The bestselling Japanese novel of '99 was brought to TV. It depicts a series of tragedies in the adult life of three children who were abused in their childhood. The cast is strong, including the sensual beauty Nakatani Miki, the new idol Watanabe Atsurou from "Hundred Years of Story" and "Life is Beautiful", and Shiina Kratsuhei from "Season of Sweetness". Due to the great popularity of the original book in Japan, the TV version was produced by famous director Yasuo Tsurutsuki and scored by famous musician Ryuichi Sakamoto. The movie level production standard is comparable to the classic Japanese speculative dramas such as "The Instrument of Sand" and "The Strange Case of Mount Amagi", which have touched the hearts of countless Japanese viewers after the broadcast.
The story begins in a children's psychiatric hospital in Ehime Prefecture, a rural area of Japan, in the early 1980s. A young girl, Yuki, who has been sexually abused by her father, is admitted to the hospital and meets a young man, Ryōhei and Shōichirō, who have also been abused by their parents and whose young hearts are filled with infinite pain.
Many years later, Yuki (Miki Nakatani) has become a caring nurse, Ryuhei (Kouhei Shiina) a grumpy detective, and Shoichiro (Atsurou Watanabe) a lawyer. A chance reunion with fate ruffles their childhood wounds, and a series of killings haunts their past and present.
Through the killings, the drama brings out social problems such as child abuse and mental illness of the elderly, bringing the audience deep shock and emotion. The characters' encounters are so out of the ordinary that one can't believe that such misfortunes exist, but they do exist in the dark corners of the modern society, which is definitely a rare masterpiece.
Characters:
Yuhi Hisaka, 29, played by Miki Nakatani, works in the geriatric department of Tama Sakura Hospital. Whenever she gets a vacation, she works overtime to get an allowance. She lives with her mother, Shiho, and brother, Satoshi, and was admitted to Ehime Prefectural Psychiatric Hospital 18 years ago. Her fate changed when she met up with Ichiro Sho and Ping Liang.
Ryohei Arisawa, 29, played by Kouhei Shiina (Inspector General), works for the Kanagawa Prefectural Police, and met Yuki 18 years ago when they were hospitalized together due to the abuse of their loved ones. Although he is in love with Naoko, he always thinks of Yuki. The two of them have been working together for the sake of the abused children.
Naoko Hayakawa, 29, is the love interest of Yuriko Ishida (owner of a small restaurant). Both parents are dead, so she lives alone. She runs a restaurant in Yokohama. She knows that Liang Ping has been hurt inside and wants to understand him. He really loves Liang Ping, but feels uneasy because of this.
Soichiro Nagase, 28, a lawyer who runs a law firm in Ginza, met Yuki 18 years ago when he was hospitalized due to his mother's abuse. He has been busy for a while to take care of his mother, Mariko. during 8 years, he has been secretly and silently protecting Yuki.
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"White Night Ride"
"White Night Ride" is a brutal, desperate Japanese drama about the hero and heroine's hopeless love and infinite pain. Why can't they love each other? What made them who they are today? All they want is to hold hands and walk under the sun, and for this simple promise, they have to walk the dark infernal paths, enduring the torment and pain of their bodies, just for that promise of 15 years, because by then, they can walk under the sun to their heart's content ......
2005 On Christmas Eve, Yukiho Tangawa finds a bloodied Kirihara Ryoji on the street. Looking at the dying Ryoji, Yukiho can't help but remember the story that began 14 years ago......
