These are the dreams Yang Jiang had, and the background of the era is Mr. Yang Jiang's nostalgia for his deceased husband and daughter. Qian Zhongshu went to a meeting and was very mysterious, not letting anyone know. This is a previous portrayal of Mr. Yang Jiang's inability to understand and accept the death of Mr. Qian. The ancient stagecoach road is an important imagery that cannot be ignored. Walking on the ancient stagecoach, meeting on the ancient stagecoach, and being separated on the ancient stagecoach in the part of imaginary writing about death, all the gatherings and separations of Yang Jiang and Qian Zhongshu as well as Qian Yuan are interpreted on the ancient stagecoach.
The ancient stagecoach not only symbolizes the sadness of parting as in the ancient books, but also symbolizes the end of the journey of life. This section of the ancient stagecoach road is the necessary journey of life, and cannot be escaped. On this ancient stagecoach road, Yang Jiang sent Qian Zhongshu one journey after another, and finally could only watch the boat go away. Even if she wanted to turn into a stone on the hill and watch over the invisible boat, she could not do so.
Eventually only turned into a yellow leaf, the wind blew, from the rocks floated down, landing in the home of the Sanlihe. Everything on the ancient stagecoach road is not subject to the will of the individual, what should be left will eventually leave, what should be left will eventually stay.
Expanded Information
Descriptions of willows keep appearing in the text, and the most written about are the cold willows and the bald willows: "The stagecoach road was again full of leaves, and the one willows were all turning into bare cold willows again." "The willows on the embankment began to yellow and fall, gradually falling into a bald willow."
The willow tree is the archetypal image of ancient poetry to express feelings of separation, and it is the separating tree in the Chinese lyrical tradition, and the flavor it contains is bitter. Faced with parting in life and death, Yang Jiang uses this traditional symbolic imagery. Unlike ordinary parting, Yang Jiang writes of cold and bald willows, suggesting that death is approaching, symbolizing death and eternal parting.
"The Three of Us Are Separated" expresses this deep emotional experience in the form of a "dream".
Dream writing is a common form of ancient eulogy in China, which depicts the illusion and expresses the true feelings. Yang Jiang used this technique, from the psychological point of view, his daughter and her husband died of serious illnesses, and his emotions were y stimulated, as if in a dream, which was also real. According to psychology, when the emotion is extreme, no matter how sad or happy it is, it will be like a dream.
From a creative point of view, using a dream as the basis of the book and structuring the whole text is easy for the free flow of emotions and the expression of subjective real feelings. A multi-layered and natural flow can be achieved. At the same time, the artistic technique of narrative depiction to ease the intensity of natural emotions can be sublimated into "poetic feelings".