How to evaluate Xiaogang Feng's statement that "the crew are all migrant workers except the main creative staff"

This is normal. This is also true and false. When we talk about film and television migrant workers, we mean that many employees have low academic qualifications, lack of systematic professional training, and their work ability has become bottleneck due to lack of knowledge, let alone professional accomplishment and industry self-discipline. However, the income of the film and television industry can be very low, and too much idle money has flowed into this industry, which is flooded with disasters. Ordinary jobs are definitely not lower than actors. Hard work is hard work, but it is still much better than real migrant workers. The characteristics of film and television circles may be opposite to those of Zhihu. Education is not important, and no one will go to see 985,211,which is second-rate. There are too few classes and a lot of demands, because the development is in the primary stage and the requirements for work are not so detailed. Many times, all kinds of jobs are apprentices, such as martial arts, fireworks, clothing, lighting, photography and other technical jobs, and even screenwriter special effects seem to need higher cultural quality. More interestingly, because this industry emphasizes experience, qualifications and connections, the earlier you enter this industry, the more you can get in touch with and master more resources and be in a favorable position in the competition. This also means that the less you study, the younger you enter the industry and the easier it is to get ahead.