What are the elements of plot in a modern narrative work--
(1) Events, Characters, and Scenes
1. Events
Events consist of the behavior of the narrated characters and their consequences, and an event has a relative independence in narration, so an event is a unit of narration. The Monkey King's three fights against the White Bone Monster is an event, and Wu Sung's fight against the tiger is also an event. In the plot, each narrative unit is in a certain relationship structure and assumes different roles. Generally speaking, the situation which has nothing to do with the behavior of the characters in the work or the situation which is not made by human power can not be counted as a meaningful narrative unit in itself, and only the events which have an impact on the behavior and destiny of the characters can enter into the work. In fact, the role of each narrative unit in the progress of the plot is not the same, according to which the French structuralist narrator Roland Barthes distinguishes between two different types of narrative units: "central" and "subordinate". The central event (or the core unit) is usually in the central axis of the plot development, and is the necessary link to push the storyline forward. Without such a central event, the continuity and integrity of the entire storyline will be damaged, so they are indispensable. Subordinate events (or known as auxiliary units) generally do not promote the development of the storyline, is not essential to the development of the storyline forward, only to introduce the characters, explain the scene, image, rendering the atmosphere plays a role, so that the significance of the story can be revealed and enriched.
From the story development clues, these subordinate events, even if omitted, will not affect the development of the entire storyline; but from the entire narrative, they are by no means dispensable. This kind of event constantly triggers the tension of the story, and constantly reminds the relationship between the events that have happened and the events that will happen, which strengthens the anticipation in reading and makes the story irresistibly attractive. For example, in Yu Hua's novel Noon in the Northwest Wind, when the "big man" who came to call the door kicked it down and rushed in. The firmness of the "big man" makes "me" wonder if I am "mistaken", and when "I" reconfirm that this room is the "Hongqiao New Town", "I" will not be able to find the room I am looking for. When "I" reconfirmed that the room was "Hongqiao Xincun No. 26, Room 3", he was convinced that "Dahan" was "mistaken", but "Dahan" confirmed that "Dahan" was "mistaken". "He confirmed my name again. At this point, all the causes of misunderstanding that could have been mediated were eliminated, and the conflict between the two men could no longer be resolved. So, the "big man" with his power advantage forced "me" to go with him to meet "my" friend who "I" didn't know at all. ". In this incident, "I" confirmed that the details of the arrest of Hongqiao Xincun, No. 26, Room 3, although it is a subordinate event, but it excludes "my" doubts, so that the two sides of the antagonism can not be mediated, which later "big man" by force to force the "big man" to go with him to see his "friend". This is closely related to the fact that the "big man" forced "me" to go to see "my friend" by force. At the same time, the confirmation of the door number provides the reader with space for multiple expectations. This shows that a narrative fragment, both subordinate events, and the central event, the two have their own position in the whole narrative, each with a unique function.
The abbreviated version of many novels is to retain the central event, delete the subordinate events, so that the literary work becomes a synopsis of the story, which helps people to understand the center of the work in a very short period of time, but the unique aesthetic interest and aesthetic value of literature is also lost.
The role of the central event and subordinate events in the storyline is complementary: the lack of a central unit to promote the plot, the continuity and integrity of the story will be destroyed; and the lack of a subordinate event to shape the image will affect the story's vividness, richness, and deep meaning. Of course, from the perspective of the occurrence of the elements of the plot, the narrative unit that promotes the development of the plot is obviously the more basic unit. But in the specific analysis of the event should be noted that, in an event can be both several roles, such as "Dream of Red Mansions" in the Daiyu burning manuscripts to break the infatuation of the event both to promote the development of the plot, that is, the end of the Bao Dai's love story and affect the fate of the later Bao Yu, Baochai, etc., and at the same time play a role in shaping the image of the eventual completion of the Daiyu's character portrayal, and caused the tragic atmosphere of the ***.
2. Characters
Combined with the work to talk about the role of characters in literature.