In 1991, when Ryoji is still in elementary school, his mother, who runs a pawn store, is having an affair with a shopkeeper, Isamu Matsuura, and Ryoji, who is aware of his mother's affair, becomes very upset. Ryoji meets Yukiho, a poor girl from a poor family. Yukiho lives with her mother, Nishimoto Fumiyo, who sells Yukiho's body for money. The kind-hearted Ryoji gradually becomes friends with Yukiho. One day when Yukiho and Ryoji are returning home, they meet Ryoji's father and Yukiho runs away from him as if she has been electrocuted. When Yukiho doesn't show up again for a few days, Ryoji goes to see Yukiho, but Yukiho purposely avoids him and says that she doesn't want to hang out with him anymore. It is only when Ryoji stumbles upon Yukiho being dragged to a rotten building that he realizes that Ryoji's father is the man who has been assaulting Yukiho. Enraged, Ryoji stabs his father to death. Yukiho engineers her mother to be recognized by the police as a criminal and tries to commit suicide with her. Eventually Yukiho survives and leaves the heartbroken city, taking with her the paper sun that Ryoji had cut for her ......
In 1998, Yukiho changes her last name to Karasawa and starts to live in another city, while 17-year-old Ryoji meets up with Ryoji, who had investigated the case that year. Junzo Sasagaki in an unexpected encounter ......
"The White Tower"
Plot Summary:
Surgery for the esophageal cancer of the governor of Tsurukawa Osaka Prefecture is underway in the operating room of the Speed University Hospital. Medical Minister Ryoichi Ugai (Masatoshi Ibushi), First Professor of Surgery at Higashi-Seizo (Koji Ishizaka), and Hospital Director Daijiro Zenouchi are all in the trainee room to observe. However, the lead surgeon, Associate Professor Zaizen Goro (Shumeaki Donzawa), is slow to show up. When the crowd starts to stir, Zaizen appears, and the crowd quiets down, and Zaizen starts to operate without saying a word. Although there is a small accident during the operation, Zaizen completes the operation with amazing speed and is applauded by the crowd. Because he saved the Osaka governor's life this time, the media even called him the emerging authority of Naniwa University's First Surgical Department, but this title didn't sit well with Professor Azuma, who was also his teacher and his boss.
At this point, Shuji Satomi, an associate professor of the first department of internal medicine (Yosuke Eguchi), is disputing the symptoms of Midori Konishi (Michiko Kawai), a patient whom Ugai has diagnosed as having gastric cancer, suspecting that she not only has gastric cancer, but also pancreatic cancer as a complication. He asks Ugai himself for his opinion, but Ugai doesn't want to pay any attention to him.
To find out what is going on, Satomi asks Zai to come and treat Konishi. He realizes that there is a high probability of pancreatic cancer, and since this is a special case, he is happy to operate on Konishi. However, Zaizen realizes that the person who didn't find out that the patient has pancreatic cancer is Ugai, the Minister of Medicine, and for his own sake, Zaizen tells Satomi that he will not operate on Konishi.
Japan's Fuji TV's 45th anniversary drama, adapted from Toyoko Yamazaki's novel of the same name, brings together a number of big-name stars in an extremely lavish cast. Donzawa and Eguchi are back together again after 11 years. In the drama, one pursues power and reputation, while the other values human life. The human struggle between two opposing doctors at a university hospital and the revelation of the dark side of the healthcare system is a unique story with a unique theme, different from the stereotypical stories that either talk about love or lovemaking. The filming is serious and delicate, the surgery scenes are more realistic than ER (ER Story), and the atmosphere of the whole drama is comparable to that of Infernal Affairs. As a result, the ratings were outstanding, with the finale recording 32.1 percent in the Kanto region and 39.9 percent in the Kansai region, a super high figure rarely seen in recent years.
White is the color of medical professionals, symbolizing their noble professional knowledge and great mission to help the world. The giant white tower refers to the place where the story takes place, the University Hospital, a place where lives are saved and the next generation is nurtured. However, in the serenity of the tower, there is an intense human struggle for survival.
The cast and crew traveled as far as Auschwitz, Poland, to shoot exteriors at the remains of the Nazi concentration camp, a place that has only been accessed by documentary crews in the past, making this the first time ever that a series has been filmed at this location.
