Five Views on Farewell My Concubine (1)
Review of Farewell My Concubine: Only one person enters the role on the stage.
The stage has been staged for half a century, and Cheng Dieyi went crazy when he got on the stage alone. However, on this stage, the historical changes are all transparent, and the real person in the play has only one ear.
When I was a child, I learned to play opera. It was a scene of erosion and extravagance in the Qing Dynasty. The actors wore luxurious clothes, and the audience talked about it. The charming prosperity seems to last forever, but it is actually the only glory before the collapse of the dynasty, just like the communication between the old and the new generations. The so-called stage performance of joys and sorrows reflects the changes of the times.
Since Cheng first appeared as a famous actor, he has performed back and forth on that stage many times. At the beginning, the Qing Dynasty was brilliant. The huge consumption power of Beijing Opera in citizens' cultural entertainment is irreplaceable. People have needs, and there are people inside and outside the theater. They are eagerly looking forward to seeing the graceful figure in the corner of their eyes, and they are eager to hear the voice of Xipi and Huanger. Qing is still experiencing the last glimmer of light before darkness.
Then the Japanese army entered the city, and the war zone was quiet for three points because of the appearance of the Japanese generals. No matter whether the Japanese army as an audience really likes this Chinese opera or not, the respect and appreciation they give them is hard to find in the second half of the film. When people's eyes fall on the lively stage, the different situations of different audiences under the stage are the true portrayal of the personality of the times. Not to mention the aftermath, this Japanese officer solemnly sat down to enjoy the silhouette of Peking Opera, which really highlighted the overall cultural quality of Japan.
And then back to the stage. Since the warlords and generals gathered in the play, but they couldn't recognize the sound of success because of opium, and even cheered in unison, Beijing opera has gradually gone to irreversible death. It was destroyed, manipulated and transformed. Few people are obsessed with a smile, a voice, a capacity, and have no intention of indulging in drama. The national quality is low and the cultural literacy is backward. The excitement on the stage never subsided, but the people under the stage changed again and again. A group of audiences without cultural support is like a home country without support in turmoil.
Then, at the end of the war of liberation, soldiers from rural areas with no literacy took flashlights to tease the actors. A red song is better than a thousand colors. Nobody cares about aesthetics and appreciation. What everyone wants is real victory, real merit and real land.
The four olds no longer exist, and culture does not exist. For Beijing opera, it is not as good as the last one, let alone respect and appreciation. All that remains is the ruins and the spit on it. Model operas are not desirable in decoration and glitz. A century of culture is instantly disillusioned, and the past is like a dream. Everyone is worried about himself, and Cheng realized at this time that this era never waits for people and there is no way. In the play, Yu Ji died generously, but outside the play, Yu Ji insisted. In the play, life sings outside the play, and he is just a burial object of time and waves. In the end, he was the only one who entered the role on the stage.
More than the stage, the past is gone, and the world is ups and downs. Only he is the player.
The brilliance of the film lies not only in the vicissitudes of a generation, but also in the dialysis of the times. A small stage has interpreted Cheng's life and the ups and downs of history.
From another point of view, the change of history is just a play, and it is empty in the end.
Five Farewell My Concubine Articles (2)
Recently, I want to watch some movies and books to improve myself, so I watched the Top250 movie on Douban and chose Farewell My Concubine, ranking second.
I watched many movies and shed tears for the first time. I think it's great whether it's the acting skills of the actors in the movie or the expression of the feelings of the characters in the movie.
In which era, a person's feelings have been suppressed several times, and they are all vividly displayed.
Especially that sentence in the film,&; Ldquo I am a person, I am not Nv Jiao ·E &；; In the film, rdquo is the connecting link between the preceding and the following, making the finishing point.
The classics in Douban movies are all chosen by the public. In my opinion, classics will never be buried.
If one day, you want to go to the movies, you can go to see Farewell My Concubine when you are free.
Farewell My Concubine Five Articles (3)
The teacher spent two classes to let us fully appreciate the comments on the films Farewell My Concubine and Farewell My Concubine directed by Chen Kaige. This shows the teacher's love and high appreciation for this film.
