The hero and heroine experienced an unfortunate childhood, and other characters on the scene became victims of violence. Child abuse, religious fanaticism and violence, such as "pupae" in the air, pervade the living space of human beings-this is the cruel youth whose protagonist exists in Sri Lanka and struggles endlessly, named 1Q84.
The story is told in two lines, using the third-person omniscient perspective that is rarely used in the village. The time is 1984. Girl Mung Bean works in a fitness club, but she has another mysterious identity, while Tian Wu, a math teacher in a cram school who loves writing, is fascinated by the submission of a novel newcomer award. The two protagonists developed in parallel, from irrelevant to wonderful love, from the bizarre 1Q84 back to the 1960s. ...
Like it or not, I am now in this "Xian 1Q84 year". The famous 1984 is missing. Yes 1Q84. The air has changed and the scenery has changed. I must adapt to the way the world with question marks is built as soon as possible. Like animals that have just been released into the new forest. In order to protect your health and survive, you must know the rules of that place as soon as possible and cooperate with that.
Extended data:
Haruki Murakami has been trying to break the boundary between reality and illusion. Every one of his works is trying this kind of effort. Even when writing completely realistic themes, his works reveal an incredible sense of floating, such as Norwegian Forest, and at the same time, they are extremely real. Sometimes, he goes too far and completely enters an imaginary country, such as the adventure of finding a sheep.
Sometimes, it's too real, such as south of the border and west of the sun. In short stories, he controls it better, such as "Tokyo Qitan Record". He looked for a clever incision and an unusual method. He doesn't want to describe the truth naked. This is what V said for vendetta, which I think is true:
"The story is untrue, but it is true."
All stories are lies. The charm of the story lies in lies. There is only one truth, but lies are changeable. The power of recording lies in truth and in seeing life directly. The strength of a story lies in its concentration, tolerance and insolubility. The unexplained part is the most attractive part. Therefore, this story will become a fable.
Kafka by the sea is a standard parallel montage, like a sonata. He didn't establish the connection between the two story lines on the surface. There is a sense of balance and fairness. Despite the complex of killing father and marrying mother, the superficial plot is relatively pleasant, humorous and relaxed.
"1Q84" is also a parallel line, but it shows the inextricable connection between the two story lines very early. There is a sense of danger and tension. Murakami likes to set a balanced figure. For example, in "Norwegian Forest", Watanabe was surrounded by a couple of Muxia and Naoko when he was young, and a couple of Yongze and Chumei appeared when he was young.
Muxia and Yongze are the corresponding characters, both of whom are attractive, but Muxia is clear and Yongze is dirty. Naoko and Chumei are also corresponding settings and have the same fate. Naoko and Qing Zi are also corresponding settings. Naoko and Reiko Kobayakawa are the same.
"1Q84" hasn't seen the whole picture yet. In the initial clues, many characters were woven under many small themes. For example, he died of male violence-Otsuka Ring, the old lady's daughter, Ayumi. All act on green beans. These three characters correspond to three important plot points: her initial awakening, making an alliance with the old lady and killing the leader.
For example, I can't live a normal life because I was molested by men when I was young-Ayumi, Shen Huali and Ayi. For example, because family members are cults, life is miserable-green beans, deep paintings and wings. And this group of characters is sorted by age. Green beans are about twenty-seven or eight years old, Shen Huali is seventeen, and Ayi is ten. Youth, adolescence, childhood. They have broken free, are breaking free, and have broken free from the terrible life of failure.
Characters with the same characteristics appear in different relationships and lead to the same or different fate. Under the same big theme, small themes keep appearing, circulating and lighting up. Finally, when they are superimposed together, they produce a rich and unified force. This is the musicality I can feel.
"History is a collective memory." Haruki Murakami said in "1Q84". If the memory is erased, lost or tampered with, people will be at a loss. Collective memory is our root vein, our blood. The mania, confusion, low intelligence and ruthlessness of our time are because our blood has been stolen and our roots have been broken. We have no position, so we are jumping up and down blindly and struggling.
We live in a lie.
What we do is to find the real truth.
References:
Baidu encyclopedia-"1q 84"