In narrative works, the driving force of events and plot development is the character, but the role of the character in the work there is a great divergence, which is the plot-centered and character (character) centered theory of the debate. Aristotle pointed out in the Poetics that: in the composition of the various components of tragedy "the most important is the plot, that is, the arrangement of events, because the tragedy imitates not the person, but the person's action, life, happiness ...... They do not act in order to show 'character', but in order to show 'character' and action. ' but rather to act incidentally to express 'character' while acting." In contrast, Hegel states in Aesthetics, "Character is the true center of ideal artistic expression." China's classical novel theory is mainly character-centered. For example, Jin Shengxuan said in his review of Water Margin: "Other a book, read once that is to rest; only the Water Margin, just see not tired, but for him to the one hundred and eight personalities, are written out." Mao Zonggang commented on the standard of the novel is also character-centered theory, for example, his two comments on the "Romance of the Three Kingdoms," said, "Two people are the same hero, but each of them is the same character." "One man has one character, each different, and it is really nice to write." They focus on characterization.
Generally speaking, the plot, events are for the performance of characters, so compared with the plot, the role of characters in the work is the first. The reason why characters occupy such an important position in narrative works, in a general sense, is because social history is composed of human activities, the position of people in real life determines his position in narrative literature, literature to reflect social life can not help but write people. From the essence of literature, i.e., the aesthetic nature of literature, because the essence of beauty is the sensual manifestation of the essential power of man, the aesthetic attribute of literature determines that it must reflect the human being through the grasp of social life, revealing the social life and historical development of human beings how to realize the objectification of the essential power of human being through practical activities. Because of this, in the various subjects of narrative works, the character portrayal is placed in the center, so that the narration of the event and the description of the scene for the shaping of the character image service.
However, in some melodramatic novels, the characters are only set up for the construction of the plot, and the characters themselves do not have complete, living and real character traits, and they are only the action element in the plot development.
The root of the above differences lies in the duality of characters in narrative works: the action element and the role. The so-called "action element" refers to the role of the character in the narrative work, who gives rise to the action to promote the development of the whole event. In many narrative works, the names and identities of the characters, the time and place where the stories take place are different, but they give people a sense of déjà vu, this is because although these characters have different names and identities, they are in fact the same type of action element, that is to say, the purpose, value, and the basic way of their behavior are more or less the same. For example, in many novels about talented men and women, despite the different names and identities of the characters, and the different times and places where the stories take place, almost all of them are composed of very similar major action elements: the pursuer (talented man), the pursued (beautiful woman), the lead (servant girl, etc.), the opponents (powerful characters), and the competitors and the obstructionists (villains) in the story.
However, in narrative works, the character does not only play the role of "action element", his character traits make the character has its own independence and aesthetic value. Narratology of the character of this unique aesthetic called "role". Successful "role" not only has a living personality, but also contains a universal significance of the **** sex, can reveal the essence and laws of social life, which is what is usually called "typical character".
3. Scene
The scene is the place where the behavior and activities of the characters are described in the narrative work. Characters in literary works are not visitors from the sky, he always has to live in a certain social and natural environment, but also in the specific life scene. Therefore, any narrative work must have a scene when narrating the story, and with the scene, the characters have the space to move, and the story can move forward. If a work has only a complete storyline without a scene, then such a work will lose its profound artistic charm.
The scene is composed of some components or factors in the plot. But the scene does not necessarily have to show the major inevitable events, can also be used to write trivial incidental events; also does not necessarily have to be in the plot development of the key in the demonstration, but also may appear in the very inconspicuous place. At the beginning of the first chapter of The Rumpus and the Tumult, a lowly adult playing golf with the children who serve him, hears someone call out "Caddie" (the caddie, which in English is the same word as "Katie") and hums as he remembers his dead sister, Katie. Lestat, the black boy, stopped him as usual: "Listen to that, you're humming so hard." "It's true for you, too, all thirty-three, and still this ...... "This seemingly insignificant scene at the beginning of the novel writes about the character's prominent external features and suggests that his simple inner world is not free of pain, and more importantly, it draws out the novel's The main thing is that it leads to the centerpiece of the novel - Katie and her story.
Interludes are often vivid and interesting scenes as well. This refers to those interspersed in the basic plot, although not closely related to the main line, but is conducive to the portrayal of characters, or can be used to add a flavor of life, small stories, small scenes, and so on.
The Romance of the Three Kingdoms
After Cao Cao kills Yang Xiu in the Slanted Valley, he intersperses a collection of stories about Cao's and Yang's long-standing enmity with each other, which includes a number of small but interesting scenes. For example:
Cao Cao has built a garden; when it was built, Cao Cao went to look at it and did not praise or criticize it, but only took a pen and wrote the word "live" on the door and went away. No one knew what it meant. Xiu said: "'Door' within the addition of the word 'live', is the 'broad' word also. The prime minister suspects that the garden door is wide." So he built another wall. Transformation stopped, and invited Cao to watch. Cao was delighted, asked: "Who knows my intention?" Left and right said: "Yang Xiu also." Although the drill called the United States, the heart is very jealous of it.