To tell the truth, if the teacher hadn't shown it to us in class, I might never have seen this movie. Because I have never had a good impression on some so-called blockbusters before, and I am not interested in or even rejected some big-name stars such as director Chen Kaige and Leslie Cheung. I have hardly seen their movies. But after watching this movie, I have to admit that it is really a classic movie, which makes people move. Those actors have great acting skills. Whether they play ZhangFeng yi in Duan Xiaolou, Leslie Cheung in Cheng Dieyi or Gong Li in Juxian, they all interpret their roles incisively and vividly, which makes people cry.
Farewell My Concubine is a drama with strong feelings, tortuous plot and dramatic conflict between life and death. Some people have commented that it is an epic work. The judges of the International Federation of Film Critics believe that ldquo's Farewell My Concubine is a profound excavation of China's cultural history and humanity, with gorgeous image and delicate plot &; rdquo。 The film uses the Peking Opera art with the deepest cultural accumulation in China and the life of its artists, and reflects a philosophical reflection on the traditional culture of China through decades of current events. The life experience of the characters in the film is like &; Ldquo's dream of life &; rdquo。
The affection between Die Yi, Xiao Lou and Juxian is really hard to understand. It's impossible to make it clear. They probably don't even understand themselves. Young beans and pebbles get along day and night, and there must be affection. It is not impossible to change from love to love after the butterfly dress is built. What's more, I think there were a lot of ambiguous atmosphere among the actors in that era. There is love between Duan Xiaolou and Die Yi, but their love is different. Duan Xiaolou loves his younger brother in real life, but Die Yi is infatuated with the all-powerful overlord in the play. This doomed the tragedy of the story. Duan's love is reflected in many places. No matter what he did against him, no matter what he asked him, he didn't dare to show his face to death unless it was&; Ldquo Festival rdquo, the feeling of "Farewell My Concubine". Every time there is a conflict between Dieyi and Juxian, he always stands on Dieyi's side, as long as you watch Master teach them a lesson. When I was a child, the small stone that kept screaming and slapping my skin was bitter. Is that cowardice? No, I'm really ashamed! When the master went to wear a butterfly suit, he immediately moved the stool and fell in front of the master. Isn't this love? Chrysanthemum fairy had just finished wearing a butterfly suit before she left, and Duan Xiaolou took a hard shot. And when Juxian asked him to leave Dieyi, he didn't give up. In the theater, he dared to make trouble for Chen Dieyi with all the soldiers. . . These details all reflect the brother's love for his younger brother. In contrast, Butterfly Clothes is weak. Brother was beaten by the master's staff, but he didn't stand up. He just stood there motionless and at a loss when there was a group fight in the theater. Actually, his cowardice is understandable. When a man plays the role of a woman from an early age and has experienced a very unimaginable experience, his psychology is easily distorted. Speaking of it, he is actually a simple man, because his mind is his overlord. He was forced to sing Kunqu opera by his master since he was a child. But I always say&; Ldquo I am a person, I am not Nv Jiao ·E &；; rdquo。 He stayed for Xiaoshi, for taking care of him and caring for his elder brother, and for the later overlord Duan Xiaolou. Later, he willingly sang: I am Nv Jiao, not human. Singing and singing will be mixed together.
Compared with Butterfly Clothes, Juxian is much luckier and more unfortunate. She got Duan Xiaolou's love, but she also suffered his betrayal. For Dieyi, her heart is always complicated: she hates others' infatuation with her husband regardless of the plot, and despises him for trying his best to be with Duan Xiaolou. As a woman, she longed to be a good person when she was a famous prostitute, and she had an instinct to protect her family. She thinks that all the ominous things are because of butterfly clothes, so she strongly urges her husband to separate from him. However, she is brave and generous, and she is distressed by the butterfly dress tortured to death by drug addiction, and regrets that she can't perform on stage &; Ldquo concubine rdquo butterfly clothes, even when her husband exposed the butterfly clothes, he stopped drinking. At the end of her life, she just gave Xiao Lou the sword that revealed her butterfly dress, then turned around, looked back, smiled gently, although sad, but infinitely tolerant. This exquisite woman was pushed into the abyss by her deeply loved and convinced husband, but she didn't hurt anyone again. Strong, lonely and proud.
