The first couplet is selected from Du Fu's "Send a Thirty Rhymes of Twelve Mountain People": "Quiet people are wonderful, and the skill of a gentleman is unparalleled; Cursive writing is too ancient, and poetry is not godless. "
The second part is selected from Du Fu's Spring Memories of Li Bai: "The door is invincible, not a group." Change Gone with the Wind into Super.
There is no dust in a quiet person's heart, so it is possible to think carefully. Only by holding a detached attitude towards fame and fortune in the world can we be independent, thoughtful and outstanding.
The general idea of the joint is: a quiet person who lives in seclusion in the mountains will have infinitely beautiful ideas in his heart; Beyond the mundane and unconstrained style, the ideological talent will be superior.
This pair of couplets has philosophical and aesthetic connotations.
Attached:
Zhou Yuli (1720- 1779), a native of Shuangjiang, Eshan County, was admitted to the imperial examinations of Qianlong and Dingmao in 175 1 year and to Xinweike in 1 year.
After Zhou Yuli was admitted to the Jinshi, he was elected as Jishi Shu, was awarded editing by imperial academy, and was transferred to imperial academy, Jiangnan Road. Later, he was promoted to crack hon temple, Shao Qing, the General Political Department, Shao Qing in Taichang Temple and Shao Qing in Dali Temple. When I was ordered to join the cabinet regulations, it was difficult to write because of my wrist pain, so I asked for leave to go to other places for treatment. After he recovered from his illness and returned to Beijing, he was replaced by Shao Qing of Guanglu Temple, and soon became Shao Qing of Dali Temple, "three examiners in Sichuan Province and three examiners in Beijing".
What has the greatest influence on Zhou Yuli is his calligraphy. He was one of the famous calligraphers in China at that time. His calligraphy originated from Su Shi and Mi Fei, and has a unique style, which has been highly praised by many calligraphy critics. His calligraphy is widely circulated and regarded as a treasure, and his calligraphy works are treasured in the National Museum and Library. Some places of interest also have some plaques and couplets written by him, such as Jinyong Temple, Qingliangtai and Cultural Center in Nenghai Xiushan, and couplets, horizontal plaques and copybooks of Yuantong Temple and Huating Temple in Kunming, which are still well preserved. In his hometown of Eshan, except for a horizontal plaque with the words "Liu Yuan" (originally hung on the pavilion in the back garden of his former residence), all other plaques were destroyed in the earthquake and the Cultural Revolution.
At present, a "Nai" surnamed Zhou in Yong 'an Street in Shuangjiang (over 80 years old) has a "patent brocade" with the full text of letters written by Qianlong Emperor Zhou Yuli to his grandfather Zhou Xidan and grandmother Zhang. In addition, in the home of a Gong surnamed person who lives in Zhou Yuli's former residence, there is also a Chu stone carving engraved with the epitaph written by Zhou Yuli for his wife Wang. Among his "Zhoujiaci", there are 63 "patent stone carvings" written by him in Beijing and carved by craftsmen, from Matuo to Eshan, engraved with the full text of the patent seal of Emperor Qianlong to his family, which are now collected in Eshan County Cultural Center. Look at the handwriting on these plaques and stone carvings. They are really beautiful, vigorous, dignified and imposing, showing the exquisite skills of a generation of calligraphers. According to local records, he took the ink of several famous calligraphers of Tang, Song, Yuan and Ming dynasties and carved stones with hooks, which became the Fa Tie 10 volume of Yutinglou and the Diamond Sutra 1 0 volume in regular script.
Zhou Yuli is not only famous for his calligraphy, but also good at poetry and prose. He is the author of Dunyitang Collection and Yu Ting Lou Shi Hua Cao. In addition, 125 of his poems were included in The Legacy of Famous People in Eshan (collected by the Provincial Library), including Preface to the Stone Pavilion, Two Chapters of Taiwan Province, Compassion Court, Going boating in Changde, Sleeping on Qingjiang River, Living in Wangyuanting, etc.
Du Fu's "Send Twelve Mountain People Thirty Rhymes"
Lying alone in Songyang guest, three violations welcome water spring.
Difficulties follow the old mother, and sufferings follow the times.
Xie's "Looking for Mountains" and Tao Gong's "Drinking Towels".
The group is fierce in the universe, and this thing is in the dust.
After Jiangbei resigned, Kansai had neighboring countries.
Close communication in the early stage and new contacts in the later stage.
A quiet person has a wonderful heart, and a gentleman has superb skills.
Grass is too bitter to write, and poetry is not without god.
Zhang Zhi, Cao Zhixiu's predecessor, is even more backward.
A few poems can be old, but a word can buy poverty.
I'm afraid I have resisted bandits, and I love my relatives deeply.
It is best to smell the dusk by the door and try to clean the morning.
Laziness is a name mistake, which drives away my true feelings.
It's still lonely to live alone, but it's even sadder to meet each other.
Compassion depends on fate and welcomes Zhen.
When the time comes, there will be fewer old people, so don't leave the frequency after the chaos.
Sai-jo built a high temple, and Wen Gong rewarded me.
Shangshan still enters Chu, and the source water does not leave Qin.
Remember the secret of Qinglong, ride a white deer and tame it.
Plough rock is not a valley, grass is a river.
After the elbow is fulfilled, the Chinese medicine in the capsule is not old.
Traveling is uncomfortable and there is no reason to be good.
Since ancient times, people have both sorrow and hate, and life has ups and downs.
This country is martial today, where can there be benevolent government?
Drum horns sound like nature, and Guanshan believes in the moon wheel.
The officialdom is in Luozhen town, and the thief is near Tao Min.
Xiao suo talks about the land of soldiers, and the vast bucket will be Chen.
Du Fu's Spring Memories of Li Bai
Li Bai's poems are unparalleled, and his superb creativity is far beyond ordinary people.
Li Bai's poems are the fresh wind of Yu Xin's poems and the backbone of Jun Zai's works.
Now, I am alone on the spring tree in Weibei, and you are on each side of the sun, sunset and sky in the southeast, and you can only miss.
When can we have another drink and discuss our poems?