Cao Cao's direct reason for killing Yang Xiu was that he spread his intention to retreat, committing the crime of "disrupting my army", but the real reason was political, because Yang Xiu was a member of Cao Zhi's party, and Cao Pi repeatedly provoked Cao Cao's alienation from Cao Zhi, and at the same time, generated the idea of removing Yang Xiu. This is a collection of notes from the Shishu Xinyao (New Words on the World) and other wildlife accounts, resulting in a set of interludes that colorfully portray Cao Cao's suspicious and jealous character, making for an interesting read. As for whether the historical Cao Cao is really like this, it is another story.
Sometimes this kind of interlude scene on the surface is idle, but it is often both raw *** interesting, but also as a characterization of the auxiliary means. Such as "Journey to the West" to write pig eight ring to the ear eye to hide sticker money and so on.
The scene may also be manifested in the form of flashbacks, complementary narrative and interpolation. Some of the things that are supposed to happen later, or even in the future, or images of life that appear, are recounted at the beginning of the work, which is called a flashback. As a scene, flashbacks immediately bring the reader to a specific situation, so that they face the action of the characters, which is more attractive than the beginning of Balzac's novels often have the kind of environment and characters of the endless specific description. For example, the first sentence of Marquez's novel One Hundred Years of Solitude begins, "Many years from now, facing the firing squad, Colonel Aureliano Buendia will recall the distant afternoon when his father took him to see the ice." This hints at the events and tribulations they would later experience and has the germ of drama, thus making it fresh and interesting.
Such scenes may also be written in the form of flashbacks, interludes, and so on, through the recollections of the narrator or characters. Lu Xun's novel The Blessing begins with several flashback scenes:
(1) I returned to my hometown of Luzhen at the end of the old calendar, and met with my fourth uncle, Mr. Lu, in his study.
(2) On the second and third day, I went to visit my relatives and friends, and saw people busy preparing for the "blessing".
(3) In the afternoon of the second day after I met my fourth uncle, I met the main character Xianglin Sister-in-law by the river and answered her question about the existence of souls and hell in a perfunctory way with the words "I can't tell", and then hurriedly fled back to my fourth uncle's house.
(4) On the evening of the third day, when I heard the news of Mrs. Xianglin's death, I sat alone under the dim oil lamp and contemplated her "half-life story" in my mind. Among them, (3) is the complementary narrative interspersed in the flashback, and it is the scene in the narrator's memory, i.e., in his heart. The use of such scenes can create a staggering narrative structure, avoiding the dull, boring flat narrative.
(B) the beginning, development, ***, ending
The plot consists of the beginning, development, *** and ending, and in some works, there is a prologue and epilogue.
The beginning is the starting point of the plot and the cause of the conflict of events. In the opening section, there is generally a broad outline or foreshadowing of the main characters and the basic nature of the conflict. The beginning is often the first event in the plot.
Development consists of the gradual unfolding and development of the conflict. In larger scale narrative works, this part has the largest capacity and the most ups and downs, and is the main component of the narrative work. The character and fate of the characters are shown in many ways in the development part.
*** is a plot in which the conflict reaches its peak, and it is a critical moment for the opposing sides to decide whether to win or lose, so the characters are fully and distinctly expressed in ***.
The ending is the resolution of the conflict, the inevitable result of the development of the characters and events.
This is the general composition of the plot of the work. Some works also have a prologue and epilogue. Prologue refers to the social background and historical conditions before the conflict unfolds, and epilogue refers to the introduction of the characters in the work after the ending. These two parts are not all narrative works must have, and in modern narrative works, the above five parts of the plot are not necessarily complete, and in the narrative will often reverse their order, such as the ending to the front, in reverse order to develop the plot.
What are the elements of medical malpractice?The so-called medical malpractice refers to medical institutions and their medical staff in medical activities, violation of medical and health laws, administrative regulations, departmental regulations and diagnosis and treatment and care routines, negligence caused by the patient's personal damage to the accident.