Shouaki Donzawa and Yosuke Eguchi are back after an 11-year hiatus, portraying Zaizen Goro, an ambitious surgeon who seeks power, and Satomi Shuji, an academic internist who respects life and is passionate about research. Through the dispute and conflict of ideas between the two, as well as the entanglement of interests and love relationships around them, the drama brings to the surface the election bribery and medical disputes in university hospitals, and boldly exposes the dark side of the medical profession, which is characterized by deceit and competition for power and profit, and then elaborates on the dignity and glory of life!
"The White Tower" is not only about the two leading men's tit-for-tat acting skills, but also about the **** cast, which can only be described as 'lavish': Zaizen's mistress, the smart and charismatic mother, Hitomi Kuroki; the professor's daughter, Ashiko Yada, who has fallen in love with Satomi; and the wife, the wise housewife, and the daughter of the professor, Ashiko Yada. Maki Mizuno, Satomi's wife and wise housewife; Eiaki Ito, a surgeon who honors Zaizen; Takaya Kamikawa, the prosecuting attorney for the medical negligence; and the hard-boiled actors Toshiyuki Nishida and Koji Ishizaka, who are 'as old as time'... All this while a team of behind-the-scenes producers are working together to thoroughly verify the medical information. This, combined with a densely constructed script and a well-crafted, thick soundtrack, propelled "White Tower" to an unprecedented peak for a Japanese drama!
The Life of the Disliked Matsuko
This movie is based on the novel of the same name, "The Life of the Disliked Matsuko," by Soki Yamada.
Born in Onojima, Fukuoka Prefecture, in Showa 22, Matsuko Kawajiri graduated from college and became an ordinary teacher, only to be dismissed from the school for harboring a student who committed a theft. Her emotional career then begins its ups and downs, living with her boyfriend who aspires to be a best-selling author, before he commits suicide and she becomes romantically involved with his friend. Later, she gives up on herself and becomes a bathroom maid, becoming the most famous prostitute in the area. Because of her experiences, Matsuko's character becomes increasingly fiery and, unable to bear the betrayal of her boyfriend, Onodera, and her close friend, she kills them and flees to Tokyo. Afterwards, she befriends a barbershop master, Oshimazu, and gives birth to a child. However, the police's relentless pursuit forced Matsuko to leave her lover and child behind and begin an eight-year prison sentence. After her release from prison, Matsuko is reunited with Ryu Yoichi, a former student of hers, who has fallen in love with Matsuko, although he has already become a gambler. Long Yangyi eventually could not escape the fate of the prison, thinking that he could not give Matsuko happiness, Long Yangyi decided to leave her, while Matsuko has always dreamed of being able to stay with Long Yangyi until old age ...... Although there is no lack of men, but to the age of fifty Matsuko is still alone living a hermit closed life. In the 13th year of the Heisei era, Matsuko's cold body was found beside a dried-up river. She was 53 that year.
Sand Weapon
Adapted from a novel of the same name published in 1960: a murder case is used as a starting point for the tragedy that leads to the fate of the main character, Hiraga, as well as that of his biological father, adoptive father, and lovers. The title of the play is a metaphor for the life of the hero and He Yingliang, which is like a castle made of sand on the seashore, illusory, fragile, and simply unable to resist the whims of destiny, and which will eventually be destroyed by the sea no matter what.
Hero Waga (Masahiro Nakai) is regarded as a genius pianist, with talent, status and wealth that everyone envies. But even so, he has a painful past that he would never want anyone to touch.
One day, after Hidetora's piano performance, a man named Kenichi Miki appears and calls him "Hideo". Kenichi Miki is the only person in the world who knows about Hidetoshi's past besides his father. Hidetoshi, in pain, makes a choice ...... and meets a woman named Asami Naruse on his way home.
Three hours later, Miki's body was found. The police assigned the excellent police department Shuichiro Imaishi to investigate the matter. Thus, due to the murder case, Asami Naruse and Shuichiro Imaishi are involuntarily involved in Hira's life. And in Shuichiro is getting closer to the truth.
