There are several theories in the world about where the waltz originated. The Germans suggest that it originated in Germany, based on the fact that the word comes from Old German. The French believe that it first originated from the French Volta. The Italians, on the other hand, remind the French that the French word "Volta" is of Italian origin; the implication is self-evident.
The word "waltz" is thought to have been coined around 1780, while the 3-beat "poncho-choo-choo" rhythm of the round dance was popular in Europe long before that, especially among the peasants of Bavaria, Germany, and the Austrian region of Vienna; and waltz-type dances were played at the royal balls of Hapsburg as early as the 17th century. Hapsburg royal balls.
Although the waltz has long been popular in the rural areas of this form of self-indulgent dance, but it can become the urban population of the dance fashion, but there are social changes and artistic interests and other aspects of the reasons. 18th century, the French Revolution and its intense influence in European countries, the rise of the Industrial Revolution and the emergence of the working class on a large scale, etc., so that people on the self-indulgence of the style of dance requirements have changed dramatically. The style of self-indulgent dance has changed dramatically. The once popular Minuet and Gavotte were eliminated because of their stereotypical and formal styles. The waltz, with its relaxed, natural body and elegant demeanor, became a more enjoyable way for people (especially the French) to enjoy themselves.
But just as anything new is inevitably met with conservative disapproval, the waltz's rapid popularity was naturally opposed and hindered for a variety of purposes. In addition to the Church that it is held close to men and women, the movement rotates too fast and immoral, uncivilized, and even vulgar and evil, unsightly, there is the original teaching of the minuet and other court dances for a living as a thorn in their side, a thorn in the flesh. The waltz's easy-to-learn and free-flowing character attracts a wide range of dancers, often as long as in the sidelines to watch for a while to learn. This dance does not need to be like the minuet, non-mastery of a large number of complex patterns to debut.
In conservative Britain, the waltz was even hated and feared by many. Listen to the press at the time of the abuse, you can know a little about it:
"Nowadays, the old ladies dance around the room in a gust of wind, while the daughters of the veil is in the waltz music in a wave of jumping and gyrating; the old line, like a tide like surging; young unrestrained, relaxed limbs; they follow their husbands as fast as the fly, do not leave a little mystery of the bridal night. little of the mystery of the bridal night. We were pained to see that at the English court dance last Monday, that French nastiness called the waltz was introduced for the first time ...... It is enough to see such erotic dances with entangled limbs and close bodies, and to see the fine traditions of dignity and subtlety which distinguish English women so grossly distorted ...... We thought it wasn't worth making a fuss about when this lascivious display was confined to the confines of *** and ***, but now that it is being foisted on the upper classes by the unscrupulous members of that respectable social class, we feel it is our duty to remind parents not to send their daughters to such a deadly plague! ...... We believe that it is no longer tolerated by any moral English social class. No one who has been out at night can fail to see, with uneasy feelings, the sight of our sisters and wives seized by strangers, subjected to arbitrary embraces, and jogging round a little room."
This rant, however, made Europeans even more enthusiastic about the waltz. The bourgeoisie in the immediate aftermath of the French revolution fully embraced the waltz. It is estimated that in Paris alone, at the end of the 18th century, more than 700 dance halls sprang up under one roof.
After 1834, the waltz spread to the United States. Its first stop in the United States was Boston, and then spread to New York and Philadelphia, where legend has it that it also made the upper class dumbfounded. But it wasn't long before the waltz took root in American social circles by the mid-19th century.
The popularity of the waltz is inextricably linked to the ease and fluidity of its music, which was composed by two Austrian composers, Franz Lerner and Johann Johannes Wahl. Two Austrian composers, Franz Lerner and Johann Steffens, contributed to the waltz's popularity. The contribution of two great Austrian composers, Franz Lerner and Johann Steffens, is an important part of the waltz dance history books. The Venetian waltz created by them is an important part of the history of the dance. The standard tempo of the Venetian waltz, created by them, is a fast tempo of 55-60 beats per minute, which is very suitable for modern tastes.
The American contribution to the development of the waltz is at ...... >>
Question 2: Where did the waltz originate? Waltz, also known as round dance, slow waltz, Boston waltz, originated in the Austrian folk dance, elegant and noble dance, known as "after the dance"!