Medical malpractice must have four elements, one of which is indispensable:
Subject. Must be the medical institutions and medical personnel who have obtained the license to practice according to law. These institutions refers to the provisions of the "Regulations on the Management of Medical Institutions", the registration of the "medical institutions license" institutions, including hospitals at all levels, community health centers, nursing homes, health centers, clinics, clinics (health clinics, medical clinics), maternal and child health care hospitals (stations, stations), first aid centers, clinical testing centers, and so on. Medical personnel refers to physicians, nurses, pharmacists and other health professionals and technicians who are licensed to practice in accordance with the law. If there is no practicing qualification of personnel practicing medicine according to the illegal practice of medicine, can not enter the medical malpractice appraisal process.
Behavioral violations. Refers to medical behavior in violation of national laws, administrative regulations, departmental rules, diagnosis and treatment routines, norms and so on.
The subjective aspect of negligence. That is, from the psychological existence of carelessness or overconfidence, if the subjective aspect is not negligence but intentional, can not enter the medical malpractice appraisal process, if the subjective aspect of the accident can not enter the medical malpractice appraisal process.
Medical negligence and patient casualties, obvious damage to the existence of an inevitable causal relationship. The results of patient casualties and medical personnel subjective party view of negligence, violation of a direct causal relationship, rather than indirect.
*** What are the elements of the crimeFirst, *** Definition
According to the criminal law, *** crime, refers to against the will of women, violence, coercion, or other means of forcible sexual relations with women behavior. The subject of this crime is generally a man. A woman who abets or aids a man in ****ing a woman can also be a **** offender in ****ing a woman.
Second, the Criminal Law on the *** crime:
Article 236: Violence, coercion or other means *** women, shall be sentenced to imprisonment of not less than three years and not more than ten years. Whoever rapes a *** under fourteen years of age shall be punished severely for the crime of ***. If any of the following circumstances applies to a *** woman or an adulterous ***, he or she shall be sentenced to fixed-term imprisonment of not less than ten years, life imprisonment or the death penalty:
(1) if the circumstances of the *** woman or the adulterous *** are aggravated;
(2) if the *** woman or the adulterous *** are more than one person;
(3) if the *** woman is committed in public in a *** place in front of a public audience;
(4) if the *** woman is committed by two or more persons;
(4) if the *** woman is committed by more than three persons;
(E) causing serious injury or death to the victim or other serious consequences.
What are the elements of a novel?First, the four elements of a story: time, place, character, and event
Second, the setting of the event: the beginning, the *** ending
Again, the point of conflict, there can be more than one point of conflict
And there should be a time line, or a series of clues to the event
What are some of the modern narrative poemsYoung Thoughts
by Wang Guozhen
Love of Love, Love of Love, Love of Love.
Love of life
I don't wonder if I'll make it
Since I've chosen a faraway place
I'll travel through thick and thin
I don't wonder if I'll win the love
Since I love the rose
I'll be brave enough to show my sincerity
I don't wonder if the winds and cold rains will be behind me
Since the goal is the horizon
I don't wonder if the wind and cold rains will be behind me
I don't wonder if the winds and cold rains will be behind me. Since the goal is the horizon
All I have left for the world is my back
I don't think about whether the future will be smooth or muddy
As long as I love my life
Everything is expected
Wistful thinking
I don't know
Whether or not I'm still in love with you
And if I am in love
Why was it that I had to part like that?
I don't know
If I don't love you anymore
If I don't love you
Why don't the memories go with the time
When I think of your smile
My heart flutters and rises and falls
I hate that everything
is in the past
Only The night is as beautiful as it was before
I thought I could forget your beautiful eyes on this trip
I thought I could cut off
the strands of love
and the sadness that the winds of autumn can't blow away
But who would have thought that, in the end, the mountains and rivers would remain the same?
And love remains the same
Is it possible
Is it possible that you've forgotten me
Why else would absolutely nothing ever change
We've been separated from each other
Is it possible that you've treasured me
Why else would smiles always adorn my dreams
Are we destined to be together
It's just that it's hard to see each other
Are we not destined to be together
What the years have left me with
is sadness
If you're not happy enough
If you're not happy enough
Don't frown.
Life is short in the first place
Why cultivate bitterness
Open up the dusty doors and windows
Let the sunshine and rain showered on every corner
Go to the field of life
Let the wind iron out your forehead
Large size can dilute the sorrow
Dark color can cover the light
Self-love
You don't have a reason. p>
You have no reason to be depressed
For you are autumn
Frightened
You have no reason to be proud
For you are spring
Tilt your head up
Autumn colors are not as beautiful as spring
Spring is not better than fall colors
Symposium is not as good as autumn colors
Thought-
She tells us
- Contemplation is a beauty
Boldness is a virtue
I read you in my eyes
You understand me in your words
Containment is a character
Boldness is a virtue. is a virtue
Don't tell me
Only the eyes are
the true refraction of the heart
If there are no words
We are in solitude
and all we can reap is silence ......
