The story begins with a monologue by Max, a downtrodden trumpeter, in which a solo piano groove on a record stirs up infinite memories in his mind.On January 1, 1900, Danny, a black shipwright, picks up a foundling baby at the piano in the ballroom in the first-class cabin of the cruise liner Virginia, and names the child 1900, who grows up in the care and kindness of a black man who has never been off a cruise ship before. Nineteen hundred grew up free and healthy in Danny's careful care and kindly lies. After Danny died in an accident, Nineteen Нundred accidentally came to the first-class ballroom outside the floor-to-ceiling windows, and he saw for the first time that the fate of his life is intertwined with that instrument - the piano. In the dead of night, 1900 quietly slipped into the ballroom, sat in front of the piano, hands fell on the keys - so the legend of 1900 officially began! Without anyone's guidance, without anyone's teaching, without anyone who had even just heard the piano played, absolutely God-given and untutored, 1900 just met his destiny and demonstrated his extraordinary talent for playing the piano.
One night when Max first boarded the Virginia, the wind was gusting and the waves were rough. The ship was rocking from side to side, and Max fell over and vomited all over the place. It was then that Max met the man he would never forget. The man took him to a dance hall, sat down in front of a piano, let go of the footlocker, and played the piano. The two of them glided along with the piano in the hall like flowing water in a light and melodious melody. So leisurely, so relaxed, as if the two angels in the fairy tale world flying free. They broke through the floor-to-ceiling windows, slid through the corridor, and crashed into the captain's room in the floating fairy music. What a light dance, what a poetic romance! The man who played the heavenly music was 1900.
The first-class ball was filled with all sorts of people: an old woman who had murdered her husband, a middle-aged man dwelling on the past, a prostitute who had seen the world through, and a third-class passenger who had stolen a gown and was looking forward to an affair. ...... All of these became an inexhaustible source of inspiration for Nineteen Нundred's piano playing, and Nineteen Нundred used these inspirations to interpret the inner worlds of many people. Like the passengers on the Virginia, they boarded, disembarked, boarded again, and disembarked. For 1900, the whole world passed by him, and any disguise and mask in front of the flow of music is so unbearable, unobstructed, 1900 only need to reach out and caress the keys, can be a person's life in the sound of the music in the spirit of the writing out, so although he was at sea, but has long seen the land of the world's prosperity and despondency, brilliant and bleak.
Shelley, the founder of jazz, comes aboard to challenge 1900. The three-round contest is the musical climax of the entire movie. Shelley played three virtuoso jazz, can be said to be comfortable, familiar, I thought it could be enough to kill 1900 a man, a man, a man, a man, a man, a man, a man, a man, a man, a man, a man, a man, a man, a man, a man, a man. Nineteen Нundred, however, took it one step at a time, first playing a simple and refreshing "Ode to Peace" and then playing the same piece that Shelly had played in the second round. It was only in the third round that he showed himself to be at the top of his game, reaching the peak. In particular, the third section was lightning fast. Colorful? The third section was a lightning fast one. What's the point? To prevent the turnip sauce from being fed? What's the reason for this? What is the best way to get the most out of the carrots? What is the best way to get the job done? ≌The company's products The 900 placed a pre-prepared cigarette on the piano wire, which was hot from friction due to the rapid performance, and then put it in the mouth of Shelly, who had already been dumbfounded, and said lightly, "This cigarette is for you to smoke, I don't smoke." The whole audience woke up with a start, and then the audience realized that it was not a good time. It was only then that the whole audience woke up as if from a dream and applauded. The old woman suddenly realized that he lost his wig, the fat gentleman just felt dropped in his pants still burning cigar. And Shelly's reputation went up in smoke with the embers around his mouth, and the soot that fell on his shoes was as mysterious and uncanny as 1900's mastery of the piano. The whole climax part of a breath of fresh air, brilliant and wonderful. Fully reflects the director's profound skills and the script's exquisite conception. It's a great feeling, and it's a real pleasure to watch.
The music producer learns of Nineteen Нundred's extraordinary skills and comes to the Virginia to record Nineteen Нundred, intending to make a fortune. Coincidentally, when 1900 was recording, an innocent girl entered his field of vision unintentionally, and the girl's face outside the porthole in the blue sky and the blue sea reflected the extraordinarily pure and touching, and 1900 stared at the angelic face, and the tunes flowing out of his fingers became gentle and soothing, such as the whispering murmurs of the infinite despair and infinite yearning. In this way, that live recording of the album template records 1900 that sweet and youthful first love. He only wanted to give this only record of his own masterpiece to the girl, so he lost the opportunity to make his own reputation for the rest of his life, but also crushed the music producer's dream of getting rich.