Question 3: Which country is the earliest origin of International Standard Dance? International Standard Dance - Origin
International Standard Dance originated in the ancient folk dance, through the pair dance, circle dance, line dance, collective dance and other evolutionary processes, and with the European aristocrats in the court held in the combination of ballroom dancing, become a widely circulated social dance. After the French Revolution, it became popular among the people. After World War II, Americans spread the dance around the globe. After more than one hundred years of development, "social dance" has developed from "social" to "competitive", and has developed a single type of dance into two series of ten types of dance, namely, Modern Dance and Latin Dance. In 1904, the Royal Society of Dance Teachers was established. This organization organized the popular dance postures, steps and directions in Europe and the United States into a unified standard, and formulated standards for dance theory, technique, music, costumes and other competitions, which was announced as the "International Standard Ballroom Dance" (referred to as the "National Standard Dance") and followed by all countries in the world. It has been followed by all countries in the world, and Blackpool in the United Kingdom has even become the holy land of "International Standard Dance". At present, countries all over the world have renamed international standard dance as "sport dance" in order to incorporate dance into sports programs. With 74 member states of the "International Dance Sport Federation" (International Dance Sport Federation) on September 4, 1997 formally became a member of the International Olympic Committee, in 2000 to become the Sydney Olympic Games performance projects, in 2008 will become the official competition. Official competition program.
Question 4: The evolution of the history of the waltz Waltz is the earliest ballroom dance, but also by far the most vital form of self-entertainment dance is also known as round dance. The word "waltz" originally came from the Old German word Walzer, meaning "rolling", "spinning" or "sliding ". This captures the basic components of waltz movement in a nutshell. There are several theories in the world as to where the waltz originated. The Germans suggest that it originated in Germany, based on the fact that the word comes from Old German. The French believe it first originated from the French Volta. The Italians, on the other hand, remind the French that the French word "Volta" is of Italian origin; the implication is self-evident. The word "waltz" is thought to have been coined around 1780, while the 3-beat "poncho" rhythm of the round dance was popular in Europe long before that, especially among the peasants of Bavaria, Germany, and Vienna, Austria; and waltz-type dances were played at the royal balls of Hapsburg in the 17th century. The waltz type was played at royal balls in Hapsburg as early as the 17th century. Although the waltz has long been popular in rural areas, but it can become the urban population of the dance fashion, but there are its social changes and artistic interests and other aspects of the reasons. 18th century, the French Revolution and its intense influence in European countries, the rise of the Industrial Revolution and the emergence of a large number of working-class people and so on, so that people on the requirements of self-indulgent dance styles have undergone a great change. The once popular Minuet and Cavort were eliminated because of their stereotypical and formal styles. The waltz, with its relaxed, natural body and elegant demeanor, became a more self-indulgent way for people (especially the French) to enjoy themselves. But just as any new thing is inevitably met with the glare of conservative forces, the rapid popularity of the waltz was naturally opposed and hindered for various purposes. In addition to the Church that it is immoral, uncivilized, even vulgar, evil and unsightly because men and women hold close to each other and rotate too fast, there are also the original teaching of the minuet and other court dances for a living as a thorn in the side of the people, a thorn in the side of the flesh. The waltz's easy-to-learn and free-flowing character attracts a wide range of dancers, often as long as the side to watch for a while to learn. This dance does not need to be like the minuet, non-mastery of a large number of complex patterns in order to debut. In conservative England, the waltz was even hated and feared by many. Listen to the ramblings of the press at the time, you can know a little about it: "Nowadays, the elderly noblewomen dance around the room like a gust of wind, while the daughters clad in gowns are jumping and gyrating to the sound of a loose waltz; the old ones form a long line, like a tide; the young ones are unrestrained and relaxed; they follow their husbands as fast as they fly, leaving no trace of the mystery of the bridal night. mystery of the bridal night. We were saddened to see that at last Monday's English court dance, that French nastiness called the waltz was introduced for the first time. ...... To see such erotic dances with entangled limbs and tightly packed bodies, and to see the fine traditions of dignity and subtlety that distinguish English women so grossly misrepresented, is really enough to make people suffer. ...... We thought it wasn't worth making a fuss about when this lascivious display was confined to the confines of *** and ***, but now that it is being foisted on the upper classes by the unscrupulous members of that respectable social class, we feel it is our duty to remind parents not to send their daughters to such a deadly plague! ...... We believe that it is no longer tolerated by any moral English social class. No one who has been out at night can fail to see, with uneasy feelings, the sight of our sisters and wives seized by strangers, subjected to arbitrary embraces, and jogging round a little room." This rant, however, made Europeans even more enthusiastic about the waltz. The bourgeoisie in the immediate aftermath of the French Revolution fully embraced the waltz. It is estimated that in Paris alone, at the end of the 18th century, more than 700 dance halls sprang up under one roof. After 1834, the waltz spread to the United States. Its first stop in the United States was Boston, and then it spread to New York and Philadelphia, where legend has it that it also made the upper class stay in their seats. But it wasn't long before the waltz took root in American social circles by the mid-19th century. The popularity of the waltz was inextricably linked to the ease and fluidity of its music, which was composed by two great Austrian composers, Franz Lerner and Johann Johannes Lerner. Two Austrian composers, Franz Lerner and Johann Steffens, contributed to the waltz's popularity. The contributions of the two Austrian composers Franz Lerner and Johann Steffens are an important part of the history books of waltz dancing. The Venetian waltz created by them is an important part of the history of the dance. The standard tempo of the Venetian Waltz created by them is a fast tempo of 55-60 beats per minute, which is very suitable for modern tastes. The American contribution to the development of the waltz lies in the two waltz variants, the Boston and the Hesitation. The former rhythm ...... >>