Pale clouds swim languidly
Love, don't be a prisoner
Don't outlaw someone else's freedom just for the sake of your comfort
It's always the best when you can't get it
How can you enjoy it when there's too much of it
A little bit of sadness and a lot of sorrow
The river in the fall is flowing in a gentle stream
Faint fog
Faint rain
The river in the fall is flowing in a gentle stream
Faint fog
A faint rain
The river in the fall is flowing in a gentle stream
Faint rain
As long as we have loved each other once
If we had never met
Perhaps our hearts would never have been heavy
If we had lost each other
I'm afraid our lives would not have been easy
A single glance
is enough to make our hearts swept by hurricane winds
On the barren land
I know more about the world than ever.
A deeper understanding of the landscape
One trip
is enough to make a tiny heart melt
Every glance at the autumn water
is enough to bring tears to my eyes
How can you die without fear
And how can you love without feeling anything
As long as you love each other for once
it's a life of no regrets.
Maybe
Maybe there will never be a day
When the future is as bright as the sunset
Maybe there will never be a day
When success is as brilliant as the lights
Maybe it's just the way it is
Climbing up, but you can't get to the top
Maybe it's just the way it is
When you're running down the stream, but you can't make waves
Maybe there's just the way it is
Maybe there's just the way it is
Maybe there's just the way it is. Maybe, all we can give you is a heart that's been through a lot
and a face that's been weathered
across itself
We can lie to others
but not to ourselves
As we head into the leafy month of May
youth is no longer a mystery
but an enigma. The road up
is always bumpy and rough
It's not easy to keep the original romance alive forever
Some people are sad
Some people are happy
When we cross a mountain
we cross a true self
I don't expect anything in return
For giving you a gift
I don't expect anything in return
I don't want to give you something back.
If I give to you
I don't expect anything in return
If I give
just to get something one day
then how small I am
If you are a lake
I'd be happy to be the bank that surrounds it
If you're a mountain
I'd be happy to be the grass that adorns your face
If you're a mountain
I'd be happy to be the grass that adorns your face
I'd be happy to be the grass that adorns your body.
A man may not make himself great
but he can surely
make himself sublime
The eternal heart
The ages are like water
and wherever they flow
there will be fashion
How can we expect
the world and its vicissitudes to be
unchanged
from the people of the world?
It's the sincerity and goodness
of the human heart
No matter what kind of clothes it wears
it's still too unattractive
Silent feelings
There are times like these
It's for the sake of love that we hide from it
It's the silhouettes that we hide from it
We can't hide from it
It's the silhouettes that we can't hide from.
But what I can't hide from is that
Silent love
Walking in the moonlight
Wandering in my sleep
Emotional things
I can't explain them
It's not that I don't want to love
It's not that I don't want to love
I'm afraid that
Love can be a kind of damage
Just give me a smile
Don't give me too much affection
How can I pay you back
Emotional debts are the heaviest
I can't repay them, but how can I forget them
Just give me a smile
Just like a glass of wine, just like a soft wind
It's the most touching statement
It's like springtime, warm and fragrant, like a breeze.
And I, too, have treasured it all
For us
Memories are the days that never go down
- never yellow
The times when we meet are always short
The times when we look forward to them are always long
By the streams of years
How many times have I picked up the memories of you?
How many sparkling lines of poetry have I picked up
If you want to miss me
Just look at the stars in the sky
There's the light of my eyes
Back
Back
It's always so simple. Simple
Simple
is a kind of landscape
Back
Always young
Young
is a kind of clarity
Back
Always subtle
Subtle
Contained
is a kind of charm
Back
Always lonely
Always lonely
Always a kind of charm
Back
Always a kind of charm
Loneliness
is better remembered
But I'm more than happy
Why should I be recognized
As long as the way is right
Fame and fortune have always been the flower
and the yoke
No matter what the end is
there is always a lack of interest
in the flow.
There is an eternal joy
Though, at times, I have prayed for
a moment of glory
But I prefer
to let my mind be at peace
I know
that joy is the stage of life
Pain is the voyage of life
I know
that when your heart is in the right place, you will always have the chance to be at the right place.