But Nineteen Нundred did not give the record away, he just kissed the girl's petal-like lips as she slept, and he just asked her to say hello to her father (the accordionist, the farmer with whom Nineteen Нundred had talked, and whom Nineteen Нundred recognized after many years) when she was about to disembark, and the girl kissed him politely and told him that her family was in New York City, where she lived. told Nineteen Нundred the address of their family in New York. By the time 1900 wanted to express his intention, his words have been drowned in the noisy people around. 1900 in the loss of broken that record, but also broke the first love without any result of memories.
Then 1900 had wanted to set foot on land, wanting to find his love marriage career life in that strange place. But when he walked halfway down the gangway with his luggage, he only saw the skyscrapers of New York City in the distance, and could not see the edge of the smog. He was confused and eventually returned to the ship. As Nineteen Нundred himself said: "The city is so big, I can't see the end, where is it? Can I see it? I can't even count the streets anymore, find a woman, build a house, buy a piece of land, open up a landscape, and then go to the dead end together. Too many choices, too many complicated judgments. Aren't you afraid of a nervous breakdown? Land, it's too big, he's like a big ship, a woman, a long route, I'd rather give up my life than live in a world where I can't find the end, and anyway, no one in this world knows me now. The reason I stopped halfway there was not because of what I could see, but what I could not ...... see." Yes, although the space of that floating city on the sea where he is located is limited, the world of music he creates on 88 keys is infinite. With his love for music he could soar freely in that endless land. And even though he has seen through the world of living beings, worldly fame and fortune, human warmth, sadness and joy, in the end he still cannot control his own destiny and grasp his own future on land. He could only live a limited life in the land world, which he thought was infinite, and step by step, he would come to the end of the road in his limited life. If we were 1900, I'm afraid we would have made the same choice as he did.
So when the Virginia was finally scrapped and about to be blown up, 1900 still chose to survive with the ship***, and Max's persuasion could not bring him back. This fell into the mortal world of the spirit is finally going back to heaven to go, heaven has a piano? There must be, because where there is a piano, there is heaven. At the moment before the ship was blown up, 1900's hands were playing in the air, and the delicate fingers were gently undulating up and down with the rhythm of the movie's soundtrack, as if they were playing a piece of music that sounded the gates of heaven.
"Boom", the flames of the sky rushed up, as if a blooming life nirvana flower. For this poetic and romantic legend drew a perfect conclusion. Since then, 1900 has been passed down to the world, only that one by Max hidden in the piano, and by the owner of the instrument store glue together the mysterious record template.
In fact, there is still hope, as Nineteen Нundred says: "As long as you have a good story to tell and someone to listen to it, there is still hope." At the end of the movie, Max's figure in the earthly world faded away, he still has his trumpet, he still has his story, he still has his hope. I believe that at this time 1900 is playing the piano in heaven, while watching Max, sending him a heartfelt smile, and this smile is also to each of us through the vicissitudes of the world.
Italian director Tornatore's three works -- "Cinema in Paradise" (also translated as "Starlight with me"), "Pianist on the Sea" (also translated as "Sound and Light with me"), and "The Beautiful Legend of Sicily" (also translated as "True Love with me"), we can define them as a "space-time trilogy" or a "space-time trilogy" (also translated as "The Pianist on the Sea"). "or the "Searching Trilogy". The director utilizes an identical narrative structure - "back".
In "Cinema Paradiso", Dodo returns to his childhood town, where he returns to the reality of cinema and his own seemingly faded love; in "The Pianist at Sea", the downtrodden trumpet player returns to the derelict ship where he once spent time with the "1900s", and returns to the music that is closest to the "human being"; in "The Pianist at Sea", the trumpet player returns to the music that is closest to the "human being". In "Marlena," it's when Marlena follows her husband back to the town that brought her shame, and returns to the love for a man she stored in the town.
"The Pianist at Sea" - The Sea and Jazz
This is a stunning biopic. The difference is that it is not a depiction of the life of a specific person, but a record and expression of a certain aspect of many souls. As the author of the novel "John Christopher" writes fondly at the beginning: to the free souls of the world who have suffered, who have struggled, who have prevailed!
