." It is just an ordinary metaphor to say that women's Luo skirts are as green as lotus leaves, but what is written here is a girl picking lotus leaves in a lotus pond, saying that lotus leaves and Luo skirts are the same color, which is a kind of "local scenery" and a kind of "fu" rather than "comparison". Vivid and gratifying, concise and beautiful. The hibiscus in the second sentence is lotus. The metaphor that a girl's face is as rosy and gorgeous as a lotus flower out of water is not new. But "hibiscus opens to both sides of the face" is not only a metaphor, but also a beautiful picture. The girl's face is hidden in the blooming lotus, and the bright lotus seems to be opening towards the girl's face. Combining these two sentences, the reader seems to see that the green lotus girl's green Luo skirt has been integrated into the lotus leaf in the field, and it is almost impossible to tell which one is the lotus leaf and which one is the Luo skirt, and the girl's face is difficult to tell from the bright lotus flower. People think that these lotus-picking women are just part of the beautiful nature, or they are actually lotus spirits. This description has a real sense of life.
The third clause "invisible in the pool" comes from the first two sentences. To blend in, to blend in, to blend in. Lotus leaf, skirt, lotus noodles, regardless of each other. Only when it is clear and fine can it be barely distinguished. As a result, the girl in the lotus leaf skirt disappeared with the green lotus and red lotus. This sentence describes the feeling that people who stand and stare at each other for an instant can't tell right from wrong, an unpredictable surprise and disappointment. It is often said that "seeing the wrong eye" is often like this. However, just as I hesitated to look away, I suddenly realized that the "invisible" lotus picker was still among the lotus leaves and colorful lotus flowers. "Feeling that someone is coming" should be combined with "Govin" for appreciation. You don't know "someone" until you hear the song, but people are still hidden in lotus leaves and lotus flowers, so although you hear the song, you can't see their figures and faces. This is really what Cui called "singing without feeling the pond". This description adds vivid interest and poetic meaning to the picture, which makes people want to see the scene of ten acres of lotus flowers blooming in the lotus pond and the scene of spectators standing and staring fascinated by singing. The girls picking lotus flowers are full of youthful and energetic joy. Until the end, the author did not let the main characters of the painting clearly appear on the screen. Its purpose is not only to regard them as the embodiment of beautiful nature, but also to leave endless feelings because of this description.
Second,
1, Quchi River
Lu
The faint fragrance is long around the curved pool, and the real mosaic covers the beautiful pool.
I'm always afraid that the autumn wind will fall early, and I don't know.
2. Appreciate:
"The fragrance floats around the winding shore". See its shape, smell its fragrance first. The winding pool shore is full of fragrance, indicating that the lotus is in full bloom and it is in summer. "The round shadow covers the lotus pond" and the moonlight covers the lotus pond. The shadow of the moon is round, and the flowers and shadows are so vague that they cannot be decomposed. There are many poems about lotus flowers. However, this poem is written on the side, which captures people with fragrance, inadvertently depicts its beautiful form and moving purity, but conveys the charm of cordate telosma. "I'm always afraid of the early autumn wind, and I didn't know about it", which is the meaning of Qu Yuan's Lisao, "I'm afraid of beauty dying", but I changed it a little, implicitly expressing my feelings of being scattered because I didn't meet my talents in my early years.
Shortly before his death, Lu wrote an Interpretation of Diseases, saying: "Spring, summer, autumn and winter, summer and joy are the fourth order, and cold and summer are glorious and tired. In spring, everything is bustling, and life is full of sorrow and joy; In summer, one hundred kinds of herbs and hazelnuts are famous for their prosperity; In autumn, they are unhappy for those who are worried; In winter, they worry about those people. Sages know how to correct differences in temperament. " This is the poet's own character. Because of his illness, he is particularly sensitive to changes in things. For example, Explaining Diseases says: "God is like ashes, and life is like a wisp. It's harder to stretch and bend than to kick, and it's a narrow escape. The same change is almost Pangu. " Everything is thriving at this time. Why should I be so tired and rotten? ""The vegetation is so sparse that Yu Dulan won't win. "The more gorgeous and energetic everything is, the more he feels that his image has withered. At the same time, he is "sorrowing for the prosperity of all things" and "knowing its prosperity by seeing its prosperity", and he also has memories and feelings for himself and others when they are prosperous. This thought of his was prominently reflected in his later poems.