When the police eventually discover that the brutal murderer who broke all ten fingers off the victim's remains is Eira, he confesses the reason why he killed Miki. ......
Christmas Dream Scare AKA <<Meet on Christmas Eve>>クリスマスキス～イブに逢いましょう ~
A story about psychology (split personality) and theology (reincarnation). There's a little bit of complexity, but it's excitingly mysterious and, even, a little scary. The main thread is a serial murder case, unsolved for years, that finally surfaces and strikes again. The ending is both obvious and surprising. The story gets more thrilling and intriguing as it goes on. Truly an unparalleled drama.
Directed by Yukihiko Tsutsumi
Starring Tomoko Nakajima and Atsushi Sato
Continuing
The story's main scenario is that of a task force in the second section of the Police Department's Search Division 1, which is responsible for unsolved cases, symbolized in the form of Continuing. Atsuro Watanabe, Sarina Suzuki, Tsuyoshi Taniguchi, Akio Kondo, etc., each criminal is skilled and hidden, as to why they are reduced to this kind of cold government office, of course, there is a reason, which is the final climax of the whole drama fuse. Things start to change for the unit with the arrival of Jun Shibata (Miki Nakatani), an intern who graduated from the University of the East, and what follows is a series of unsolved cases that Jun Shibata and her partner come across and have to solve.
This is the highest rated Japanese drama of 1999, and it's worth watching for its suspense and the superb acting of Miki Nakatani and Atsuro Watanabe, which makes it necessary to introduce it in detail, and that's why the first of the five Continuing Specials in a row starts with the unresolved cases in the files of the search headquarters.
Continuing is a mystery drama launched by TBS in January of 1999, which didn't attract much attention before airing, but by word of mouth in the market, it has been getting good reviews, and the more it simmers, the more it burns, and the more it flourishes, a phenomenon somewhat similar to the year's "The Searching Line," which, at the end of the day, not only made it the year's best, but also has had more than its share of specials, movie versions, and related publications.
"Continue" is the route of suspense, but it is a bit surreal, want to follow the plot reasoning is not easy, the main puzzle solver is Nakatani Miki as a genius criminal Shibata pure, some viewers said full of "Kindaichi juvenile incident book" flavor, this view is justified, because the director of the two plays are Tsutsumi Yukihiko, stranger may be the screenplay Nishidoshi Bowie, to take the past works such as "Chasing Love", "Single Family", "The Noble Family", and so on. A family", "single nobleman" and so on, compared to the style of the difference is quite big, but from now on the light of the ancestors, the history of the name, should not be a problem.
The reasons why "Go On" is Japan's best work of the year 99, besides the fact that viewers who have watched it say it's great, have been endorsed by at least The Television 99 Spring Awards, TV Life 1999 Japanese Drama Awards, TV PIA 99 Readers' Choice Japanese Drama Awards, and the sixth TV PIA Awards, where it was third in the year for Japanese dramas, JUNON 1999 Japanese Drama of the Year, 10th place..., and then compared to the performance of other works, the ranking of the results of the combination.
The Sun Never Sinks
Title: The Sun Won't Sink
Nao (Hideaki Takizawa), in his rebellious days, gets into trouble at school and his mother picks him up at the school dormitory.
One day Nao's mother goes out for a dog walk but doesn't come back all night. The next day, she is told to go to the hospital, but she sees her mother's body, and the attending physician explains that the cause is exhaustion. But after the cremation of the body, a scalpel was found, and his father insisted not to mention it again, but Naoto insisted on finding out the truth.
Title: Season of the Sun
Chinese title: Season of the Sun
Shinjiro Ishihara's novel "Season of the Sun Adaptation", which won the Akutagawa Prize, was previously acted in a movie version by Yujiro Ishihara. The play is a youthful love story about a group of teenagers who grow up to be adults, with the summer ocean and sun as the stage.