When the poor Negro shipwright found the abandoned baby boy in the ballroom of an opulent passenger liner, he was in the mood for a treasure hunt. The beginnings of a wonderful life unfold before us. What is his future, and will he be happy in the end? Will he discover the value of his life? The place where his life began was a passenger ship full of people full of expectations and ambitions bound for the New World, and the time when his life began was the turn of the century when the old and the new changed - 1900.
The movie is full of variables, just like the life that can not be grasped, the kind and optimistic adoptive father - a black shipwright died suddenly in an accident. The nameless, faceless boy known as Nineteen Нundred is left unchecked and unloved. But he was miraculously gifted with an amazing musical talent. A lonely soul since childhood, his bright mind found an eternal abode in the music of change and symbolism. And so began a life of change - a life so different, so ethereal, so luminous.
The story is told by a downtrodden trumpet player who doesn't even know his own repertoire. Years later, this kind of improvised music, which contains sorrow and melancholy, is known as JAZZ, and he boards the Virginia, a passenger ship that traveled between the United States and Europe at the beginning of the 20th century, penniless. In the dark and stormy sea, in the dark and spooky passenger ship, in the moment of vomiting and loneliness, he meets the legendary pianist of the sea - 1900, and he is brought into the improvisation and crazy spinning. The trumpeter, who had lost his future, brought joy to his life, and the two became close friends.
The Pianist 1900, before the trumpeter's eyes, was a musical spirit above the players. He has unquestionable confidence and admirable talent. He improvised brilliantly ornate pieces, often over the objections of a mediocre orchestra. With his piano, he sensitively portrays the unspeakable loss and inexpressible joy of the passengers on this ship of hope and turmoil. Together with the trumpeter, he pushed the improvised music to the pinnacle of joy, weeping and shock. He even chased away the flashy "jazz" masters with his reddened keys.
But his well known "flaw" - never landing - develops into the movie's main suspense. Why? The trumpeter asks him, and he doesn't say. When he is alone, his melancholic and calm demeanor refuses to reveal the answer to this suspenseful question. Does his life's path never cross the continent? Until he met a girl, or to be precise, something that made his heart flutter. As if it instantly disintegrated the defenses of his lonely mind, he decided to disembark.
The girl's father was a passenger on a passenger ship in the early days. On the journey in search of his dream, he told the ensemble of 1900, what made him new in his despair - the sound of the sea tide. It was the sound of the ocean tide as heard by those who had lived on land for a long time. It was as if it washed away all the pathos and weight of his father's body, and gave him back the courage and hope of life.
The face of the innocent and clear girl is something that comes only once on a passenger ship.1900 to get off the ship to find it. Uncertain adventure is for that eternal beauty, what an exhilarating and desirable transformation. The city facing the continent stands on the overhang of the disembarkation, and once again, Nineteen Нundred, you have let us down. How could you return so all in one piece to your home, your prison, your everything. The vicissitudes of the Virginia's passenger liner once again cut through the waves and sailed back out to sea.
1900 was silent, he was thinking, he was weighing. The long-lost sound of the tide, the sound of the sea with its salvation and forgetfulness, remained forever in his fantasy and abandonment. It was not that he did not want to pursue it, but the pursuit was as meaningless as running on a circular track, for, the beginning is the end. I don't know how much time passed before he said to the trumpeter with a look of relaxed honesty, "I don't want to disembark, ever."
Many years passed, and the trumpeter, who kept traveling, remained downtrodden.
As he deplored the sale of his last companion, the Trumpet, news also came that the ancient passenger ship, the Virginia, was about to be scrapped and blown up. There was his best friend - 1900, there were his youth - JAZZ years. He searched madly on the ruined ship, and the manager of the ship disposal company and the owner of the musical instrument store, who were attracted by the legend of 1900, also joined us to focus on the final fate of 1900.
