Van Gogh's universe can last forever in the starry night. This is an illusion, surpassing any attempt by Byzantine or Roman artists to express the great mystery of Christianity. Van Gogh's paintings of exploding stars are more closely related to space exploration in that era than to the era of mysterious belief. However, this illusion is caused by the accurate brushwork that took a lot of effort. When we understand expressionism in painting, we often associate it with brave brushstrokes. Whether it is bold and unrestrained or flame-like brushwork comes from intuition or spontaneous performance, and is not bound by rational thinking process or rigorous techniques. The originality of Van Gogh's paintings lies in his supernatural experience, or at least his extrasensory experience. And this kind of experience can be proved by a cautious brush stroke. This brushwork is like an artist racking his brains to accurately copy what he is observing. In a sense, yes, because Van Gogh was an artist who painted what he saw. What he saw was an illusion, and he was also an illusion. Starry Night is a landscape painting both near and far, which can be seen from the high-viewpoint landscape techniques of Bruegel, a landscape painter in the16th century, although Van Gogh's more direct source is some impressionist landscape paintings. Tall poplars trembled and floated slowly in front of us; The small villages in the valley live safely under the protection of the steeple church; All the stars and planets in the universe are spinning and exploding in the "doomsday judgment". This is not the final judgment of man, but the final judgment of the solar system. This painting was painted by/kloc-0 in June, 1989 in St. Remy's sanatorium. After the second nervous breakdown, he lived in this nursing home. There, his illness was good and bad, and when he was awake and full of emotions, he kept painting. The colors are mainly blue and purple, and the yellow of the stars beats regularly. The dark green and brown poplars in the foreground mean endless nights around the world.
Cafe at night
Van Gogh's passion came from the world he lived in and the strong reaction of people he knew. This is by no means a simple reaction made by a primitive man or a child. His letter to his brother Theo is the most touching story written by the artist. The letter shows his highly sensitive perception, which is completely in line with his emotional response. He is keenly aware that he is getting the effect, which is achieved through yellow or blue. Although most of his color concepts are used to express his love for man and nature and his happiness in the process of expression, he is very sensitive to dark colors, so when talking about Cafe at Night, he said, "I try to express the terrible passion of human beings in red and green." The cafe at night is a nightmare composed of dark green ceilings, red walls and uncoordinated green furniture. The golden floor presents a vertical perspective and enters the red background with incredible power. Conversely, the red background is also quite competitive with its strength. This painting is an irreconcilable struggle between the perspective of space and the aggressive color trying to destroy it. The result is a terrible experience of claustrophobia and oppression. The work indicates surrealism's exploration of perspective as a means of fantasy expression, but no exploration can have such shocking power.
still life:vase with fifteen sunflowers
These sunflowers are simply inserted in vases, showing a breathtaking magnificence. Van Gogh used repainted strokes, like sculpture, to take a piece of clay from the relief. The colors and techniques of yellow and earth tones show a beautiful world full of hope and sunshine. However, while painting this painting, the world that the painter desperately wanted to seize slowly but mercilessly slipped away.
The rye with crows is an oil painting created by Van Gogh in July 1890. The usual explanation is that this painting shows the distress of Van Gogh's mental state, the indecision of three roads going in different directions, and the black crow hanging overhead indicates the signs of death.