Question 5: The origin of the waltz The word waltz, according to the evidence is about 1780 around the time of the emergence of the word, initially from the Old German "Walzl", meaning "rolling" or "spinning". "spinning" or "sliding". The 3-beat "pong-chong-chong" rhythm of the round dance was popular in Europe long before, especially among the peasants in Bavaria, Germany, and Vienna, Austria; as for the waltz type of dance music, it was played in the 17th century at the Hapsburg Royal Ball. The waltz is the oldest of the sport dances. Although the waltz has long been popular in the rural areas of this form of self-indulgent dance, but it can become the city people's dance fashion, but there are its social changes and artistic interests and other aspects of the reasons. 18th century, the French Revolution and its intense influence in European countries, the rise of the Industrial Revolution, and the emergence of a large number of the working class and so on, so that the people of self-indulgent style of dance requirements have undergone a great change. The once popular Minuet and Cavort were eliminated because of their stereotypical and formal styles. The waltz, with its relaxed, natural body and elegant demeanor, became a more self-indulgent way for people (especially the French) to enjoy themselves. The rapid popularity of the waltz was naturally opposed and hindered for various purposes. In addition to the Church that it is immoral, uncivilized, even vulgar and evil, unpleasant because men and women hold close to each other, the movement rotates too fast, but also by the original teaching minuet and other court dances to make a living as a thorn in the side of the people, a thorn in the flesh. The waltz's easy-to-learn and free-flowing character attracted a wide range of dancers, often just watching from the sidelines for a while to learn. This dance does not need to be like the minuet, non-mastery of a large number of complex patterns in order to debut. In conservative England, the waltz was even hated and feared by many. At that time, the newspaper invective: "Nowadays, the elderly noblewomen dance around the room like a gust of wind, while the daughters clad in gowns are in the waltz music of the debauchery of jumping back and forth; the old in a long line, such as the tide of the tide like a surge; young and unrestrained, relaxed limbs; they follow their husbands to walk as fast as they can, without leaving a little of the mystery of the bridal night. We were pained to see, at the English court dance last Monday, that the French nastiness called the waltz was introduced for the first time ...... It is enough to see this erotic dance of entangled limbs and tightly packed bodies, and to see the fine traditions of dignity and subtlety which distinguish English women so grossly perverted! ...... We thought it wasn't worth making a fuss about when this lascivious display was confined to the confines of *** and ***, but now that it is being foisted on the upper classes by the unscrupulous members of that respectable social class, we feel it is our duty to remind parents not to send their daughters to such a deadly plague! ...... We believe that it is no longer tolerated by any moral English social class. No one who has been out at night can fail to see, with uneasy feelings, the sight of our sisters and wives seized by strangers, subjected to arbitrary embraces, and jogging round a little room." This rant, however, made Europeans even more enthusiastic about the waltz. The bourgeoisie in the immediate aftermath of the French Revolution fully embraced the waltz. It is estimated that more than 700 dance halls sprang up at once in Paris alone at the end of the 18th century.After 1834, the waltz spread to the United States. Its first stop in America was Boston, and it then spread to New York and Philadelphia, where legend has it that it also made the upper classes freeze. But it wasn't long before the waltz took root in American social circles by the mid-19th century. The popularity of the waltz was inextricably linked to the ease and fluidity of its music, which was composed by two great Austrian composers, Franz Lerner and Johannes Lerner. The two Austrian composers Franz Lerner and Johann Strauss contributed to the waltz's popularity. The contribution of the two Austrian composers Franz Lerner and Johann Strauss is an important part of the waltz history books. They created an important part of the history of the Venetian waltz. The standard tempo of the Venetian waltz, created by them, is a fast tempo of 55 to 60 beats per minute, which is perfect for modern tastes. The American contribution to the development of the waltz lies in the two variations of the waltz, the Boston and the Hesitation. The former has a slow rhythm, long steps, and more movements in the front and back directions; the latter is slower, with 3 beats to 1 step. Experts believe that the most important contribution of the waltz to the development of ballroom dancing as a whole is the gradual realization of the fact that only natural body movements can last. This enabled ballroom dancing to finally move away from the necessity of adopting the five positions of the foot in classical ballet, as it had done in the 19th century.
Question 6: square dance originated in which country Latin dance is the national standard dance that is one of the two series of international standard ballroom dance, which includes rumba, samba, cha-cha-cha, bullfighting, cowboys, five kinds of dance. The other series of international standard dance is the modern dance, also consists of five kinds of dance, they are waltz, tango, fox trot, quickstep and Vienna waltz.