The 1900s appeared as if they were already there. As if he were an angel not controlled by time, he has not aged at all. When the old friend was reunited, the melancholy smile still rippled on his face, and his gentle greeting soothed the trumpeter's bruised and weary heart. The time had come for suspense, and the trumpeter, in an attempt to persuade him to come ashore, once again looked forward to the glorious life that lay ahead for both of them after Nineteen Нundred's disembarkation. The trumpeter, however, seemed less confident, his tired eyes reflecting the pallor of words. After a long time, Nineteen Нundred quietly said the reason that had been buried for a lifetime: I can control the piano, which has only 88 keys. I can create infinite music on a limited number of keys. I can understand everything in a passenger ship, because none of it is finite. I can even understand the sea, because the sea I see on the ship is also finite, I can look out to the end of its horizontal line ...... while on land, the city is infinite, it can't look out to the end of every road, there are buildings after every building, and there are neighborhoods after every block. This infinity overwhelms me, I am faced with choices every day, on what basis I choose this and why I choose that. Just thinking about this is frightening! I'm playing infinitely beautiful music on a finite sea with finite keys, and this is where my life is.
The trumpet player was confronted by the angelic pianist of the sea, Nineteen Нundred, and his heart fluttered uncontrollably, and there were no tears in his eyes, but only a sober despondency. He left the passenger ship, left the city, left our vision, and continued that never-ending sober drift.
And Nineteen Нundred, in a musical fantasy, accompanied by blasting, the curtain finally fell on his legendary life.
Interpreting 1900 is like experiencing the tragic sentimentality of every sober soul. This kind of existence in the human heart of the questioning of freedom, the desire for home, the adherence to wander, the preference for loneliness. They are all melted in JAZZ sentimental and broken melody, their existence makes the sea in the film is no longer the adventurer's world, no longer indifferent to the edge of the continent, no longer by the fatal and unpredictable sea conditions and surging turbid waves said to be composed of the imagery; but the starting point and the end of the civilization, the birth of life and the home of the soul of the heart of true feelings of indulgence and solid dependence. The sea in the movie is a symbol of eternal home. At the beginning of the new century (the 20th century), the sea carries the turbulent and confused human beings and sends them from the broken and desolate villages and fields to the modern and strange cities. They think they can build a solid new home. The movie reveals the futility of this effort and the absurdity of this pride. Perhaps this is the essence of jazz.
The Pianist of the Sea: A Sentimental Legend of the Sea
Born on a boat,
Lived on a boat,
Died on a boat,
This is a miracle of make-believe, a sentimental tale, and a legend about him.
The story of the sea, the ship, the piano, the land, loneliness, friendship and genius intertwined.
Loneliness, doomed to a lifetime of tragedy since he was abandoned on the Virginian,
Musician, doomed to a lifetime of entanglement with music since he heard it at Danny's burial at sea,
Legendary, doomed to a lifetime of legend since the first song that flowed out of his untutored hands,
He was given the long, long name of Danny Bertman T.T. Linmon 1900.
Music was his life lesson
His life was rootless, he spent his entire life on the Virginian, never setting foot on land, his life was a ship and notes. The most inseparable thing from him was music, and he used his spontaneous inspiration to compose the most sentimental music to interpret life.
He has amazing musical talent, it is a kind of super negligence of conventional energy, is a kind of super keen insight, and the king of spiritual song Ray Charles is different, Ray Charles is to use music to complete the attachment to life, while he is to use music to interpret the life, the sense of life, although they have a different sense of music, but has a different obsession, Ray Charles will be put on the whole life on the spiritual life of music, while he is to use music to interpret the life, the feeling of life, although they have a different sense of music, but have different obsession, Ray Charles will be put on the whole life on the spiritual life of music, while he is to use music to interpret the life, the feeling of life, and the feeling of life. Ray Charles has devoted his life to music as a spiritual life, and for 1900, music is his language. He used his heart to interpret the music that blended into the world.
He was a genius of musical interpretation, and his fingers flowed over the keys, and what flowed under his fingertips was not just notes, but a sincerity of life. Deep and flowing style, beautiful, elegant flight, his music is sometimes delicate, sometimes atmospheric, sometimes delicate, sometimes majestic, sometimes careful, sometimes bold, sometimes passionate, sometimes euphemistic. He embodied the characters with music, expressed emotions with music, told life with music, he used notes instead of language to touch people's hearts, listening to his music is like listening to the experience of life, listening to life in general, his hands on the keys, but the heart as obsessed musicians as with their own music to soar together. For the first time, I strongly feel that the world of music is so broad, the original music tells the world is so fascinating, this music and life of the three-dimensional combination is really eye-opening, for the music also has another understanding.