In the scene of fighting in the square, we saw the ugly side of human nature. Duan Xiaolou betrayed Dieyi and Juxian to save his life. Emotionally speaking, the audience will spit on him, but rationally speaking, we will also blame him, which can only be said to be the weakness of human nature. And Dieyi can't stand the betrayal of the overlord and is crazy. Only Juxian moved me the most. Her disappointed eyes when she was betrayed by her husband, and her sad but tolerant smile when she turned to look back at Butterfly Clothes made me cry.
In the last scene, Duan Xiaolou and Die Yi once again stood on the stage and witnessed all their ups and downs. Ldquo Farewell My Concubine & rdquo. When Duan Xiaolou suddenly sang &; Ldquo, I am a man. Rdquo's natural interface at that time: It's not Nv Jiao. E. Duan Xiaolou was just wrong and wrong. At this time, I clearly saw the smile of Dieyi, very calm, as if he understood something. He smiled and repeated, I am a human being, not Nv Jiao. He finally realized that he had been addicted to the emotions in the play for many years, but&; Ldquo is wrong, wrong again. . Unfortunately, it took him a lifetime to understand. He calmly pulled out his sword and fell to the ground under the sword that witnessed the whole story of their other disciples from beginning to end. So calm, calm. In my opinion, this seems to be a good ending for the butterfly suit who finally returns to reality and recovers. Ldquo little beans. Identity. This is much better than the crazy life in the play.
And Duan Xiaolou, a normal person with human weakness, was doomed at that time. The end of ldquo overlord rdquo's lonely life.
Farewell my concubine five (4)
Drama is the quintessence of China's 5,000-year cultural history and the quintessence of China. It is profound and has a long history and is deeply loved by the world. However, one can watch a play, sing a play or take part in a play, but never get lost in the play, otherwise everything will go up in smoke.
China's traditional operas were basically formed in the Tang and Song Dynasties, and Li Longji, Emperor Xuanzong of the Tang Dynasty, was called the founder of & ldquo Liyuan &; rdquo。 Prosperity began in the Yuan Dynasty and reached its peak in the Qing Dynasty. By the end of Qing Dynasty, there were hundreds of dramas in China, among which Kunqu Opera, Beijing Opera, Sichuan Opera, Henan Opera and Huangmei Opera were the most influential.
Before the founding of New China, no one could write, and no one looked down upon it. But if you can't hum a few words, you will be laughed at. The plot in Farewell My Concubine fully reflects the influence of Peking Opera at that time.
It's no big deal that a person likes going to the theatre and can get into it. But if you can't get out, it's over. Cheng Dieyi and his brother Duan Xiaolou studied drama in the troupe since childhood in order to become a&; Ldquo corner rdquo hard training. He and his brother finally became famous as adults with a Farewell My Concubine. However, Cheng Dieyi has paid too much to become a corner. He was fascinated by the characters in the play and didn't want to get away. He fell in love with exemptions. This was despised by society at that time and even now. He made a big taboo. He shouldn't be too involved and fall in love with someone he shouldn't love. His ending is doomed to be a tragedy, which is caused by himself and no one can help him.
Ever since Cheng Dieyi fell in love with Duan Xiaolou, she has been against Duan Xiaolou seeing any woman. Not only can't Duan Xiaolou go whoring, but he can't tolerate marrying a prostitute. Cheng Dieyi's life has been wandering from place to place because of love, which is tragic but helpless.
We are people in the real world. To survive in this society, we must constantly change our roles. Ldquo performs rdquo. We can and need to play every role that belongs to us, but we must not indulge in it and forget ourselves. A person should be able to grasp himself and have his own discretion. Really want to play tricks and find yourself easily. Only in this way can you be called a qualified actor.
Life is like a play, and a play is like life. A person's life is like the interpretation of a play. We will meet many people and things in our life, and we need to take part in accidental amusement to tide over the difficulties. The roles we need to play are also very different, so we must try our best to play these roles well. However, we should have our own thoughts, our own characteristics and our own selves. You must not get into the play too deeply and get lost in it.
The play is all-encompassing and profound. You have yourself, you are acting, you are acting a play; You have no self, or the drama is playing with you, and the drama is playing with you. I hope you can advance and retreat freely on the big stage of life.
Five Farewell My Concubine Articles (5)