The first two sentences of Qu Chi Lian are about flowers and a full moon, and the last two sentences are suddenly translated into mourning for flowers. The self-mourning of this flower is actually the self-mourning of people. Poetry about things, "seeing me because of things", is its beauty. In addition to Yu Shan's bamboo forest question and answer, he said: "Poetry about things is the best, followed by vivid expression. Those who amuse themselves take photos in the lingering sadness, and the comparison of "300 articles" is also interesting. Those who are lifelike appreciate each other, and "Three Hundred Articles" is also. " If the model is ordinary, the algae will be painted blue, and the dead will hear it, which will be miserable. "In this way, we can see the attainments of chanting poems.
It goes without saying that this poem is the authentic technique of China's poems about objects. There are two points that can be slightly praised: First, poems about flowers are most likely to fall into the elaborate description routine of pseudo color. Although this poem is written about Qu Chi Lian, although it has a slight aftertaste of the Six Dynasties, it can be forgotten in a big way, and the weather is relatively broad. The second is lyrical, more real and natural, written tactfully, unpretentious, and full of meaning without digression.
Third,
1, the discount is free.
Lipper
Rowing to the river, the rippling river is more like a bright lotus.
The water drops on the lotus leaf, but they don't roll round.
This beautiful beauty is hiding in the colorful clouds, trying to give her flowers, but far away.
Acacia has no reason to see, and it is melancholy before the cool wind.
2. Appreciate:
This poem is very similar to the eleventh of Li Bai's twelve archaized poems. Section 11 of "Twelve Ancient Poems Antique" says: "I love this fresh lotus, wading for autumn water. The water drops on the lotus leaf, but they don't roll round. The ceremony is heavy and I want to give you a distant day. " There is no reason to miss you, expecting a cool breeze. "Except for six different characters, the rest are the same. This may be because of a mistake.
"I like to play autumn water in the river." Lotus is lotus, so antique is also called "love this fresh lotus". Autumn is crisp and autumn waters are boundless. First of all, it gives people a fresh, cool, elegant and pure feeling. At this time, it is comfortable enough to go boating on the river and enjoy the autumn scenery on the river. However, the most fascinating and lovable thing is the slender red lotus. Literally, this is to point out the time and place by writing about the scenery. However, judging from the content contained in the image deposition of poetry, this is not a simple description of scenery, but implies a woman's beautiful figure, pure and elegant, loyal and self-sustaining character. The word "wading" first appeared in the Nine Chapters of Chu Ci, which was used by Qu Yuan to express his cynicism and his purity, elegance, loyalty and self-control. Although there is no cynicism here, it is not bad to show women's purity and elegance, stick to chastity and yearn for single-minded love. Liang Yuan-di's poem "Picking hibiscus in Fushe River" said: "Leaves are hard to slip, but flowers are easy to fall." Kong Dezhao wrote a poem on the same topic: "I am tired of picking in the morning and lingering for a long time." The new poem "Lotus" also says: "You are far away by the river, and your meaning is endless." It is all to show women's desire and yearning for single-minded love. Of course, this needs to be understood in conjunction with the next sentence "Love this red and fresh". Liang's "Song of Picking Lotus", the third song of "Four Ancient Imitations", said: "Brocade is mixed with flowers, and Luo Yi hangs on the Qingjiang River. Ask my son where to go today, picking lotus in Jiangnan. Three thousand miles in western Liaoning, I want to send it for no reason. " Wish you an early return, a fresh lotus. "'Fresh Lotus' has completely symbolized a beautiful young woman and her pure and faithful character. It can be seen that it is not unreasonable for Li Bai to write "Love this lotus" in antique style. It can be said that this poem of Li Bai has a very close internal relationship with the poem quoted by Wu Yun. From the layout of the whole poem, although the first two sentences are just the beginning, they have laid the foundation for the whole poem in expressing feelings and creating artistic conception.