Lonely loneliness and his destiny at sea
He has been at sea all his life, and that passenger ship is his home, and his obsession is his attachment to the sea, and the sea is his destiny.
Week after week, people come and go, sadness and joy, all the things on earth, scene after scene in front of him, he seems to have seen all the prosperity, indifference, bleakness and hypocrisy of the world, but also all the life.
"I'd rather give up my life than live in a world where I can't find the end, and the reason I stopped halfway is not because of what I can see, but what I don't see ......."
On land, he can't control his own destiny, and he can't manipulate that many choices; his ability is limited to the world he creates with 88 keys, so he chooses to stay the same. The ship is where he protects himself, where he is imprisoned, and where he is isolated from the world. No ID card, no birth certificate, these are not the cage that prevents him from going to the land, but the real prison favor is his heart, a permanent home in his heart. For the unknowable and uncertainty of the outside world, he has only fantasies, curiosity and great fear. And the Virginian is his only direction, where he is sometimes like a mischievous and free child, and sometimes lonely and heartbreaking, a lonely artistic life and the endless sea is also his destiny.
I did not believe in predestination, life is changed by people, but after deep thought, I realized that the character is not predestined to determine a person's life, the character is predestined, and for 1900, his predestined life is not precisely what his character is determined.
He is pure genius, his personality is genius and fantasy blend, he did not get off the boat, he chose his fantasy world, his cowardice seems a little abnormal, some incredible, but what is normal? At least, he chose his own way, for self and live, and we are not still for some unattainable so-called ideal and struggle, is not still for the pressure, in order to live for the sake of others, for some of the hand but did not cherish, for the beauty of these around us have not touched. This is not equally abnormal.
Friendship is the only warmth given to him in the world
Since the emergence of light and shadow of the memory, the film has never been short of love, but this sea pianist has not had such good luck, the attachment to the sea, the fear of choosing, so that he misses the only opportunity to go to love, he breaks that record of the first love of the record, and he also broke the fruitless memories.
Fortunately, after depriving him of the power of love, destiny gave him a rare friendship.
This is also a movie without a female protagonist, the movie is with the fat Max's narration to start, Max also became his initiative and society related to the only knob, and with the fat Max's friendship is also 1900 in the film in addition to the sea and the music outside of the most important emotional support, but also because of the existence of this old friend, we feel that his life of loneliness have a little warmth!
When the fat man holding a record player, playing the soft and nameless music in the soon-to-be blown up Virginian looking for him, as the film editing, fat man and soft music appeared in some of the old places on the ship, this time, rather than his behavior is looking for, but rather is a remembrance of the days with 1900, remembrance of the past light and shadow of the memory of the days together.
Why are you seasick for waves? These were the first words of the two men when they were reunited again after so many years, and they are the memory of the very beginning of their friendship.
The fat man finally did not dissuade 1900's final decision, understanding the face of his choice of the road of no return, this is a kind of depth of feeling, in your place, what would you do, is selfishly pull him off the boat or let go of the soul to let him reach the ascension. When Max silently and tearfully left the soon-to-be-blown-up Virginian, Nineteen Нundred called out to him and told him a not funny, but moving joke, I also found that the man to man confidences are also emotional, so moving, but also so sad, then I have an inexplicable sadness, is a lonely sadness.
Attracting your eyes to the soul of the movie
The atmosphere of the whole movie is created by this man, never seen Tim Roth so elegant, never seen him so simple, his performance is that without a trace, washed out of the lead, as if the sky is perfect, proud and not manic.
He gave 1900 the greatest vitality, not young and handsome, he used a childish performance, the sea pianist alienated from the world of secular, relaxed, natural, graceful character of the most powerful interpretation. His eyes are intimate and distant, clear and sad. He will characterize the details of the carving, with a point to raise the character, "hidden" but not hair of the domineering, relaxed and elegant temperament, but also slightly childish innocence.
In his interpretation, the son of the sea, like a loveable, mischievous, rebellious, spontaneous child, but also has a sad lonely destiny. It would be a monumental role, and it would be a true actor, at least in my mind.
The movie reveals a quiet, European style, unlike some of today's bombastic Hollywood films, and although a few of the flashbacks are a little too abrupt and lengthy to bring out the plot, they didn't detract from my enjoyment of the movie. It has a plot that seems slightly absurd, but the excellent performances of the actors give the movie so much, bringing you into the story, that you completely forget that this is a play, just a legend about a miracle. When he calmly looked up at the sky, that clear rut straight into the human soul of the eyes still call me unforgettable, watched him with the explosion like nirvana of the Virginian ship sank to the bottom of the sea, leaving behind only heartache and sigh.