Compared with the court colorful, delicate and rigorous movements of the modern dance, the Latin dance, which mainly originated from the folk in the style of more enthusiastic, unrestrained and joyful. Latin dance is fast-paced, fast, with shoulders, back, waist, abdomen, legs of the movement of the main, and its use of the most parts of the pelvis, requiring dancers to crotch quite flexible.
The origin of Latin dance is quite complicated to trace, and each of its dances originated in different countries, with different backgrounds, histories, and development histories, but the vast majority of them originated in the Americas, and they are the fusion of three cultures. As early as the 16th century, the European conquerors in order to get enough labor and a large number of black Africans imported to the American continent, to the 17th to 18th centuries, from the three continents of the culture has been in the American continent gradually integrated. Dance, as the main form of entertainment for the lower and middle classes, naturally fully embodied this cultural fusion, and with the later influx of elements of European court dance, these folk dances were further standardized, diffused and perfected. After the Second World War, Americans spread these dances all over the world, and they were especially popular in Europe. Subsequently, the Europeans of these folk dances and the standardization and processing, finally in 1960 the Latin dance included in the world competition, and will be divided into rumba, samba, cha-cha-cha, bullfighting, cowboys, five, on their steps, beats and other aspects of the dance also have a unified regulation.
The origin of Latin dance: Cuba is the birthplace of Latin dance and Latin music. Initially, Latin music and dance is a way to celebrate the victory or harvest expression, and later gradually developed into a way for young people to express their love for each other. In the process of development, Latin dance was rejected because of its overly enthusiastic movements, too blunt expression of emotions and lack of any constraints, but this did not affect the development of Latin dance, the irresistible charm of the end of the Latin dance popular in the world. Many white people used to be unable to imitate the Latin dance in the irregular rhythm and movement changes and agonized, and later appeared in the cha-cha formally to solve this problem.
Latin Dance in America Today: Latin is an unstoppable craze among young people in America today. Whether in music or dance, the Latin style is in vogue. Due to the modern pursuit of natural, casual characteristics, the current popular Latin dance is not with the common people have a certain distance from the national standard dance, but people have long been happy to see the folk Latin dance, such as salsa, merengue and so on. In the United States, the best place to learn Latin dance is the dance studio, although the tuition is higher, but still "hot" very much. The increasing number of "high level" dancers at various parties is a direct reflection of the growing "Latin contingent".
Question 7: Latin dance originated in which country? 30 points Latin dance has five kinds of dance: rumba, cha-cha-cha, samba, cowboy dance, bullfighting. They originated in different countries and regions.
The rumba (Rumba) originated in Cuba, cha cha (Chacha) originated in Mexico, samba (Samba) originated in Brazil, bullfighting dance (Paso doble) originated in France, the development of Spain, the cowboy dance (Jive) originated in the United States, is called "Jitba" dance development.
The cowboy dance (Jive) originated in the United States, by a dance called "Jitterbug" development.
Aerobic Latin dance: the traditional Latin dance originated in Africa and Latin America, the introduction of Latin dance into the gym, Latin dance has become "aerobic Latin".
Question 8: Briefly describe the origins of the waltz and movement characteristics of the waltz word, according to evidence is about 1780 years ago, and three beats, "pong chow chow" rhythm of the round dance was popular in Europe, especially in Germany, Bavaria and Austria, Vienna, the area of the farmers; as for the waltz type of dance music, it is as early as 1780 years ago, the waltz type of dance music, it is as early as 1780 years ago. The waltz type was played at the royal balls in Hapsburg as early as the 17th century.
A standard dance is a dance practiced for waltz competitions and performances, which must follow strict rules. These norms are: must be strictly according to the course line orientation for the flow; waltz start should be from the oblique wall position: three spins should be not less than 270 degrees; movement design and choreography should take into account the feasibility of the orientation; the degree of foot movement and form (refers to the forward should be heel first, backward should be toe first, and and merging, open, locking, brushing, sliding the degree of accuracy and uprightness and so on) of the normative; The accuracy and artistry of the standard grip and dance posture modeling; the stability of the center of gravity alternation process and the accuracy of the timing, and so on. These requirements, of course, we can not be achieved in one morning, but as long as we persist in practicing, it will be accomplished.
Question 9: The origin of the waltz? What are the classic waltzes? Waltz was originally a European folk dance, part of which was passed to the United Kingdom, by organizing the standardization of the British Waltz, that is, the Waltz, that is, we are accustomed to call the slow three; the other part of the transmission of the central Europe, still maintain the folk dance warm, pure and simple style, by organizing the standardization of the Vienna Waltz, that is, we often say that the Vienna Waltz.
Most of the classic waltzes are round dances
.