"Climb the lotus to get a pearl, and the ripples are not round." On the big green lotus, glittering and translucent water drops are rolling. After playing with it carefully, I suddenly found that the water droplets in the ripples were not round. This is just a literal understanding. In fact, these two poems subtly hint at the subtle inner activities of women. There is not only the inspiration of Emperor Liang Yuan's "Leaves are hard to slip, flowers are easy to fall", but also a poem similar to "Bowing your head to get lotus seeds, lotus seeds are as clear as water" in the folk song Xizhou in the Southern Dynasties. The poet used the common artistic techniques of Ye Yin and Pun in Southern Dynasties folk songs. "Lotus" is homophonic, and "climbing lotus" means that there is hope to combine into double meanings. The "circle" of "acyclic" is also a pun on the circle. Then, from "Climbing the Lotus" to "Not Round", it is no longer a simple description of actions and images, but a description of the anxiety and depression caused by women's longing for single-minded love. Poetry is a turning point of the soul and emotional ups and downs, from the relaxed and happy appreciation of autumn and lotus to the anxiety and depression after feeling things. Therefore, the following natural transition expresses the yearning for "beauty": "Caiyun beauty wants to give heaven." I miss you for no reason, expecting a cool breeze.
Beauty in Clouds can be said to be inspired by "I can't remember Mandy, but I look up to Hong Fei" in Xizhou Song. However, in Li Bai's poems, "colorful clouds" have vague and elusive images. For example, in his Eight Poems of the Palace, there are similarities: "I only worry about singing and dancing into colorful clouds." "Want to give a gift to the distant sky" is obviously influenced by Nineteen Ancient Poems: "Whoever wants to leave it behind will think far." And "Nineteen Ancient Poems, Strange Trees in the Courtyard": "I will leave my thoughts behind when I climb the column." Full of incense, a long way to go. "And the influence of Wu Jun's poems, such as" three thousand miles in western Liaoning, I want to give it away for no reason ",to show my infinite yearning and helpless strong feelings for distant lovers. The last two sentences are to further express the pain of lovesickness and helplessness. "Looking forward to the breeze" is not only a description of appearance, but also a description of psychology. It echoes the first sentence "Autumn water in the river" and is unified with the emotion and atmosphere of the whole poem, which makes the artistic conception of the poem naturally muddy and gives people a strong artistic appeal.
Li Bai's poems are greatly influenced by his predecessors, so it makes sense to classify them into a group of poems that imitate the past. However, in terms of complete and unified artistic conception creation, this poem is not confined to its predecessors and has its own style characteristics. First, although the heroine has never been described positively in the poem, it can be seen from the images and meanings in the poem that the heroine's pursuit and yearning for single-minded love is persistent and her inner feelings are delicate and complicated. Secondly, in terms of poetic changes, the process from enjoying the lotus sutra in autumn to lovesickness is naturally ingenious, without any artificial traces. The poem closely revolves around the brief detail of "climbing the lotus", revealing the subtle change of the heroine's whole heart from "loving this red and fresh" to "lovesickness for no reason" Compared with predecessors, this is more concise and concentrated. The whole poem uses euphemistic and implicit artistic techniques to vividly express the inner feelings of the characters.
1, Li Bai's lotus picking song:
Lotus picking song
A woman who picks lotus flowers by the stream will laugh at the lotus flowers.
Rizhao's new makeup is bright under the water, fragrant in the wind and lifted in the air.
Who swims on the shore, 3355 reflects weeping willows.
Zi Juan hissed into the fallen flower and saw the emptiness and heartbroken.
2. Appreciate:
In Li Bai's poems, the delicate and innocent nature of the lotus pickers in wuyue is reflected in the lotus bushes, and the charm of the lotus pickers is set off by wandering on the shore, depicting a bright, lively and generous new image of the lotus pickers. The language is beautiful and elegant, natural and elegant, without affectation, which shows the poet's elegant, fresh and refined posture. It makes up for the pallor and vanity of the image of lotus picking girls since the Six Dynasties.
The first sentence: the lotus girl by the river will laugh at the lotus. The girls picking lotus flowers by the stream are laughing and playing through the lotus flowers, or it is drizzling gently, or a little breathless. Lotus field, hibiscus blossoming, and a girl with a full face of spring breeze's pink cheeks complement each other, just as Wang Changling said in "Lotus Picking Song", "You can't see when you enter the pool, but you will know when you hear the song." Across the lotus, there seems to be a hazy beauty, full of interest and life. "Laughing through the Lotus" vividly shows the happy conversation of the girl picking lotus by hand.
