1, rich in content, a wide range of subjects, in the white face of the Tibetan theater on the basis of the development of the "blue face of Tibetan opera", not only rich in content, a wide range of subjects, and inherited and retained in the Guge dynasty has been in the "Buma" and other forms of folk dance. Folk square dance into the programmed Tibetan drama, but also cited the Tibetan people's favorite folk music, so that the Tibetan opera circulated in the Tibetan folk long lasting.
2, faith characteristics, in line with the Tibetan "worship of many gods" faith characteristics, people in the sacrificial rites, created the use of a variety of gods _ masks, and contains a large number of Tibetan folk dance program dance components. This ritual dance was later prevalent in Tibetan Buddhism Yellow Sect, called "Qiangm", popular in Tibet, Inner Mongolia, Gansu, Qinghai, Sichuan and other provinces and regions believe in the Yellow Sect of the vast areas. The dance of Qiangm is mostly mixed by the Animal Dance and the Dance of the Dharma Vessel.
3, "Jumping God" activities, every major religious festivals, Lama Temple will be held "Jumping God" activities. In the suona, python, trombone, drums and cymbals, performers wearing masks, holding weapons or weapons, dressed as the gods lined up around the field for a week, the opening ceremony. Then they perform the Dance of the Fierce God, the Skeleton Dance, the Dance of the Ox God, the Dance of the Deer God, the Dance of the God of Joy and the Dance of the God of Protection.