When your heart is heavy
The best gift
Is to give you a peaceful sky
You'll be lost
And you'll be awake
When the night is low
You'll feel
A warm pair of eyes
I know
That when you wipe the tears from your cheeks
I know
That when you dry your tears I know
when you wipe the tears from your cheeks
you'll smile brightly
and then I'll say softly to you
Let's go, you see
the acacia blossoms smell good and the moonlight is bright
Traveling
Every distant place
has a temptation for us
either the temptation to be beautiful
or to be fabled
even when it's far away
and you can feel that there are warm eyes.
Even if the distant scenery
isn't perfect
we don't need to care
because it's really a
fascinating mistake
Looking up, it's spring, looking down, it's autumn
May all the happiness follow you
The full moon is a painting, the moon's absence is a poem
I wish you the best
A beautiful remembrance, like a tapestry
My dear friend
Please accept my deepest wishes
May all the joys be with you
Go far away, go far away
There's no scenery in the familiar places
If the talent goes unrecognized
If the talent goes unrecognized
Instead of cursing, we should endure
And in that endurance, we should build up our strength
And work in silence
Cursing doesn't help
It only dims the original light
And in that dimmed light
, we lose the spirit of the tree
And what comes in the clouds
And what goes out of the trees is also the clouds
If today
no one knows a star
then tomorrow
why not be the moon
If life is not generous enough
if life is not generous enough
we don't have to be stingy in return
why do we need to be calculating
we have to give as much as we get
if we can be generous
we have to be more than generous
we have to be more than generous. If you can be generous
Why do you have to be indecent
If you can be elegant
Why do you have to be lonely
Getting is a kind of fulfillment
Giving is a kind of happiness
Yu Guangzhong's Waiting for You, in the Rain:
Waiting for you, in the rain, in the rainbow rain
Cicadas sink, frogs rise
A pool of water, a pool of water, a pool of water, a pond, a pool of water, a pond, a pond, a pond, a pond, a pond.
A pool of red lotus like red flames, in the rain
It's the same whether you come or not, but I feel
Every lotus is like you
Especially in the dusk, in such a light rain
Eternity, a flash, a flash, an eternity
Waiting for you, outside of time, inside of time,
Waiting for you, in the flash, in the eternal
If your hand is in the rain, in the rainbow making rain
Waiting for you, in the rain, in the rain, in the rain, in the rain, in the rain, in the rain, in the rain, in the rain, in the rain, in the rain
If your hand were in mine, at this very momentIf your fragrance
were in my nostrils, I would say, "Little lover
No, this hand should be picking lotuses, in the Palace of Wu
This hand should be shaking a cinnamon stick, in the boat of Magnolia
A star hangs from the eaves of the Science Museum
Ears pendant-like The Swiss watch says it's seven o'clock, and suddenly you're here
The red lotus after the rain, fluttering, you're here
Like a little song
From a love story you're here
From Jiang Baishi's lyrics, rhyming, you're here
Bian Zhilin's Broken Badge:
You're standing on the bridge looking at the scenery
The people watching the scenery are in the middle of a bridge, and the people watching the scenery are in the middle of a boat, and the people watching the scenery are in the middle of the boat.
You're standing on a bridge watching the scenery, and
the people watching the scenery are watching you from upstairs.
The bright moon decorates your window,
you decorate other people's dreams.
Morphological Composition What are the elements of Morphological CompositionGeometrical elements, aesthetic elements and material elements.
What are the constituent elements in text interpretation1. Event
An event consists of the behavior of the narrated character and its consequences, and an event is relatively independent in the narrative, so an event is a narrative unit. The Monkey King is an event, and Wu Sung is an event. In the plot, each narrative unit is in a certain relationship structure and assumes different roles. Generally speaking, with the works of the characters have nothing to do with the behavior or non-human-made situation state of affairs can not be counted as a meaningful narrative unit, only to the character's behavior and fate of the event can enter the works.
What are the constituent elements of a libraryMainly including literature and information resources, users, staff, technical methods, buildings and equipment and other basic elements
What are the constituent elements of a decision treeThe constituent elements of a decision tree include (BCDE).
A. Probabilistic return values
B. Decision points
C. Program branches
D. Decision nodes
E. Probabilistic branches
There are four elements that make up a decision tree: these include the decision points, the program branches, the decision nodes, and the probabilistic branches.
What are the components of musicHigh and low, long and short, strong and weak, timbre is the four elements of music.