The second sentence: Rizhao's new makeup is bright under the water, fragrant in the wind and uplifting in the air. Mild sunshine, thick new makeup, clear running water and lingering charm of fragrant sleeves outline a fresh and bright lotus picking picture, which is lively and natural. I don't know if the lotus picking girl is waving or deliberately fiddling with it. She holds up the fragrant sleeves high, and the new makeup carefully prepared by the lotus picking girl is reflected on the river. The most important thing is that the idle flowers that bow their heads shine on the water, revealing a shy expression, just like a cool breeze blowing, as shy as "looking at flowers before and after the mirror, the pictures set each other off", making people unable to tell the difference between flowers. These two sentences outline the beautiful artistic conception of "lotus can be picked in the south of the Yangtze River, and lotus leaves are sweet". If you hear its voice, you will see its people, and you will feel a kind of vitality and the inner joy of lotus pickers. The so-called "Ling can't sing at all, but you know it in this pond".
The third sentence: Who will come to the shore to see Yelang, and the weeping willows will be reflected in 3355. Laughter and laughter attracted the yelang on the shore. I don't know whose son, 3355, seems to be hiding under a weeping willow. We can imagine how shy the lotus picking girl will be when she faces Yelang on the shore. The so-called "women's complacency" is beyond words. The shyness in Li Bai's works has not been pointed out, but is associated with "new makeup in the sun, bright underwater and fragrant in the wind", which has a bright and charming romantic mood and a fresh and refined style. Poets put them in the lush lotus leaves, set off their beauty with the wandering gestures of the wandering yelang, and wrote Luo Fu in Yuefu, which was more euphemistic and vivid.
The fourth sentence: the purple elephant hissed and crashed into the fallen flower, and it was heartbreaking to see this wandering empty thing. The poet is riding a purple ribbon, the horse is neighing, the flowers are stunned, and the scenery is empty and sad. This place is full of poets' sighs for fleeting time and helplessness for beautiful scenery. It entrusts the author's melancholy caused by his lack of talent and ambition, which is different from his usual style of free and easy self-confidence, frankness and unrestrained, fresh and elegant, and is thought-provoking with delicate and gentle brushwork. "Wandering heartbroken" seems to be a heartbroken person at the end of the world. Just like the shadow in his aloof companion moon and drinking alone moon, he will inevitably feel lonely and lonely. Li Bai, who has always been heroic, also has unavoidable sadness in life. The poet writes the wind and makes the song of picking lotus. The scenery is charming because of feelings, and the feelings are strong because of the scenery, and there is no suspicion of piling up. Fresh and natural, still as romantic as ever.
V. 1, Xiaogang's lotus picking song:
In the evening sunshine, the sky is empty, and picking lotus bears a sunset glow.
The wind on the lake is hard to get up, and lotus flowers are not rare.
Move the hibiscus to fall, the ship moves the egret to fly.
The lotus thread wraps around the wrist, and the water chestnut pulls the clothes far away.
2. Appreciate:
"Lotus picking song" is an old topic in Yuefu poetry, which mostly describes the scenery of Jiangnan water town, the working life style of lotus picking girls and their pursuit of pure love.
The first two sentences of this poem use the word "late" to emphasize a specific time background: dusk shrouded in a soft and quiet sunset-a moment that can arouse people's feelings and immerse them. The two names "Fengqi" turned to describe lotus picking, revealing the delicate image of the lotus picking girl from the "difficulty". There are only two realistic sketches in the lotus picking scene described in Yaodong: the lotus picking boat passes through the lotus bushes, and the paddles touch the blooming lotus flowers from time to time, flying into the lake one by one, shocking the peaceful egrets and breaking their quiet world. The last two sentences are very interesting: the lotus picker wants to go home, but the lotus is wrapped around her soft wrist, and the water chestnut is pulling a good dress. In fact, the author is nostalgic for this environment, so he borrowed a lotus picker to write the same. The personification technique is ingenious, and the whole poem is full of charm.