Never a movie can bring me this kind of sentimental, I want to write the text of the sentimental, delicate some, but I can not reach the hard writing style. The film's soundtrack should be the most valuable, because each piece of flowing music records the story of his life, wonderful but not pretentious, plain but not lost in retrospection, and his story is like the direct translation of the film's title "The Legend of 1900", which is a miracle, a sea legend, sentimental.
This song is only to be found in heaven - watch The Pianist at Sea
Nineteen hundred was an orphan abandoned on the steamship Virginia, and a kind black furnace burner adopted him. It was New Year's Day, 1900, and the stoker named the boy 1900, but the stoker was killed in an accident at sea, and 1900, only eight years old, was orphaned once again.
Nineteen Нundred inadvertently came to the first-class ballroom outside the floor-to-ceiling windows, he saw for the first time with his life destiny intertwined with the instrument - the piano. From then on, the Virginia sailed back and forth between Europe and the United States with the music he interpreted with his heart.
Nineteen hundred, who had never been on land, was y wary of the world. He said that land is too big a ship, too beautiful women, too long a journey, too strong perfume, no way to start the music. He could not see the end of land. Even though he later meets a young girl he loves at first sight, he still can't step off the gangplank. Until finally, his only friend Max told him that the hulk is going to be blown up, he is also unwilling to leave, and finally, from the birth of the Virginia has never left the 1900 ship died at the bottom of the sea.
After watching "The Pianist at Sea," I had an urge to understand 1900, even if it was just a little bit. Though separated by a TV screen, a distant era, and an ocean, the development of modern electronic technology fortunately allows us to clearly see 1900's blue eyes as pure as those of a baby. Actor Tim Roth's superb rendition convinced me that there really was such a talented pianist with no family, no domicile and no nationality who had drifted at sea. He was oblivious to the temptations of the world, to fame and fortune. Even love, may have made his soul haunting, but even then, he only let the love of his life cohesion in the moment: porthole moving outside the silhouette of the young girl, broken records on the dreamy soft and soothing music, the third-class cabin timid apprehension of a light kiss. In addition, there is the piano, the cruise ship and the sea, and the smoothness and serenity of the waves. The infinite, beautiful and free music created on the eighty-eight keys enriched his limited and simple life.
Nineteen hundred was the man of grace. Silk lines do not mess the deep blonde hair, immaculate coat, hat and bow tie, elegant hands and feet, talented and confident style, pure and unadulterated angelic face. How many beautiful women had fallen in love with him in front of his piano? He must have been immersed in his own music and had no time to be distracted by things other than the sound of the piano.
Nineteen Hundred's life was simple, but not without human beauty. The short-lived affection with his adoptive father, the fleeting love with a young girl he met by chance, and the friendship of Max, who accompanied him for the longest time, all nourished the lonely heart of Nineteen Нundred. Nineteen Нundred was a man of delicate and deep feelings, whose spirit and talent were all poured into the eighty-eight keys of the piano. Who can understand his heart, who can read his melancholy and tender eyes, who is his unfailing love? The only thing is the moving musical notes that flow between his fingers.
If we compare the movie with the life of the world, it seems that 1900's words and deeds are not true. For example, he has never touched a piano or music, but when he first puts his hands on the keys, the melody comes out naturally; he has never had a formal education, but he can speak in such a poetic and rich language; and even at the end, when his friend Maks finds him on the dilapidated and apparently long-deserted cruise ship, where does Nineteen Hundred find food to sustain his life?
I think the film and 1900 can only be understood with a poetic and romantic heart, and the film intentionally leaves out the materialistic noise and highlights the interplay between 1900's soul and the music, while guiding the viewer to **** with the music, which is both brilliant and interesting.
At the end, when a ray of light from heaven is cast down, 1900 looks up with a serene face and seems to ask God, is there a piano in heaven?
1900 raised his hands in the air and played reverently, the light and melodious melody flowed like water in the silence of the air. In an instant, there was a roar, and huge sparks opened up across the sea - and 1900 soared up to heaven with a piece of music he had not yet finished putting together.