Ryuya (Hideaki Takizawa), a third-year student at a private university, is raised by his mother after his father commits suicide while in debt. However, he lies to others that his father is a local squire and his mother is the daughter of a large landowner and a close friend of Shinji (Aoyo Takaoka), a graduate of an affiliated high school. One day, Ryuuya is at a crossroads, helping Eiko (Chizuru Ikkyo) to pick up the sheet music she dropped on the ground, but to his surprise, he switches the sheet music of a song Eiko wrote herself with his own application for a scholarship and picks up the wrong sheet music.......One day, Shinji asks Ryuuya to celebrate his birthday at his own party, where he introduces his fiancée, Yuki (Rio Matsumoto) to him. Just when Ryuuya has a chance to be alone with Yuki, Ryuuya suddenly kisses Yuki. ......
SURVIVE STYLE 5+
Synopsis:
Ishigaki (Tadanobu Asano) has been planning to kill his wife, Mimi (Rika Hashimoto), who is a bit of a monster. But what he thought was a perfect plan to kill her proved ineffective time and time again. His wife miraculously escaped several disasters, and the relationship between the two grew stronger and stronger. Aoyama (Kuan Abe), a popular hypnotist, is in the middle of a live show, but is killed by an assassin who breaks in at a crucial moment in the show.
Aoyama's lover, Yoko (Kyoko Koizumi), is a well-known advertising planner, and advertising is the driving force and source of her life, but on this day, the tape recorder on which she relies to record all her valuable ideas is stolen. Kobayashi (Kazutoku Kishibe), who is a special guest of the crowd at an Aoyama show, comes home from an interrupted hypnosis show and fantasizes that he is a bird. He ascends to the roof and jumps down, only to fall heavily into his own yard, startling his family.
Tsuda (Kanji Tsuda), Morishita (Nobuyuki Morishita) and J (Jai Wast) are three loafing punks with an unspoken relationship who lead a life of burglary. While in the sauna, the trio meets a hitman from London and his wacky translator, who is said to have incredible killing skills. The president of a pharmaceutical company (Shinichi Chiba), who is terrified of his wife, has just turned down an advertisement proposal when he receives a phone call from her. Seemingly unrelated to the godlike crowd, but as if held by a thread there are inextricably linked, and the story is getting more and more exciting ......
Behind the Scenes:
"Wife Killer" is a Japanese blockbuster that deserves to be called "Wife Killer". Although this is the debut film of Taku Tada and Sekiguchi now, both of them are the elite of the Japanese advertising industry, and both of them have won numerous awards at home and abroad, which is an absolute guarantee for the novelty of the movie. In addition to this pair of Japan's strongest advertising elite duo, the title - Sato Koshikazu, photography Shikuma Makoto, music - JAMES SHIMOJI, costumes - Utsunomiya Chiko, the opening show - Kaeru Drums, the film's advertisement collaboration - Ishii Katsuhito and other industry professionals are also supportive of the film, **** together to create this miracle in the history of Japanese cinema.
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[After School \ Dangerous After School \ Misadventure]
Synopsis:
Azusa (Arisa Kanetsu), a sophomore high school girl, is earnest and simple, and is the vice president of the student council. One summer dusk, while returning to school to pick up her belongings, she passes by Kohei (Ishida Issei), who is in a hurry to get home, under a utility pole at a construction site. At that moment, a huge thunderbolt strikes and both of them faint at the same time, resulting in their souls entering each other's bodies by mistake. As a result, the original delinquent, Kohei, realizes that not only is he missing the most important part of his male body, but he also has to wear a skirt and pretend to be a lady. He can't even sit down with his legs spread wide like before. And Zee, the good girl with good character and good grades, now has to hang out with a bunch of problem children who smoke and drink, and is constantly faced with the prospect of getting into a fight with someone or other. ......
Ishida Yosei's portrayal of a delinquent boy with a girl's soul is nothing short of brilliant. A lot of small gestures of ordinary girls themselves usually rather than notice, but by his performance, but look at the body with the same feeling, bear handsome.
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